Songs like Reza by Antonio Loureiro
Based on a tempo of (+/- 10%) and a similar genre
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Antonio Loureiro
Reza
129 bpm • A# min • 08:04 • -11.03db
5% Popularity • 40% Danceability • 49% Energy • 11% Liveness
94% Instrumentalness • 40% Positiveness
5% Popularity • 40% Danceability • 49% Energy • 11% Liveness
94% Instrumentalness • 40% Positiveness
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Misturada Orquestra
Presente
130 bpm • F# Maj • 06:20 • -13.18db
0% Popularity • 43% Danceability • 32% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
0% Popularity • 43% Danceability • 32% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Rosinha De Valença
Tema Para Luizinho
130 bpm • E min • 02:25 • -14.65db
10% Popularity • 60% Danceability • 38% Energy • 11% Liveness
95% Instrumentalness • 56% Positiveness
10% Popularity • 60% Danceability • 38% Energy • 11% Liveness
95% Instrumentalness • 56% Positiveness
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Mauro Rodrigues
Iphigenia - SacrifÃcio
128 bpm • B min • 04:17 • -11.17db
0% Popularity • 63% Danceability • 37% Energy • 12% Liveness
95% Instrumentalness • 31% Positiveness
0% Popularity • 63% Danceability • 37% Energy • 12% Liveness
95% Instrumentalness • 31% Positiveness
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Antônio Neves
A Pegada Agora É Essa
130 bpm • E min • 04:19 • -14.82db
16% Popularity • 62% Danceability • 56% Energy • 52% Liveness
90% Instrumentalness • 53% Positiveness
16% Popularity • 62% Danceability • 56% Energy • 52% Liveness
90% Instrumentalness • 53% Positiveness
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Thomas Bendzko
This Masquerade
128 bpm • C# Maj • 05:25 • -11.39db
7% Popularity • 71% Danceability • 51% Energy • 30% Liveness
87% Instrumentalness • 38% Positiveness
7% Popularity • 71% Danceability • 51% Energy • 30% Liveness
87% Instrumentalness • 38% Positiveness
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Antonio Loureiro
Me Dê a Mão
128 bpm • F# Maj • 04:10 • -10.75db
3% Popularity • 69% Danceability • 45% Energy • 13% Liveness
3% Instrumentalness • 66% Positiveness
3% Popularity • 69% Danceability • 45% Energy • 13% Liveness
3% Instrumentalness • 66% Positiveness
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Ohnarp JANSON
Well, I Did'nt Expect That
130 bpm • A# min • 07:08 • -10.66db
17% Popularity • 47% Danceability • 65% Energy • 6% Liveness
79% Instrumentalness • 65% Positiveness
17% Popularity • 47% Danceability • 65% Energy • 6% Liveness
79% Instrumentalness • 65% Positiveness
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Will Vinson
Dancing Girls
128 bpm • C Maj • 04:51 • -7.38db
16% Popularity • 73% Danceability • 51% Energy • 12% Liveness
66% Instrumentalness • 35% Positiveness
16% Popularity • 73% Danceability • 51% Energy • 12% Liveness
66% Instrumentalness • 35% Positiveness
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Mauro Rodrigues
Amigos
130 bpm • D Maj • 04:28 • -14.16db
0% Popularity • 58% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
0% Popularity • 58% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
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Michiel Stekelenburg
Heartwork
128 bpm • F# Maj • 08:23 • -8.87db
8% Popularity • 63% Danceability • 52% Energy • 8% Liveness
75% Instrumentalness • 33% Positiveness
8% Popularity • 63% Danceability • 52% Energy • 8% Liveness
75% Instrumentalness • 33% Positiveness
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Antônio Neves
Lamento de um Perplexo
130 bpm • G# Maj • 05:03 • -15.33db
22% Popularity • 57% Danceability • 37% Energy • 26% Liveness
82% Instrumentalness • 36% Positiveness
22% Popularity • 57% Danceability • 37% Energy • 26% Liveness
82% Instrumentalness • 36% Positiveness
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Magic trio
Passion dance
128 bpm • C min • 02:38 • -11.7db
22% Popularity • 28% Danceability • 56% Energy • 17% Liveness
91% Instrumentalness • 76% Positiveness
22% Popularity • 28% Danceability • 56% Energy • 17% Liveness
91% Instrumentalness • 76% Positiveness
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Antonio Loureiro
Vôo a Dois
128 bpm • E Maj • 04:37 • -10.97db
3% Popularity • 51% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
3% Popularity • 51% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Ricardo Herz
Armênia
130 bpm • F min • 07:06 • -18.14db
1% Popularity • 37% Danceability • 6% Energy • 7% Liveness
2% Instrumentalness • 10% Positiveness
1% Popularity • 37% Danceability • 6% Energy • 7% Liveness
2% Instrumentalness • 10% Positiveness
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Salomão Soares
Feira de Mangaio
128 bpm • F Maj • 03:34 • -17.25db
15% Popularity • 61% Danceability • 44% Energy • 10% Liveness
93% Instrumentalness • 80% Positiveness
15% Popularity • 61% Danceability • 44% Energy • 10% Liveness
93% Instrumentalness • 80% Positiveness
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Reinier Baas
I Wish I Knew No Astronomy When Stars Ap...
128 bpm • D Maj • 05:04 • -17.63db
19% Popularity • 48% Danceability • 20% Energy • 19% Liveness
91% Instrumentalness • 14% Positiveness
19% Popularity • 48% Danceability • 20% Energy • 19% Liveness
91% Instrumentalness • 14% Positiveness
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Roisel Suà rez
If I Were to lose you
128 bpm • G Maj • 05:17 • -11.95db
12% Popularity • 48% Danceability • 22% Energy • 13% Liveness
89% Instrumentalness • 10% Positiveness
12% Popularity • 48% Danceability • 22% Energy • 13% Liveness
89% Instrumentalness • 10% Positiveness
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Musicmusicmusic
Self Care
131 bpm • G Maj • 06:38 • -14.2db
9% Popularity • 44% Danceability • 30% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
9% Popularity • 44% Danceability • 30% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
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Mauro Rodrigues
Tangolomango
130 bpm • B Maj • 06:55 • -13.84db
0% Popularity • 44% Danceability • 37% Energy • 22% Liveness
92% Instrumentalness • 42% Positiveness
0% Popularity • 44% Danceability • 37% Energy • 22% Liveness
92% Instrumentalness • 42% Positiveness
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Antonio Adolfo
Chickote
127 bpm • A min • 02:07 • -9.65db
8% Popularity • 43% Danceability • 53% Energy • 10% Liveness
89% Instrumentalness • 49% Positiveness
8% Popularity • 43% Danceability • 53% Energy • 10% Liveness
89% Instrumentalness • 49% Positiveness
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Hamilton De Holanda
Bolero de Mãe
127 bpm • C Maj • 04:57 • -9.6db
21% Popularity • 58% Danceability • 75% Energy • 11% Liveness
92% Instrumentalness • 77% Positiveness
21% Popularity • 58% Danceability • 75% Energy • 11% Liveness
92% Instrumentalness • 77% Positiveness
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Dalmo Mota
Era Assim Que Me Sentia (Part 3)
127 bpm • A Maj • 03:37 • -14.88db
8% Popularity • 53% Danceability • 30% Energy • 11% Liveness
93% Instrumentalness • 38% Positiveness
8% Popularity • 53% Danceability • 30% Energy • 11% Liveness
93% Instrumentalness • 38% Positiveness
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Greg Spero
hills
127 bpm • D Maj • 04:00 • -11.62db
26% Popularity • 37% Danceability • 45% Energy • 11% Liveness
81% Instrumentalness • 40% Positiveness
26% Popularity • 37% Danceability • 45% Energy • 11% Liveness
81% Instrumentalness • 40% Positiveness
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Antonio Loureiro
Câmara Escura
127 bpm • D Maj • 04:42 • -13.22db
1% Popularity • 36% Danceability • 25% Energy • 11% Liveness
4% Instrumentalness • 10% Positiveness
1% Popularity • 36% Danceability • 25% Energy • 11% Liveness
4% Instrumentalness • 10% Positiveness
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Michael Olivera
Obstinato
132 bpm • D# Maj • 05:01 • -18.53db
8% Popularity • 59% Danceability • 23% Energy • 22% Liveness
90% Instrumentalness • 22% Positiveness
8% Popularity • 59% Danceability • 23% Energy • 22% Liveness
90% Instrumentalness • 22% Positiveness
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Vladimir Torres
Nuevo Comienzo
132 bpm • E min • 07:23 • -13.96db
11% Popularity • 49% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
11% Popularity • 49% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Joana Queiroz
Espirais
132 bpm • E Maj • 04:41 • -26.17db
8% Popularity • 33% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
8% Popularity • 33% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Holger Marjamaa
Rush Hour
126 bpm • G# Maj • 06:36 • -12.66db
9% Popularity • 32% Danceability • 82% Energy • 14% Liveness
87% Instrumentalness • 77% Positiveness
9% Popularity • 32% Danceability • 82% Energy • 14% Liveness
87% Instrumentalness • 77% Positiveness
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Hermeto Pascoal
São Jorge
132 bpm • A# Maj • 02:35 • -10.89db
30% Popularity • 43% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 43% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Antonio Loureiro
Só
131 bpm • B min • 08:09 • -15.97db
2% Popularity • 45% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
2% Popularity • 45% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
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Tunico
O Que Virá
126 bpm • A Maj • 02:24 • -18db
17% Popularity • 50% Danceability • 13% Energy • 12% Liveness
80% Instrumentalness • 21% Positiveness
17% Popularity • 50% Danceability • 13% Energy • 12% Liveness
80% Instrumentalness • 21% Positiveness
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Spirit Fingers
Find - Tiny Room Sessions
132 bpm • B min • 08:28 • -14.01db
11% Popularity • 41% Danceability • 52% Energy • 7% Liveness
72% Instrumentalness • 38% Positiveness
11% Popularity • 41% Danceability • 52% Energy • 7% Liveness
72% Instrumentalness • 38% Positiveness
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Andrés Beeuwsaert
Madrugada
132 bpm • F Maj • 05:12 • -15.09db
10% Popularity • 55% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
10% Popularity • 55% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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フãƒãƒªã‚«
待宵
132 bpm • G# Maj • 03:55 • -13.3db
8% Popularity • 34% Danceability • 50% Energy • 9% Liveness
90% Instrumentalness • 42% Positiveness
8% Popularity • 34% Danceability • 50% Energy • 9% Liveness
90% Instrumentalness • 42% Positiveness
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Paul Rossy
Bossa Nova Moonrise
132 bpm • E min • 03:20 • -13.23db
11% Popularity • 49% Danceability • 39% Energy • 11% Liveness
70% Instrumentalness • 60% Positiveness
11% Popularity • 49% Danceability • 39% Energy • 11% Liveness
70% Instrumentalness • 60% Positiveness
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Antonio Loureiro
Roda Gigante
126 bpm • C Maj • 03:40 • -11.14db
1% Popularity • 67% Danceability • 36% Energy • 48% Liveness
0% Instrumentalness • 42% Positiveness
1% Popularity • 67% Danceability • 36% Energy • 48% Liveness
0% Instrumentalness • 42% Positiveness
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Ben Wendel
High Heart
133 bpm • D Maj • 06:38 • -11db
10% Popularity • 24% Danceability • 55% Energy • 6% Liveness
83% Instrumentalness • 7% Positiveness
10% Popularity • 24% Danceability • 55% Energy • 6% Liveness
83% Instrumentalness • 7% Positiveness
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Hamilton De Holanda
Mister Américo
125 bpm • F Maj • 03:57 • -6.63db
40% Popularity • 70% Danceability • 95% Energy • 5% Liveness
91% Instrumentalness • 96% Positiveness
40% Popularity • 70% Danceability • 95% Energy • 5% Liveness
91% Instrumentalness • 96% Positiveness
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Alexandre Andrés
Rio Doce
133 bpm • D Maj • 05:30 • -9.31db
0% Popularity • 42% Danceability • 56% Energy • 25% Liveness
63% Instrumentalness • 48% Positiveness
0% Popularity • 42% Danceability • 56% Energy • 25% Liveness
63% Instrumentalness • 48% Positiveness
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Hermeto Pascoal
O Susto
125 bpm • F# min • 05:35 • -9.62db
12% Popularity • 55% Danceability • 70% Energy • 16% Liveness
86% Instrumentalness • 61% Positiveness
12% Popularity • 55% Danceability • 70% Energy • 16% Liveness
86% Instrumentalness • 61% Positiveness
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Nair Mirabrat
Algarrobo
125 bpm • E min • 05:22 • -10.72db
9% Popularity • 61% Danceability • 68% Energy • 8% Liveness
1% Instrumentalness • 70% Positiveness
9% Popularity • 61% Danceability • 68% Energy • 8% Liveness
1% Instrumentalness • 70% Positiveness
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Brad Mehldau
Vou correndo te encontrar / Racecar
133 bpm • A# min • 05:05 • -10.61db
16% Popularity • 57% Danceability • 44% Energy • 14% Liveness
1% Instrumentalness • 23% Positiveness
16% Popularity • 57% Danceability • 44% Energy • 14% Liveness
1% Instrumentalness • 23% Positiveness
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Christian Houmann
Spring Dance
125 bpm • G Maj • 05:20 • -11.99db
12% Popularity • 50% Danceability • 54% Energy • 10% Liveness
58% Instrumentalness • 68% Positiveness
12% Popularity • 50% Danceability • 54% Energy • 10% Liveness
58% Instrumentalness • 68% Positiveness
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Sophie Alour
Sous tous les toits du monde
133 bpm • E min • 05:06 • -16.54db
8% Popularity • 54% Danceability • 27% Energy • 14% Liveness
95% Instrumentalness • 45% Positiveness
8% Popularity • 54% Danceability • 27% Energy • 14% Liveness
95% Instrumentalness • 45% Positiveness
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Thomas Bendzko
Nora
125 bpm • A min • 05:21 • -5.45db
8% Popularity • 67% Danceability • 63% Energy • 16% Liveness
85% Instrumentalness • 37% Positiveness
8% Popularity • 67% Danceability • 63% Energy • 16% Liveness
85% Instrumentalness • 37% Positiveness
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Charlie Ballantine
Blues For Baltimorrow
125 bpm • C min • 04:25 • -12.41db
12% Popularity • 46% Danceability • 57% Energy • 10% Liveness
94% Instrumentalness • 40% Positiveness
12% Popularity • 46% Danceability • 57% Energy • 10% Liveness
94% Instrumentalness • 40% Positiveness
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Amanda Whiting
Stay for One
125 bpm • A min • 07:11 • -18.66db
8% Popularity • 47% Danceability • 16% Energy • 10% Liveness
34% Instrumentalness • 16% Positiveness
8% Popularity • 47% Danceability • 16% Energy • 10% Liveness
34% Instrumentalness • 16% Positiveness
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Gard Nilssen Acoustic Unity
Dreignau
134 bpm • G min • 03:14 • -18.42db
12% Popularity • 55% Danceability • 24% Energy • 13% Liveness
87% Instrumentalness • 43% Positiveness
12% Popularity • 55% Danceability • 24% Energy • 13% Liveness
87% Instrumentalness • 43% Positiveness
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Marcelo Maccagnan
Vital Spark
124 bpm • F# min • 07:07 • -12.1db
13% Popularity • 40% Danceability • 44% Energy • 10% Liveness
86% Instrumentalness • 20% Positiveness
13% Popularity • 40% Danceability • 44% Energy • 10% Liveness
86% Instrumentalness • 20% Positiveness
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mòs ensemble
The Alchemist
124 bpm • D Maj • 04:16 • -11.95db
8% Popularity • 60% Danceability • 38% Energy • 8% Liveness
14% Instrumentalness • 62% Positiveness
8% Popularity • 60% Danceability • 38% Energy • 8% Liveness
14% Instrumentalness • 62% Positiveness
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PYJÆN
Aperitif
124 bpm • A Maj • 02:25 • -15.01db
13% Popularity • 47% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
13% Popularity • 47% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Antonio Adolfo
Dia De Paz
134 bpm • A Maj • 03:01 • -14.31db
8% Popularity • 66% Danceability • 32% Energy • 8% Liveness
89% Instrumentalness • 39% Positiveness
8% Popularity • 66% Danceability • 32% Energy • 8% Liveness
89% Instrumentalness • 39% Positiveness
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Paquito Cruz
Terra ignota
124 bpm • D Maj • 06:09 • -12.88db
8% Popularity • 56% Danceability • 68% Energy • 23% Liveness
94% Instrumentalness • 86% Positiveness
8% Popularity • 56% Danceability • 68% Energy • 23% Liveness
94% Instrumentalness • 86% Positiveness
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Edu Lobo
Casa Forte
123 bpm • D min • 03:38 • -10.74db
15% Popularity • 38% Danceability • 52% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
15% Popularity • 38% Danceability • 52% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
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Magic trio
Take the step
123 bpm • C min • 02:31 • -14.15db
26% Popularity • 38% Danceability • 47% Energy • 12% Liveness
91% Instrumentalness • 52% Positiveness
26% Popularity • 38% Danceability • 47% Energy • 12% Liveness
91% Instrumentalness • 52% Positiveness
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Carlos UrribarrÃ
Cacao Samba
135 bpm • E min • 05:03 • -14.84db
16% Popularity • 49% Danceability • 51% Energy • 13% Liveness
78% Instrumentalness • 62% Positiveness
16% Popularity • 49% Danceability • 51% Energy • 13% Liveness
78% Instrumentalness • 62% Positiveness
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Kneebody
What's My Name
123 bpm • F min • 05:52 • -9.48db
11% Popularity • 50% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 50% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Miho Hazama
I Said Cool, You Said…What?
123 bpm • F min • 06:45 • -11.24db
7% Popularity • 42% Danceability • 45% Energy • 20% Liveness
69% Instrumentalness • 22% Positiveness
7% Popularity • 42% Danceability • 45% Energy • 20% Liveness
69% Instrumentalness • 22% Positiveness
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Zac Colwell
Manchaca
135 bpm • C# Maj • 02:58 • -10.5db
12% Popularity • 20% Danceability • 40% Energy • 17% Liveness
87% Instrumentalness • 5% Positiveness
12% Popularity • 20% Danceability • 40% Energy • 17% Liveness
87% Instrumentalness • 5% Positiveness
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Monday Michiru
Cut to the Chase
123 bpm • G# min • 09:27 • -8.16db
9% Popularity • 62% Danceability • 69% Energy • 7% Liveness
40% Instrumentalness • 49% Positiveness
9% Popularity • 62% Danceability • 69% Energy • 7% Liveness
40% Instrumentalness • 49% Positiveness
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Louise van den Heuvel
Pingi
123 bpm • B min • 03:32 • -10.53db
9% Popularity • 37% Danceability • 69% Energy • 10% Liveness
85% Instrumentalness • 48% Positiveness
9% Popularity • 37% Danceability • 69% Energy • 10% Liveness
85% Instrumentalness • 48% Positiveness
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Scott McLemore
Knowing
135 bpm • C# Maj • 03:31 • -22.85db
14% Popularity • 55% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 22% Positiveness
14% Popularity • 55% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 22% Positiveness
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Blue Summers
The Final Word
136 bpm • F min • 05:34 • -14.51db
1% Popularity • 60% Danceability • 48% Energy • 10% Liveness
66% Instrumentalness • 58% Positiveness
1% Popularity • 60% Danceability • 48% Energy • 10% Liveness
66% Instrumentalness • 58% Positiveness
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New Fossils
Antonio
136 bpm • G Maj • 07:21 • -11.96db
14% Popularity • 40% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 17% Positiveness
14% Popularity • 40% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 17% Positiveness
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Antonio Loureiro
Vai Cair
136 bpm • B min • 04:24 • -6.41db
1% Popularity • 38% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
1% Popularity • 38% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
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Jesse Koolhaas
Six Shooter
122 bpm • G# Maj • 06:56 • -16.46db
8% Popularity • 55% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
8% Popularity • 55% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Pablo Lapidusas
Capitán Kutunoka
122 bpm • D min • 03:59 • -12.38db
24% Popularity • 38% Danceability • 51% Energy • 17% Liveness
78% Instrumentalness • 26% Positiveness
24% Popularity • 38% Danceability • 51% Energy • 17% Liveness
78% Instrumentalness • 26% Positiveness
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Vanessa Moreno
SOLAR
122 bpm • F Maj • 04:45 • -11.22db
23% Popularity • 70% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
23% Popularity • 70% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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Atrisma
Lucioles
122 bpm • A# min • 01:11 • -18.68db
22% Popularity • 56% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
22% Popularity • 56% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
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Munir Hossn
Agua mi coco
137 bpm • C# min • 02:44 • -8.2db
14% Popularity • 65% Danceability • 77% Energy • 10% Liveness
77% Instrumentalness • 76% Positiveness
14% Popularity • 65% Danceability • 77% Energy • 10% Liveness
77% Instrumentalness • 76% Positiveness
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Antonio Loureiro
Pêndulo
122 bpm • G Maj • 07:53 • -18.09db
0% Popularity • 38% Danceability • 26% Energy • 16% Liveness
30% Instrumentalness • 6% Positiveness
0% Popularity • 38% Danceability • 26% Energy • 16% Liveness
30% Instrumentalness • 6% Positiveness
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Henry Solomon
Sunflower Patch
121 bpm • B Maj • 03:16 • -6.61db
9% Popularity • 44% Danceability • 87% Energy • 11% Liveness
3% Instrumentalness • 64% Positiveness
9% Popularity • 44% Danceability • 87% Energy • 11% Liveness
3% Instrumentalness • 64% Positiveness
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Tulipa Ruiz
Novelos - Vibraphone's Version
121 bpm • A# min • 04:34 • -16.94db
1% Popularity • 73% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 50% Positiveness
1% Popularity • 73% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 50% Positiveness
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Josiel Konrad
Samba de Trombone
121 bpm • D min • 04:04 • -8.77db
14% Popularity • 72% Danceability • 72% Energy • 10% Liveness
24% Instrumentalness • 53% Positiveness
14% Popularity • 72% Danceability • 72% Energy • 10% Liveness
24% Instrumentalness • 53% Positiveness
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Antônio Neves
Noite de Temporal
138 bpm • F Maj • 04:50 • -13.94db
7% Popularity • 46% Danceability • 54% Energy • 42% Liveness
38% Instrumentalness • 17% Positiveness
7% Popularity • 46% Danceability • 54% Energy • 42% Liveness
38% Instrumentalness • 17% Positiveness
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Munir Hossn
Sexo Sagitário
138 bpm • A Maj • 04:48 • -8.51db
12% Popularity • 71% Danceability • 68% Energy • 10% Liveness
70% Instrumentalness • 70% Positiveness
12% Popularity • 71% Danceability • 68% Energy • 10% Liveness
70% Instrumentalness • 70% Positiveness
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Morten Haxholm
Whirl
120 bpm • C# Maj • 05:28 • -12.16db
18% Popularity • 40% Danceability • 34% Energy • 12% Liveness
16% Instrumentalness • 37% Positiveness
18% Popularity • 40% Danceability • 34% Energy • 12% Liveness
16% Instrumentalness • 37% Positiveness
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Ricardo Herz
Baião de Lacan
120 bpm • B Maj • 05:46 • -13.06db
1% Popularity • 51% Danceability • 21% Energy • 30% Liveness
74% Instrumentalness • 24% Positiveness
1% Popularity • 51% Danceability • 21% Energy • 30% Liveness
74% Instrumentalness • 24% Positiveness
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CrissBass
Unique Solution
120 bpm • D Maj • 03:57 • -7.3db
10% Popularity • 39% Danceability • 40% Energy • 25% Liveness
42% Instrumentalness • 9% Positiveness
10% Popularity • 39% Danceability • 40% Energy • 25% Liveness
42% Instrumentalness • 9% Positiveness
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Luca Fasolin
Second impression
120 bpm • C min • 02:00 • -18.5db
11% Popularity • 52% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
11% Popularity • 52% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
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Rafael Rosa
Axiomatic - Music for the People
139 bpm • E min • 06:18 • -13db
15% Popularity • 45% Danceability • 57% Energy • 21% Liveness
89% Instrumentalness • 54% Positiveness
15% Popularity • 45% Danceability • 57% Energy • 21% Liveness
89% Instrumentalness • 54% Positiveness
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Munir Hossn
Nature
120 bpm • G Maj • 04:00 • -13.81db
13% Popularity • 55% Danceability • 26% Energy • 10% Liveness
56% Instrumentalness • 14% Positiveness
13% Popularity • 55% Danceability • 26% Energy • 10% Liveness
56% Instrumentalness • 14% Positiveness
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Antonio Monasterio Ensamble
Centro y Periferia
120 bpm • C min • 04:35 • -7.98db
16% Popularity • 56% Danceability • 64% Energy • 8% Liveness
93% Instrumentalness • 73% Positiveness
16% Popularity • 56% Danceability • 64% Energy • 8% Liveness
93% Instrumentalness • 73% Positiveness
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Jonnathan Green
Don't Pile On
120 bpm • C# Maj • 03:17 • -18.33db
22% Popularity • 80% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 45% Positiveness
22% Popularity • 80% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 45% Positiveness
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Sebastián Tozzola
Sambdombe Lup
120 bpm • C Maj • 01:15 • -17.13db
20% Popularity • 73% Danceability • 33% Energy • 11% Liveness
89% Instrumentalness • 93% Positiveness
20% Popularity • 73% Danceability • 33% Energy • 11% Liveness
89% Instrumentalness • 93% Positiveness
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DJ-AJC
Echolalia Inferno
120 bpm • C Maj • 01:56 • -15.57db
9% Popularity • 76% Danceability • 50% Energy • 14% Liveness
87% Instrumentalness • 28% Positiveness
9% Popularity • 76% Danceability • 50% Energy • 14% Liveness
87% Instrumentalness • 28% Positiveness
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Hermeto Pascoal
Mestre Radamés
120 bpm • D min • 03:33 • -10.78db
8% Popularity • 45% Danceability • 48% Energy • 22% Liveness
72% Instrumentalness • 66% Positiveness
8% Popularity • 45% Danceability • 48% Energy • 22% Liveness
72% Instrumentalness • 66% Positiveness
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Hamrå Orkester
The Moon
139 bpm • D min • 05:55 • -12.82db
10% Popularity • 37% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
10% Popularity • 37% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
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Antonio Loureiro
Vórtice
120 bpm • D Maj • 05:55 • -12.55db
0% Popularity • 32% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 32% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Deangelo Silva
My New Old Friends
139 bpm • C# Maj • 05:42 • -11.94db
1% Popularity • 30% Danceability • 76% Energy • 10% Liveness
86% Instrumentalness • 75% Positiveness
1% Popularity • 30% Danceability • 76% Energy • 10% Liveness
86% Instrumentalness • 75% Positiveness
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Magic trio
The Inner Room
139 bpm • F min • 03:29 • -17.85db
21% Popularity • 53% Danceability • 45% Energy • 10% Liveness
95% Instrumentalness • 54% Positiveness
21% Popularity • 53% Danceability • 45% Energy • 10% Liveness
95% Instrumentalness • 54% Positiveness
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Rachel Eckroth
Dracaena
139 bpm • D# min • 04:19 • -9.14db
7% Popularity • 54% Danceability • 50% Energy • 12% Liveness
68% Instrumentalness • 48% Positiveness
7% Popularity • 54% Danceability • 50% Energy • 12% Liveness
68% Instrumentalness • 48% Positiveness
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Andreas Hourdakis
Gateway Xero
139 bpm • A min • 06:57 • -13.83db
7% Popularity • 43% Danceability • 44% Energy • 10% Liveness
87% Instrumentalness • 32% Positiveness
7% Popularity • 43% Danceability • 44% Energy • 10% Liveness
87% Instrumentalness • 32% Positiveness
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Tima Volozh
Adoration of the Earth
120 bpm • A min • 02:46 • -11.61db
16% Popularity • 47% Danceability • 37% Energy • 10% Liveness
81% Instrumentalness • 56% Positiveness
16% Popularity • 47% Danceability • 37% Energy • 10% Liveness
81% Instrumentalness • 56% Positiveness
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Antonio Loureiro
Boi
120 bpm • D# min • 05:26 • -12.52db
1% Popularity • 35% Danceability • 32% Energy • 6% Liveness
5% Instrumentalness • 11% Positiveness
1% Popularity • 35% Danceability • 32% Energy • 6% Liveness
5% Instrumentalness • 11% Positiveness
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John Zorn
Where the Wild Thyme Blows
139 bpm • E min • 06:57 • -15.02db
8% Popularity • 40% Danceability • 39% Energy • 10% Liveness
63% Instrumentalness • 16% Positiveness
8% Popularity • 40% Danceability • 39% Energy • 10% Liveness
63% Instrumentalness • 16% Positiveness
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Cassie Kinoshi
milkformycheerios
139 bpm • G# Maj • 03:02 • -26.01db
18% Popularity • 47% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
18% Popularity • 47% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
