Songs like REVIVED by Derivakat
Based on a tempo of (+/- 10%) and a similar genre
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Derivakat
Manhunt
180 bpm • A min • 03:23 • -6.61db
42% Popularity • 49% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 49% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Kanaya
Marionettes
180 bpm • G min • 04:02 • -14.08db
38% Popularity • 45% Danceability • 10% Energy • 9% Liveness
7% Instrumentalness • 34% Positiveness
38% Popularity • 45% Danceability • 10% Energy • 9% Liveness
7% Instrumentalness • 34% Positiveness
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Yuki
Bird of Passage
180 bpm • C min • 04:20 • -6.13db
21% Popularity • 37% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 37% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Adriana Figueroa
Spider Dance (Undertale)
180 bpm • B min • 01:59 • -14.07db
41% Popularity • 66% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 66% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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When Snakes Sing
I Bite Back
180 bpm • F# min • 03:07 • -9db
36% Popularity • 47% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 47% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
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Black Gryph0n
Thank You And Goodnight
180 bpm • C# min • 03:17 • -5.85db
66% Popularity • 49% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
66% Popularity • 49% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Derivakat
REVIVED
180 bpm • C# min • 02:33 • -7.47db
60% Popularity • 64% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
60% Popularity • 64% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
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Jorge Rivera-Herrans
Remember Them
179 bpm • D Maj • 04:08 • -7.77db
61% Popularity • 34% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
61% Popularity • 34% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Kanaya
No Reprise
179 bpm • G Maj • 02:46 • -21db
23% Popularity • 25% Danceability • 13% Energy • 7% Liveness
32% Instrumentalness • 18% Positiveness
23% Popularity • 25% Danceability • 13% Energy • 7% Liveness
32% Instrumentalness • 18% Positiveness
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Faster
Insane Rap
179 bpm • D Maj • 01:37 • -9.12db
30% Popularity • 46% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 46% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Will Stetson
USSEEWA
178 bpm • C# Maj • 03:23 • -6db
51% Popularity • 48% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
51% Popularity • 48% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Rachie
Usseewa
178 bpm • B min • 03:23 • -3.33db
47% Popularity • 41% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 41% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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Jagwar Twin
Happy Face
178 bpm • A Maj • 02:49 • -6.49db
73% Popularity • 42% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
73% Popularity • 42% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Marvin Brooks
Ghost (2WEI Remix)
183 bpm • D min • 03:28 • -10.86db
47% Popularity • 20% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
47% Popularity • 20% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
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Lovejoy
One Day
183 bpm • A# min • 02:24 • -8.57db
63% Popularity • 34% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
63% Popularity • 34% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Thomas Sanders
Trying Too Hard
184 bpm • C Maj • 03:10 • -12db
35% Popularity • 45% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 45% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Derivakat
Welcome Home
176 bpm • D min • 03:42 • -6.88db
39% Popularity • 41% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 41% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Dream
Roadtrip
176 bpm • A# Maj • 02:13 • -6.58db
54% Popularity • 46% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
54% Popularity • 46% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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SIWEL
Halos in Hell
184 bpm • D Maj • 02:38 • -9.3db
53% Popularity • 60% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
53% Popularity • 60% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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PARANOiD DJ
We're Sure to Drown (Husk's Tale)
176 bpm • F min • 04:15 • -7db
57% Popularity • 48% Danceability • 63% Energy • 26% Liveness
1% Instrumentalness • 62% Positiveness
57% Popularity • 48% Danceability • 63% Energy • 26% Liveness
1% Instrumentalness • 62% Positiveness
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Lovejoy
Concrete
177 bpm • C# Maj • 03:16 • -7.35db
55% Popularity • 56% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
55% Popularity • 56% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
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Halfy & Winks
Oh Adult, Oh Child
176 bpm • C Maj • 00:57 • -10.08db
33% Popularity • 55% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 55% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Sub Urban
RABBIT HOLE
184 bpm • E Maj • 03:08 • -9.32db
50% Popularity • 58% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
50% Popularity • 58% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Derivakat
Headcase
176 bpm • B min • 03:25 • -6.07db
42% Popularity • 41% Danceability • 82% Energy • 41% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 41% Danceability • 82% Energy • 41% Liveness
0% Instrumentalness • 44% Positiveness
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Mr Beard
Hungry Happy Sad
176 bpm • B Maj • 02:00 • -5db
25% Popularity • 61% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 61% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Rachie
I'm glad you're evil too - Re-release
176 bpm • C Maj • 06:30 • -5.75db
37% Popularity • 48% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 48% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Musiclide
Won't Be Slain Here
176 bpm • G min • 04:58 • -4.01db
37% Popularity • 70% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 70% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Egg
putting a spin on never ever getting rid...
175 bpm • F min • 02:09 • -22db
40% Popularity • 52% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
40% Popularity • 52% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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LongestSoloEver
The One Who Waits (Cult Of The Lamb Song...
175 bpm • D Maj • 03:18 • -3.81db
36% Popularity • 42% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 42% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Gabbie Hanna
Honestly - Encore
175 bpm • D# min • 01:35 • -5db
53% Popularity • 68% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
53% Popularity • 68% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Dagames
Moving Up In the World
174 bpm • E min • 05:05 • -9.8db
45% Popularity • 60% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 60% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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leo.
despair
174 bpm • C Maj • 02:55 • -6.7db
58% Popularity • 41% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
58% Popularity • 41% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Nico Collins
Timebomb
174 bpm • F# min • 02:57 • -3.64db
44% Popularity • 44% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 44% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Lovejoy
Taunt
187 bpm • G Maj • 02:13 • -9.31db
59% Popularity • 48% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
59% Popularity • 48% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Naethan Apollo
Night Watch
173 bpm • B Maj • 01:28 • -8db
56% Popularity • 51% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
56% Popularity • 51% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Gabbie Hanna
Dandelion
185 bpm • C Maj • 02:41 • -5db
53% Popularity • 46% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
53% Popularity • 46% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Dan Bull
The End Of The Line
172 bpm • C min • 05:18 • -3.8db
48% Popularity • 60% Danceability • 95% Energy • 45% Liveness
0% Instrumentalness • 71% Positiveness
48% Popularity • 60% Danceability • 95% Energy • 45% Liveness
0% Instrumentalness • 71% Positiveness
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Wilbur Soot
Soft Boy
171 bpm • A Maj • 02:17 • -12.47db
52% Popularity • 68% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
52% Popularity • 68% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Dream
Slow Down
172 bpm • F Maj • 02:34 • -3.88db
46% Popularity • 54% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
46% Popularity • 54% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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The Stupendium
Art of Darkness
190 bpm • G Maj • 04:28 • -3.53db
50% Popularity • 64% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
50% Popularity • 64% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Thomas Sanders
breathin'
190 bpm • G# min • 03:28 • -12.79db
38% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Set It Off
Partners in Crime
190 bpm • C# Maj • 03:31 • -3.44db
69% Popularity • 38% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
69% Popularity • 38% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Blixemi
Sink Away
170 bpm • A Maj • 04:03 • -13.72db
33% Popularity • 54% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 54% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Grymm
Limited Life
170 bpm • F Maj • 02:40 • -5.61db
29% Popularity • 61% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 61% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Nico Collins
Alone
170 bpm • D min • 03:54 • -2.41db
56% Popularity • 52% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
56% Popularity • 52% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Melina KB
I've Had Enough
170 bpm • A# min • 03:30 • -5.74db
59% Popularity • 74% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
59% Popularity • 74% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Musiclide
Keter Qualities
170 bpm • G min • 02:40 • -6.8db
45% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
45% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Mcki Robyns-P
'Cause I'm a Liar (Kokichi Oma fan song)
170 bpm • C Maj • 04:43 • -16.38db
52% Popularity • 56% Danceability • 36% Energy • 54% Liveness
0% Instrumentalness • 52% Positiveness
52% Popularity • 56% Danceability • 36% Energy • 54% Liveness
0% Instrumentalness • 52% Positiveness
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Derivakat
Blue
170 bpm • F min • 02:27 • -9.16db
43% Popularity • 85% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
43% Popularity • 85% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Rory Webley
Deal With The Devil
170 bpm • F Maj • 02:15 • -8.53db
45% Popularity • 66% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
45% Popularity • 66% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Will Stetson
phony
170 bpm • G Maj • 03:09 • -7.23db
54% Popularity • 63% Danceability • 78% Energy • 41% Liveness
0% Instrumentalness • 74% Positiveness
54% Popularity • 63% Danceability • 78% Energy • 41% Liveness
0% Instrumentalness • 74% Positiveness
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Dream
Change My Clothes
170 bpm • A Maj • 03:06 • -7.33db
58% Popularity • 60% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
58% Popularity • 60% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Nico Collins
Borderline
192 bpm • F# min • 03:21 • -4.45db
47% Popularity • 42% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
47% Popularity • 42% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Master Andross
VILLAIN
168 bpm • D Maj • 03:10 • -4.45db
33% Popularity • 62% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 62% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Derivakat
Bite
170 bpm • D min • 03:19 • -6.46db
42% Popularity • 33% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 26% Positiveness
42% Popularity • 33% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 26% Positiveness
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elybeatmaker
Hermit Gang - elybeatmaker Remix
168 bpm • G# Maj • 03:58 • -5.13db
39% Popularity • 76% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 76% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Jordan Clarke
Freaks
166 bpm • C# Maj • 02:54 • -6.36db
62% Popularity • 68% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
62% Popularity • 68% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Will Stetson
KING
166 bpm • A# Maj • 02:17 • -6db
48% Popularity • 50% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
48% Popularity • 50% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Lovejoy
It's All Futile! It's All Pointless!
165 bpm • A Maj • 03:40 • -8.92db
54% Popularity • 54% Danceability • 53% Energy • 9% Liveness
5% Instrumentalness • 45% Positiveness
54% Popularity • 54% Danceability • 53% Energy • 9% Liveness
5% Instrumentalness • 45% Positiveness
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Sushi Soucy
Average
165 bpm • C Maj • 02:00 • -13.1db
53% Popularity • 57% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
53% Popularity • 57% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Derivakat
4AM - Acoustic
166 bpm • D min • 03:20 • -7.29db
32% Popularity • 54% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 54% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Jakeneutron
Don't Listen
165 bpm • B min • 03:36 • -8.74db
56% Popularity • 55% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
56% Popularity • 55% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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XanduIsBored
Stronger Than You - Chara Version
196 bpm • C min • 02:58 • -5.79db
48% Popularity • 37% Danceability • 94% Energy • 69% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 37% Danceability • 94% Energy • 69% Liveness
0% Instrumentalness • 64% Positiveness
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Oh Geeez Not Again
Eyes On You
165 bpm • D# min • 03:20 • -5.93db
33% Popularity • 50% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 50% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Rachie
The Vampire
164 bpm • A Maj • 03:01 • -4.74db
49% Popularity • 62% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
49% Popularity • 62% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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The Gregory Brothers
The Last Goodbye
163 bpm • D Maj • 03:18 • -8db
48% Popularity • 58% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 58% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Jorge Rivera-Herrans
My Goodbye
163 bpm • G# Maj • 03:19 • -5.25db
63% Popularity • 52% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
63% Popularity • 52% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
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Will Stetson
Hated by life itself.
200 bpm • A Maj • 04:33 • -8.59db
41% Popularity • 57% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 57% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Lovejoy
Model Buses
162 bpm • B min • 02:50 • -7.82db
53% Popularity • 57% Danceability • 78% Energy • 15% Liveness
13% Instrumentalness • 31% Positiveness
53% Popularity • 57% Danceability • 78% Energy • 15% Liveness
13% Instrumentalness • 31% Positiveness
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Kanaya
I'll Let It Burn
202 bpm • G min • 01:44 • -16.53db
34% Popularity • 36% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 36% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Wilbur Soot
Internet Ruined Me
160 bpm • A Maj • 04:15 • -14.01db
53% Popularity • 73% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
53% Popularity • 73% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Mad Tsai
heartbreak honeymoon
160 bpm • F# min • 02:50 • -7db
48% Popularity • 38% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 38% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Neoni
UH OH
160 bpm • G Maj • 03:15 • -3db
47% Popularity • 64% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
47% Popularity • 64% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Derivakat
Take Aim (Remix)
160 bpm • A Maj • 03:22 • -4.15db
33% Popularity • 40% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
33% Popularity • 40% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Lola Blanc
Angry Too
160 bpm • G# Maj • 03:24 • -5.22db
63% Popularity • 55% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
63% Popularity • 55% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Amanda Fagan
Take You Down
160 bpm • C Maj • 02:27 • -18db
34% Popularity • 63% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 63% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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PARANOiD DJ
Liquid Gold
160 bpm • D Maj • 03:28 • -4.07db
49% Popularity • 36% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
49% Popularity • 36% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Mother Mother
Back In School
160 bpm • C# min • 03:13 • -4.88db
56% Popularity • 58% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
56% Popularity • 58% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Bo Burnham
Look Who’s Inside Again
160 bpm • D Maj • 01:23 • -9.24db
70% Popularity • 64% Danceability • 33% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
70% Popularity • 64% Danceability • 33% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Derivakat
Take Aim
160 bpm • C# Maj • 02:51 • -5.92db
35% Popularity • 56% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 56% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Jorge Rivera-Herrans
Done For
160 bpm • B min • 02:27 • -6.38db
65% Popularity • 63% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
65% Popularity • 63% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Amanda Fagan
Cat and Mouse
160 bpm • F min • 03:42 • -24db
27% Popularity • 70% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 47% Positiveness
27% Popularity • 70% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 47% Positiveness
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Static-P
Stay Calm
160 bpm • C# Maj • 04:25 • -11.83db
27% Popularity • 60% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 60% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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ApAngryPiggy
Let Me Out
160 bpm • G min • 04:00 • -8.99db
43% Popularity • 49% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
43% Popularity • 49% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Set It Off
Kill the Lights
160 bpm • C# min • 02:48 • -3.59db
56% Popularity • 51% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
56% Popularity • 51% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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Derivakat
Finally Find You
160 bpm • B Maj • 03:48 • -5.57db
36% Popularity • 64% Danceability • 80% Energy • 18% Liveness
1% Instrumentalness • 58% Positiveness
36% Popularity • 64% Danceability • 80% Energy • 18% Liveness
1% Instrumentalness • 58% Positiveness
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Adventure Time
Woke Up
160 bpm • G min • 02:21 • -13.65db
56% Popularity • 60% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
56% Popularity • 60% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Amanda Fagan
Bittersweet
160 bpm • D Maj • 03:01 • -16db
24% Popularity • 56% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 56% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Penelope Scott
Lotta True Crime
159 bpm • G# Maj • 03:22 • -14.46db
66% Popularity • 50% Danceability • 41% Energy • 11% Liveness
6% Instrumentalness • 40% Positiveness
66% Popularity • 50% Danceability • 41% Energy • 11% Liveness
6% Instrumentalness • 40% Positiveness
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Brye
LEMONS
159 bpm • E min • 03:52 • -10.82db
60% Popularity • 62% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
60% Popularity • 62% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Will Stetson
Writing on the Wall
204 bpm • C# min • 04:32 • -9.05db
60% Popularity • 32% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
60% Popularity • 32% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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Derivakat
Doomsday
160 bpm • G# min • 03:43 • -9.9db
49% Popularity • 46% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 46% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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God Complex
Potential Breakup Song - Rock Version
158 bpm • F# min • 03:39 • -5.85db
35% Popularity • 45% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 45% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Amanda Fagan
Rue The Day
160 bpm • C# min • 03:06 • -17db
30% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Neoni
FUNERAL
156 bpm • A min • 03:01 • -3.9db
53% Popularity • 58% Danceability • 83% Energy • 52% Liveness
0% Instrumentalness • 37% Positiveness
53% Popularity • 58% Danceability • 83% Energy • 52% Liveness
0% Instrumentalness • 37% Positiveness
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36 Questions
For the Record
156 bpm • G min • 05:04 • -8.75db
51% Popularity • 72% Danceability • 40% Energy • 22% Liveness
8% Instrumentalness • 39% Positiveness
51% Popularity • 72% Danceability • 40% Energy • 22% Liveness
8% Instrumentalness • 39% Positiveness
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Will Stetson
Shinunoga E-Wa
158 bpm • F# min • 03:04 • -7.31db
48% Popularity • 60% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 60% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Jorge Aguilar II
Run Run!
156 bpm • B min • 03:25 • -6.32db
59% Popularity • 43% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 43% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
