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Richland Women Blues
Songs like
Richland Women Blues
by
Ramblin' Jack Elliott
Based on a tempo of (+/- 10%) and a similar genre
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Terry Allen
I Just Left Myself
76 bpm • G# Maj • 02:09 • -10.75db
17% Popularity • 58% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Frank Proffitt
Satan, Your Kingdom Must Come Down
77 bpm • D Maj • 02:11 • -18db
15% Popularity • 63% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Merle Haggard
Wishing All These Things Were New
78 bpm • C Maj • 03:20 • -14.07db
24% Popularity • 68% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Ramblin' Jack Elliott
Jimmie the Kid
76 bpm • G Maj • 02:27 • -12.45db
3% Popularity • 79% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
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Jimmie Rodgers
Blue Yodel No. 2 (My Lovin' Gal Lucille)
76 bpm • C Maj • 03:17 • -8.25db
16% Popularity • 47% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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The Doc Watson Family
Your Long Journey
78 bpm • D Maj • 02:36 • -12db
22% Popularity • 51% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Steve Goodman
My Old Man (Studio Cut)
76 bpm • E Maj • 04:07 • -24.27db
17% Popularity • 36% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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David Rawlings
Come On Over My House
78 bpm • G Maj • 03:42 • -9.15db
16% Popularity • 54% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Mickey Newbury
Why You Been Gone So Long, Pt. 1
78 bpm • G Maj • 03:28 • -9.25db
9% Popularity • 51% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Bonnie Raitt
Your Sweet and Shiny Eyes - 2008 Remaste...
78 bpm • D Maj • 02:47 • -10db
31% Popularity • 52% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Jimmie Rodgers
Waiting for a Train
76 bpm • G Maj • 02:43 • -10.59db
28% Popularity • 60% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Ted Hawkins
Revenge Of Scorpio
79 bpm • A# Maj • 02:45 • -15.23db
17% Popularity • 61% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Andy Hedges
Philadelphia Lawyer
79 bpm • C Maj • 02:58 • -11.74db
5% Popularity • 66% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Ramblin' Jack Elliott
Blue Eyes Cring In The Rain
79 bpm • G# Maj • 03:14 • -15.55db
10% Popularity • 52% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Ralph Stanley
Man of Constant Sorrow
80 bpm • C Maj • 02:49 • -11.99db
28% Popularity • 53% Danceability • 27% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Fred Eaglesmith
Betty Oshawa
75 bpm • F Maj • 03:34 • -14.12db
20% Popularity • 57% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Phil Ochs
When I'm Gone
80 bpm • D# Maj • 04:13 • -19.04db
41% Popularity • 40% Danceability • 9% Energy • 72% Liveness
0% Instrumentalness • 24% Positiveness
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Willis Alan Ramsey
Satin Sheets
81 bpm • F min • 02:39 • -16.54db
29% Popularity • 58% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Henry Thomas
Don't Ease Me In
81 bpm • F min • 02:58 • -15db
14% Popularity • 43% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Joe Ely
Treat Me Like A Saturday Night - 2022 Re...
81 bpm • B Maj • 03:03 • -12.36db
28% Popularity • 52% Danceability • 46% Energy • 8% Liveness
47% Instrumentalness • 40% Positiveness
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Terry Allen
Amarillo Highway (for Dave Hickey)
82 bpm • A Maj • 04:00 • -7.76db
40% Popularity • 53% Danceability • 60% Energy • 4% Liveness
2% Instrumentalness • 75% Positiveness
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Snooks Eaglin
Country Boy Down in New Orleans
82 bpm • D# min • 02:35 • -17.68db
13% Popularity • 68% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Steve Goodman
The Loving Of The Game
82 bpm • G Maj • 03:01 • -11.91db
13% Popularity • 54% Danceability • 40% Energy • 17% Liveness
5% Instrumentalness • 55% Positiveness
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Dillard & Clark
Through The Morning, Through The Night
72 bpm • G Maj • 04:04 • -13.04db
25% Popularity • 53% Danceability • 26% Energy • 12% Liveness
18% Instrumentalness • 28% Positiveness
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Ramblin' Jack Elliott
Goodnight Little Arlo
82 bpm • D Maj • 02:57 • -11.34db
8% Popularity • 52% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Cisco Houston
Trouble in Mind
83 bpm • F Maj • 03:30 • -18.77db
14% Popularity • 41% Danceability • 4% Energy • 12% Liveness
6% Instrumentalness • 11% Positiveness
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Jimmie Rodgers
Frankie and Johnny
83 bpm • C Maj • 02:50 • -7db
21% Popularity • 77% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Matt Rollings
If I Had A Boat
71 bpm • C# Maj • 04:22 • -12.17db
5% Popularity • 47% Danceability • 29% Energy • 11% Liveness
57% Instrumentalness • 16% Positiveness
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Steve Goodman
Vegematic
83 bpm • B Maj • 02:59 • -11.32db
13% Popularity • 64% Danceability • 33% Energy • 96% Liveness
0% Instrumentalness • 59% Positiveness
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The Osborne Brothers
Ruby - Are You Mad at Your Man
84 bpm • G Maj • 03:01 • -9.11db
31% Popularity • 33% Danceability • 61% Energy • 6% Liveness
60% Instrumentalness • 57% Positiveness
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Danny O'Keefe
I Know You Really Love Me
84 bpm • G Maj • 00:59 • -12.2db
26% Popularity • 72% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Paul Clayton
The Devil's Question
85 bpm • D Maj • 02:29 • -13.66db
23% Popularity • 55% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Kris Kristofferson
Stagger Mountain Tragedy
85 bpm • C Maj • 02:53 • -17.09db
19% Popularity • 61% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Roger Miller
Where Have All The Average People Gone -...
85 bpm • A Maj • 03:01 • -13db
44% Popularity • 70% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Steve Goodman
The Dutchman
84 bpm • G Maj • 04:19 • -9.33db
26% Popularity • 47% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Jesse Winchester
The Brand New Tennessee Waltz
85 bpm • D Maj • 03:08 • -11db
20% Popularity • 53% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Ola Belle Reed
My Epitaph
87 bpm • E min • 03:16 • -14.37db
15% Popularity • 65% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Rodney Crowell
Leaving Louisiana in the Broad Daylight
87 bpm • F Maj • 03:24 • -18.21db
32% Popularity • 64% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Roscoe Holcomb
Moonshiner
88 bpm • F Maj • 02:00 • -16.93db
21% Popularity • 54% Danceability • 2% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Roger Miller
Home - Single Version
88 bpm • D Maj • 01:45 • -10.14db
27% Popularity • 62% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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Jean Ritchie
Let the Sun Shine Down on Me - Remastere...
88 bpm • C Maj • 02:22 • -17.77db
17% Popularity • 51% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Jody Stecher
Oh The Wind And Rain
89 bpm • A# Maj • 03:49 • -11.91db
10% Popularity • 46% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Ola Belle Reed
High on a Mountain
87 bpm • C Maj • 05:30 • -16.81db
14% Popularity • 42% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Steve Goodman
You Better Get It While You Can (The Bal...
89 bpm • A Maj • 04:29 • -13.46db
13% Popularity • 72% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Snooks Eaglin
That's All Alright
89 bpm • A Maj • 02:13 • -9.12db
12% Popularity • 69% Danceability • 37% Energy • 14% Liveness
29% Instrumentalness • 59% Positiveness
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James Talley
Got No Bread, No Milk, No Money, but We ...
89 bpm • E Maj • 02:11 • -11.8db
10% Popularity • 72% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Judy Collins
Me & My Uncle
89 bpm • B min • 02:53 • -11.29db
8% Popularity • 45% Danceability • 19% Energy • 74% Liveness
0% Instrumentalness • 43% Positiveness
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Frank Proffitt
Poor Man
90 bpm • C# Maj • 03:02 • -20.11db
9% Popularity • 42% Danceability • 18% Energy • 10% Liveness
3% Instrumentalness • 58% Positiveness
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The Doc Watson Family
When I Die
90 bpm • G Maj • 02:17 • -8db
12% Popularity • 57% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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The Louvin Brothers
I'll Never Go Back (To the Ways of Sin)
90 bpm • F Maj • 02:38 • -8.25db
12% Popularity • 63% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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Ola Belle Reed
Over Yonder In The Graveyard
90 bpm • D Maj • 03:06 • -16db
26% Popularity • 52% Danceability • 25% Energy • 16% Liveness
5% Instrumentalness • 51% Positiveness
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Del McCoury
Rain & Snow
90 bpm • C Maj • 03:28 • -10.57db
25% Popularity • 63% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Barbara Dane
Ramblin'
91 bpm • G# Maj • 02:57 • -15.83db
18% Popularity • 64% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Roscoe Holcomb
Knife Guitar
91 bpm • G Maj • 01:17 • -12db
21% Popularity • 36% Danceability • 36% Energy • 36% Liveness
95% Instrumentalness • 60% Positiveness
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Cisco Houston
The Dying Cowboy
92 bpm • G# Maj • 03:03 • -22.01db
28% Popularity • 43% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Utah Phillips
The Telling Takes Me Home
92 bpm • G Maj • 02:35 • -13.31db
11% Popularity • 59% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Ola Belle Reed
Undone in Sorrow
90 bpm • D Maj • 03:20 • -14.34db
26% Popularity • 54% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
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Willis Alan Ramsey
Watermelon Man
92 bpm • B min • 03:26 • -14.45db
18% Popularity • 62% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Rodney Crowell
I Wish It Would Rain
92 bpm • D Maj • 03:28 • -9db
35% Popularity • 59% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Johnny Cash
Don't Think Twice, It's All Right
92 bpm • C Maj • 02:56 • -10.27db
43% Popularity • 77% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Ramblin' Jack Elliott
Blue Eyed Elaine
92 bpm • G# Maj • 02:18 • -21.29db
3% Popularity • 58% Danceability • 15% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Jean Ritchie
The L and N Don't Stop Here Anymore - Re...
93 bpm • E min • 03:14 • -20.01db
18% Popularity • 50% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Ola Belle Reed
Bonaparte's Retreat
90 bpm • C Maj • 02:49 • -15.77db
21% Popularity • 61% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Willis Alan Ramsey
Goodbye Old Missoula
92 bpm • B Maj • 05:03 • -14.93db
22% Popularity • 56% Danceability • 27% Energy • 11% Liveness
2% Instrumentalness • 30% Positiveness
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Kris Kristofferson
Pilgrim's Progress
93 bpm • A Maj • 02:14 • -8.56db
27% Popularity • 77% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Dillard & Clark
Don't Come Rollin
94 bpm • E Maj • 02:50 • -14.35db
20% Popularity • 58% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Estil C. Ball
The Farmer's Curst Wife
95 bpm • G Maj • 02:59 • -17.54db
14% Popularity • 54% Danceability • 24% Energy • 18% Liveness
24% Instrumentalness • 68% Positiveness
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Dave Rawlings Machine
Candy
95 bpm • A Maj • 04:10 • -12.04db
9% Popularity • 59% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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The Deslondes
Fought the Blues and Won
95 bpm • C Maj • 03:29 • -6.78db
32% Popularity • 57% Danceability • 56% Energy • 9% Liveness
26% Instrumentalness • 68% Positiveness
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Aaron Lee Tasjan
12 Bar Blues
95 bpm • D Maj • 05:04 • -11db
28% Popularity • 47% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Kris Kristofferson
Jesus Was a Capricorn (Owed to John Prin...
95 bpm • G Maj • 02:29 • -15.35db
27% Popularity • 54% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Big Bill Broonzy
This Train
96 bpm • G# min • 03:00 • -14.46db
22% Popularity • 71% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Iris DeMent
Fifty Miles of Elbow Room
96 bpm • B Maj • 03:12 • -12db
21% Popularity • 65% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Mary McCaslin
Ghost Riders In The Sky
96 bpm • A Maj • 04:04 • -16db
11% Popularity • 53% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Ola Belle Reed
Ola Belle's Blues
96 bpm • G Maj • 02:22 • -13.7db
18% Popularity • 49% Danceability • 42% Energy • 29% Liveness
89% Instrumentalness • 44% Positiveness
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The Flying Burrito Brothers
Sing Me Back Home
96 bpm • D Maj • 03:50 • -13.53db
20% Popularity • 49% Danceability • 44% Energy • 9% Liveness
6% Instrumentalness • 59% Positiveness
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Spider John Koerner
Rattlesnake
96 bpm • B Maj • 01:37 • -16.96db
11% Popularity • 84% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Utah Phillips
Green Rolling Hills of West Virginia
96 bpm • D Maj • 02:15 • -13.01db
13% Popularity • 48% Danceability • 31% Energy • 53% Liveness
1% Instrumentalness • 44% Positiveness
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The Delmore Brothers
The Fugitive's Lament
96 bpm • C# Maj • 02:43 • -16.58db
29% Popularity • 72% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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David Rawlings
Money Is The Meat In The Coconut
96 bpm • G Maj • 02:23 • -11.62db
18% Popularity • 70% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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The New Lost City Ramblers
How Can a Poor Man Stand Such Times and ...
96 bpm • G Maj • 03:35 • -17.71db
12% Popularity • 63% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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The Louvin Brothers
Cash On The Barrel Head
96 bpm • F Maj • 02:41 • -6.14db
31% Popularity • 79% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Ramblin' Jack Elliott
Shade Of The Old Apple Tree
96 bpm • B Maj • 02:42 • -18.3db
3% Popularity • 57% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Bill Monroe & His Blue Grass Boys
Blue Yodel No. 4
97 bpm • F Maj • 03:28 • -14.59db
26% Popularity • 74% Danceability • 29% Energy • 25% Liveness
37% Instrumentalness • 79% Positiveness
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Frank Proffitt
I'll Never Get Drunk No More
96 bpm • F Maj • 02:34 • -19.21db
10% Popularity • 61% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Billy Joe Shaver
Old Chunk of Coal
97 bpm • E Maj • 02:40 • -8.04db
29% Popularity • 64% Danceability • 41% Energy • 11% Liveness
9% Instrumentalness • 71% Positiveness
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The New Lost City Ramblers
Breadline Blues
97 bpm • D Maj • 02:37 • -18.15db
11% Popularity • 70% Danceability • 18% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Willie Watson
Always Lift Him Up And Never Knock Him D...
97 bpm • D Maj • 02:35 • -12.9db
19% Popularity • 52% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Ramblin' Jack Elliott
Danville Girl
97 bpm • G Maj • 02:53 • -16.55db
2% Popularity • 61% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Kate & Anna McGarrigle
Swimming Song
97 bpm • C Maj • 02:29 • -11.14db
38% Popularity • 68% Danceability • 35% Energy • 8% Liveness
2% Instrumentalness • 75% Positiveness
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Andy Hedges
Railroad Bill
97 bpm • D# Maj • 06:16 • -12.7db
4% Popularity • 59% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Kinky Friedman
We Reserve The Right To Refuse Service T...
98 bpm • G Maj • 04:06 • -13.04db
21% Popularity • 52% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Mance Lipscomb
Cocaine Done Killed My Baby
98 bpm • C Maj • 01:23 • -16.13db
29% Popularity • 57% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Willie Watson
Stewball
98 bpm • D Maj • 03:47 • -11.25db
10% Popularity • 74% Danceability • 27% Energy • 13% Liveness
6% Instrumentalness • 55% Positiveness
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Dom Flemons
Lonesome Old River Blues
98 bpm • A Maj • 02:42 • -11db
29% Popularity • 62% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Ramblin' Jack Elliott
Just Like Tom Thumb's Blues
98 bpm • G Maj • 06:54 • -8.47db
17% Popularity • 47% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
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Ian & Sylvia
Early Morning Rain
98 bpm • E Maj • 03:58 • -22.93db
39% Popularity • 47% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 66% Positiveness
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Iron Mountain String Band
Down in the Willow Garden (Rose Connolly...
98 bpm • D Maj • 03:16 • -13db
23% Popularity • 44% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Dave Rawlings Machine
It's Too Easy
98 bpm • D Maj • 03:08 • -9db
8% Popularity • 56% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Charlie Poole
If the River Was Whiskey
98 bpm • D# Maj • 03:10 • -10.53db
27% Popularity • 52% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Richland Women Blues