Songs like Responsible / For Jan Van De Ven by The Peter Brötzmann Octet
Based on a tempo of (+/- 10%) and a similar genre
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Naked City
Chinatown
125 bpm • G min • 06:02 • -11.8db
12% Popularity • 39% Danceability • 16% Energy • 68% Liveness
6% Instrumentalness • 7% Positiveness
12% Popularity • 39% Danceability • 16% Energy • 68% Liveness
6% Instrumentalness • 7% Positiveness
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Carla Bley
Escalator Over The Hill
125 bpm • G# min • 04:52 • -9.7db
8% Popularity • 30% Danceability • 56% Energy • 17% Liveness
2% Instrumentalness • 19% Positiveness
8% Popularity • 30% Danceability • 56% Energy • 17% Liveness
2% Instrumentalness • 19% Positiveness
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Natural Snow Buildings
Santa Sangre, Pt. 1
125 bpm • F# Maj • 11:52 • -3.19db
11% Popularity • 24% Danceability • 95% Energy • 35% Liveness
97% Instrumentalness • 12% Positiveness
11% Popularity • 24% Danceability • 95% Energy • 35% Liveness
97% Instrumentalness • 12% Positiveness
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Chicago Underground Quartet
A Re-Occuring Dream
124 bpm • G Maj • 03:11 • -11.19db
12% Popularity • 52% Danceability • 33% Energy • 12% Liveness
95% Instrumentalness • 25% Positiveness
12% Popularity • 52% Danceability • 33% Energy • 12% Liveness
95% Instrumentalness • 25% Positiveness
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The Peter Brötzmann Octet
Responsible / For Jan Van De Ven
125 bpm • C# Maj • 08:19 • -15.39db
12% Popularity • 34% Danceability • 55% Energy • 33% Liveness
70% Instrumentalness • 16% Positiveness
12% Popularity • 34% Danceability • 55% Energy • 33% Liveness
70% Instrumentalness • 16% Positiveness
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Herbie Hancock
You'll Know When You Get There
126 bpm • E min • 10:14 • -15.31db
20% Popularity • 36% Danceability • 25% Energy • 8% Liveness
71% Instrumentalness • 11% Positiveness
20% Popularity • 36% Danceability • 25% Energy • 8% Liveness
71% Instrumentalness • 11% Positiveness
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Naked City
Den Of Sins
125 bpm • D Maj • 01:18 • -0.96db
11% Popularity • 30% Danceability • 99% Energy • 79% Liveness
67% Instrumentalness • 18% Positiveness
11% Popularity • 30% Danceability • 99% Energy • 79% Liveness
67% Instrumentalness • 18% Positiveness
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Current 93
Love's Young Dream
126 bpm • C min • 03:02 • -20.31db
7% Popularity • 41% Danceability • 7% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
7% Popularity • 41% Danceability • 7% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
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Dave Holland Quartet
See-Saw
126 bpm • G Maj • 06:44 • -13.52db
9% Popularity • 41% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 41% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Painkiller
Executioner
126 bpm • G Maj • 02:48 • -9.5db
11% Popularity • 24% Danceability • 79% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
11% Popularity • 24% Danceability • 79% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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Andrew Hill
Compulsion - Rudy Van Gelder Edition/200...
126 bpm • F min • 14:14 • -7.7db
8% Popularity • 41% Danceability • 72% Energy • 26% Liveness
22% Instrumentalness • 39% Positiveness
8% Popularity • 41% Danceability • 72% Energy • 26% Liveness
22% Instrumentalness • 39% Positiveness
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Duke Ellington
Gong
124 bpm • G# min • 04:43 • -17.39db
9% Popularity • 53% Danceability • 25% Energy • 8% Liveness
1% Instrumentalness • 69% Positiveness
9% Popularity • 53% Danceability • 25% Energy • 8% Liveness
1% Instrumentalness • 69% Positiveness
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Henry Cow
Half Alseep: Half Awake
126 bpm • E Maj • 07:59 • -14.06db
13% Popularity • 44% Danceability • 49% Energy • 13% Liveness
65% Instrumentalness • 26% Positiveness
13% Popularity • 44% Danceability • 49% Energy • 13% Liveness
65% Instrumentalness • 26% Positiveness
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Sam Rivers
Ellipsis
124 bpm • G min • 07:40 • -14.73db
13% Popularity • 46% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 46% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Mary Halvorson
Spatial Serenade (Excerpt)
124 bpm • F# Maj • 01:21 • -5.53db
16% Popularity • 62% Danceability • 55% Energy • 8% Liveness
92% Instrumentalness • 66% Positiveness
16% Popularity • 62% Danceability • 55% Energy • 8% Liveness
92% Instrumentalness • 66% Positiveness
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Roland Kirk Quartet
I Talk With The Spirits
124 bpm • E min • 03:57 • -25.71db
12% Popularity • 34% Danceability • 2% Energy • 8% Liveness
18% Instrumentalness • 4% Positiveness
12% Popularity • 34% Danceability • 2% Energy • 8% Liveness
18% Instrumentalness • 4% Positiveness
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Dave Holland Quartet
Conference Of The Birds
123 bpm • A# Maj • 04:37 • -22.25db
41% Popularity • 39% Danceability • 17% Energy • 20% Liveness
36% Instrumentalness • 29% Positiveness
41% Popularity • 39% Danceability • 17% Energy • 20% Liveness
36% Instrumentalness • 29% Positiveness
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Ornette Coleman
Peace
127 bpm • B Maj • 09:04 • -15db
33% Popularity • 61% Danceability • 6% Energy • 11% Liveness
44% Instrumentalness • 19% Positiveness
33% Popularity • 61% Danceability • 6% Energy • 11% Liveness
44% Instrumentalness • 19% Positiveness
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Art Ensemble Of Chicago
Charlie M
127 bpm • A# min • 09:17 • -15db
14% Popularity • 47% Danceability • 31% Energy • 15% Liveness
17% Instrumentalness • 36% Positiveness
14% Popularity • 47% Danceability • 31% Energy • 15% Liveness
17% Instrumentalness • 36% Positiveness
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Sam Rivers
Point Of Many Returns
123 bpm • G Maj • 09:23 • -10db
15% Popularity • 46% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 46% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Sun Ra & His Arkestra
Springtime Again
123 bpm • F Maj • 09:15 • -11.99db
34% Popularity • 36% Danceability • 43% Energy • 14% Liveness
40% Instrumentalness • 18% Positiveness
34% Popularity • 36% Danceability • 43% Energy • 14% Liveness
40% Instrumentalness • 18% Positiveness
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Ramleh
Spear Flower
127 bpm • A# Maj • 07:22 • -2.53db
13% Popularity • 16% Danceability • 72% Energy • 19% Liveness
69% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 72% Energy • 19% Liveness
69% Instrumentalness • 4% Positiveness
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AKU!
Dub Ting
128 bpm • C# min • 06:09 • -10.58db
11% Popularity • 50% Danceability • 38% Energy • 11% Liveness
10% Instrumentalness • 44% Positiveness
11% Popularity • 50% Danceability • 38% Energy • 11% Liveness
10% Instrumentalness • 44% Positiveness
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Art Blakey & The Jazz Messengers
Free For All - 2004 Remaster/Rudy Van Ge...
128 bpm • C# Maj • 11:09 • -8.99db
26% Popularity • 33% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 33% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Ornette Coleman
What Reason Could I Give
128 bpm • G Maj • 03:05 • -10db
23% Popularity • 23% Danceability • 49% Energy • 34% Liveness
92% Instrumentalness • 20% Positiveness
23% Popularity • 23% Danceability • 49% Energy • 34% Liveness
92% Instrumentalness • 20% Positiveness
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Otomo Yoshihide's New Jazz Quintet
Song for Che - Reducing Agent
122 bpm • D Maj • 11:33 • -8.35db
11% Popularity • 24% Danceability • 87% Energy • 32% Liveness
61% Instrumentalness • 13% Positiveness
11% Popularity • 24% Danceability • 87% Energy • 32% Liveness
61% Instrumentalness • 13% Positiveness
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World Saxophone Quartet
Cairo Blues
122 bpm • D# Maj • 01:11 • -20.68db
30% Popularity • 49% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 17% Positiveness
30% Popularity • 49% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 17% Positiveness
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Cecil Taylor
Steps
128 bpm • C# min • 10:20 • -12.83db
19% Popularity • 37% Danceability • 66% Energy • 16% Liveness
7% Instrumentalness • 51% Positiveness
19% Popularity • 37% Danceability • 66% Energy • 16% Liveness
7% Instrumentalness • 51% Positiveness
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Sam Rivers
Dance Of The Tripedal
122 bpm • G Maj • 10:10 • -11db
8% Popularity • 43% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 43% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Jackie McLean
Love And Hate
122 bpm • A# Maj • 08:25 • -17db
15% Popularity • 57% Danceability • 7% Energy • 10% Liveness
26% Instrumentalness • 17% Positiveness
15% Popularity • 57% Danceability • 7% Energy • 10% Liveness
26% Instrumentalness • 17% Positiveness
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Hermann Szobel
Mr. Softee
122 bpm • F Maj • 06:31 • -10.25db
8% Popularity • 44% Danceability • 92% Energy • 6% Liveness
43% Instrumentalness • 21% Positiveness
8% Popularity • 44% Danceability • 92% Energy • 6% Liveness
43% Instrumentalness • 21% Positiveness
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Lee Konitz
Intuition
122 bpm • G# Maj • 02:29 • -15db
37% Popularity • 53% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 40% Positiveness
37% Popularity • 53% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 40% Positiveness
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Joe Zawinul
Double Image
129 bpm • D# min • 10:32 • -19.27db
10% Popularity • 29% Danceability • 34% Energy • 11% Liveness
18% Instrumentalness • 21% Positiveness
10% Popularity • 29% Danceability • 34% Energy • 11% Liveness
18% Instrumentalness • 21% Positiveness
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Ornette Coleman
School Work
129 bpm • F min • 05:34 • -10.24db
12% Popularity • 51% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 51% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Bill Frisell
Tales from the Far Side
121 bpm • E min • 06:32 • -10.32db
11% Popularity • 27% Danceability • 29% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
11% Popularity • 27% Danceability • 29% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
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The Lounge Lizards
Fatty Walks
121 bpm • G# min • 02:56 • -15.26db
11% Popularity • 41% Danceability • 49% Energy • 19% Liveness
43% Instrumentalness • 27% Positiveness
11% Popularity • 41% Danceability • 49% Energy • 19% Liveness
43% Instrumentalness • 27% Positiveness
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Roland Kirk Quartet
No Tonic Press
129 bpm • C min • 04:31 • -18db
17% Popularity • 43% Danceability • 45% Energy • 13% Liveness
1% Instrumentalness • 59% Positiveness
17% Popularity • 43% Danceability • 45% Energy • 13% Liveness
1% Instrumentalness • 59% Positiveness
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Jaco Pastorius
6/4 Jam
129 bpm • A min • 04:24 • -15.77db
27% Popularity • 46% Danceability • 64% Energy • 10% Liveness
93% Instrumentalness • 76% Positiveness
27% Popularity • 46% Danceability • 64% Energy • 10% Liveness
93% Instrumentalness • 76% Positiveness
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Massacre
Subway Hearts
129 bpm • B Maj • 02:45 • -11.87db
7% Popularity • 53% Danceability • 77% Energy • 5% Liveness
87% Instrumentalness • 64% Positiveness
7% Popularity • 53% Danceability • 77% Energy • 5% Liveness
87% Instrumentalness • 64% Positiveness
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Anthony Braxton
To Composer John Cage
129 bpm • G# Maj • 09:30 • -10.35db
11% Popularity • 42% Danceability • 43% Energy • 31% Liveness
62% Instrumentalness • 75% Positiveness
11% Popularity • 42% Danceability • 43% Energy • 31% Liveness
62% Instrumentalness • 75% Positiveness
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Cecil Taylor
Port Of Call - Remastered
121 bpm • F min • 04:20 • -17.38db
23% Popularity • 40% Danceability • 40% Energy • 14% Liveness
81% Instrumentalness • 56% Positiveness
23% Popularity • 40% Danceability • 40% Energy • 14% Liveness
81% Instrumentalness • 56% Positiveness
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Iannis Xenakis
Persepolis #1
130 bpm • F# min • 04:58 • -16db
11% Popularity • 16% Danceability • 39% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 39% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Painkiller
Black Chamber
130 bpm • F# min • 02:28 • -12.38db
15% Popularity • 34% Danceability • 69% Energy • 51% Liveness
95% Instrumentalness • 38% Positiveness
15% Popularity • 34% Danceability • 69% Energy • 51% Liveness
95% Instrumentalness • 38% Positiveness
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Art Ensemble Of Chicago
Thème de Céline
121 bpm • G min • 03:03 • -5db
10% Popularity • 41% Danceability • 84% Energy • 11% Liveness
79% Instrumentalness • 53% Positiveness
10% Popularity • 41% Danceability • 84% Energy • 11% Liveness
79% Instrumentalness • 53% Positiveness
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Ornette Coleman
Tomorrow Is The Question! - Instrumental
120 bpm • D Maj • 03:10 • -19db
27% Popularity • 66% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 76% Positiveness
27% Popularity • 66% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 76% Positiveness
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This Heat
Paper Hats
130 bpm • C# min • 06:02 • -11.43db
29% Popularity • 46% Danceability • 78% Energy • 14% Liveness
74% Instrumentalness • 52% Positiveness
29% Popularity • 46% Danceability • 78% Energy • 14% Liveness
74% Instrumentalness • 52% Positiveness
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Boris
Etna
120 bpm • C# Maj • 09:50 • -8db
25% Popularity • 20% Danceability • 42% Energy • 10% Liveness
78% Instrumentalness • 3% Positiveness
25% Popularity • 20% Danceability • 42% Energy • 10% Liveness
78% Instrumentalness • 3% Positiveness
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Aaron Dilloway
Ghost
130 bpm • C min • 04:49 • -9.02db
13% Popularity • 42% Danceability • 46% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
13% Popularity • 42% Danceability • 46% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Albert Ayler
Message From Albert / New Grass
120 bpm • D# Maj • 03:55 • -9.65db
9% Popularity • 40% Danceability • 55% Energy • 22% Liveness
2% Instrumentalness • 73% Positiveness
9% Popularity • 40% Danceability • 55% Energy • 22% Liveness
2% Instrumentalness • 73% Positiveness
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Painkiller
Blackhole Dub
120 bpm • D Maj • 03:28 • -14db
13% Popularity • 34% Danceability • 27% Energy • 69% Liveness
92% Instrumentalness • 7% Positiveness
13% Popularity • 34% Danceability • 27% Energy • 69% Liveness
92% Instrumentalness • 7% Positiveness
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Les Rallizes Dénudés
OZ Days
130 bpm • G# Maj • 01:32 • -11.84db
18% Popularity • 16% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
18% Popularity • 16% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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This Heat
Twilight Furniture
130 bpm • D Maj • 05:06 • -22.19db
15% Popularity • 62% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
15% Popularity • 62% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
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Carla Bley
Slow Dance (Transductory Music)
120 bpm • C Maj • 01:50 • -22.38db
7% Popularity • 26% Danceability • 1% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
7% Popularity • 26% Danceability • 1% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Dave Holland Quartet
Four Winds
120 bpm • E min • 06:34 • -13.82db
17% Popularity • 39% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 39% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Art Ensemble Of Chicago
Nice Guys
120 bpm • D Maj • 01:41 • -13db
30% Popularity • 57% Danceability • 23% Energy • 14% Liveness
70% Instrumentalness • 50% Positiveness
30% Popularity • 57% Danceability • 23% Energy • 14% Liveness
70% Instrumentalness • 50% Positiveness
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U.S. Maple
Lady To Bing
131 bpm • A min • 02:24 • -8.5db
8% Popularity • 48% Danceability • 74% Energy • 32% Liveness
76% Instrumentalness • 50% Positiveness
8% Popularity • 48% Danceability • 74% Energy • 32% Liveness
76% Instrumentalness • 50% Positiveness
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McCoy Tyner
Passion Dance
119 bpm • C# Maj • 08:47 • -8.65db
31% Popularity • 47% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
31% Popularity • 47% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Storm & Stress
The Sky's the Gound, the Bombs Are Plant...
119 bpm • A Maj • 04:45 • -12.9db
15% Popularity • 43% Danceability • 48% Energy • 11% Liveness
75% Instrumentalness • 25% Positiveness
15% Popularity • 43% Danceability • 48% Energy • 11% Liveness
75% Instrumentalness • 25% Positiveness
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Painkiller
Tortured Souls
119 bpm • E min • 01:53 • -10.23db
20% Popularity • 24% Danceability • 66% Energy • 49% Liveness
70% Instrumentalness • 19% Positiveness
20% Popularity • 24% Danceability • 66% Energy • 49% Liveness
70% Instrumentalness • 19% Positiveness
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Anthony Braxton
Dedicated to Multi-Instrumentalist Jack ...
119 bpm • E Maj • 00:42 • -27.18db
18% Popularity • 41% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 41% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Art Ensemble Of Chicago
Dreaming Of The Master
119 bpm • G# Maj • 11:40 • -16.16db
8% Popularity • 43% Danceability • 31% Energy • 6% Liveness
46% Instrumentalness • 53% Positiveness
8% Popularity • 43% Danceability • 31% Energy • 6% Liveness
46% Instrumentalness • 53% Positiveness
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Peter Brötzmann
Sparrow Nights
132 bpm • B Maj • 04:00 • -10.4db
7% Popularity • 41% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 28% Positiveness
7% Popularity • 41% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 28% Positiveness
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Ramleh
Product Of Fear
118 bpm • G# min • 07:06 • -6.76db
20% Popularity • 17% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 39% Positiveness
20% Popularity • 17% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 39% Positiveness
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John Lurie
Promenade Du Maquereau
118 bpm • A min • 01:29 • -14.6db
20% Popularity • 77% Danceability • 36% Energy • 10% Liveness
6% Instrumentalness • 58% Positiveness
20% Popularity • 77% Danceability • 36% Energy • 10% Liveness
6% Instrumentalness • 58% Positiveness
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宮間利之とニュー・ハード
艶歌に対する悲しみ
118 bpm • G min • 03:12 • -13.89db
11% Popularity • 34% Danceability • 33% Energy • 62% Liveness
72% Instrumentalness • 41% Positiveness
11% Popularity • 34% Danceability • 33% Energy • 62% Liveness
72% Instrumentalness • 41% Positiveness
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Joe Harriott
Spring Low, Sweet Harriott
118 bpm • G min • 01:57 • -16.69db
22% Popularity • 48% Danceability • 26% Energy • 11% Liveness
7% Instrumentalness • 23% Positiveness
22% Popularity • 48% Danceability • 26% Energy • 11% Liveness
7% Instrumentalness • 23% Positiveness
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Joe Zawinul
Arrival in New York
118 bpm • F Maj • 01:57 • -20.55db
18% Popularity • 36% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
18% Popularity • 36% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Anthony Braxton
30-EGN (Opus 37)
133 bpm • F# Maj • 08:17 • -16.04db
7% Popularity • 65% Danceability • 11% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
7% Popularity • 65% Danceability • 11% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
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Yellow Swans
Going Places
133 bpm • A Maj • 09:09 • -12.43db
16% Popularity • 15% Danceability • 54% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
16% Popularity • 15% Danceability • 54% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
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Eberhard Weber
The Colours Of Chloë
133 bpm • A Maj • 07:51 • -19.83db
29% Popularity • 28% Danceability • 25% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
29% Popularity • 28% Danceability • 25% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
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宮間利之とニュー・ハード
かくれんぼ
118 bpm • E Maj • 04:08 • -10.95db
14% Popularity • 35% Danceability • 48% Energy • 10% Liveness
8% Instrumentalness • 24% Positiveness
14% Popularity • 35% Danceability • 48% Energy • 10% Liveness
8% Instrumentalness • 24% Positiveness
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Paul Motian Trio
It Should've Happened A Long Time Ago
117 bpm • F# min • 06:06 • -16db
15% Popularity • 34% Danceability • 15% Energy • 38% Liveness
3% Instrumentalness • 28% Positiveness
15% Popularity • 34% Danceability • 15% Energy • 38% Liveness
3% Instrumentalness • 28% Positiveness
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Naked City
The Way I Feel
134 bpm • A# Maj • 10:35 • -3.61db
10% Popularity • 53% Danceability • 83% Energy • 98% Liveness
39% Instrumentalness • 45% Positiveness
10% Popularity • 53% Danceability • 83% Energy • 98% Liveness
39% Instrumentalness • 45% Positiveness
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Henry Cow
Teenbeat
134 bpm • C Maj • 06:47 • -17db
12% Popularity • 50% Danceability • 40% Energy • 31% Liveness
56% Instrumentalness • 45% Positiveness
12% Popularity • 50% Danceability • 40% Energy • 31% Liveness
56% Instrumentalness • 45% Positiveness
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Alice Coltrane
Huntington Ashram Monastery
117 bpm • A min • 05:31 • -15.66db
23% Popularity • 55% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 55% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Cecil Taylor
Trance
117 bpm • C Maj • 09:12 • -6.4db
7% Popularity • 38% Danceability • 94% Energy • 61% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 38% Danceability • 94% Energy • 61% Liveness
0% Instrumentalness • 34% Positiveness
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Larry Young
Zoltan - Rudy Van Gelder 24Bit Mastering...
116 bpm • A min • 07:41 • -6.5db
18% Popularity • 45% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 45% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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John Zorn
The Big Gundown
116 bpm • D Maj • 07:26 • -11.9db
9% Popularity • 42% Danceability • 61% Energy • 8% Liveness
45% Instrumentalness • 20% Positiveness
9% Popularity • 42% Danceability • 61% Energy • 8% Liveness
45% Instrumentalness • 20% Positiveness
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Naked City
Erotico
116 bpm • A min • 05:22 • -5.66db
14% Popularity • 32% Danceability • 83% Energy • 97% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 32% Danceability • 83% Energy • 97% Liveness
0% Instrumentalness • 24% Positiveness
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Ornette Coleman
Congeniality
116 bpm • C Maj • 06:47 • -15db
26% Popularity • 62% Danceability • 32% Energy • 2% Liveness
35% Instrumentalness • 49% Positiveness
26% Popularity • 62% Danceability • 32% Energy • 2% Liveness
35% Instrumentalness • 49% Positiveness
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Alice Coltrane
Lord Help Me To Be
117 bpm • D Maj • 07:34 • -14db
20% Popularity • 37% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 37% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Cecil Taylor
Enter, Evening
134 bpm • F# min • 10:11 • -17.31db
10% Popularity • 36% Danceability • 21% Energy • 36% Liveness
12% Instrumentalness • 22% Positiveness
10% Popularity • 36% Danceability • 21% Energy • 36% Liveness
12% Instrumentalness • 22% Positiveness
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This Heat
24 Track Loop
135 bpm • C Maj • 05:56 • -8.99db
20% Popularity • 60% Danceability • 80% Energy • 10% Liveness
56% Instrumentalness • 17% Positiveness
20% Popularity • 60% Danceability • 80% Energy • 10% Liveness
56% Instrumentalness • 17% Positiveness
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McCoy Tyner
Sama Layuca
134 bpm • C min • 08:36 • -9.66db
19% Popularity • 34% Danceability • 87% Energy • 13% Liveness
34% Instrumentalness • 64% Positiveness
19% Popularity • 34% Danceability • 87% Energy • 13% Liveness
34% Instrumentalness • 64% Positiveness
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Sam Newsome
Straight Horns of Plenty
116 bpm • G min • 02:31 • -14.7db
10% Popularity • 92% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 79% Positiveness
10% Popularity • 92% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 79% Positiveness
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Last Exit
Backwater
116 bpm • G Maj • 05:27 • -13.55db
8% Popularity • 38% Danceability • 87% Energy • 43% Liveness
77% Instrumentalness • 18% Positiveness
8% Popularity • 38% Danceability • 87% Energy • 43% Liveness
77% Instrumentalness • 18% Positiveness
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Henry Cow
Bittern Storm Over Ulm
135 bpm • G Maj • 02:19 • -8.95db
16% Popularity • 50% Danceability • 84% Energy • 10% Liveness
58% Instrumentalness • 84% Positiveness
16% Popularity • 50% Danceability • 84% Energy • 10% Liveness
58% Instrumentalness • 84% Positiveness
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![Ghosts: Second Variation cover art]()
Albert Ayler
Ghosts: Second Variation
135 bpm • A Maj • 10:03 • -8.36db
11% Popularity • 35% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 35% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Roland Kirk Quartet
Mystical Dream
116 bpm • A min • 02:36 • -23.57db
26% Popularity • 51% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 51% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Sonny Sharrock
Princess Sonata:Flowers Laugh
116 bpm • E Maj • 02:12 • -17.17db
11% Popularity • 45% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
11% Popularity • 45% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
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Ornette Coleman
Chronology
115 bpm • C Maj • 06:03 • -11db
25% Popularity • 58% Danceability • 42% Energy • 26% Liveness
24% Instrumentalness • 57% Positiveness
25% Popularity • 58% Danceability • 42% Energy • 26% Liveness
24% Instrumentalness • 57% Positiveness
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Bobby Hutcherson
Components - Remastered 1994
136 bpm • A# min • 06:25 • -14.51db
17% Popularity • 45% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 45% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Cecil Taylor
Rick Kick Shaw
136 bpm • D Maj • 06:05 • -17db
8% Popularity • 40% Danceability • 41% Energy • 10% Liveness
30% Instrumentalness • 47% Positiveness
8% Popularity • 40% Danceability • 41% Energy • 10% Liveness
30% Instrumentalness • 47% Positiveness
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Ill Considered
Pearls
115 bpm • G min • 09:53 • -9.64db
11% Popularity • 24% Danceability • 40% Energy • 17% Liveness
94% Instrumentalness • 14% Positiveness
11% Popularity • 24% Danceability • 40% Energy • 17% Liveness
94% Instrumentalness • 14% Positiveness
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Pete La Roca
Turkish Women at the Bath
136 bpm • C min • 05:47 • -13.61db
14% Popularity • 43% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 43% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Rahsaan Roland Kirk
A Handful of Fives
115 bpm • A# Maj • 02:42 • -8.94db
8% Popularity • 44% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 44% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Marion Brown
Sweet Earth Flying - Pt. 5
136 bpm • B min • 04:58 • -17.12db
8% Popularity • 41% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
8% Popularity • 41% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Nucleus
Speaking For Myself, Personally, In My O...
136 bpm • G Maj • 01:31 • -15.54db
23% Popularity • 36% Danceability • 93% Energy • 23% Liveness
87% Instrumentalness • 14% Positiveness
23% Popularity • 36% Danceability • 93% Energy • 23% Liveness
87% Instrumentalness • 14% Positiveness
