Songs like Rêver - Live 2019 by Mylène Farmer
Based on a tempo of (+/- 10%) and a similar genre
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Mylène Farmer
Bleu noir
126 bpm • B Maj • 04:05 • -4.93db
33% Popularity • 48% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 48% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Superbus
Travel The World
126 bpm • B min • 03:47 • -3.33db
41% Popularity • 56% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 56% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Stephan Eicher
Déjeuner en paix
126 bpm • B min • 03:56 • -5.48db
57% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
57% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Michel Polnareff
On ira tous au paradis
126 bpm • G Maj • 04:33 • -7db
46% Popularity • 46% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 46% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
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Lio
Les brunes comptent pas pour des prunes
126 bpm • G Maj • 03:09 • -5.44db
39% Popularity • 71% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 71% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Clara Luciani
Drôle d'époque
126 bpm • A min • 03:25 • -9.24db
42% Popularity • 43% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
42% Popularity • 43% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Mylène Farmer
Désenchantée
126 bpm • A# min • 05:22 • -11.74db
60% Popularity • 61% Danceability • 66% Energy • 8% Liveness
13% Instrumentalness • 34% Positiveness
60% Popularity • 61% Danceability • 66% Energy • 8% Liveness
13% Instrumentalness • 34% Positiveness
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Images
Quand la musique tourne
126 bpm • G min • 03:56 • -13db
25% Popularity • 68% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
25% Popularity • 68% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Stephan Eicher
Combien de temps
126 bpm • C# Maj • 04:15 • -5.23db
39% Popularity • 64% Danceability • 91% Energy • 7% Liveness
9% Instrumentalness • 79% Positiveness
39% Popularity • 64% Danceability • 91% Energy • 7% Liveness
9% Instrumentalness • 79% Positiveness
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Carmel
J'oublierai ton nom
127 bpm • G Maj • 04:37 • -2db
40% Popularity • 59% Danceability • 79% Energy • 40% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 59% Danceability • 79% Energy • 40% Liveness
0% Instrumentalness • 28% Positiveness
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Christine Roques
Premiers frissons d'amour
127 bpm • A min • 04:02 • -8.25db
25% Popularity • 73% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 73% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Jean-Louis Aubert
Temps à nouveau
125 bpm • D Maj • 06:35 • -8db
38% Popularity • 65% Danceability • 76% Energy • 15% Liveness
5% Instrumentalness • 29% Positiveness
38% Popularity • 65% Danceability • 76% Energy • 15% Liveness
5% Instrumentalness • 29% Positiveness
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Les Rita Mitsouko
Marcia Baïla
127 bpm • G Maj • 05:35 • -5.95db
58% Popularity • 77% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
58% Popularity • 77% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Mylène Farmer
XXL
125 bpm • F# min • 04:25 • -7.52db
43% Popularity • 56% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 56% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Ysa Ferrer
Mes rêves - Radio Edit
125 bpm • G min • 04:00 • -8db
16% Popularity • 60% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 60% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Jean-Pierre Mader
Disparue
125 bpm • D min • 03:09 • -9db
43% Popularity • 85% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 85% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Emmanuel Moire
Promis
125 bpm • G Maj • 04:01 • -9.86db
18% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Najoua Belyzel
Ma sainte-nitouche
125 bpm • F# Maj • 03:15 • -6.24db
24% Popularity • 67% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 67% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
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Gaëtan Roussel
J’entends des voix
127 bpm • C min • 03:04 • -6.42db
39% Popularity • 69% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 69% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Mylène Farmer
Regrets
125 bpm • A# min • 05:13 • -12.5db
41% Popularity • 59% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
41% Popularity • 59% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Alizée
Gourmandises
125 bpm • G min • 04:14 • -3.96db
44% Popularity • 67% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 67% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 62% Positiveness
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Laurent Voulzy
En regardant vers le pays de France
125 bpm • E min • 04:44 • -9.72db
16% Popularity • 66% Danceability • 54% Energy • 10% Liveness
56% Instrumentalness • 49% Positiveness
16% Popularity • 66% Danceability • 54% Energy • 10% Liveness
56% Instrumentalness • 49% Positiveness
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Emmanuel Moire
Adulte & Sexy
125 bpm • G min • 03:17 • -6.57db
21% Popularity • 58% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 58% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Michel Sardou
Afrique adieu - Version 2012
125 bpm • A Maj • 03:17 • -5db
13% Popularity • 66% Danceability • 88% Energy • 40% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 66% Danceability • 88% Energy • 40% Liveness
0% Instrumentalness • 70% Positiveness
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Gold
Capitaine abandonné
127 bpm • A Maj • 03:55 • -7.87db
57% Popularity • 76% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 76% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Mylène Farmer
Ainsi soit je...
125 bpm • B Maj • 06:18 • -11.09db
36% Popularity • 62% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 62% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Ysa Ferrer
Les yeux dans les yeux
125 bpm • G Maj • 03:35 • -8.38db
10% Popularity • 62% Danceability • 90% Energy • 17% Liveness
1% Instrumentalness • 53% Positiveness
10% Popularity • 62% Danceability • 90% Energy • 17% Liveness
1% Instrumentalness • 53% Positiveness
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Elsa
Jamais nous - Remix
125 bpm • F# Maj • 03:52 • -10.06db
32% Popularity • 67% Danceability • 58% Energy • 23% Liveness
1% Instrumentalness • 28% Positiveness
32% Popularity • 67% Danceability • 58% Energy • 23% Liveness
1% Instrumentalness • 28% Positiveness
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Michel Polnareff
Lettre à France
127 bpm • G min • 04:50 • -7.86db
51% Popularity • 27% Danceability • 44% Energy • 36% Liveness
13% Instrumentalness • 9% Positiveness
51% Popularity • 27% Danceability • 44% Energy • 36% Liveness
13% Instrumentalness • 9% Positiveness
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Richard Gotainer
Le Mambo Du Décalco
125 bpm • B min • 03:34 • -6db
41% Popularity • 85% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
41% Popularity • 85% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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Gold
Capitaine abandonné (Version Tempête) ...
128 bpm • A Maj • 06:35 • -8.06db
25% Popularity • 80% Danceability • 59% Energy • 24% Liveness
2% Instrumentalness • 52% Positiveness
25% Popularity • 80% Danceability • 59% Energy • 24% Liveness
2% Instrumentalness • 52% Positiveness
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Mylène Farmer
C'est dans l'air
125 bpm • B Maj • 04:35 • -7.5db
35% Popularity • 71% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 71% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Patrick Bruel
J'te l'dis quand même
128 bpm • G Maj • 03:39 • -14.64db
55% Popularity • 51% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 22% Positiveness
55% Popularity • 51% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 22% Positiveness
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Lio
Tétéou
128 bpm • A Maj • 04:13 • -4.06db
15% Popularity • 62% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 62% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Patrick Fiori
Que tu reviennes
124 bpm • E min • 03:59 • -8db
45% Popularity • 49% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 49% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Michel Jonasz
Je voulais te dire que je t'attends
124 bpm • C Maj • 04:21 • -6db
49% Popularity • 46% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
49% Popularity • 46% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
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Partenaire Particulier
Je N Oublierai Jamais
128 bpm • F Maj • 03:24 • -5.12db
22% Popularity • 65% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 65% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Mylène Farmer
Souviens-toi du jour...
125 bpm • D# Maj • 05:03 • -7.56db
33% Popularity • 54% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 54% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Gérard Blanc
Sentiment d'océan
128 bpm • C# Maj • 04:31 • -8.71db
22% Popularity • 63% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 63% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Maurane
Ça casse
124 bpm • F min • 04:11 • -11.54db
29% Popularity • 49% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 49% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 9% Positiveness
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Chimène Badi
Le jour d'après
128 bpm • G min • 03:13 • -6.76db
34% Popularity • 36% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 36% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Lara Fabian
Immortelle
124 bpm • G min • 05:18 • -9.58db
42% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
42% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Juliette Armanet
L’amour en Solitaire
128 bpm • F min • 02:55 • -8db
58% Popularity • 80% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
58% Popularity • 80% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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CÅ“ur De Pirate
Oublie-moi - Carry On
124 bpm • C min • 03:35 • -5.12db
45% Popularity • 73% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
45% Popularity • 73% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Julie Zenatti
Les amis
124 bpm • C min • 02:54 • -6db
38% Popularity • 69% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 69% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Alain Souchon
Les regrets
124 bpm • F# Maj • 03:59 • -9.23db
33% Popularity • 69% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 69% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Mylène Farmer
Les mots
124 bpm • G# Maj • 04:49 • -10.79db
43% Popularity • 50% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 50% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 22% Positiveness
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Superbus
Lola
124 bpm • B min • 02:58 • -4.04db
49% Popularity • 63% Danceability • 87% Energy • 70% Liveness
0% Instrumentalness • 85% Positiveness
49% Popularity • 63% Danceability • 87% Energy • 70% Liveness
0% Instrumentalness • 85% Positiveness
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Juliette Armanet
Flamme
128 bpm • C Maj • 02:44 • -4.47db
52% Popularity • 75% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 75% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Lara Fabian
Tout
124 bpm • C# Maj • 04:16 • -6db
49% Popularity • 60% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
49% Popularity • 60% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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François Feldman
C'Est Toi Qui M'As Fait
124 bpm • B min • 05:28 • -16.22db
28% Popularity • 74% Danceability • 65% Energy • 3% Liveness
7% Instrumentalness • 97% Positiveness
28% Popularity • 74% Danceability • 65% Energy • 3% Liveness
7% Instrumentalness • 97% Positiveness
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Fanny
L'Homme à la moto
124 bpm • G Maj • 03:04 • -10db
18% Popularity • 67% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 67% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Mylène Farmer
Je te dis tout
124 bpm • B min • 05:30 • -6db
27% Popularity • 51% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 51% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Stephan Eicher
Oh ironie
128 bpm • B min • 04:46 • -9db
18% Popularity • 63% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 63% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Michel Berger
Message personnel - Remasterisé en 2002
129 bpm • C Maj • 02:37 • -16db
41% Popularity • 45% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
41% Popularity • 45% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Elsa
Jamais nous
123 bpm • D# min • 03:52 • -17db
37% Popularity • 71% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 71% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Pierre Bachelet
Flo
129 bpm • D# Maj • 04:41 • -12db
10% Popularity • 46% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 46% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Alain Chamfort
Bons baisers d'ici
129 bpm • A min • 03:47 • -7.89db
25% Popularity • 86% Danceability • 59% Energy • 12% Liveness
10% Instrumentalness • 96% Positiveness
25% Popularity • 86% Danceability • 59% Energy • 12% Liveness
10% Instrumentalness • 96% Positiveness
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Mylène Farmer
Rêver
124 bpm • C Maj • 05:21 • -10db
43% Popularity • 47% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
43% Popularity • 47% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Superbus
Ça mousse
123 bpm • B min • 03:11 • -8.46db
39% Popularity • 70% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
39% Popularity • 70% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
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Ycare
S.E.EX
129 bpm • E min • 03:19 • -6.14db
26% Popularity • 77% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
26% Popularity • 77% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
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Najoua Belyzel
Le Fléau
123 bpm • B min • 03:32 • -5.15db
22% Popularity • 66% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 66% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Pierre Bachelet
Les corons
129 bpm • F# min • 04:14 • -12db
20% Popularity • 43% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 43% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Elsa
A la même heure dans deux ans
129 bpm • G Maj • 03:32 • -19.56db
31% Popularity • 71% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 85% Positiveness
31% Popularity • 71% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 85% Positiveness
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Mylène Farmer
Consentement
123 bpm • C min • 04:39 • -8.34db
24% Popularity • 55% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 55% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Enrique Iglesias
Tired Of Being Sorry (Laisse Le Destin L...
122 bpm • C min • 04:01 • -1.56db
47% Popularity • 62% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 62% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Michel Sardou
Rouge
130 bpm • C# min • 04:12 • -8.91db
46% Popularity • 70% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 70% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Julien Clerc
Utile
122 bpm • F# min • 03:01 • -9db
35% Popularity • 47% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 47% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Corinne Hermes
Dessine Moi
130 bpm • D# Maj • 02:40 • -7.59db
31% Popularity • 65% Danceability • 92% Energy • 6% Liveness
6% Instrumentalness • 78% Positiveness
31% Popularity • 65% Danceability • 92% Energy • 6% Liveness
6% Instrumentalness • 78% Positiveness
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Images
Le cœur en exil
130 bpm • F# min • 05:14 • -16db
32% Popularity • 62% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 62% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Mylène Farmer
L'âme-stram-gram
130 bpm • F min • 04:24 • -7db
36% Popularity • 58% Danceability • 72% Energy • 10% Liveness
36% Instrumentalness • 31% Positiveness
36% Popularity • 58% Danceability • 72% Energy • 10% Liveness
36% Instrumentalness • 31% Positiveness
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Grégoire
Toi + Moi
130 bpm • C Maj • 03:02 • -7.45db
60% Popularity • 64% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
60% Popularity • 64% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
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Hoshi
Je partirai
130 bpm • F# Maj • 03:15 • -4.01db
58% Popularity • 72% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
58% Popularity • 72% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Lorie
Je vais vite
130 bpm • C# Maj • 03:31 • -3db
36% Popularity • 78% Danceability • 69% Energy • 39% Liveness
1% Instrumentalness • 76% Positiveness
36% Popularity • 78% Danceability • 69% Energy • 39% Liveness
1% Instrumentalness • 76% Positiveness
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Clara Luciani
La grenade
130 bpm • B min • 03:14 • -6.59db
61% Popularity • 72% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 72% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Les Rita Mitsouko
Ding Dang Dong (Ringing at Your Bell)
122 bpm • D min • 03:39 • -6db
54% Popularity • 64% Danceability • 90% Energy • 21% Liveness
1% Instrumentalness • 84% Positiveness
54% Popularity • 64% Danceability • 90% Energy • 21% Liveness
1% Instrumentalness • 84% Positiveness
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Mylène Farmer
Paradis inanimé
130 bpm • G# Maj • 04:26 • -7db
26% Popularity • 56% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 56% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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-M-
À toi
130 bpm • C Maj • 02:49 • -7db
47% Popularity • 62% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 62% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Gold
Laissez-nous chanter (2017 - Remaster)
122 bpm • A# Maj • 04:34 • -5.93db
40% Popularity • 69% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 69% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Stephan Eicher
Pas d'ami (comme toi)
122 bpm • A Maj • 03:38 • -5db
37% Popularity • 63% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 63% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Emmanuel Moire
Ne s'aimer que la nuit
122 bpm • A# min • 04:07 • -8.9db
32% Popularity • 65% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 65% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Début De Soirée
Nuit de folie
122 bpm • D# min • 04:14 • -10.09db
56% Popularity • 77% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
56% Popularity • 77% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Laurent Voulzy
Le pouvoir des fleurs
122 bpm • A# Maj • 03:35 • -14db
52% Popularity • 62% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
52% Popularity • 62% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Francis Cabrel
Il faudra leur dire
122 bpm • E Maj • 03:43 • -23db
48% Popularity • 68% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 68% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Patrick Bruel
Place des grands hommes
131 bpm • A Maj • 04:28 • -7.39db
57% Popularity • 64% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
57% Popularity • 64% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Alain Souchon
La ballade de Jim
131 bpm • D# Maj • 04:25 • -12db
53% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
53% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Jean-Pierre Mader
Macumba
131 bpm • E min • 03:39 • -8.14db
56% Popularity • 86% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
56% Popularity • 86% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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Arnold Turboust
Adélaïde
121 bpm • F Maj • 03:54 • -5.98db
26% Popularity • 66% Danceability • 82% Energy • 14% Liveness
1% Instrumentalness • 98% Positiveness
26% Popularity • 66% Danceability • 82% Energy • 14% Liveness
1% Instrumentalness • 98% Positiveness
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Raphaël
Sur la route
131 bpm • D min • 03:52 • -11db
53% Popularity • 63% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
53% Popularity • 63% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Elsa
Jour de neige
121 bpm • F# min • 04:03 • -16db
35% Popularity • 78% Danceability • 40% Energy • 20% Liveness
7% Instrumentalness • 81% Positiveness
35% Popularity • 78% Danceability • 40% Energy • 20% Liveness
7% Instrumentalness • 81% Positiveness
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Gold
Calicoba (2017 - Remaster)
121 bpm • C Maj • 04:31 • -8.96db
28% Popularity • 92% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 92% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Mylène Farmer
Sans contrefaçon - Mix 2001
131 bpm • A Maj • 04:16 • -4.7db
54% Popularity • 76% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
54% Popularity • 76% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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David Hallyday
Le défi
121 bpm • G min • 04:15 • -3db
21% Popularity • 38% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 38% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Début De Soirée
La vie la nuit
121 bpm • F# min • 03:52 • -10db
38% Popularity • 71% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
38% Popularity • 71% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Najoua Belyzel
Jérémie
121 bpm • G Maj • 03:34 • -7.15db
17% Popularity • 75% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 75% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Graziella De Michele
Le Pull-over blanc
121 bpm • A Maj • 04:15 • -15db
25% Popularity • 67% Danceability • 49% Energy • 30% Liveness
3% Instrumentalness • 28% Positiveness
25% Popularity • 67% Danceability • 49% Energy • 30% Liveness
3% Instrumentalness • 28% Positiveness
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Gilbert Montagné
On va s'aimer
131 bpm • A min • 04:06 • -6.97db
61% Popularity • 75% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
61% Popularity • 75% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Mylène Farmer
Comme j'ai mal
121 bpm • E min • 03:52 • -7.92db
37% Popularity • 66% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 66% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
