Songs like Ride A White Swan by T. Rex
Based on a tempo of (+/- 10%) and a similar genre
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The Arrows
Touch Too Much
149 bpm • B min • 03:02 • -7.84db
22% Popularity • 53% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 53% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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T. Rex
Ride A White Swan
149 bpm • G# Maj • 02:14 • -6.6db
49% Popularity • 33% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 33% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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10cc
Rubber Bullets
149 bpm • G Maj • 05:18 • -4.46db
48% Popularity • 55% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
48% Popularity • 55% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Madness
Shut Up (2009 Remaster)
149 bpm • A min • 02:51 • -4.72db
27% Popularity • 49% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 49% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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The Specials
Rat Race
149 bpm • C# min • 03:09 • -9db
48% Popularity • 52% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
48% Popularity • 52% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Squeeze
Another Nail In My Heart
150 bpm • E Maj • 02:56 • -14db
48% Popularity • 56% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
48% Popularity • 56% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Al Wilson
The Snake
148 bpm • A min • 03:23 • -14db
39% Popularity • 55% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
39% Popularity • 55% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Steve Harley & Cockney Rebel
Psychomodo - 2012 Remaster
148 bpm • C Maj • 04:03 • -10.39db
32% Popularity • 63% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 63% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Adam & The Ants
Prince Charming
150 bpm • A Maj • 03:18 • -9.53db
46% Popularity • 54% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
46% Popularity • 54% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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The Beautiful South
Old Red Eyes Is Back - Bonus Track
148 bpm • G Maj • 03:35 • -10db
46% Popularity • 44% Danceability • 54% Energy • 40% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 44% Danceability • 54% Energy • 40% Liveness
0% Instrumentalness • 52% Positiveness
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Faces
Ooh La La
148 bpm • D Maj • 03:34 • -8.17db
69% Popularity • 60% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
69% Popularity • 60% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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The Undertones
Wednesday Week
150 bpm • F Maj • 02:17 • -10.68db
33% Popularity • 34% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 34% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Sparks
Amateur Hour
148 bpm • F Maj • 03:37 • -9.79db
36% Popularity • 43% Danceability • 83% Energy • 31% Liveness
3% Instrumentalness • 90% Positiveness
36% Popularity • 43% Danceability • 83% Energy • 31% Liveness
3% Instrumentalness • 90% Positiveness
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Traveling Wilburys
Runaway
147 bpm • A Maj • 02:30 • -3.64db
59% Popularity • 49% Danceability • 91% Energy • 9% Liveness
13% Instrumentalness • 70% Positiveness
59% Popularity • 49% Danceability • 91% Energy • 9% Liveness
13% Instrumentalness • 70% Positiveness
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Jethro Tull
Living in the Past - 2001 Remaster
151 bpm • F Maj • 03:22 • -11.02db
50% Popularity • 69% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
50% Popularity • 69% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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The Beautiful South
You Keep It All In
147 bpm • F Maj • 02:53 • -15db
52% Popularity • 79% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
52% Popularity • 79% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
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The Stranglers
No More Heroes - 1996 Remaster
151 bpm • C Maj • 03:27 • -8db
51% Popularity • 29% Danceability • 93% Energy • 34% Liveness
14% Instrumentalness • 84% Positiveness
51% Popularity • 29% Danceability • 93% Energy • 34% Liveness
14% Instrumentalness • 84% Positiveness
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The Undertones
You've Got My Number (Why Don't You Use ...
151 bpm • E Maj • 02:40 • -6.98db
38% Popularity • 46% Danceability • 81% Energy • 21% Liveness
32% Instrumentalness • 88% Positiveness
38% Popularity • 46% Danceability • 81% Energy • 21% Liveness
32% Instrumentalness • 88% Positiveness
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Darts
The Boy from New York City
147 bpm • C Maj • 03:03 • -7.81db
33% Popularity • 63% Danceability • 58% Energy • 56% Liveness
48% Instrumentalness • 81% Positiveness
33% Popularity • 63% Danceability • 58% Energy • 56% Liveness
48% Instrumentalness • 81% Positiveness
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The Clash
I Fought the Law
151 bpm • D Maj • 02:43 • -6.82db
62% Popularity • 53% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
62% Popularity • 53% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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The Style Council
Walls Come Tumbling Down
151 bpm • E min • 03:24 • -6.16db
52% Popularity • 43% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
52% Popularity • 43% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Electric Light Orchestra
Rockaria!
147 bpm • D Maj • 03:12 • -7db
47% Popularity • 45% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
47% Popularity • 45% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Elvis Costello & The Attractions
Radio, Radio - 2021 Remaster
147 bpm • E Maj • 03:06 • -5db
47% Popularity • 60% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
47% Popularity • 60% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
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Blondie
Sunday Girl - Remastered 2001
146 bpm • A Maj • 03:05 • -7db
49% Popularity • 62% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
49% Popularity • 62% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Lloyd Cole and the Commotions
Rattlesnakes
152 bpm • A Maj • 03:27 • -9.95db
47% Popularity • 46% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 46% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Lou Reed
Hangin' 'Round
146 bpm • G Maj • 03:33 • -8db
45% Popularity • 61% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 61% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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The Monkees
Valleri - First Recorded Version; 2006 R...
152 bpm • G# min • 02:14 • -7.68db
38% Popularity • 40% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 40% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Chas & Dave
Ain't No Pleasing You
146 bpm • A# Maj • 04:12 • -9.13db
40% Popularity • 47% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
40% Popularity • 47% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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The Clash
Police & Thieves - Remastered
152 bpm • E min • 06:03 • -10.29db
51% Popularity • 72% Danceability • 49% Energy • 18% Liveness
4% Instrumentalness • 88% Positiveness
51% Popularity • 72% Danceability • 49% Energy • 18% Liveness
4% Instrumentalness • 88% Positiveness
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Blondie
Hanging On The Telephone - Remastered
152 bpm • F min • 02:22 • -5.77db
57% Popularity • 50% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 50% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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The Mamas & The Papas
Creeque Alley - Single Version
145 bpm • E Maj • 03:48 • -6.1db
52% Popularity • 62% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
52% Popularity • 62% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Frankie Valli & The Four Seasons
The Night - 1972 Version
153 bpm • C min • 03:23 • -7.01db
50% Popularity • 40% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 40% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Thin Lizzy
Dancing In The Moonlight (It's Caught Me...
145 bpm • E min • 03:24 • -13.87db
63% Popularity • 67% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
63% Popularity • 67% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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The Boomtown Rats
Like Clockwork
145 bpm • A min • 03:43 • -4.53db
30% Popularity • 61% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 61% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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The Boo Radleys
Wake up Boo!
145 bpm • F# Maj • 03:37 • -7db
47% Popularity • 47% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
47% Popularity • 47% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Blondie
X Offender - Remastered 2001
153 bpm • E Maj • 03:14 • -6.17db
44% Popularity • 37% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
44% Popularity • 37% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Skids
Into The Valley
145 bpm • G Maj • 03:19 • -12.7db
45% Popularity • 33% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
45% Popularity • 33% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
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Lou Reed
Perfect Day
145 bpm • A# Maj • 03:45 • -12.49db
69% Popularity • 40% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
69% Popularity • 40% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Squeeze
Cool For Cats - Live at The Fillmore
145 bpm • C Maj • 03:10 • -8.26db
35% Popularity • 69% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 69% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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McGuinness Flint
When I'm Dead And Gone - Remastered
145 bpm • D Maj • 03:41 • -14.63db
37% Popularity • 51% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 51% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Elvis Costello & The Attractions
High Fidelity
144 bpm • G Maj • 02:27 • -8.32db
37% Popularity • 57% Danceability • 80% Energy • 32% Liveness
2% Instrumentalness • 89% Positiveness
37% Popularity • 57% Danceability • 80% Energy • 32% Liveness
2% Instrumentalness • 89% Positiveness
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Harry Nilsson
Jump Into the Fire - Single Version
145 bpm • D Maj • 03:33 • -9.34db
40% Popularity • 57% Danceability • 78% Energy • 33% Liveness
70% Instrumentalness • 96% Positiveness
40% Popularity • 57% Danceability • 78% Energy • 33% Liveness
70% Instrumentalness • 96% Positiveness
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T. Rex
Laser Love (Extended Play)
144 bpm • G Maj • 03:38 • -5.04db
13% Popularity • 58% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 58% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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The Boomtown Rats
I Don't Like Mondays
144 bpm • B Maj • 04:19 • -6.87db
62% Popularity • 46% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
62% Popularity • 46% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Squeeze
Cool For Cats
144 bpm • C Maj • 03:14 • -10db
44% Popularity • 78% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 78% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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John Otway
Really Free - Single Free
143 bpm • E Maj • 02:37 • -9.22db
11% Popularity • 65% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 65% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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The Specials
Enjoy Yourself (It's Later Than You Thin...
155 bpm • G Maj • 03:41 • -7db
42% Popularity • 44% Danceability • 88% Energy • 40% Liveness
0% Instrumentalness • 87% Positiveness
42% Popularity • 44% Danceability • 88% Energy • 40% Liveness
0% Instrumentalness • 87% Positiveness
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Dr. Feelgood
All Through the City - 2006 Remaster
156 bpm • E Maj • 03:04 • -7db
27% Popularity • 69% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 69% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Elvis Costello & The Attractions
Oliver's Army
143 bpm • E Maj • 03:00 • -9.41db
49% Popularity • 53% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
49% Popularity • 53% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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The Boomtown Rats
Joey's On The Streets Again
143 bpm • A Maj • 05:30 • -2.26db
19% Popularity • 28% Danceability • 86% Energy • 11% Liveness
3% Instrumentalness • 74% Positiveness
19% Popularity • 28% Danceability • 86% Energy • 11% Liveness
3% Instrumentalness • 74% Positiveness
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New York Dolls
Personality Crisis
156 bpm • G Maj • 03:41 • -9.59db
50% Popularity • 43% Danceability • 91% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
50% Popularity • 43% Danceability • 91% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
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Squeeze
Cool For Cats
144 bpm • C Maj • 03:39 • -15.37db
53% Popularity • 79% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
53% Popularity • 79% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
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T. Rex
Cosmic Dancer
156 bpm • C Maj • 04:26 • -8.09db
58% Popularity • 36% Danceability • 80% Energy • 19% Liveness
1% Instrumentalness • 72% Positiveness
58% Popularity • 36% Danceability • 80% Energy • 19% Liveness
1% Instrumentalness • 72% Positiveness
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The Honeycombs
Have I the Right
142 bpm • C# min • 02:58 • -8.07db
35% Popularity • 37% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 37% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Ian Dury
Sweet Gene Vincent
156 bpm • C Maj • 03:35 • -9.37db
37% Popularity • 45% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 45% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Simon & Garfunkel
A Hazy Shade of Winter
142 bpm • D min • 02:17 • -11.2db
50% Popularity • 50% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 97% Positiveness
50% Popularity • 50% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 97% Positiveness
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The Only Ones
Another Girl, Another Planet - 2008 re-m...
157 bpm • C# min • 03:01 • -7db
47% Popularity • 32% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
47% Popularity • 32% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Squeeze
Pulling Mussels
142 bpm • C Maj • 03:58 • -12.67db
53% Popularity • 59% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
53% Popularity • 59% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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![(Get A) Grip [on Yourself] - 1996 Remaster cover art](https://i.scdn.co/image/ab67616d00001e0271bc09bffecbaa3ce3c8f8bd)
The Stranglers
(Get A) Grip [on Yourself] - 1996 Remast...
142 bpm • G Maj • 03:59 • -9db
39% Popularity • 52% Danceability • 85% Energy • 11% Liveness
11% Instrumentalness • 78% Positiveness
39% Popularity • 52% Danceability • 85% Energy • 11% Liveness
11% Instrumentalness • 78% Positiveness
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Chris Spedding
Motor Bikin'
157 bpm • F# min • 02:35 • -5.52db
30% Popularity • 57% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 57% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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Elvis Costello & The Attractions
I Can't Stand Up For Falling Down
142 bpm • F Maj • 02:06 • -7.7db
42% Popularity • 60% Danceability • 72% Energy • 9% Liveness
72% Instrumentalness • 98% Positiveness
42% Popularity • 60% Danceability • 72% Energy • 9% Liveness
72% Instrumentalness • 98% Positiveness
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Adam & The Ants
Stand and Deliver
142 bpm • A Maj • 03:35 • -10db
46% Popularity • 55% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
46% Popularity • 55% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
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The Tourists
So Good to Be Back Home Again
142 bpm • G Maj • 02:38 • -13db
28% Popularity • 55% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 55% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
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Steve Harley
Make Me Smile (Come up and See Me) - 201...
141 bpm • C Maj • 03:59 • -8db
63% Popularity • 57% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
63% Popularity • 57% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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The Boomtown Rats
Mary Of The 4th Form
157 bpm • A Maj • 03:33 • -2db
22% Popularity • 36% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 36% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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The Selecter
On My Radio - '96 EP Version
141 bpm • G Maj • 03:06 • -4.91db
35% Popularity • 77% Danceability • 81% Energy • 20% Liveness
8% Instrumentalness • 96% Positiveness
35% Popularity • 77% Danceability • 81% Energy • 20% Liveness
8% Instrumentalness • 96% Positiveness
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Blondie
(I'm Always Touched By Your) Presence, D...
141 bpm • A Maj • 02:43 • -6.7db
33% Popularity • 32% Danceability • 90% Energy • 34% Liveness
4% Instrumentalness • 71% Positiveness
33% Popularity • 32% Danceability • 90% Energy • 34% Liveness
4% Instrumentalness • 71% Positiveness
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The Yardbirds
Heart Full of Soul - 2015 Remaster
141 bpm • A min • 02:27 • -9.74db
53% Popularity • 49% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 49% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Thin Lizzy
Don't Believe A Word
141 bpm • G# min • 02:17 • -9.65db
49% Popularity • 45% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
49% Popularity • 45% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Steve Harley
(I Believe) Love's a Prima Donna
141 bpm • D Maj • 04:09 • -7.6db
28% Popularity • 54% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 54% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Cast
Alright
140 bpm • C# Maj • 03:37 • -8db
48% Popularity • 40% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
48% Popularity • 40% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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The Boomtown Rats
Rat Trap
141 bpm • E min • 05:10 • -5db
45% Popularity • 50% Danceability • 87% Energy • 65% Liveness
0% Instrumentalness • 63% Positiveness
45% Popularity • 50% Danceability • 87% Energy • 65% Liveness
0% Instrumentalness • 63% Positiveness
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The Undertones
My Perfect Cousin
159 bpm • A Maj • 02:36 • -10.26db
43% Popularity • 51% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 51% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Alvin Stardust
Red Dress
140 bpm • C Maj • 02:51 • -5.04db
18% Popularity • 47% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 47% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
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Sweet
Hell Raiser
159 bpm • E Maj • 03:17 • -6.56db
34% Popularity • 43% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
34% Popularity • 43% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
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Cross Section
Hi Heel Sneakers
159 bpm • F Maj • 02:46 • -7.89db
18% Popularity • 48% Danceability • 78% Energy • 16% Liveness
50% Instrumentalness • 96% Positiveness
18% Popularity • 48% Danceability • 78% Energy • 16% Liveness
50% Instrumentalness • 96% Positiveness
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Yusuf / Cat Stevens
Matthew & Son - Stereo Version
139 bpm • E Maj • 02:43 • -12db
43% Popularity • 53% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
43% Popularity • 53% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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T. Rex
Beltane Walk
160 bpm • E Maj • 02:26 • -7db
23% Popularity • 38% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 38% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Slade
Skweeze Me, Pleeze Me
139 bpm • A Maj • 04:29 • -3.24db
32% Popularity • 29% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 29% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Elvis Costello & The Attractions
Pump It Up - 2021 Remaster
139 bpm • B Maj • 03:16 • -6.12db
61% Popularity • 64% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
61% Popularity • 64% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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![Teenage Rampage - Live [UK Tour 73] cover art](https://i.scdn.co/image/ab67616d00001e0275ae309aa0b493e0e1ad53b7)
Sweet
Teenage Rampage - Live [UK Tour 73]
139 bpm • C Maj • 03:35 • -4.81db
26% Popularity • 42% Danceability • 98% Energy • 95% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 42% Danceability • 98% Energy • 95% Liveness
0% Instrumentalness • 35% Positiveness
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Blondie
Denis - Remastered
139 bpm • C Maj • 02:19 • -5.88db
47% Popularity • 56% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
47% Popularity • 56% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
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The Who
I Can't Explain - Mono Version
139 bpm • A Maj • 02:05 • -4.96db
54% Popularity • 57% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
54% Popularity • 57% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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The Teardrop Explodes
Reward
160 bpm • C Maj • 02:42 • -4db
48% Popularity • 39% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
48% Popularity • 39% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Blur
Parklife - 2012 Remaster
139 bpm • E Maj • 03:05 • -6.09db
64% Popularity • 63% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
64% Popularity • 63% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Jonathan Richman
Roadrunner (Once)
139 bpm • A Maj • 04:44 • -8.24db
33% Popularity • 68% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 68% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Showaddywaddy
Hey Rock and Roll
160 bpm • D Maj • 03:29 • -13db
39% Popularity • 46% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 46% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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Blondie
Dreaming
160 bpm • D Maj • 03:08 • -3.38db
56% Popularity • 30% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
56% Popularity • 30% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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The Who
I Can't Explain - Stereo Version
139 bpm • A Maj • 02:05 • -8db
45% Popularity • 61% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 61% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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The Spencer Davis Group
Keep On Running - Mono Version
138 bpm • A Maj • 02:46 • -6db
52% Popularity • 66% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 66% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Lloyd Cole and the Commotions
Lost Weekend
138 bpm • A Maj • 03:15 • -10.17db
51% Popularity • 59% Danceability • 73% Energy • 9% Liveness
2% Instrumentalness • 78% Positiveness
51% Popularity • 59% Danceability • 73% Energy • 9% Liveness
2% Instrumentalness • 78% Positiveness
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Mott The Hoople
The Golden Age of Rock 'n' Roll
138 bpm • F# Maj • 03:24 • -8.06db
32% Popularity • 52% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 52% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Slade
Cum on Feel the Noize
138 bpm • G Maj • 04:24 • -4.58db
56% Popularity • 40% Danceability • 87% Energy • 21% Liveness
81% Instrumentalness • 57% Positiveness
56% Popularity • 40% Danceability • 87% Energy • 21% Liveness
81% Instrumentalness • 57% Positiveness
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Suzi Quatro
48 Crash
138 bpm • D Maj • 03:53 • -8.6db
47% Popularity • 64% Danceability • 77% Energy • 17% Liveness
1% Instrumentalness • 87% Positiveness
47% Popularity • 64% Danceability • 77% Energy • 17% Liveness
1% Instrumentalness • 87% Positiveness
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The Dave Clark Five
Glad All Over (2019 - Remaster)
138 bpm • D Maj • 02:43 • -8.35db
46% Popularity • 46% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
46% Popularity • 46% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Madness
Mr. Apples
138 bpm • D# min • 03:39 • -2.55db
43% Popularity • 55% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
43% Popularity • 55% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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The Beautiful South
Song For Whoever - Single Version
137 bpm • F# min • 04:04 • -14db
53% Popularity • 52% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
53% Popularity • 52% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Mott The Hoople
All the Way from Memphis
138 bpm • C# Maj • 03:25 • -10.47db
21% Popularity • 58% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 58% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
