Songs like Ride to Death by Carter Burwell
Based on a tempo of (+/- 10%) and a similar genre
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Lennie Niehaus
Claudia's Theme - Version Three
83 bpm • C Maj • 01:04 • -22.01db
20% Popularity • 8% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
20% Popularity • 8% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
Fantasia on a Theme by Thomas Tallis - E...
83 bpm • C min • 05:14 • -19db
29% Popularity • 14% Danceability • 18% Energy • 27% Liveness
78% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 18% Energy • 27% Liveness
78% Instrumentalness • 4% Positiveness
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Maurice Jarre
Building The Barn
83 bpm • G# Maj • 04:57 • -13.7db
28% Popularity • 8% Danceability • 23% Energy • 17% Liveness
90% Instrumentalness • 19% Positiveness
28% Popularity • 8% Danceability • 23% Energy • 17% Liveness
90% Instrumentalness • 19% Positiveness
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Carter Burwell
Ride to Death
83 bpm • G Maj • 02:28 • -20.92db
30% Popularity • 27% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
30% Popularity • 27% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Maurizio Malagnini
The Adventure of Life
83 bpm • G Maj • 03:23 • -13db
26% Popularity • 13% Danceability • 32% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
26% Popularity • 13% Danceability • 32% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Zbigniew Preisner
Happily Ever After
83 bpm • E Maj • 02:25 • -15.66db
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
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Elliot Goldenthal
JD Dies
82 bpm • G# Maj • 03:54 • -18.57db
27% Popularity • 8% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Dario Marianelli
Elegy For Dunkirk
84 bpm • B min • 04:15 • -16.15db
37% Popularity • 14% Danceability • 14% Energy • 16% Liveness
88% Instrumentalness • 3% Positiveness
37% Popularity • 14% Danceability • 14% Energy • 16% Liveness
88% Instrumentalness • 3% Positiveness
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The Chamber Orchestra Of London
Downton Abbey - The Suite
82 bpm • A min • 07:08 • -14db
43% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
43% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Carter Burwell
My Dear Anne
82 bpm • A min • 02:37 • -20.64db
41% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
41% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Rael Jones
Memory of a Happy Day
82 bpm • G min • 01:28 • -15.84db
22% Popularity • 34% Danceability • 24% Energy • 22% Liveness
78% Instrumentalness • 17% Positiveness
22% Popularity • 34% Danceability • 24% Energy • 22% Liveness
78% Instrumentalness • 17% Positiveness
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Regency Players
North and South Title Theme [2004 Versi...
82 bpm • D min • 02:44 • -11.32db
27% Popularity • 13% Danceability • 23% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
27% Popularity • 13% Danceability • 23% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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John Lunn
Resolution
84 bpm • D Maj • 02:15 • -18.9db
22% Popularity • 8% Danceability • 12% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
22% Popularity • 8% Danceability • 12% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
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Brian Tyler
The Greatest Game Ever Played - Score
82 bpm • C Maj • 01:47 • -18.32db
17% Popularity • 20% Danceability • 16% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
17% Popularity • 20% Danceability • 16% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Dario Marianelli
Denouement
82 bpm • C# Maj • 02:27 • -21db
32% Popularity • 8% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
32% Popularity • 8% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Anne Dudley
Resurgam
82 bpm • F min • 03:24 • -13.24db
30% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Trevor Morris
A Howling Wilderness / The Death Of Jane...
82 bpm • C Maj • 02:45 • -13.33db
33% Popularity • 8% Danceability • 20% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
33% Popularity • 8% Danceability • 20% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
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Zbigniew Preisner
Colin Senses Craven
84 bpm • B Maj • 01:33 • -17.53db
27% Popularity • 27% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 15% Positiveness
27% Popularity • 27% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 15% Positiveness
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Nicholas Hooper
Farewell Aragog
82 bpm • G Maj • 02:08 • -25db
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
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John Debney
The Young Messiah Theme
82 bpm • D min • 02:36 • -13.59db
16% Popularity • 33% Danceability • 40% Energy • 17% Liveness
96% Instrumentalness • 16% Positiveness
16% Popularity • 33% Danceability • 40% Energy • 17% Liveness
96% Instrumentalness • 16% Positiveness
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Dario Marianelli
Someone Loves Us
84 bpm • E Maj • 01:56 • -27db
52% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
52% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Anne Dudley
The Crossroads
84 bpm • D min • 02:05 • -17db
18% Popularity • 9% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
18% Popularity • 9% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Carter Burwell
I Didn't Want to Die
84 bpm • E min • 01:35 • -19db
20% Popularity • 17% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
20% Popularity • 17% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Rob Lane
The Declaration Of Independence
84 bpm • D min • 06:05 • -17.56db
15% Popularity • 11% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
15% Popularity • 11% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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William Ross
A King's Sadness
84 bpm • C min • 02:00 • -36.4db
57% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
57% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Stephen Warbeck
The Letter
82 bpm • D Maj • 01:18 • -21.08db
44% Popularity • 17% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Royal Philharmonic Orchestra
Star Wars: Attack of the Clones: Across ...
82 bpm • C min • 05:44 • -15db
20% Popularity • 12% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 12% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Deborah Lurie
No Safer Place
84 bpm • A min • 02:56 • -27db
18% Popularity • 26% Danceability • 1% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
18% Popularity • 26% Danceability • 1% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
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Anne Dudley
Suite from Poldark
84 bpm • A min • 05:31 • -17db
33% Popularity • 12% Danceability • 18% Energy • 32% Liveness
76% Instrumentalness • 6% Positiveness
33% Popularity • 12% Danceability • 18% Energy • 32% Liveness
76% Instrumentalness • 6% Positiveness
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Thomas Bergersen
The Human Experience - Theme
84 bpm • C Maj • 02:48 • -16.27db
28% Popularity • 10% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
28% Popularity • 10% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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Trevor Morris
The Execution Ballet
84 bpm • F Maj • 04:36 • -14.62db
19% Popularity • 8% Danceability • 22% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
19% Popularity • 8% Danceability • 22% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
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Alex Wurman
The Harshest Place on Earth
82 bpm • C Maj • 03:56 • -19db
14% Popularity • 17% Danceability • 13% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 13% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Carter Burwell
Goodbye Canyon
85 bpm • C Maj • 01:28 • -14.63db
20% Popularity • 16% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
20% Popularity • 16% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Bear McCreary
Faith
81 bpm • E min • 03:29 • -26.69db
34% Popularity • 8% Danceability • 5% Energy • 18% Liveness
99% Instrumentalness • 4% Positiveness
34% Popularity • 8% Danceability • 5% Energy • 18% Liveness
99% Instrumentalness • 4% Positiveness
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Clint Eastwood
They're Amateurs
81 bpm • G Maj • 01:16 • -23.08db
40% Popularity • 9% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
40% Popularity • 9% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Royal Philharmonic Orchestra
Atonement: Elegy for Dunkirk
81 bpm • B min • 05:24 • -20.85db
13% Popularity • 13% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
13% Popularity • 13% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Anne Dudley
A Seam of Ironstone
81 bpm • D min • 01:30 • -10.82db
26% Popularity • 21% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 21% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Ennio Morricone
Falls
81 bpm • G Maj • 01:55 • -19db
47% Popularity • 11% Danceability • 12% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
47% Popularity • 11% Danceability • 12% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
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Carter Burwell
Blood, Or Texas - Score
85 bpm • E min • 03:03 • -26.59db
9% Popularity • 8% Danceability • 3% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 3% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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Steven Price
A Game of Strategy
85 bpm • B min • 03:17 • -18db
32% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
32% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
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Lennie Niehaus
Claudia's Theme - Version Eight
81 bpm • F Maj • 05:41 • -25db
38% Popularity • 33% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 22% Positiveness
38% Popularity • 33% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 22% Positiveness
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Stephen Warbeck
The Shells
85 bpm • G min • 02:18 • -18.67db
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
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Sharon Farber
Mathilda
81 bpm • D min • 02:48 • -18.15db
32% Popularity • 15% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
32% Popularity • 15% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
A Start
85 bpm • G# Maj • 02:28 • -24.35db
24% Popularity • 12% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
24% Popularity • 12% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Carter Burwell
Silent Whispers
81 bpm • A min • 01:33 • -19.96db
16% Popularity • 14% Danceability • 11% Energy • 11% Liveness
32% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 11% Energy • 11% Liveness
32% Instrumentalness • 4% Positiveness
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John Lunn
One Hundred Years Of Downton
81 bpm • A min • 05:13 • -17db
32% Popularity • 16% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
32% Popularity • 16% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
String Quartet in C-sharp minor, Op. 131...
81 bpm • G# min • 02:10 • -24.27db
25% Popularity • 15% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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David Arnold
City of Lovers
81 bpm • F Maj • 03:30 • -23db
33% Popularity • 13% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
33% Popularity • 13% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Dario Marianelli
Atonement
85 bpm • A Maj • 05:18 • -25.17db
34% Popularity • 16% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Anne Dudley
Where the Land Meets the Sea
80 bpm • D Maj • 02:52 • -12.43db
13% Popularity • 18% Danceability • 23% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 23% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Carter Burwell
Fargo
85 bpm • E min • 03:03 • -22.06db
26% Popularity • 10% Danceability • 6% Energy • 6% Liveness
8% Instrumentalness • 7% Positiveness
26% Popularity • 10% Danceability • 6% Energy • 6% Liveness
8% Instrumentalness • 7% Positiveness
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The Starlite Orchestra & Singers
The Patriot (Main Theme)
81 bpm • C Maj • 06:35 • -13.17db
19% Popularity • 13% Danceability • 28% Energy • 17% Liveness
60% Instrumentalness • 10% Positiveness
19% Popularity • 13% Danceability • 28% Energy • 17% Liveness
60% Instrumentalness • 10% Positiveness
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Rael Jones
Precious to Me
80 bpm • E min • 01:49 • -27.77db
39% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Johannes Bornlöf
Let's Run Away Together
80 bpm • G Maj • 02:57 • -19db
44% Popularity • 28% Danceability • 15% Energy • 8% Liveness
82% Instrumentalness • 6% Positiveness
44% Popularity • 28% Danceability • 15% Energy • 8% Liveness
82% Instrumentalness • 6% Positiveness
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Ralph Vaughan Williams
Fantasia on a Theme by Thomas Tallis (ex...
80 bpm • C min • 06:24 • -26.06db
29% Popularity • 8% Danceability • 5% Energy • 34% Liveness
53% Instrumentalness • 4% Positiveness
29% Popularity • 8% Danceability • 5% Energy • 34% Liveness
53% Instrumentalness • 4% Positiveness
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The Chamber Orchestra Of London
Preparation
80 bpm • A min • 03:27 • -14db
35% Popularity • 41% Danceability • 28% Energy • 13% Liveness
83% Instrumentalness • 17% Positiveness
35% Popularity • 41% Danceability • 28% Energy • 13% Liveness
83% Instrumentalness • 17% Positiveness
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Mark Knopfler
Once Upon A Time / Storybook Love
80 bpm • G Maj • 03:59 • -22.42db
45% Popularity • 26% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
45% Popularity • 26% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Max Richter
The Hilltop
80 bpm • D Maj • 01:55 • -12.57db
20% Popularity • 32% Danceability • 50% Energy • 12% Liveness
91% Instrumentalness • 30% Positiveness
20% Popularity • 32% Danceability • 50% Energy • 12% Liveness
91% Instrumentalness • 30% Positiveness
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Samuel Sim
Boris
80 bpm • G min • 01:45 • -19.02db
15% Popularity • 43% Danceability • 21% Energy • 9% Liveness
86% Instrumentalness • 14% Positiveness
15% Popularity • 43% Danceability • 21% Energy • 9% Liveness
86% Instrumentalness • 14% Positiveness
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Rob Lane
Abigail
80 bpm • C# Maj • 01:35 • -26.71db
16% Popularity • 24% Danceability • 2% Energy • 11% Liveness
99% Instrumentalness • 7% Positiveness
16% Popularity • 24% Danceability • 2% Energy • 11% Liveness
99% Instrumentalness • 7% Positiveness
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Jerry Goldsmith
The Trees
86 bpm • A Maj • 06:04 • -21db
23% Popularity • 17% Danceability • 11% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 11% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Burkhard Dallwitz
Truman Sets Sail
86 bpm • F min • 01:57 • -16.87db
27% Popularity • 14% Danceability • 19% Energy • 37% Liveness
88% Instrumentalness • 7% Positiveness
27% Popularity • 14% Danceability • 19% Energy • 37% Liveness
88% Instrumentalness • 7% Positiveness
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The Chamber Orchestra Of London
Story Of My Life
86 bpm • F min • 01:57 • -18.17db
43% Popularity • 10% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
43% Popularity • 10% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
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David Hirschfelder
Elizabeth - Original Motion Picture Soun...
80 bpm • A# Maj • 01:49 • -25.21db
30% Popularity • 13% Danceability • 8% Energy • 34% Liveness
85% Instrumentalness • 4% Positiveness
30% Popularity • 13% Danceability • 8% Energy • 34% Liveness
85% Instrumentalness • 4% Positiveness
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John Ottman
How Could You Leave Us
87 bpm • D min • 05:47 • -19db
24% Popularity • 12% Danceability • 8% Energy • 11% Liveness
67% Instrumentalness • 3% Positiveness
24% Popularity • 12% Danceability • 8% Energy • 11% Liveness
67% Instrumentalness • 3% Positiveness
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Trevor Rabin
Declaration of Independence
87 bpm • F Maj • 01:43 • -24db
46% Popularity • 14% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
46% Popularity • 14% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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John Debney
The Man Village
87 bpm • F# Maj • 02:57 • -32db
36% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
36% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Carter Burwell
Follow Your Feet
87 bpm • D Maj • 03:09 • -27db
21% Popularity • 12% Danceability • 3% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
21% Popularity • 12% Danceability • 3% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
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The Chamber Orchestra Of London
Damaged
79 bpm • E min • 05:23 • -20.19db
26% Popularity • 11% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
26% Popularity • 11% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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John Lunn
Gleam And Sparkle
79 bpm • A min • 02:48 • -16.7db
26% Popularity • 13% Danceability • 18% Energy • 17% Liveness
94% Instrumentalness • 6% Positiveness
26% Popularity • 13% Danceability • 18% Energy • 17% Liveness
94% Instrumentalness • 6% Positiveness
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Nick Glennie-Smith
That's A Nice Day
87 bpm • F min • 02:42 • -19.89db
27% Popularity • 14% Danceability • 24% Energy • 13% Liveness
66% Instrumentalness • 4% Positiveness
27% Popularity • 14% Danceability • 24% Energy • 13% Liveness
66% Instrumentalness • 4% Positiveness
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Deborah Lurie
Final Letter
79 bpm • C Maj • 02:25 • -23db
30% Popularity • 29% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
30% Popularity • 29% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Rob Lane
Leaving For Philadelphia
87 bpm • D min • 02:20 • -12db
19% Popularity • 24% Danceability • 41% Energy • 15% Liveness
73% Instrumentalness • 12% Positiveness
19% Popularity • 24% Danceability • 41% Energy • 15% Liveness
73% Instrumentalness • 12% Positiveness
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Carter Burwell
A Great Adventure
79 bpm • F Maj • 00:55 • -15.75db
24% Popularity • 21% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
24% Popularity • 21% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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John Debney
A Son Named Jesus
79 bpm • F min • 04:27 • -21.84db
16% Popularity • 7% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
16% Popularity • 7% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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William Ross
Hometown Hero
79 bpm • G# Maj • 01:59 • -21.2db
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
The Promise of Things to Come
87 bpm • C Maj • 03:00 • -10db
37% Popularity • 9% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
37% Popularity • 9% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Stephen Warbeck
Pelagia's Song
79 bpm • C Maj • 04:04 • -16.38db
38% Popularity • 14% Danceability • 22% Energy • 32% Liveness
89% Instrumentalness • 6% Positiveness
38% Popularity • 14% Danceability • 22% Energy • 32% Liveness
89% Instrumentalness • 6% Positiveness
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Mark Knopfler
Morning Ride
88 bpm • G min • 01:34 • -11.43db
23% Popularity • 22% Danceability • 33% Energy • 11% Liveness
66% Instrumentalness • 33% Positiveness
23% Popularity • 22% Danceability • 33% Energy • 11% Liveness
66% Instrumentalness • 33% Positiveness
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Conrad Pope
Such Stuff That Dreams Are Made of
88 bpm • E Maj • 03:37 • -23.98db
19% Popularity • 9% Danceability • 5% Energy • 12% Liveness
76% Instrumentalness • 5% Positiveness
19% Popularity • 9% Danceability • 5% Energy • 12% Liveness
76% Instrumentalness • 5% Positiveness
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Bear McCreary
The New Fraser's Ridge
78 bpm • A Maj • 02:57 • -17.71db
32% Popularity • 9% Danceability • 15% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
32% Popularity • 9% Danceability • 15% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
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William Ross
Will Grows Up
79 bpm • D# Maj • 08:57 • -18db
28% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
28% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
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Rob Lane
Letter To Jefferson
79 bpm • G Maj • 03:51 • -17.75db
11% Popularity • 8% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
11% Popularity • 8% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
This Is Neverland - Finding Neverland/So...
88 bpm • A min • 04:01 • -17.11db
28% Popularity • 20% Danceability • 15% Energy • 35% Liveness
71% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 15% Energy • 35% Liveness
71% Instrumentalness • 4% Positiveness
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John Lunn
You Are The Best Of Me
88 bpm • D# Maj • 02:44 • -16db
28% Popularity • 13% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
28% Popularity • 13% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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John Debney
Elephant Waterfall
88 bpm • A min • 03:26 • -16.67db
28% Popularity • 16% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
28% Popularity • 16% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Roque Baños
The White Whale Chant
78 bpm • G# Maj • 04:38 • -16.13db
35% Popularity • 7% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Bear McCreary
Fraser's Ridge
78 bpm • A Maj • 05:45 • -15.96db
28% Popularity • 17% Danceability • 17% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 17% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Walter's Burial
78 bpm • G min • 03:04 • -22db
48% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
48% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Theodore Shapiro
Stationary Cycle
88 bpm • B min • 02:43 • -16.17db
40% Popularity • 49% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
40% Popularity • 49% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Antony Partos
A New Day Beckons
88 bpm • B min • 06:26 • -21.94db
9% Popularity • 23% Danceability • 9% Energy • 9% Liveness
77% Instrumentalness • 9% Positiveness
9% Popularity • 23% Danceability • 9% Energy • 9% Liveness
77% Instrumentalness • 9% Positiveness
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Alex Heffes
The Waterhole & Enter the Queen
89 bpm • D min • 02:22 • -20.18db
19% Popularity • 19% Danceability • 19% Energy • 20% Liveness
84% Instrumentalness • 7% Positiveness
19% Popularity • 19% Danceability • 19% Energy • 20% Liveness
84% Instrumentalness • 7% Positiveness
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Carter Burwell
Fruit Loops
77 bpm • E min • 01:32 • -23.72db
19% Popularity • 22% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
19% Popularity • 22% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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David Hirschfelder
Elizabeth - Original Motion Picture Soun...
89 bpm • A min • 03:10 • -25db
17% Popularity • 16% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
17% Popularity • 16% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
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Bear McCreary
Eye of the Storm
77 bpm • C min • 06:08 • -17db
27% Popularity • 7% Danceability • 17% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
27% Popularity • 7% Danceability • 17% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Czech Philharmonic
Wonderful Days Theme II - 오케스트�...
77 bpm • D min • 03:18 • -16.03db
30% Popularity • 18% Danceability • 12% Energy • 24% Liveness
29% Instrumentalness • 13% Positiveness
30% Popularity • 18% Danceability • 12% Energy • 24% Liveness
29% Instrumentalness • 13% Positiveness
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Burkhard Dallwitz
Flashback
90 bpm • C Maj • 01:20 • -28.35db
26% Popularity • 13% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
26% Popularity • 13% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
Natasha and Pierre
90 bpm • A min • 03:56 • -14.94db
25% Popularity • 10% Danceability • 20% Energy • 30% Liveness
81% Instrumentalness • 4% Positiveness
25% Popularity • 10% Danceability • 20% Energy • 30% Liveness
81% Instrumentalness • 4% Positiveness
