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Requiem
Songs like
Requiem
by
Thom Gossage
Based on a tempo of (+/- 10%) and a similar genre
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John Scofield
Rolf And The Gang
98 bpm • E Maj • 05:23 • -11.98db
8% Popularity • 46% Danceability • 39% Energy • 10% Liveness
75% Instrumentalness • 46% Positiveness
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Tony Glausi
tendency
98 bpm • C# Maj • 03:33 • -14.7db
21% Popularity • 55% Danceability • 37% Energy • 24% Liveness
35% Instrumentalness • 55% Positiveness
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Space
Look
98 bpm • G Maj • 03:10 • -12.15db
7% Popularity • 34% Danceability • 43% Energy • 12% Liveness
94% Instrumentalness • 13% Positiveness
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Jerry Paper
Shouldn’t You Be Laughing
98 bpm • G# min • 01:43 • -8.92db
11% Popularity • 59% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Manu Codjia
Phase I
98 bpm • C Maj • 02:09 • -18.82db
24% Popularity • 46% Danceability • 6% Energy • 9% Liveness
60% Instrumentalness • 24% Positiveness
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Cassie Kinoshi
ii - Single Version
98 bpm • A# min • 04:15 • -10.48db
20% Popularity • 32% Danceability • 64% Energy • 8% Liveness
82% Instrumentalness • 36% Positiveness
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Thom Gossage
Go West
99 bpm • C min • 02:21 • -24.87db
0% Popularity • 38% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Omer Klein
Blinky Palermo
99 bpm • D Maj • 05:26 • -18.41db
9% Popularity • 62% Danceability • 37% Energy • 13% Liveness
87% Instrumentalness • 85% Positiveness
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Abdullah Ibrahim
Dreamtime
99 bpm • A# min • 04:05 • -19.5db
33% Popularity • 49% Danceability • 15% Energy • 22% Liveness
93% Instrumentalness • 7% Positiveness
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Hvalfugl
Kaskader Af Glemsel #1
97 bpm • C min • 01:41 • -19.13db
24% Popularity • 44% Danceability • 16% Energy • 15% Liveness
78% Instrumentalness • 17% Positiveness
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Tomasz Stanko Quartet
Kattorna
99 bpm • G Maj • 06:29 • -17.08db
27% Popularity • 46% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Andrew Hale
J.J.
97 bpm • G# min • 01:30 • -12.93db
34% Popularity • 54% Danceability • 40% Energy • 35% Liveness
91% Instrumentalness • 78% Positiveness
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Thom Gossage
Requiem
98 bpm • A min • 08:14 • -19.13db
0% Popularity • 44% Danceability • 16% Energy • 17% Liveness
28% Instrumentalness • 8% Positiveness
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John Patitucci
Seeds Of Change
99 bpm • A Maj • 02:37 • -25.27db
12% Popularity • 70% Danceability • 12% Energy • 11% Liveness
97% Instrumentalness • 12% Positiveness
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André Murraças
Easy Ballad (Part II)
99 bpm • A min • 03:33 • -15.47db
6% Popularity • 50% Danceability • 33% Energy • 10% Liveness
78% Instrumentalness • 45% Positiveness
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ARTEMIS
The Sidewinder
99 bpm • A# min • 05:05 • -12.27db
41% Popularity • 68% Danceability • 37% Energy • 10% Liveness
21% Instrumentalness • 72% Positiveness
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Amaro Freitas
Estudo 0
99 bpm • B Maj • 07:37 • -14.66db
8% Popularity • 39% Danceability • 24% Energy • 11% Liveness
14% Instrumentalness • 4% Positiveness
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Förnuft och Känsla
Blues Vaccine
97 bpm • A# min • 06:00 • -14.98db
18% Popularity • 59% Danceability • 41% Energy • 12% Liveness
87% Instrumentalness • 66% Positiveness
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Thom Gossage
Kelp
99 bpm • C Maj • 09:44 • -9.62db
0% Popularity • 52% Danceability • 51% Energy • 32% Liveness
7% Instrumentalness • 65% Positiveness
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Christian Houmann
Nordic Afro
99 bpm • A Maj • 05:03 • -14.32db
12% Popularity • 55% Danceability • 49% Energy • 11% Liveness
90% Instrumentalness • 71% Positiveness
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Dejan Terzic
Outcry
99 bpm • D min • 07:12 • -10.03db
2% Popularity • 41% Danceability • 52% Energy • 14% Liveness
40% Instrumentalness • 47% Positiveness
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André Ceccarelli
Balkis
100 bpm • F# Maj • 02:29 • -15.56db
47% Popularity • 35% Danceability • 24% Energy • 11% Liveness
5% Instrumentalness • 14% Positiveness
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Matthew Halsall
Music for a Dancing Mind - Special Editi...
100 bpm • D min • 08:53 • -11.53db
21% Popularity • 41% Danceability • 47% Energy • 11% Liveness
89% Instrumentalness • 34% Positiveness
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Pat Metheny
The Veil
100 bpm • C# Maj • 03:42 • -11.85db
10% Popularity • 39% Danceability • 57% Energy • 48% Liveness
0% Instrumentalness • 40% Positiveness
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Thom Gossage
Odeto
99 bpm • A min • 08:53 • -20.12db
0% Popularity • 48% Danceability • 11% Energy • 12% Liveness
66% Instrumentalness • 5% Positiveness
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Bill Frisell
Probability Cloud
100 bpm • F# min • 04:45 • -14.42db
8% Popularity • 43% Danceability • 31% Energy • 14% Liveness
45% Instrumentalness • 36% Positiveness
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John Surman
Hawksmoor
96 bpm • D# Maj • 06:52 • -21.54db
15% Popularity • 57% Danceability • 15% Energy • 7% Liveness
18% Instrumentalness • 16% Positiveness
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Rymden
The Hike
100 bpm • D Maj • 07:40 • -16.74db
15% Popularity • 46% Danceability • 27% Energy • 11% Liveness
71% Instrumentalness • 33% Positiveness
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Lisa Hilton
Too Hot
96 bpm • G min • 04:35 • -18.35db
17% Popularity • 33% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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John Patitucci
Morocco
96 bpm • E Maj • 01:44 • -27.31db
10% Popularity • 69% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 27% Positiveness
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Thom Gossage
Swamp Suite
99 bpm • C min • 06:05 • -15.91db
0% Popularity • 48% Danceability • 35% Energy • 9% Liveness
63% Instrumentalness • 22% Positiveness
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Ravi Coltrane
The Mad 6
96 bpm • E min • 01:19 • -8.32db
8% Popularity • 44% Danceability • 79% Energy • 6% Liveness
23% Instrumentalness • 32% Positiveness
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Amaro Freitas
Paço
100 bpm • B Maj • 04:23 • -19.87db
14% Popularity • 43% Danceability • 23% Energy • 14% Liveness
82% Instrumentalness • 49% Positiveness
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Avishai Cohen
Naked Truth - Pt. 7
100 bpm • A# min • 02:47 • -20.76db
12% Popularity • 29% Danceability • 12% Energy • 18% Liveness
43% Instrumentalness • 8% Positiveness
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Kit Downes
Fiend
96 bpm • G Maj • 04:11 • -16.93db
16% Popularity • 32% Danceability • 34% Energy • 16% Liveness
87% Instrumentalness • 28% Positiveness
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Michael Stephans
Le My People Go
95 bpm • A Maj • 05:40 • -20.44db
14% Popularity • 39% Danceability • 17% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Matthew Shipp
Sea Song
96 bpm • G Maj • 06:26 • -22.65db
11% Popularity • 35% Danceability • 21% Energy • 38% Liveness
84% Instrumentalness • 5% Positiveness
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Dave Douglas
A Single Sky
95 bpm • D Maj • 02:05 • -10.54db
14% Popularity • 50% Danceability • 43% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
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Paul Motian
Shadows
95 bpm • E min • 03:28 • -16.62db
11% Popularity • 33% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Thom Gossage
Ya Ya in Ha Ha
101 bpm • G Maj • 03:48 • -16.46db
0% Popularity • 66% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 71% Positiveness
► Preview
Jayden Villarreal
Enneadic
95 bpm • E min • 04:32 • -12.71db
7% Popularity • 56% Danceability • 36% Energy • 14% Liveness
39% Instrumentalness • 45% Positiveness
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Matthew Halsall
Mary Emma Louise
101 bpm • F# min • 06:40 • -13.29db
31% Popularity • 50% Danceability • 36% Energy • 34% Liveness
40% Instrumentalness • 34% Positiveness
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Vijay Iyer
Entrustment
101 bpm • F# min • 05:06 • -23.17db
15% Popularity • 33% Danceability • 13% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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Lukmil Perez
Love Light
95 bpm • G Maj • 06:29 • -19.68db
7% Popularity • 48% Danceability • 14% Energy • 32% Liveness
82% Instrumentalness • 15% Positiveness
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Nicole McCabe
Force Of Good
95 bpm • C Maj • 06:23 • -8.5db
11% Popularity • 42% Danceability • 53% Energy • 12% Liveness
2% Instrumentalness • 55% Positiveness
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Julieta Eugenio
Breath III
95 bpm • F# Maj • 02:05 • -14.66db
13% Popularity • 44% Danceability • 27% Energy • 8% Liveness
6% Instrumentalness • 54% Positiveness
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Will Régnier
Entre les lignes
95 bpm • G min • 07:15 • -12.45db
8% Popularity • 58% Danceability • 43% Energy • 18% Liveness
88% Instrumentalness • 22% Positiveness
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Thom Gossage
Maze
101 bpm • F# min • 16:25 • -14.27db
0% Popularity • 45% Danceability • 19% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
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Brahja
Sorcery of Terminology
102 bpm • G# min • 05:25 • -22db
9% Popularity • 24% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Johannes Maikranz Sextett
New Blues - Intro
94 bpm • D# Maj • 01:27 • -11.45db
14% Popularity • 32% Danceability • 33% Energy • 26% Liveness
88% Instrumentalness • 25% Positiveness
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Lage Lund
Bobby's Tune
94 bpm • C# Maj • 04:32 • -14.25db
16% Popularity • 35% Danceability • 37% Energy • 21% Liveness
84% Instrumentalness • 23% Positiveness
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Bruno Pernadas
September 4th
102 bpm • F min • 07:52 • -9.49db
10% Popularity • 38% Danceability • 54% Energy • 16% Liveness
88% Instrumentalness • 19% Positiveness
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Cornelia Nilsson
The Wanderer
102 bpm • E Maj • 05:33 • -12.43db
17% Popularity • 52% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 32% Positiveness
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Thom Gossage
Old World
94 bpm • A# min • 03:21 • -18.51db
0% Popularity • 32% Danceability • 13% Energy • 19% Liveness
5% Instrumentalness • 26% Positiveness
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Julian Lage
Earth Science
94 bpm • D Maj • 02:15 • -8.88db
11% Popularity • 36% Danceability • 49% Energy • 15% Liveness
72% Instrumentalness • 37% Positiveness
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Enzo Rocco
Song for Francesca
102 bpm • A min • 02:44 • -16db
9% Popularity • 57% Danceability • 28% Energy • 31% Liveness
70% Instrumentalness • 18% Positiveness
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Dave Douglas
Strange Liberation
102 bpm • C min • 08:03 • -9db
8% Popularity • 45% Danceability • 49% Energy • 8% Liveness
34% Instrumentalness • 25% Positiveness
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David Tixier Trio
Because I Don't - Interlude
102 bpm • F Maj • 01:13 • -21db
40% Popularity • 67% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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John Zorn
Rigal
103 bpm • G min • 06:09 • -11.44db
15% Popularity • 43% Danceability • 43% Energy • 10% Liveness
32% Instrumentalness • 24% Positiveness
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Thom Gossage
Old World
94 bpm • A# min • 05:25 • -18.98db
0% Popularity • 33% Danceability • 10% Energy • 8% Liveness
5% Instrumentalness • 17% Positiveness
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Abdullah Ibrahim
Sotho Blue - Original Mix
94 bpm • G# min • 05:27 • -13.32db
12% Popularity • 54% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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Kenny Garrett
Wayne's Thang
94 bpm • A Maj • 06:50 • -10db
23% Popularity • 53% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Charles Lloyd
Booker’s Garden
93 bpm • D min • 08:07 • -16.78db
30% Popularity • 46% Danceability • 30% Energy • 11% Liveness
16% Instrumentalness • 44% Positiveness
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Avishai Cohen
Pablo
93 bpm • C Maj • 01:52 • -16.47db
9% Popularity • 39% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 41% Positiveness
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Lukmil Perez
If
103 bpm • G# Maj • 04:02 • -20.68db
7% Popularity • 48% Danceability • 8% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
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Thom Gossage
Leuven Country
103 bpm • G# Maj • 11:20 • -18.38db
0% Popularity • 43% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
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John Lurie
Men Working
103 bpm • G# min • 01:07 • -18.53db
35% Popularity • 56% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 30% Positiveness
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Triosence
Cruise Control
93 bpm • F min • 04:21 • -15.23db
15% Popularity • 54% Danceability • 55% Energy • 9% Liveness
83% Instrumentalness • 62% Positiveness
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Ari Hoenig
Cherokee
93 bpm • A# Maj • 06:22 • -28.03db
28% Popularity • 41% Danceability • 6% Energy • 11% Liveness
6% Instrumentalness • 8% Positiveness
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John Surman
Precipice
104 bpm • G# Maj • 05:28 • -20.5db
19% Popularity • 53% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Charles Lloyd
The Ghost of Lady Day
92 bpm • A min • 06:43 • -15.73db
28% Popularity • 31% Danceability • 26% Energy • 9% Liveness
48% Instrumentalness • 16% Positiveness
► Preview
Yannick Peeters
Copy/Paste
104 bpm • G# Maj • 03:08 • -17.27db
8% Popularity • 45% Danceability • 22% Energy • 10% Liveness
60% Instrumentalness • 29% Positiveness
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Takashi Kako
最後の海戦 II
104 bpm • C Maj • 04:41 • -15.77db
7% Popularity • 32% Danceability • 33% Energy • 11% Liveness
91% Instrumentalness • 35% Positiveness
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Mulgrew Miller
Go East Young Man
104 bpm • C Maj • 07:41 • -11.06db
9% Popularity • 45% Danceability • 50% Energy • 9% Liveness
85% Instrumentalness • 68% Positiveness
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Marc Johnson
One Thousand And One Nights
92 bpm • F Maj • 08:16 • -16.37db
8% Popularity • 42% Danceability • 49% Energy • 10% Liveness
96% Instrumentalness • 57% Positiveness
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The Elephant
What? You Don't Like Beauty
92 bpm • D# Maj • 07:27 • -14.22db
10% Popularity • 31% Danceability • 43% Energy • 9% Liveness
25% Instrumentalness • 16% Positiveness
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Maurizio Giammarco
Modular Identity
92 bpm • F Maj • 04:24 • -14.3db
14% Popularity • 63% Danceability • 37% Energy • 7% Liveness
83% Instrumentalness • 71% Positiveness
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Enrico Rava Quintet
Tribe
92 bpm • F min • 05:00 • -18.47db
8% Popularity • 57% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 37% Positiveness
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Reinier Baas
Sonatina
92 bpm • C Maj • 04:53 • -13.06db
17% Popularity • 32% Danceability • 32% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
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Freddie Colonal
Predicting Future
92 bpm • D min • 01:12 • -24.62db
16% Popularity • 34% Danceability • 3% Energy • 11% Liveness
57% Instrumentalness • 67% Positiveness
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Vijay Iyer Sextet
Far From Over
105 bpm • A min • 06:15 • -14.95db
9% Popularity • 54% Danceability • 49% Energy • 10% Liveness
93% Instrumentalness • 39% Positiveness
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Anouar Brahem
Bom Dia Rio
92 bpm • A min • 09:23 • -24.73db
23% Popularity • 54% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Charles Lloyd
The Lonely One
105 bpm • E min • 05:45 • -19.04db
32% Popularity • 33% Danceability • 21% Energy • 10% Liveness
20% Instrumentalness • 18% Positiveness
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The Bad Plus
Smells Like Teen Spirit
105 bpm • F min • 05:57 • -9.38db
27% Popularity • 38% Danceability • 73% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
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Space
Composure
91 bpm • D Maj • 04:08 • -24.35db
8% Popularity • 41% Danceability • 12% Energy • 11% Liveness
82% Instrumentalness • 19% Positiveness
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John Surman
Around the Edges
91 bpm • D min • 04:19 • -19.78db
19% Popularity • 29% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Kerem Görsev
Black Sea - Live Performance
91 bpm • C Maj • 06:19 • -14.31db
11% Popularity • 48% Danceability • 42% Energy • 12% Liveness
57% Instrumentalness • 75% Positiveness
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Thomas Hass
Nefertiti
91 bpm • G# Maj • 05:55 • -15db
34% Popularity • 31% Danceability • 24% Energy • 21% Liveness
54% Instrumentalness • 8% Positiveness
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Christian McBride
The Good Life
106 bpm • C# Maj • 07:15 • -10.74db
21% Popularity • 61% Danceability • 47% Energy • 36% Liveness
89% Instrumentalness • 65% Positiveness
► Preview
Giuseppe Millaci
Broustin Avenue
91 bpm • F# min • 06:25 • -16.47db
22% Popularity • 52% Danceability • 32% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Julian Lage
Pantheon
106 bpm • G# Maj • 04:18 • -12.93db
12% Popularity • 43% Danceability • 24% Energy • 14% Liveness
66% Instrumentalness • 22% Positiveness
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WDR Big Band
Si Lu
91 bpm • C Maj • 06:05 • -15.3db
12% Popularity • 36% Danceability • 18% Energy • 11% Liveness
80% Instrumentalness • 6% Positiveness
► Preview
Thom Gossage
Half-Full
106 bpm • D# Maj • 09:52 • -12.4db
0% Popularity • 52% Danceability • 31% Energy • 12% Liveness
6% Instrumentalness • 48% Positiveness
► Preview
Yutaka Yamada
Hustle and Bustle
106 bpm • C Maj • 06:32 • -14.11db
20% Popularity • 44% Danceability • 40% Energy • 13% Liveness
87% Instrumentalness • 36% Positiveness
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Christian McBride
East Broadway Rundown
106 bpm • G# Maj • 07:17 • -11db
8% Popularity • 54% Danceability • 36% Energy • 9% Liveness
85% Instrumentalness • 49% Positiveness
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Robert Glasper
G&B
90 bpm • A# Maj • 08:29 • -14.54db
22% Popularity • 36% Danceability • 40% Energy • 13% Liveness
91% Instrumentalness • 28% Positiveness
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Lage Lund
Everything Means Nothing To Me
90 bpm • C Maj • 04:36 • -15.15db
19% Popularity • 36% Danceability • 33% Energy • 11% Liveness
72% Instrumentalness • 25% Positiveness
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Flash Pig
QG
107 bpm • G min • 05:35 • -10.95db
14% Popularity • 61% Danceability • 46% Energy • 12% Liveness
24% Instrumentalness • 35% Positiveness
► Preview
Thom Gossage
The Now Beyond Part II
91 bpm • D# Maj • 06:51 • -17.68db
0% Popularity • 46% Danceability • 27% Energy • 10% Liveness
62% Instrumentalness • 19% Positiveness
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Bill Frisell
Wise Woman
90 bpm • D Maj • 03:46 • -16db
34% Popularity • 33% Danceability • 23% Energy • 31% Liveness
71% Instrumentalness • 5% Positiveness
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Requiem