Songs like Reunion by Christophe Beck
Based on a tempo of (+/- 10%) and a similar genre
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Carl Johnson
Losing the Scrapbook - Score
81 bpm • G# Maj • 01:39 • -13.35db
20% Popularity • 19% Danceability • 18% Energy • 25% Liveness
1% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 18% Energy • 25% Liveness
1% Instrumentalness • 4% Positiveness
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John Powell
A Friend in Need - Score
81 bpm • G Maj • 01:13 • -16.59db
18% Popularity • 21% Danceability • 23% Energy • 13% Liveness
77% Instrumentalness • 6% Positiveness
18% Popularity • 21% Danceability • 23% Energy • 13% Liveness
77% Instrumentalness • 6% Positiveness
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Christophe Beck
The Ballad of Olaf & Sven - (Teaser Trai...
81 bpm • A# Maj • 01:35 • -16.1db
36% Popularity • 29% Danceability • 13% Energy • 18% Liveness
88% Instrumentalness • 10% Positiveness
36% Popularity • 29% Danceability • 13% Energy • 18% Liveness
88% Instrumentalness • 10% Positiveness
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Steven Price
The Chamber of Exquisite Sadness
81 bpm • B min • 03:43 • -24.11db
23% Popularity • 10% Danceability • 12% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
23% Popularity • 10% Danceability • 12% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
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Oliver Wallace
A New Collar / Jock & Trusty / It's Jim ...
81 bpm • G Maj • 03:17 • -17db
25% Popularity • 25% Danceability • 12% Energy • 18% Liveness
79% Instrumentalness • 28% Positiveness
25% Popularity • 25% Danceability • 12% Energy • 18% Liveness
79% Instrumentalness • 28% Positiveness
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Donna Murphy
Prologue
81 bpm • C Maj • 02:02 • -16.53db
45% Popularity • 17% Danceability • 18% Energy • 24% Liveness
3% Instrumentalness • 17% Positiveness
45% Popularity • 17% Danceability • 18% Energy • 24% Liveness
3% Instrumentalness • 17% Positiveness
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Thomas Newman
Mr. Ray, Scientist
80 bpm • C Maj • 01:28 • -16.22db
36% Popularity • 51% Danceability • 22% Energy • 9% Liveness
90% Instrumentalness • 43% Positiveness
36% Popularity • 51% Danceability • 22% Energy • 9% Liveness
90% Instrumentalness • 43% Positiveness
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Germaine Franco
El RÃo
80 bpm • C min • 01:27 • -31.02db
52% Popularity • 38% Danceability • 1% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
52% Popularity • 38% Danceability • 1% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
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Christophe Beck
Fantasmas del pasado de Arendelle
81 bpm • G# Maj • 02:58 • -22.15db
10% Popularity • 9% Danceability • 11% Energy • 5% Liveness
42% Instrumentalness • 3% Positiveness
10% Popularity • 9% Danceability • 11% Energy • 5% Liveness
42% Instrumentalness • 3% Positiveness
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George Bruns
Poor Bear
82 bpm • G min • 01:08 • -19.12db
38% Popularity • 17% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
38% Popularity • 17% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Oliver Wallace
Cat and Mice / The King's Plans
82 bpm • G Maj • 03:50 • -20.83db
14% Popularity • 22% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
14% Popularity • 22% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Nicholas Hooper
Dumbledore's Army
80 bpm • G Maj • 02:40 • -21db
53% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
53% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
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Geoff Zanelli
My Favorite Day
82 bpm • C Maj • 02:42 • -17.49db
23% Popularity • 22% Danceability • 15% Energy • 9% Liveness
55% Instrumentalness • 8% Positiveness
23% Popularity • 22% Danceability • 15% Energy • 9% Liveness
55% Instrumentalness • 8% Positiveness
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John Powell
Rescuing Penny - Score
82 bpm • A# min • 03:09 • -12.77db
22% Popularity • 9% Danceability • 44% Energy • 50% Liveness
36% Instrumentalness • 6% Positiveness
22% Popularity • 9% Danceability • 44% Energy • 50% Liveness
36% Instrumentalness • 6% Positiveness
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Christophe Beck
Reunión
81 bpm • C Maj • 03:50 • -23.02db
10% Popularity • 9% Danceability • 3% Energy • 37% Liveness
95% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 3% Energy • 37% Liveness
95% Instrumentalness • 4% Positiveness
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Mark Watters
Wedding/Attack Of The Forty Thieves
82 bpm • C Maj • 06:40 • -18db
14% Popularity • 20% Danceability • 23% Energy • 11% Liveness
58% Instrumentalness • 15% Positiveness
14% Popularity • 20% Danceability • 23% Energy • 11% Liveness
58% Instrumentalness • 15% Positiveness
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Oliver Wallace
Good-Bye Peter - Shanghaied
80 bpm • C Maj • 00:55 • -23.33db
34% Popularity • 37% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 20% Positiveness
34% Popularity • 37% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 20% Positiveness
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Alexandre Desplat
Busy Workshop
80 bpm • D Maj • 01:34 • -14.52db
15% Popularity • 48% Danceability • 23% Energy • 14% Liveness
77% Instrumentalness • 8% Positiveness
15% Popularity • 48% Danceability • 23% Energy • 14% Liveness
77% Instrumentalness • 8% Positiveness
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Steven Price
I've Lost Everything Now
82 bpm • C# Maj • 05:49 • -12.87db
21% Popularity • 15% Danceability • 19% Energy • 12% Liveness
78% Instrumentalness • 5% Positiveness
21% Popularity • 15% Danceability • 19% Energy • 12% Liveness
78% Instrumentalness • 5% Positiveness
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David Newman
Humans / Diego
80 bpm • G Maj • 01:43 • -14.36db
34% Popularity • 17% Danceability • 34% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
34% Popularity • 17% Danceability • 34% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
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Christophe Beck
Introducción
80 bpm • D Maj • 00:59 • -13.1db
24% Popularity • 38% Danceability • 31% Energy • 13% Liveness
91% Instrumentalness • 19% Positiveness
24% Popularity • 38% Danceability • 31% Energy • 13% Liveness
91% Instrumentalness • 19% Positiveness
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Larry Morey
The Meadow / Bambi Sees Faline / Bambi G...
80 bpm • A Maj • 04:55 • -21db
26% Popularity • 28% Danceability • 12% Energy • 44% Liveness
7% Instrumentalness • 36% Positiveness
26% Popularity • 28% Danceability • 12% Energy • 44% Liveness
7% Instrumentalness • 36% Positiveness
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John Powell
Legend Has It / Cliffside Playtime
80 bpm • G min • 04:21 • -30.67db
40% Popularity • 8% Danceability • 3% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
40% Popularity • 8% Danceability • 3% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
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Marc Shaiman
Race to Big Ben
82 bpm • B min • 04:55 • -12.96db
24% Popularity • 23% Danceability • 46% Energy • 18% Liveness
89% Instrumentalness • 8% Positiveness
24% Popularity • 23% Danceability • 46% Energy • 18% Liveness
89% Instrumentalness • 8% Positiveness
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Rupert Gregson-Williams
Starry Night Becomes a Wipe Out
80 bpm • G Maj • 03:22 • -11.01db
25% Popularity • 25% Danceability • 44% Energy • 9% Liveness
44% Instrumentalness • 6% Positiveness
25% Popularity • 25% Danceability • 44% Energy • 9% Liveness
44% Instrumentalness • 6% Positiveness
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Dave Metzger
The Dream
79 bpm • F Maj • 02:07 • -17.53db
16% Popularity • 22% Danceability • 11% Energy • 9% Liveness
65% Instrumentalness • 8% Positiveness
16% Popularity • 22% Danceability • 11% Energy • 9% Liveness
65% Instrumentalness • 8% Positiveness
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Christophe Beck
La inundación
80 bpm • C Maj • 03:34 • -12.66db
10% Popularity • 16% Danceability • 33% Energy • 9% Liveness
69% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 33% Energy • 9% Liveness
69% Instrumentalness • 4% Positiveness
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David Arnold
High King and Queen of Narnia
83 bpm • C Maj • 01:33 • -18.57db
45% Popularity • 11% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
45% Popularity • 11% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Robert B. Sherman
Disney Salute
83 bpm • F Maj • 04:28 • -17.46db
31% Popularity • 21% Danceability • 19% Energy • 9% Liveness
49% Instrumentalness • 21% Positiveness
31% Popularity • 21% Danceability • 19% Energy • 9% Liveness
49% Instrumentalness • 21% Positiveness
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Joel McNeely
The Journey Begins
83 bpm • C Maj • 02:59 • -17.5db
30% Popularity • 18% Danceability • 13% Energy • 9% Liveness
97% Instrumentalness • 7% Positiveness
30% Popularity • 18% Danceability • 13% Energy • 9% Liveness
97% Instrumentalness • 7% Positiveness
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Rupert Gregson-Williams
Dandelion Chase
82 bpm • C Maj • 01:36 • -11.35db
29% Popularity • 24% Danceability • 44% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
29% Popularity • 24% Danceability • 44% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
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Larry Morey
Sleepy Morning In The Woods/The Young Pr...
79 bpm • C Maj • 05:13 • -20.25db
30% Popularity • 25% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
30% Popularity • 25% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
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Taylor Swift
But Daddy I Love Him
79 bpm • E Maj • 05:40 • -7.64db
83% Popularity • 41% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
83% Popularity • 41% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Mark Watters
The Oracle
83 bpm • C# Maj • 02:11 • -23db
18% Popularity • 14% Danceability • 11% Energy • 34% Liveness
52% Instrumentalness • 5% Positiveness
18% Popularity • 14% Danceability • 11% Energy • 34% Liveness
52% Instrumentalness • 5% Positiveness
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Kristen Anderson-Lopez
La respuesta encontrarás - Instrumental
79 bpm • F Maj • 02:07 • -16.28db
18% Popularity • 18% Danceability • 18% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 18% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
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Carter Burwell
Opening Fanfare / Max's Dream
79 bpm • D# Maj • 01:49 • -17.97db
33% Popularity • 14% Danceability • 14% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
33% Popularity • 14% Danceability • 14% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
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Bruce Broughton
Bambi And The Great Prince
79 bpm • A# Maj • 03:34 • -16.17db
28% Popularity • 9% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 9% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Marcy Harriell
More - Reprise - Outtake
83 bpm • D Maj • 02:38 • -10.45db
40% Popularity • 51% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 51% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Phil Collins
Three Brothers
79 bpm • G Maj • 06:44 • -15.11db
32% Popularity • 11% Danceability • 27% Energy • 12% Liveness
64% Instrumentalness • 5% Positiveness
32% Popularity • 11% Danceability • 27% Energy • 12% Liveness
64% Instrumentalness • 5% Positiveness
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Marc Shaiman
Chase Through the Bank
83 bpm • F Maj • 01:11 • -18.19db
32% Popularity • 17% Danceability • 14% Energy • 13% Liveness
34% Instrumentalness • 6% Positiveness
32% Popularity • 17% Danceability • 14% Energy • 13% Liveness
34% Instrumentalness • 6% Positiveness
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Christophe Beck
Descenso del rÃo
83 bpm • F Maj • 02:32 • -20.74db
11% Popularity • 14% Danceability • 9% Energy • 41% Liveness
40% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 9% Energy • 41% Liveness
40% Instrumentalness • 4% Positiveness
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Larry Morey
Exploring / Say Bird / Flower
83 bpm • C min • 06:01 • -23.35db
28% Popularity • 29% Danceability • 7% Energy • 18% Liveness
2% Instrumentalness • 31% Positiveness
28% Popularity • 29% Danceability • 7% Energy • 18% Liveness
2% Instrumentalness • 31% Positiveness
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John Debney
The Great Battle/Friends Forever
83 bpm • G# Maj • 06:17 • -16db
17% Popularity • 18% Danceability • 19% Energy • 35% Liveness
73% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 19% Energy • 35% Liveness
73% Instrumentalness • 4% Positiveness
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Evan Rachel Wood
All Is Found
83 bpm • F Maj • 02:05 • -12.32db
68% Popularity • 23% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
68% Popularity • 23% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Oliver Wallace
Midnight Chase
78 bpm • A min • 01:36 • -12.33db
32% Popularity • 37% Danceability • 45% Energy • 13% Liveness
79% Instrumentalness • 38% Positiveness
32% Popularity • 37% Danceability • 45% Energy • 13% Liveness
79% Instrumentalness • 38% Positiveness
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Mark Watters
The Hand Of Midas
78 bpm • C Maj • 02:07 • -21.46db
22% Popularity • 24% Danceability • 18% Energy • 9% Liveness
54% Instrumentalness • 4% Positiveness
22% Popularity • 24% Danceability • 18% Energy • 9% Liveness
54% Instrumentalness • 4% Positiveness
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Christophe Beck
La niebla
79 bpm • D# Maj • 02:42 • -25.99db
11% Popularity • 9% Danceability • 6% Energy • 11% Liveness
69% Instrumentalness • 3% Positiveness
11% Popularity • 9% Danceability • 6% Energy • 11% Liveness
69% Instrumentalness • 3% Positiveness
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Mark Mancina
The Hook
84 bpm • G Maj • 01:09 • -22.15db
49% Popularity • 24% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
49% Popularity • 24% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Geoff Zanelli
Easy to Lose Your Way on a Foggy Day
78 bpm • A min • 02:40 • -23db
20% Popularity • 25% Danceability • 9% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 25% Danceability • 9% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Carter Burwell
Deep Sludge
78 bpm • C min • 02:03 • -21.89db
31% Popularity • 21% Danceability • 6% Energy • 30% Liveness
85% Instrumentalness • 7% Positiveness
31% Popularity • 21% Danceability • 6% Energy • 30% Liveness
85% Instrumentalness • 7% Positiveness
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Kris Bowers
The Ghost Realm
84 bpm • B Maj • 03:22 • -18.88db
31% Popularity • 13% Danceability • 26% Energy • 44% Liveness
80% Instrumentalness • 6% Positiveness
31% Popularity • 13% Danceability • 26% Energy • 44% Liveness
80% Instrumentalness • 6% Positiveness
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Anthony Willis
A Snoggletog Prologue / Zephyr & The Boo...
78 bpm • D min • 02:31 • -20.71db
27% Popularity • 14% Danceability • 15% Energy • 11% Liveness
84% Instrumentalness • 11% Positiveness
27% Popularity • 14% Danceability • 15% Energy • 11% Liveness
84% Instrumentalness • 11% Positiveness
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Christophe Beck
Despertar brusco
79 bpm • C Maj • 02:05 • -10.72db
12% Popularity • 34% Danceability • 65% Energy • 15% Liveness
48% Instrumentalness • 7% Positiveness
12% Popularity • 34% Danceability • 65% Energy • 15% Liveness
48% Instrumentalness • 7% Positiveness
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Joseph Trapanese
He Has a Home
78 bpm • C# Maj • 04:39 • -22.88db
17% Popularity • 7% Danceability • 10% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
17% Popularity • 7% Danceability • 10% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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The Cast of Peter Pan
Mermaid Lagoon/Bad Day At Skull Rock - O...
84 bpm • F Maj • 04:30 • -17db
18% Popularity • 32% Danceability • 11% Energy • 9% Liveness
80% Instrumentalness • 31% Positiveness
18% Popularity • 32% Danceability • 11% Energy • 9% Liveness
80% Instrumentalness • 31% Positiveness
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Rupert Gregson-Williams
I Really Liked Your Dad
84 bpm • A# Maj • 02:13 • -25.16db
27% Popularity • 14% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 14% Positiveness
27% Popularity • 14% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 14% Positiveness
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Mark Watters
Aladdin And Cassim Escape
78 bpm • G Maj • 02:38 • -22.52db
16% Popularity • 12% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 12% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Anthony Willis
Memories from the Hidden World
78 bpm • B min • 01:43 • -20.4db
28% Popularity • 28% Danceability • 15% Energy • 31% Liveness
85% Instrumentalness • 13% Positiveness
28% Popularity • 28% Danceability • 15% Energy • 31% Liveness
85% Instrumentalness • 13% Positiveness
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Evan Rachel Wood
All Is Found (Lullaby Ending) - Outtake
78 bpm • A min • 01:54 • -14.77db
27% Popularity • 29% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 29% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Mark Mancina
Kakamora
84 bpm • C# Maj • 04:33 • -9db
47% Popularity • 33% Danceability • 88% Energy • 16% Liveness
88% Instrumentalness • 19% Positiveness
47% Popularity • 33% Danceability • 88% Energy • 16% Liveness
88% Instrumentalness • 19% Positiveness
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Joel McNeely
Here Beside Me
84 bpm • C Maj • 02:35 • -14.8db
32% Popularity • 20% Danceability • 24% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
32% Popularity • 20% Danceability • 24% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
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Disney Peaceful Strings
Do You Want to Build a Snowman?
78 bpm • D Maj • 03:35 • -12.55db
39% Popularity • 20% Danceability • 28% Energy • 15% Liveness
86% Instrumentalness • 20% Positiveness
39% Popularity • 20% Danceability • 28% Energy • 15% Liveness
86% Instrumentalness • 20% Positiveness
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Nicholas Hooper
A Journey to Hogwarts
78 bpm • A min • 02:52 • -22db
48% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
48% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
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Rupert Gregson-Williams
Humming Up a Storm
78 bpm • G min • 04:10 • -12.97db
21% Popularity • 8% Danceability • 32% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
21% Popularity • 8% Danceability • 32% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Christophe Beck
Éxodo
78 bpm • C# Maj • 01:21 • -16.53db
15% Popularity • 35% Danceability • 22% Energy • 9% Liveness
31% Instrumentalness • 4% Positiveness
15% Popularity • 35% Danceability • 22% Energy • 9% Liveness
31% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Dead Men Tell No Tales
85 bpm • D min • 01:51 • -18.2db
41% Popularity • 26% Danceability • 34% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
41% Popularity • 26% Danceability • 34% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
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The Cast of Peter Pan
The Last Night in the Nursery - Original
77 bpm • E min • 03:00 • -20.73db
15% Popularity • 28% Danceability • 8% Energy • 21% Liveness
76% Instrumentalness • 7% Positiveness
15% Popularity • 28% Danceability • 8% Energy • 21% Liveness
76% Instrumentalness • 7% Positiveness
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George Bruns
Baby
85 bpm • C Maj • 02:11 • -25.61db
36% Popularity • 28% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
36% Popularity • 28% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
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David Newman
Baby's Wild Ride
85 bpm • F Maj • 01:56 • -8.09db
33% Popularity • 49% Danceability • 78% Energy • 6% Liveness
90% Instrumentalness • 45% Positiveness
33% Popularity • 49% Danceability • 78% Energy • 6% Liveness
90% Instrumentalness • 45% Positiveness
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John Powell
Furies in Love
85 bpm • F Maj • 03:03 • -16.45db
38% Popularity • 11% Danceability • 38% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
38% Popularity • 11% Danceability • 38% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
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Frode Fjellheim
Vuelie (Frozen Theme)
85 bpm • D Maj • 03:39 • -19.63db
18% Popularity • 26% Danceability • 33% Energy • 14% Liveness
99% Instrumentalness • 38% Positiveness
18% Popularity • 26% Danceability • 33% Energy • 14% Liveness
99% Instrumentalness • 38% Positiveness
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Geoff Zanelli
Nothing Ever Bad Came from Bouncing
77 bpm • D# Maj • 01:40 • -19.06db
19% Popularity • 35% Danceability • 23% Energy • 18% Liveness
80% Instrumentalness • 17% Positiveness
19% Popularity • 35% Danceability • 23% Energy • 18% Liveness
80% Instrumentalness • 17% Positiveness
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Christophe Beck
It Had to Be Snow - Score Demo
77 bpm • C# Maj • 01:17 • -25.21db
36% Popularity • 16% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
36% Popularity • 16% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Nicholas Hooper
The Ministry of Magic
85 bpm • G# Maj • 02:47 • -17.75db
42% Popularity • 23% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
42% Popularity • 23% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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The Cast of Peter Pan
Rumor Has It/Hangman's Tree - Original
77 bpm • G Maj • 02:37 • -21.07db
15% Popularity • 37% Danceability • 9% Energy • 14% Liveness
3% Instrumentalness • 30% Positiveness
15% Popularity • 37% Danceability • 9% Energy • 14% Liveness
3% Instrumentalness • 30% Positiveness
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Thomas Newman
Field Trip
85 bpm • D Maj • 00:57 • -19db
50% Popularity • 28% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
50% Popularity • 28% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
► Preview
Rupert Gregson-Williams
He’s Just a Kid
86 bpm • G min • 01:24 • -25db
41% Popularity • 26% Danceability • 5% Energy • 11% Liveness
59% Instrumentalness • 10% Positiveness
41% Popularity • 26% Danceability • 5% Energy • 11% Liveness
59% Instrumentalness • 10% Positiveness
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Geoff Zanelli
Madeline's Red Balloon
77 bpm • C Maj • 00:54 • -18db
36% Popularity • 35% Danceability • 18% Energy • 19% Liveness
84% Instrumentalness • 31% Positiveness
36% Popularity • 35% Danceability • 18% Energy • 19% Liveness
84% Instrumentalness • 31% Positiveness
► Preview
Andrew Lockington
Journey
77 bpm • C Maj • 03:53 • -14.01db
25% Popularity • 22% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
25% Popularity • 22% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Germaine Franco
Tenacious Mirabel
77 bpm • A min • 01:35 • -20.02db
45% Popularity • 16% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 3% Positiveness
45% Popularity • 16% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 3% Positiveness
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Paul J. Smith
A Perfect Fit
77 bpm • G min • 01:30 • -17.31db
30% Popularity • 24% Danceability • 20% Energy • 28% Liveness
83% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 20% Energy • 28% Liveness
83% Instrumentalness • 4% Positiveness
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David Newman
Tigers Try To Get Baby
86 bpm • E min • 05:41 • -9.46db
23% Popularity • 18% Danceability • 52% Energy • 12% Liveness
39% Instrumentalness • 6% Positiveness
23% Popularity • 18% Danceability • 52% Energy • 12% Liveness
39% Instrumentalness • 6% Positiveness
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Joel McNeely
Flight Through Never land
76 bpm • C Maj • 02:41 • -15db
33% Popularity • 27% Danceability • 29% Energy • 16% Liveness
84% Instrumentalness • 15% Positiveness
33% Popularity • 27% Danceability • 29% Energy • 16% Liveness
84% Instrumentalness • 15% Positiveness
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Mark Mancina
Sails to Te Fiti
86 bpm • A# Maj • 05:46 • -10.38db
43% Popularity • 27% Danceability • 67% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
43% Popularity • 27% Danceability • 67% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
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Ned Washington
The Flight Test / When I See an Elephant...
86 bpm • F Maj • 00:58 • -3.41db
24% Popularity • 30% Danceability • 58% Energy • 19% Liveness
1% Instrumentalness • 52% Positiveness
24% Popularity • 30% Danceability • 58% Energy • 19% Liveness
1% Instrumentalness • 52% Positiveness
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Germaine Franco
The Cracks Emerge
77 bpm • C# Maj • 01:22 • -14.55db
46% Popularity • 20% Danceability • 48% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
46% Popularity • 20% Danceability • 48% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
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Daniel Hart
My Shadow
76 bpm • C Maj • 02:54 • -13.52db
13% Popularity • 27% Danceability • 18% Energy • 6% Liveness
61% Instrumentalness • 18% Positiveness
13% Popularity • 27% Danceability • 18% Energy • 6% Liveness
61% Instrumentalness • 18% Positiveness
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Michael Giacchino
Goofball No Longer
86 bpm • D Maj • 01:11 • -17.83db
30% Popularity • 40% Danceability • 10% Energy • 13% Liveness
82% Instrumentalness • 3% Positiveness
30% Popularity • 40% Danceability • 10% Energy • 13% Liveness
82% Instrumentalness • 3% Positiveness
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Oliver Wallace
In The Doghouse / The Rat Returns / Fals...
76 bpm • G Maj • 06:05 • -15.86db
10% Popularity • 34% Danceability • 22% Energy • 10% Liveness
80% Instrumentalness • 22% Positiveness
10% Popularity • 34% Danceability • 22% Energy • 10% Liveness
80% Instrumentalness • 22% Positiveness
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Mark Watters
Genie And Jasmine/Cassim Leaves
76 bpm • D min • 01:49 • -27.97db
22% Popularity • 17% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 6% Positiveness
22% Popularity • 17% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 6% Positiveness
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Mark Mancina
Great Escape
86 bpm • C min • 00:59 • -8.97db
44% Popularity • 44% Danceability • 71% Energy • 16% Liveness
52% Instrumentalness • 44% Positiveness
44% Popularity • 44% Danceability • 71% Energy • 16% Liveness
52% Instrumentalness • 44% Positiveness
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Thomas Newman
Why Trust A Shark
86 bpm • G Maj • 01:17 • -24.03db
33% Popularity • 29% Danceability • 12% Energy • 14% Liveness
72% Instrumentalness • 5% Positiveness
33% Popularity • 29% Danceability • 12% Energy • 14% Liveness
72% Instrumentalness • 5% Positiveness
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John Powell
Meet Bolt - Score
76 bpm • G Maj • 01:49 • -24.57db
26% Popularity • 45% Danceability • 6% Energy • 12% Liveness
3% Instrumentalness • 21% Positiveness
26% Popularity • 45% Danceability • 6% Energy • 12% Liveness
3% Instrumentalness • 21% Positiveness
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Joel McNeely
Saying Goodnight
86 bpm • C Maj • 01:52 • -23.83db
26% Popularity • 14% Danceability • 4% Energy • 12% Liveness
42% Instrumentalness • 6% Positiveness
26% Popularity • 14% Danceability • 4% Energy • 12% Liveness
42% Instrumentalness • 6% Positiveness
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Geoff Zanelli
A Father of Very Little Brain
87 bpm • G Maj • 03:34 • -17.39db
16% Popularity • 17% Danceability • 14% Energy • 20% Liveness
92% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 14% Energy • 20% Liveness
92% Instrumentalness • 4% Positiveness
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Frode Fjellheim
Vuelie
86 bpm • G Maj • 03:20 • -10db
36% Popularity • 36% Danceability • 39% Energy • 11% Liveness
69% Instrumentalness • 24% Positiveness
36% Popularity • 36% Danceability • 39% Energy • 11% Liveness
69% Instrumentalness • 24% Positiveness
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Andrew Lockington
Annabeth and the Fleece
76 bpm • D min • 02:03 • -26.07db
21% Popularity • 20% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Christophe Beck
Hermanas
76 bpm • F# Maj • 01:05 • -30.42db
19% Popularity • 27% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 20% Positiveness
19% Popularity • 27% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 20% Positiveness