Songs like Ricercar à 3 by Adrian Willaert
Based on a tempo of (+/- 10%) and a similar genre
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Adrian Willaert
Jouissance vous donneray
74 bpm • A min • 03:10 • -25.54db
1% Popularity • 7% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
1% Popularity • 7% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Cesare Negri
Le Gratie d'Amore: Catena d'amore
74 bpm • G min • 01:28 • -26.69db
19% Popularity • 56% Danceability • 3% Energy • 9% Liveness
5% Instrumentalness • 73% Positiveness
19% Popularity • 56% Danceability • 3% Energy • 9% Liveness
5% Instrumentalness • 73% Positiveness
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John Jenkins
Pavan in F-Major
75 bpm • A Maj • 04:02 • -22db
7% Popularity • 7% Danceability • 7% Energy • 12% Liveness
57% Instrumentalness • 14% Positiveness
7% Popularity • 7% Danceability • 7% Energy • 12% Liveness
57% Instrumentalness • 14% Positiveness
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Tobias Hume
The First Part of Ayres, 1605: Love's Fa...
75 bpm • F# Maj • 01:52 • -27.24db
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
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Santiago De Murcia
Tarantelas
73 bpm • B Maj • 03:29 • -26.45db
12% Popularity • 42% Danceability • 5% Energy • 13% Liveness
96% Instrumentalness • 27% Positiveness
12% Popularity • 42% Danceability • 5% Energy • 13% Liveness
96% Instrumentalness • 27% Positiveness
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Jean-Henri d'Anglebert
Les Folies d'Espagne
75 bpm • C Maj • 05:05 • -24db
9% Popularity • 32% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
9% Popularity • 32% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Adrian Willaert
Ricercar à 3
74 bpm • A# min • 01:39 • -31.09db
14% Popularity • 25% Danceability • 1% Energy • 14% Liveness
30% Instrumentalness • 57% Positiveness
14% Popularity • 25% Danceability • 1% Energy • 14% Liveness
30% Instrumentalness • 57% Positiveness
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Diego Ortiz
Trattado de glosas: Recercada Doulce Mem...
73 bpm • D min • 03:01 • -20.79db
8% Popularity • 28% Danceability • 10% Energy • 12% Liveness
40% Instrumentalness • 16% Positiveness
8% Popularity • 28% Danceability • 10% Energy • 12% Liveness
40% Instrumentalness • 16% Positiveness
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Jachet de Mantua
Vespro della beata Vergine: Laetatus sum...
73 bpm • A min • 06:52 • -22.7db
1% Popularity • 10% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
1% Popularity • 10% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Thomas Simpson
Suite from Taffel-Consort: Volta
75 bpm • G# Maj • 01:05 • -22.15db
14% Popularity • 44% Danceability • 12% Energy • 10% Liveness
99% Instrumentalness • 40% Positiveness
14% Popularity • 44% Danceability • 12% Energy • 10% Liveness
99% Instrumentalness • 40% Positiveness
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John Playford
The Dancing Master: Come live with me an...
75 bpm • C Maj • 01:14 • -30db
27% Popularity • 17% Danceability • 3% Energy • 12% Liveness
85% Instrumentalness • 28% Positiveness
27% Popularity • 17% Danceability • 3% Energy • 12% Liveness
85% Instrumentalness • 28% Positiveness
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Guillaume Dufay
Je me complains piteusement
75 bpm • A Maj • 02:06 • -30db
28% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Adrian Willaert
Kyrie Cunctipotens Genitor Deus
73 bpm • A min • 05:57 • -18.35db
1% Popularity • 14% Danceability • 26% Energy • 9% Liveness
57% Instrumentalness • 17% Positiveness
1% Popularity • 14% Danceability • 26% Energy • 9% Liveness
57% Instrumentalness • 17% Positiveness
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Palisander
Tarantellas I (Arr. for Recorders and Ba...
73 bpm • G min • 02:04 • -22.34db
8% Popularity • 48% Danceability • 8% Energy • 14% Liveness
86% Instrumentalness • 43% Positiveness
8% Popularity • 48% Danceability • 8% Energy • 14% Liveness
86% Instrumentalness • 43% Positiveness
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Jacob Obrecht
Tsat een meskin: Stat ('tsaat) ein meski...
73 bpm • G Maj • 02:05 • -19db
28% Popularity • 51% Danceability • 16% Energy • 9% Liveness
98% Instrumentalness • 55% Positiveness
28% Popularity • 51% Danceability • 16% Energy • 9% Liveness
98% Instrumentalness • 55% Positiveness
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Diego Ortiz
Pass'emezzo antico: Recercada primera
76 bpm • G# min • 02:11 • -20db
28% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
28% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
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Claude Le Jeune
Le Jeune: Le Printemps: No. 1, Revecy ve...
72 bpm • F Maj • 03:48 • -19.62db
17% Popularity • 28% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 28% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Pierre de la Rue
Mijn hert altijt heeft verlanghen
76 bpm • A min • 04:47 • -22.21db
17% Popularity • 13% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
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Adrian Willaert
O salutaris hostia
73 bpm • F# Maj • 04:22 • -20.05db
0% Popularity • 14% Danceability • 8% Energy • 13% Liveness
78% Instrumentalness • 10% Positiveness
0% Popularity • 14% Danceability • 8% Energy • 13% Liveness
78% Instrumentalness • 10% Positiveness
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Orlando Gibbons
The silver swan
72 bpm • F Maj • 01:19 • -27.69db
18% Popularity • 16% Danceability • 1% Energy • 7% Liveness
44% Instrumentalness • 16% Positiveness
18% Popularity • 16% Danceability • 1% Energy • 7% Liveness
44% Instrumentalness • 16% Positiveness
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David Douglass
Tarantella
72 bpm • C Maj • 06:51 • -23db
8% Popularity • 45% Danceability • 8% Energy • 6% Liveness
1% Instrumentalness • 28% Positiveness
8% Popularity • 45% Danceability • 8% Energy • 6% Liveness
1% Instrumentalness • 28% Positiveness
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John Playford
Glory of the West, The Goddesses
72 bpm • E Maj • 01:17 • -17.81db
12% Popularity • 56% Danceability • 23% Energy • 7% Liveness
98% Instrumentalness • 71% Positiveness
12% Popularity • 56% Danceability • 23% Energy • 7% Liveness
98% Instrumentalness • 71% Positiveness
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Claudin de Sermisy
Tant que vivray
72 bpm • E Maj • 02:19 • -18.77db
14% Popularity • 34% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 34% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
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Edward Martin
Il me souffit (Sermisy)
76 bpm • G min • 01:17 • -27db
17% Popularity • 38% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 58% Positiveness
17% Popularity • 38% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 58% Positiveness
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Adrian Willaert
A quand’a quand’haveva: Villanesche
75 bpm • D Maj • 02:31 • -21.75db
2% Popularity • 24% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
2% Popularity • 24% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Michael Praetorius
Terpsichore*: Bransle simple 1 (La, la, ...
76 bpm • D# Maj • 01:43 • -23.93db
35% Popularity • 60% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 84% Positiveness
35% Popularity • 60% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 84% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: VIII. Daleth
72 bpm • G# min • 01:26 • -23db
23% Popularity • 16% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Antonio Caprioli
Quella bella e biancha mano
72 bpm • D Maj • 02:38 • -19.32db
12% Popularity • 34% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 34% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Christopher Tye
Rubum Quem
72 bpm • C Maj • 01:05 • -27.43db
18% Popularity • 36% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 55% Positiveness
18% Popularity • 36% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 55% Positiveness
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Andrea Falconieri
Folias echa para mi Señora Doña Taroli...
77 bpm • C Maj • 03:26 • -16db
11% Popularity • 28% Danceability • 20% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 28% Danceability • 20% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
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Edward Martin and Paul Berget
Suite for 2 Lutes in Bb (Baron) - Bouree
76 bpm • A Maj • 02:03 • -22db
16% Popularity • 56% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 74% Positiveness
16% Popularity • 56% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 74% Positiveness
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Jean-Henri d'Anglebert
Prélude in C
71 bpm • C Maj • 01:26 • -31.06db
12% Popularity • 40% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 33% Positiveness
12% Popularity • 40% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 33% Positiveness
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Jan Pieterszoon Sweelinck
Echo fantasia in Dorian mode, SwWV 261
71 bpm • G# min • 04:32 • -24.58db
9% Popularity • 22% Danceability • 5% Energy • 16% Liveness
95% Instrumentalness • 11% Positiveness
9% Popularity • 22% Danceability • 5% Energy • 16% Liveness
95% Instrumentalness • 11% Positiveness
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John Taverner
Missa Gloria tibi Trinitas: Sanctus
71 bpm • D min • 05:46 • -18.29db
16% Popularity • 8% Danceability • 18% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
16% Popularity • 8% Danceability • 18% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Pierre Phalèse the Elder
Pavane and Galliarde "de la Battaille"
71 bpm • G Maj • 04:18 • -21db
9% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Baltimore Consort
Kemp’s Jig
77 bpm • A# Maj • 01:15 • -24db
23% Popularity • 60% Danceability • 5% Energy • 13% Liveness
59% Instrumentalness • 73% Positiveness
23% Popularity • 60% Danceability • 5% Energy • 13% Liveness
59% Instrumentalness • 73% Positiveness
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Ivo de Vento
Levita Laurentius
71 bpm • F Maj • 01:31 • -26db
11% Popularity • 17% Danceability • 2% Energy • 8% Liveness
86% Instrumentalness • 26% Positiveness
11% Popularity • 17% Danceability • 2% Energy • 8% Liveness
86% Instrumentalness • 26% Positiveness
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Domenico Pellegrini
Armoniosi concerti sopra la chitarra spa...
77 bpm • G# min • 01:00 • -29db
17% Popularity • 60% Danceability • 3% Energy • 14% Liveness
45% Instrumentalness • 44% Positiveness
17% Popularity • 60% Danceability • 3% Energy • 14% Liveness
45% Instrumentalness • 44% Positiveness
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Girolamo Frescobaldi
Canzona terza a canto solo "detta la Don...
77 bpm • C Maj • 02:19 • -22db
26% Popularity • 21% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
26% Popularity • 21% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
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Michael Praetorius
Terpsichore*: Bransle Double 3
77 bpm • G min • 01:42 • -26.88db
30% Popularity • 66% Danceability • 2% Energy • 15% Liveness
71% Instrumentalness • 67% Positiveness
30% Popularity • 66% Danceability • 2% Energy • 15% Liveness
71% Instrumentalness • 67% Positiveness
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Philippe Verdelot
Ogn'hor per voi sospiro
78 bpm • G min • 02:22 • -22db
20% Popularity • 15% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 9% Positiveness
20% Popularity • 15% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 9% Positiveness
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Adrian Willaert
Jouissance vous donneray - diminutions b...
71 bpm • B Maj • 04:09 • -17.94db
5% Popularity • 28% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
5% Popularity • 28% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Richard Farrant
O Jove, from stately throne
78 bpm • C# min • 02:14 • -22.6db
14% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
14% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
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Francesco Corbetta
Balletto fatto nella Bariera sopra la Sa...
77 bpm • C# min • 01:18 • -27.87db
28% Popularity • 47% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 65% Positiveness
28% Popularity • 47% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 65% Positiveness
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Andrew Lawrence-King
Folias (Imperfectas)
78 bpm • A min • 01:44 • -36.5db
29% Popularity • 34% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
29% Popularity • 34% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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![Folias (Imperfectas) [Harp] cover art](https://i.scdn.co/image/ab67616d00001e02ee51bb12c37d93e807a54227)
La Capella Reial De Catalunya
Folias (Imperfectas) [Harp]
78 bpm • A min • 01:19 • -37.48db
16% Popularity • 30% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
16% Popularity • 30% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Giovanni Paolo Cima
Canzon la Gentile
70 bpm • C Maj • 01:43 • -27.43db
27% Popularity • 8% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 40% Positiveness
27% Popularity • 8% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 40% Positiveness
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Alexander Agricola
Ay je rien fet
78 bpm • D min • 03:11 • -16db
9% Popularity • 20% Danceability • 21% Energy • 9% Liveness
3% Instrumentalness • 31% Positiveness
9% Popularity • 20% Danceability • 21% Energy • 9% Liveness
3% Instrumentalness • 31% Positiveness
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Innocentio Alberti
Pavin of Albarti
78 bpm • E Maj • 01:16 • -27.77db
34% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
34% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
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John Dunstable
Puzzle Canon
70 bpm • C# Maj • 01:53 • -22.65db
14% Popularity • 16% Danceability • 3% Energy • 20% Liveness
78% Instrumentalness • 15% Positiveness
14% Popularity • 16% Danceability • 3% Energy • 20% Liveness
78% Instrumentalness • 15% Positiveness
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Michael Praetorius
Spagnoletta
70 bpm • A# Maj • 01:00 • -19db
24% Popularity • 43% Danceability • 13% Energy • 14% Liveness
2% Instrumentalness • 28% Positiveness
24% Popularity • 43% Danceability • 13% Energy • 14% Liveness
2% Instrumentalness • 28% Positiveness
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Johann Hermann Schein
Intrada à 5
78 bpm • D min • 01:02 • -15.59db
20% Popularity • 45% Danceability • 27% Energy • 10% Liveness
85% Instrumentalness • 16% Positiveness
20% Popularity • 45% Danceability • 27% Energy • 10% Liveness
85% Instrumentalness • 16% Positiveness
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Giovanni Paolo Cima
Capriccio
70 bpm • D min • 03:30 • -26db
12% Popularity • 22% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 18% Positiveness
12% Popularity • 22% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 18% Positiveness
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Marin Marais
Quatrième suite in A Minor: No. 5, Capr...
78 bpm • C# Maj • 01:03 • -18.9db
11% Popularity • 32% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
11% Popularity • 32% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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John Playford
The English Dance Master, Vol. 1: The Be...
78 bpm • F Maj • 01:53 • -22.87db
22% Popularity • 37% Danceability • 5% Energy • 43% Liveness
13% Instrumentalness • 53% Positiveness
22% Popularity • 37% Danceability • 5% Energy • 43% Liveness
13% Instrumentalness • 53% Positiveness
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Christopher Simpson
Prelude in D Major: The Division-Violist...
78 bpm • C# Maj • 01:15 • -23db
15% Popularity • 43% Danceability • 9% Energy • 11% Liveness
76% Instrumentalness • 23% Positiveness
15% Popularity • 43% Danceability • 9% Energy • 11% Liveness
76% Instrumentalness • 23% Positiveness
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Jean-Baptiste Lully
Trios pour le coucher du roi, LWV 35: Ch...
79 bpm • A# Maj • 03:35 • -19.81db
9% Popularity • 20% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 20% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Pierre Attaingnant
La berouïsse
70 bpm • D Maj • 02:35 • -19db
9% Popularity • 24% Danceability • 27% Energy • 29% Liveness
96% Instrumentalness • 37% Positiveness
9% Popularity • 24% Danceability • 27% Energy • 29% Liveness
96% Instrumentalness • 37% Positiveness
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Jacob Clemens non Papa
Adieu delices de mon ceur
79 bpm • D min • 01:58 • -33db
30% Popularity • 9% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
30% Popularity • 9% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
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Giulio Caccini
L'Euridice, prologo: Aria di Romanesca
79 bpm • G min • 01:17 • -33db
19% Popularity • 24% Danceability • 2% Energy • 10% Liveness
80% Instrumentalness • 13% Positiveness
19% Popularity • 24% Danceability • 2% Energy • 10% Liveness
80% Instrumentalness • 13% Positiveness
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William Lawes
Lawes: Consort Set No. 2 for 5 Viols in ...
79 bpm • A min • 02:45 • -24db
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
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Cipriano de Rore
Madrigal à 4, Pero piu ferm
69 bpm • C# Maj • 01:44 • -30.14db
3% Popularity • 20% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 34% Positiveness
3% Popularity • 20% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 34% Positiveness
► Preview
Andrea Falconieri
Corrente detta L'Auellina
79 bpm • C Maj • 01:20 • -17.85db
12% Popularity • 42% Danceability • 19% Energy • 19% Liveness
51% Instrumentalness • 55% Positiveness
12% Popularity • 42% Danceability • 19% Energy • 19% Liveness
51% Instrumentalness • 55% Positiveness
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Paolo D'Aragon
Toccate
79 bpm • E min • 03:26 • -21db
16% Popularity • 38% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 42% Positiveness
16% Popularity • 38% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 42% Positiveness
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Jacob Clemens non Papa
Si mon amour
79 bpm • C Maj • 01:29 • -29.09db
19% Popularity • 7% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
19% Popularity • 7% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
► Preview
Franz Tunder
Dominus illuminatio mea: Sinfonia
79 bpm • A min • 00:57 • -26.73db
25% Popularity • 19% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 8% Positiveness
25% Popularity • 19% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 8% Positiveness
► Preview
Guillaume de Machaut
Messe de Notre Dame: Kyrie
79 bpm • D Maj • 06:31 • -19db
13% Popularity • 10% Danceability • 19% Energy • 20% Liveness
32% Instrumentalness • 11% Positiveness
13% Popularity • 10% Danceability • 19% Energy • 20% Liveness
32% Instrumentalness • 11% Positiveness
► Preview
Monsieur de Sainte-Colombe
XLIV. Tombeau des regrets: Tombeau Les R...
79 bpm • F min • 08:56 • -24.84db
7% Popularity • 14% Danceability • 2% Energy • 35% Liveness
46% Instrumentalness • 7% Positiveness
7% Popularity • 14% Danceability • 2% Energy • 35% Liveness
46% Instrumentalness • 7% Positiveness
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Adrian Willaert
In diebus illis: Motet
69 bpm • A min • 05:04 • -17.79db
0% Popularity • 7% Danceability • 30% Energy • 9% Liveness
14% Instrumentalness • 19% Positiveness
0% Popularity • 7% Danceability • 30% Energy • 9% Liveness
14% Instrumentalness • 19% Positiveness
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Carl Friedrich Abel
Sonata in G Major for viola da gamba - A...
79 bpm • F# Maj • 01:41 • -25.32db
14% Popularity • 21% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 19% Positiveness
14% Popularity • 21% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 19% Positiveness
► Preview
Jan Pieterszoon Sweelinck
Fantasia chromatica
69 bpm • D min • 05:00 • -24db
11% Popularity • 18% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
11% Popularity • 18% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
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Guillaume Dufay
Flos florum
68 bpm • G min • 03:54 • -22.77db
10% Popularity • 16% Danceability • 6% Energy • 14% Liveness
1% Instrumentalness • 13% Positiveness
10% Popularity • 16% Danceability • 6% Energy • 14% Liveness
1% Instrumentalness • 13% Positiveness
► Preview
Pierre de la Rue
Autant en emporte
80 bpm • G# min • 01:17 • -25db
22% Popularity • 24% Danceability • 5% Energy • 14% Liveness
99% Instrumentalness • 19% Positiveness
22% Popularity • 24% Danceability • 5% Energy • 14% Liveness
99% Instrumentalness • 19% Positiveness
► Preview
Carlo Gesualdo
Io parto e non piu dissi
80 bpm • A min • 03:06 • -27db
22% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Adrian Willaert
Baisés moy tant tant
80 bpm • F Maj • 01:44 • -27.79db
5% Popularity • 19% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
5% Popularity • 19% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
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Christopher Tye
ln Nomine Crye
68 bpm • D# min • 01:50 • -13.72db
21% Popularity • 40% Danceability • 25% Energy • 15% Liveness
92% Instrumentalness • 42% Positiveness
21% Popularity • 40% Danceability • 25% Energy • 15% Liveness
92% Instrumentalness • 42% Positiveness
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Giles Farnaby
Farnabys Humour
68 bpm • G Maj • 01:24 • -23db
26% Popularity • 20% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 36% Positiveness
26% Popularity • 20% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 36% Positiveness
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Samuel Scheidt
Canon a 3 voc. in unisono, Cantio Sacra
80 bpm • A# min • 02:33 • -34db
13% Popularity • 17% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 18% Positiveness
13% Popularity • 17% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 18% Positiveness
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Sirinu
A masque
68 bpm • C# Maj • 01:00 • -40.19db
12% Popularity • 55% Danceability • 2% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 55% Danceability • 2% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
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Vincenzo Capirola
Balletto
81 bpm • D Maj • 01:52 • -31db
24% Popularity • 44% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 50% Positiveness
24% Popularity • 44% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 50% Positiveness
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Serby Laur
Kontomdo
68 bpm • A# Maj • 02:28 • -17.79db
9% Popularity • 49% Danceability • 20% Energy • 20% Liveness
57% Instrumentalness • 93% Positiveness
9% Popularity • 49% Danceability • 20% Energy • 20% Liveness
57% Instrumentalness • 93% Positiveness
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Christopher Tye
In nomine: Rachell’s Weepinge
81 bpm • C# min • 02:50 • -26db
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Georg Philipp Telemann
Sonata in F, TWV 41 F3: I. Andante
81 bpm • F Maj • 02:06 • -13.81db
8% Popularity • 38% Danceability • 15% Energy • 15% Liveness
93% Instrumentalness • 30% Positiveness
8% Popularity • 38% Danceability • 15% Energy • 15% Liveness
93% Instrumentalness • 30% Positiveness
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Dietrich Becker
Sonata & Suite in D-Dur: Sonata & Suite ...
81 bpm • C# Maj • 01:04 • -16.37db
10% Popularity • 41% Danceability • 29% Energy • 8% Liveness
21% Instrumentalness • 56% Positiveness
10% Popularity • 41% Danceability • 29% Energy • 8% Liveness
21% Instrumentalness • 56% Positiveness
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Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
31% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Gregor Aichinger
Factus est repente
67 bpm • C Maj • 02:18 • -27db
12% Popularity • 18% Danceability • 2% Energy • 11% Liveness
60% Instrumentalness • 24% Positiveness
12% Popularity • 18% Danceability • 2% Energy • 11% Liveness
60% Instrumentalness • 24% Positiveness
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Anonymous
Cancionero musical de palacio: No. 92, D...
67 bpm • C Maj • 01:21 • -30.41db
9% Popularity • 23% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 20% Positiveness
9% Popularity • 23% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 20% Positiveness
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Nicola Matteis
Ayres for the Violin (arr. for guitar): ...
81 bpm • F# Maj • 01:45 • -30.89db
19% Popularity • 38% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 37% Positiveness
19% Popularity • 38% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 37% Positiveness
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Adrian Willaert
Vespro della beata Vergine: Ricercar set...
67 bpm • D min • 04:12 • -34.66db
0% Popularity • 7% Danceability • 0% Energy • 7% Liveness
62% Instrumentalness • 25% Positiveness
0% Popularity • 7% Danceability • 0% Energy • 7% Liveness
62% Instrumentalness • 25% Positiveness
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Guillaume de Machaut
Dame, ne regardes pas (Medieval Fiddles)
82 bpm • D# min • 01:51 • -29.03db
13% Popularity • 19% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 28% Positiveness
13% Popularity • 19% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 28% Positiveness
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Michael Praetorius
Terpsichore*: Volte
82 bpm • F Maj • 01:20 • -27db
29% Popularity • 30% Danceability • 2% Energy • 21% Liveness
7% Instrumentalness • 88% Positiveness
29% Popularity • 30% Danceability • 2% Energy • 21% Liveness
7% Instrumentalness • 88% Positiveness
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Antonio Brunelli
Quando il sol apparisce
67 bpm • F Maj • 02:33 • -22.67db
7% Popularity • 13% Danceability • 7% Energy • 11% Liveness
25% Instrumentalness • 5% Positiveness
7% Popularity • 13% Danceability • 7% Energy • 11% Liveness
25% Instrumentalness • 5% Positiveness
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Anonymous
Cancionero musical de palacio: No. 92, D...
67 bpm • C Maj • 01:41 • -30.38db
8% Popularity • 17% Danceability • 1% Energy • 8% Liveness
82% Instrumentalness • 17% Positiveness
8% Popularity • 17% Danceability • 1% Energy • 8% Liveness
82% Instrumentalness • 17% Positiveness
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Anon
Galliard
67 bpm • A Maj • 01:07 • -17.01db
9% Popularity • 58% Danceability • 9% Energy • 13% Liveness
89% Instrumentalness • 68% Positiveness
9% Popularity • 58% Danceability • 9% Energy • 13% Liveness
89% Instrumentalness • 68% Positiveness
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Adrian Willaert
Passa la nave: Madrigal
67 bpm • A min • 04:38 • -17.56db
0% Popularity • 18% Danceability • 32% Energy • 5% Liveness
4% Instrumentalness • 19% Positiveness
0% Popularity • 18% Danceability • 32% Energy • 5% Liveness
4% Instrumentalness • 19% Positiveness
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Adam von Fulda
O Jupiter / O diva sollers virgo
67 bpm • F# Maj • 01:33 • -38.2db
12% Popularity • 8% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 22% Positiveness
12% Popularity • 8% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 22% Positiveness
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Samuel Scheidt
Ludi musici I: 8. Galliard a 4, SSWV 46
66 bpm • C# Maj • 02:41 • -19db
13% Popularity • 31% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 43% Positiveness
13% Popularity • 31% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 43% Positiveness
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Joan Ambrosio Dalza
Tastar de corde
82 bpm • C min • 01:28 • -35.72db
31% Popularity • 38% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 25% Positiveness
31% Popularity • 38% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 25% Positiveness
