Songs like Retrograde by James Blake
Based on a tempo of (+/- 10%) and a similar genre
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James Blake
Say What You Will
78 bpm • C# Maj • 04:40 • -11db
44% Popularity • 50% Danceability • 36% Energy • 18% Liveness
1% Instrumentalness • 25% Positiveness
44% Popularity • 50% Danceability • 36% Energy • 18% Liveness
1% Instrumentalness • 25% Positiveness
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Christine and the Queens
People, I've been sad
78 bpm • C# min • 04:20 • -9.1db
53% Popularity • 63% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
53% Popularity • 63% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Cautious Clay
Cold War
77 bpm • C# min • 03:22 • -10db
59% Popularity • 65% Danceability • 47% Energy • 10% Liveness
25% Instrumentalness • 46% Positiveness
59% Popularity • 65% Danceability • 47% Energy • 10% Liveness
25% Instrumentalness • 46% Positiveness
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Zero 7
In The Waiting Line
79 bpm • F Maj • 04:31 • -14db
61% Popularity • 56% Danceability • 33% Energy • 11% Liveness
13% Instrumentalness • 38% Positiveness
61% Popularity • 56% Danceability • 33% Energy • 11% Liveness
13% Instrumentalness • 38% Positiveness
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Malcolm McLaren
About Her
77 bpm • C Maj • 04:49 • -8.77db
50% Popularity • 53% Danceability • 60% Energy • 11% Liveness
49% Instrumentalness • 20% Positiveness
50% Popularity • 53% Danceability • 60% Energy • 11% Liveness
49% Instrumentalness • 20% Positiveness
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Massive Attack
Teardrop
77 bpm • B min • 05:30 • -8.8db
71% Popularity • 62% Danceability • 42% Energy • 14% Liveness
50% Instrumentalness • 22% Positiveness
71% Popularity • 62% Danceability • 42% Energy • 14% Liveness
50% Instrumentalness • 22% Positiveness
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James Blake
Retrograde
78 bpm • G min • 03:43 • -11.28db
64% Popularity • 53% Danceability • 25% Energy • 13% Liveness
10% Instrumentalness • 19% Positiveness
64% Popularity • 53% Danceability • 25% Energy • 13% Liveness
10% Instrumentalness • 19% Positiveness
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The Middle East
Blood
79 bpm • B Maj • 05:26 • -8.59db
44% Popularity • 47% Danceability • 48% Energy • 12% Liveness
7% Instrumentalness • 12% Positiveness
44% Popularity • 47% Danceability • 48% Energy • 12% Liveness
7% Instrumentalness • 12% Positiveness
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Ben Howard
Keep Your Head Up
79 bpm • E min • 04:24 • -9db
66% Popularity • 51% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
66% Popularity • 51% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Nina Simone
Feeling Good
79 bpm • G min • 02:54 • -9.24db
75% Popularity • 40% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
75% Popularity • 40% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Bibio
Petals
77 bpm • A min • 02:36 • -8db
53% Popularity • 31% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
53% Popularity • 31% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Handsome Boy Modeling School
The Truth
80 bpm • D Maj • 05:37 • -11db
62% Popularity • 70% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
62% Popularity • 70% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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James Blake
Lindisfarne II
77 bpm • A min • 02:58 • -18db
32% Popularity • 65% Danceability • 12% Energy • 11% Liveness
72% Instrumentalness • 52% Positiveness
32% Popularity • 65% Danceability • 12% Energy • 11% Liveness
72% Instrumentalness • 52% Positiveness
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BADBADNOTGOOD
In Your Eyes
80 bpm • C min • 04:07 • -5.95db
61% Popularity • 49% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
61% Popularity • 49% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The Internet
Girl
80 bpm • G min • 06:55 • -11.17db
63% Popularity • 57% Danceability • 42% Energy • 10% Liveness
12% Instrumentalness • 45% Positiveness
63% Popularity • 57% Danceability • 42% Energy • 10% Liveness
12% Instrumentalness • 45% Positiveness
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Glass Animals
Black Mambo
80 bpm • C min • 04:08 • -10.71db
61% Popularity • 68% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
61% Popularity • 68% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Broken Bells
The High Road
80 bpm • C Maj • 03:52 • -6.57db
65% Popularity • 61% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
65% Popularity • 61% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Jamie xx
Obvs
76 bpm • F min • 03:51 • -12.6db
49% Popularity • 65% Danceability • 39% Energy • 8% Liveness
93% Instrumentalness • 41% Positiveness
49% Popularity • 65% Danceability • 39% Energy • 8% Liveness
93% Instrumentalness • 41% Positiveness
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James Blake
Points
76 bpm • B min • 03:31 • -17.33db
32% Popularity • 26% Danceability • 22% Energy • 15% Liveness
27% Instrumentalness • 11% Positiveness
32% Popularity • 26% Danceability • 22% Energy • 15% Liveness
27% Instrumentalness • 11% Positiveness
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Portishead
Roads
76 bpm • F Maj • 05:03 • -11.84db
64% Popularity • 61% Danceability • 29% Energy • 11% Liveness
16% Instrumentalness • 19% Positiveness
64% Popularity • 61% Danceability • 29% Energy • 11% Liveness
16% Instrumentalness • 19% Positiveness
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Caribou
Silver
80 bpm • E Maj • 05:16 • -8.34db
24% Popularity • 61% Danceability • 62% Energy • 10% Liveness
28% Instrumentalness • 65% Positiveness
24% Popularity • 61% Danceability • 62% Energy • 10% Liveness
28% Instrumentalness • 65% Positiveness
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Jack Garratt
The Love You're Given
80 bpm • F min • 05:00 • -11db
39% Popularity • 50% Danceability • 48% Energy • 25% Liveness
17% Instrumentalness • 10% Positiveness
39% Popularity • 50% Danceability • 48% Energy • 25% Liveness
17% Instrumentalness • 10% Positiveness
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Alex Ebert
Truth
80 bpm • F Maj • 04:20 • -8db
60% Popularity • 55% Danceability • 50% Energy • 21% Liveness
1% Instrumentalness • 38% Positiveness
60% Popularity • 55% Danceability • 50% Energy • 21% Liveness
1% Instrumentalness • 38% Positiveness
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Ben Howard
Only Love
80 bpm • G# Maj • 04:09 • -10db
69% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
69% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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James Blake
Famous Last Words
76 bpm • F min • 04:16 • -12.58db
43% Popularity • 58% Danceability • 19% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
43% Popularity • 58% Danceability • 19% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
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Bahamas
Lost In The Light
76 bpm • D Maj • 03:56 • -8.8db
67% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
67% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Arlo Parks
Cola
75 bpm • E min • 03:49 • -10.52db
55% Popularity • 81% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
55% Popularity • 81% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Electric Guest
This Head I Hold
81 bpm • C Maj • 02:55 • -4.9db
44% Popularity • 56% Danceability • 88% Energy • 24% Liveness
2% Instrumentalness • 96% Positiveness
44% Popularity • 56% Danceability • 88% Energy • 24% Liveness
2% Instrumentalness • 96% Positiveness
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Disclosure
You & Me - Flume Remix
75 bpm • A# min • 04:42 • -6.87db
71% Popularity • 59% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
71% Popularity • 59% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Arcade Fire
My Body Is a Cage
81 bpm • C min • 04:47 • -8.65db
57% Popularity • 30% Danceability • 50% Energy • 23% Liveness
6% Instrumentalness • 31% Positiveness
57% Popularity • 30% Danceability • 50% Energy • 23% Liveness
6% Instrumentalness • 31% Positiveness
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James Blake
Take A Fall For Me
81 bpm • B Maj • 03:33 • -9.02db
38% Popularity • 44% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 44% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Sufjan Stevens
Visions of Gideon
75 bpm • F min • 04:07 • -18.2db
66% Popularity • 25% Danceability • 31% Energy • 9% Liveness
68% Instrumentalness • 20% Positiveness
66% Popularity • 25% Danceability • 31% Energy • 9% Liveness
68% Instrumentalness • 20% Positiveness
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Harrison Brome
Fill Your Brains
75 bpm • C# Maj • 03:37 • -7.57db
51% Popularity • 67% Danceability • 69% Energy • 8% Liveness
6% Instrumentalness • 51% Positiveness
51% Popularity • 67% Danceability • 69% Energy • 8% Liveness
6% Instrumentalness • 51% Positiveness
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KALEO
All the Pretty Girls
75 bpm • C# Maj • 04:29 • -6.61db
72% Popularity • 47% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
72% Popularity • 47% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Metro Boomin
Hummingbird (Metro Boomin & James Blake)
81 bpm • F# Maj • 05:19 • -7.85db
69% Popularity • 59% Danceability • 60% Energy • 25% Liveness
1% Instrumentalness • 26% Positiveness
69% Popularity • 59% Danceability • 60% Energy • 25% Liveness
1% Instrumentalness • 26% Positiveness
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Electric Guest
American Daydream
75 bpm • F min • 02:48 • -10.01db
31% Popularity • 65% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 65% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Vera Blue
Settle
82 bpm • E Maj • 03:38 • -7.05db
48% Popularity • 52% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
48% Popularity • 52% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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Maribou State
Beginner's Luck
82 bpm • G# min • 04:28 • -10.1db
58% Popularity • 56% Danceability • 57% Energy • 22% Liveness
85% Instrumentalness • 24% Positiveness
58% Popularity • 56% Danceability • 57% Energy • 22% Liveness
85% Instrumentalness • 24% Positiveness
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Youth Lagoon
17
75 bpm • C Maj • 03:56 • -8.53db
53% Popularity • 35% Danceability • 26% Energy • 13% Liveness
65% Instrumentalness • 12% Positiveness
53% Popularity • 35% Danceability • 26% Energy • 13% Liveness
65% Instrumentalness • 12% Positiveness
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James Blake
Choose Me
74 bpm • A# min • 05:38 • -9.86db
35% Popularity • 41% Danceability • 56% Energy • 17% Liveness
75% Instrumentalness • 20% Positiveness
35% Popularity • 41% Danceability • 56% Energy • 17% Liveness
75% Instrumentalness • 20% Positiveness
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Flume
Some Minds
82 bpm • E min • 04:23 • -6.88db
43% Popularity • 27% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
43% Popularity • 27% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Jungle
Cherry
83 bpm • G# Maj • 03:16 • -8.32db
63% Popularity • 61% Danceability • 43% Energy • 13% Liveness
3% Instrumentalness • 47% Positiveness
63% Popularity • 61% Danceability • 43% Energy • 13% Liveness
3% Instrumentalness • 47% Positiveness
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Perfume Genius
Die 4 You
74 bpm • D# Maj • 03:32 • -11db
42% Popularity • 26% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
42% Popularity • 26% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Glass Animals
Toes
73 bpm • C# min • 04:14 • -12.32db
59% Popularity • 64% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
59% Popularity • 64% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
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Gil Scott-Heron
Me and the Devil
83 bpm • A# min • 03:33 • -5.59db
42% Popularity • 68% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 68% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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James Blake
I'll Come Too
74 bpm • G Maj • 03:42 • -7.89db
50% Popularity • 66% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
50% Popularity • 66% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
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Jarryd James
Do You Remember
72 bpm • C# min • 03:54 • -10.9db
48% Popularity • 67% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
48% Popularity • 67% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Warpaint
Love Is to Die
85 bpm • B min • 04:51 • -9db
49% Popularity • 33% Danceability • 64% Energy • 9% Liveness
36% Instrumentalness • 43% Positiveness
49% Popularity • 33% Danceability • 64% Energy • 9% Liveness
36% Instrumentalness • 43% Positiveness
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Metronomy
The Look
85 bpm • A min • 04:37 • -7.79db
75% Popularity • 64% Danceability • 54% Energy • 8% Liveness
4% Instrumentalness • 50% Positiveness
75% Popularity • 64% Danceability • 54% Energy • 8% Liveness
4% Instrumentalness • 50% Positiveness
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Shawn Lee's Ping Pong Orchestra
Kiss the Sky
85 bpm • F# min • 03:38 • -7.11db
54% Popularity • 57% Danceability • 68% Energy • 20% Liveness
57% Instrumentalness • 24% Positiveness
54% Popularity • 57% Danceability • 68% Energy • 20% Liveness
57% Instrumentalness • 24% Positiveness
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The Cinematic Orchestra
That Home
85 bpm • A Maj • 01:43 • -14.21db
72% Popularity • 41% Danceability • 16% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
72% Popularity • 41% Danceability • 16% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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James Blake
Godspeed
74 bpm • F# Maj • 02:53 • -10.31db
54% Popularity • 40% Danceability • 17% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
54% Popularity • 40% Danceability • 17% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Michael Kiwanuka
Home Again
86 bpm • A min • 03:29 • -11.47db
68% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
68% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Mura Masa
Lovesick
85 bpm • D# min • 03:16 • -7.1db
48% Popularity • 66% Danceability • 71% Energy • 4% Liveness
24% Instrumentalness • 77% Positiveness
48% Popularity • 66% Danceability • 71% Energy • 4% Liveness
24% Instrumentalness • 77% Positiveness
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Phosphorescent
Song for Zula
86 bpm • E Maj • 06:10 • -8.26db
61% Popularity • 49% Danceability • 62% Energy • 5% Liveness
54% Instrumentalness • 52% Positiveness
61% Popularity • 49% Danceability • 62% Energy • 5% Liveness
54% Instrumentalness • 52% Positiveness
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Kelsey Lu
I'm Not In Love
86 bpm • E Maj • 06:54 • -13.19db
53% Popularity • 19% Danceability • 44% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
53% Popularity • 19% Danceability • 44% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Arlo Parks
Black Dog
86 bpm • C# min • 03:48 • -8.03db
53% Popularity • 67% Danceability • 55% Energy • 12% Liveness
2% Instrumentalness • 38% Positiveness
53% Popularity • 67% Danceability • 55% Energy • 12% Liveness
2% Instrumentalness • 38% Positiveness
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James Blake
Are You Even Real?
72 bpm • C Maj • 03:51 • -5.97db
47% Popularity • 29% Danceability • 62% Energy • 40% Liveness
3% Instrumentalness • 20% Positiveness
47% Popularity • 29% Danceability • 62% Energy • 40% Liveness
3% Instrumentalness • 20% Positiveness
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The Cinematic Orchestra
To Believe
87 bpm • E min • 05:27 • -11.4db
47% Popularity • 18% Danceability • 10% Energy • 23% Liveness
24% Instrumentalness • 5% Positiveness
47% Popularity • 18% Danceability • 10% Energy • 23% Liveness
24% Instrumentalness • 5% Positiveness
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Apparat
Goodbye
87 bpm • C# min • 04:16 • -13.98db
57% Popularity • 48% Danceability • 46% Energy • 30% Liveness
65% Instrumentalness • 19% Positiveness
57% Popularity • 48% Danceability • 46% Energy • 30% Liveness
65% Instrumentalness • 19% Positiveness
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Chrome Sparks
Marijuana
87 bpm • C# min • 03:01 • -9.78db
54% Popularity • 70% Danceability • 66% Energy • 35% Liveness
78% Instrumentalness • 42% Positiveness
54% Popularity • 70% Danceability • 66% Energy • 35% Liveness
78% Instrumentalness • 42% Positiveness
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Sampha
Too Much
70 bpm • F# Maj • 02:59 • -9.91db
42% Popularity • 58% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 58% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Dan Croll
From Nowhere
88 bpm • G# min • 03:16 • -5.58db
51% Popularity • 63% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
51% Popularity • 63% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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James Blake
What Was It You Said About Luck
85 bpm • C min • 02:20 • -16.35db
21% Popularity • 45% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 45% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Masego
Navajo
89 bpm • F# min • 03:14 • -7.4db
74% Popularity • 57% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
74% Popularity • 57% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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ANOHNI
Drone Bomb Me
90 bpm • F# min • 04:10 • -7.54db
33% Popularity • 33% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
33% Popularity • 33% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Jamie xx
I Know There's Gonna Be (Good Times)
90 bpm • B min • 03:33 • -9.92db
55% Popularity • 66% Danceability • 60% Energy • 48% Liveness
0% Instrumentalness • 49% Positiveness
55% Popularity • 66% Danceability • 60% Energy • 48% Liveness
0% Instrumentalness • 49% Positiveness
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Jai Paul
BTSTU - Edit
90 bpm • C# Maj • 03:29 • -7.21db
45% Popularity • 66% Danceability • 38% Energy • 43% Liveness
0% Instrumentalness • 54% Positiveness
45% Popularity • 66% Danceability • 38% Energy • 43% Liveness
0% Instrumentalness • 54% Positiveness
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Black Pumas
Colors
90 bpm • E Maj • 04:06 • -6.54db
72% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
72% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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James Blake
When We’re Older
71 bpm • D# Maj • 03:02 • -15.87db
44% Popularity • 23% Danceability • 22% Energy • 10% Liveness
67% Instrumentalness • 6% Positiveness
44% Popularity • 23% Danceability • 22% Energy • 10% Liveness
67% Instrumentalness • 6% Positiveness
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Q
Take Me Where Your Heart Is
90 bpm • A# min • 03:12 • -8.88db
66% Popularity • 86% Danceability • 43% Energy • 10% Liveness
76% Instrumentalness • 42% Positiveness
66% Popularity • 86% Danceability • 43% Energy • 10% Liveness
76% Instrumentalness • 42% Positiveness
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Glass Animals
Hazey
90 bpm • C# Maj • 04:25 • -11db
54% Popularity • 65% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
54% Popularity • 65% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Rhye
Last Dance
90 bpm • A min • 03:26 • -10db
50% Popularity • 78% Danceability • 41% Energy • 22% Liveness
13% Instrumentalness • 74% Positiveness
50% Popularity • 78% Danceability • 41% Energy • 22% Liveness
13% Instrumentalness • 74% Positiveness
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Jai Paul
BTSTU - Demo
90 bpm • C# Maj • 03:30 • -8.04db
38% Popularity • 66% Danceability • 30% Energy • 10% Liveness
4% Instrumentalness • 52% Positiveness
38% Popularity • 66% Danceability • 30% Energy • 10% Liveness
4% Instrumentalness • 52% Positiveness
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AlunaGeorge
Your Drums, Your Love
90 bpm • F# Maj • 03:39 • -6db
37% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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James Blake
Coming Back
86 bpm • A# min • 03:15 • -7.26db
61% Popularity • 65% Danceability • 50% Energy • 15% Liveness
27% Instrumentalness • 10% Positiveness
61% Popularity • 65% Danceability • 50% Energy • 15% Liveness
27% Instrumentalness • 10% Positiveness
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Fink
Perfect Darkness
90 bpm • G Maj • 06:39 • -9.53db
41% Popularity • 68% Danceability • 44% Energy • 20% Liveness
10% Instrumentalness • 30% Positiveness
41% Popularity • 68% Danceability • 44% Energy • 20% Liveness
10% Instrumentalness • 30% Positiveness
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Jack Garratt
Worry
90 bpm • A min • 04:02 • -10.08db
48% Popularity • 58% Danceability • 49% Energy • 50% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 58% Danceability • 49% Energy • 50% Liveness
0% Instrumentalness • 34% Positiveness
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Rhye
Open
91 bpm • C Maj • 03:37 • -10.96db
60% Popularity • 55% Danceability • 32% Energy • 28% Liveness
9% Instrumentalness • 23% Positiveness
60% Popularity • 55% Danceability • 32% Energy • 28% Liveness
9% Instrumentalness • 23% Positiveness
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Jai Paul
Jasmine - Demo
90 bpm • A# min • 04:13 • -9.7db
51% Popularity • 69% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
51% Popularity • 69% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
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Sufjan Stevens
Should Have Known Better
91 bpm • G Maj • 05:07 • -20.7db
62% Popularity • 49% Danceability • 17% Energy • 13% Liveness
26% Instrumentalness • 30% Positiveness
62% Popularity • 49% Danceability • 17% Energy • 13% Liveness
26% Instrumentalness • 30% Positiveness
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James Blake
Modern Soul
70 bpm • C# min • 05:32 • -11.31db
32% Popularity • 29% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
32% Popularity • 29% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Nosaj Thing
Aquarium
91 bpm • C Maj • 03:04 • -9.52db
52% Popularity • 64% Danceability • 66% Energy • 13% Liveness
55% Instrumentalness • 27% Positiveness
52% Popularity • 64% Danceability • 66% Energy • 13% Liveness
55% Instrumentalness • 27% Positiveness
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Solange
Don't Touch My Hair
91 bpm • C Maj • 04:17 • -7.06db
51% Popularity • 82% Danceability • 41% Energy • 65% Liveness
0% Instrumentalness • 40% Positiveness
51% Popularity • 82% Danceability • 41% Energy • 65% Liveness
0% Instrumentalness • 40% Positiveness
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Khruangbin
White Gloves
91 bpm • D min • 03:38 • -13.96db
66% Popularity • 64% Danceability • 30% Energy • 57% Liveness
83% Instrumentalness • 77% Positiveness
66% Popularity • 64% Danceability • 30% Energy • 57% Liveness
83% Instrumentalness • 77% Positiveness
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Jorja Smith
Blue Lights
92 bpm • G Maj • 04:10 • -8.08db
67% Popularity • 69% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
67% Popularity • 69% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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LION BABE
Treat Me Like Fire
92 bpm • F# Maj • 04:10 • -7.69db
49% Popularity • 67% Danceability • 65% Energy • 60% Liveness
1% Instrumentalness • 32% Positiveness
49% Popularity • 67% Danceability • 65% Energy • 60% Liveness
1% Instrumentalness • 32% Positiveness
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James Blake
Where's The Catch?
92 bpm • F min • 04:36 • -9.02db
45% Popularity • 75% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
45% Popularity • 75% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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NEIL FRANCES
Teardrops
92 bpm • B Maj • 03:18 • -8db
72% Popularity • 87% Danceability • 72% Energy • 7% Liveness
9% Instrumentalness • 83% Positiveness
72% Popularity • 87% Danceability • 72% Energy • 7% Liveness
9% Instrumentalness • 83% Positiveness
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Hiatus Kaiyote
Nakamarra
92 bpm • G# Maj • 04:35 • -6.77db
55% Popularity • 55% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
55% Popularity • 55% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Disclosure
Magnets
92 bpm • A# min • 03:19 • -7.88db
64% Popularity • 70% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
64% Popularity • 70% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Coldplay
Magic
93 bpm • F# min • 04:45 • -8.92db
72% Popularity • 74% Danceability • 48% Energy • 11% Liveness
62% Instrumentalness • 35% Positiveness
72% Popularity • 74% Danceability • 48% Energy • 11% Liveness
62% Instrumentalness • 35% Positiveness
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Bonobo
Days To Come
93 bpm • E min • 03:49 • -8db
59% Popularity • 60% Danceability • 56% Energy • 7% Liveness
38% Instrumentalness • 42% Positiveness
59% Popularity • 60% Danceability • 56% Energy • 7% Liveness
38% Instrumentalness • 42% Positiveness
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RJD2
Ghostwriter
94 bpm • C# Maj • 05:17 • -6.19db
57% Popularity • 75% Danceability • 68% Energy • 10% Liveness
80% Instrumentalness • 59% Positiveness
57% Popularity • 75% Danceability • 68% Energy • 10% Liveness
80% Instrumentalness • 59% Positiveness
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Air
All I Need
94 bpm • G min • 04:28 • -11.58db
64% Popularity • 33% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
64% Popularity • 33% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Henry Green
Electric Feel
94 bpm • D# min • 03:19 • -16.44db
55% Popularity • 40% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
55% Popularity • 40% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Vallis Alps
Young
94 bpm • D# min • 05:24 • -12.11db
54% Popularity • 59% Danceability • 38% Energy • 10% Liveness
29% Instrumentalness • 20% Positiveness
54% Popularity • 59% Danceability • 38% Energy • 10% Liveness
29% Instrumentalness • 20% Positiveness
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Arlo Parks
Hurt
95 bpm • E min • 03:36 • -9.49db
55% Popularity • 68% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
55% Popularity • 68% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
