Songs like Riding the Wind (feat. Rachel Mellis) by Gareth Coker
Based on a tempo of (+/- 10%) and a similar genre
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Jason Graves
Cinder Skies
130 bpm • E min • 05:22 • -14.95db
16% Popularity • 48% Danceability • 35% Energy • 11% Liveness
83% Instrumentalness • 18% Positiveness
16% Popularity • 48% Danceability • 35% Energy • 11% Liveness
83% Instrumentalness • 18% Positiveness
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Russell Brower
Crystalsong
130 bpm • F Maj • 01:51 • -17.06db
35% Popularity • 16% Danceability • 33% Energy • 31% Liveness
92% Instrumentalness • 8% Positiveness
35% Popularity • 16% Danceability • 33% Energy • 31% Liveness
92% Instrumentalness • 8% Positiveness
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Gareth Coker
Completing the Circle
130 bpm • E min • 02:20 • -13.42db
36% Popularity • 46% Danceability • 32% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
36% Popularity • 46% Danceability • 32% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Frida Johansson
Morning Frost
130 bpm • D min • 04:01 • -12.3db
29% Popularity • 39% Danceability • 19% Energy • 8% Liveness
86% Instrumentalness • 16% Positiveness
29% Popularity • 39% Danceability • 19% Energy • 8% Liveness
86% Instrumentalness • 16% Positiveness
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David Fenn
Overgrown Ruins
130 bpm • C min • 03:17 • -14db
23% Popularity • 51% Danceability • 42% Energy • 12% Liveness
92% Instrumentalness • 25% Positiveness
23% Popularity • 51% Danceability • 42% Energy • 12% Liveness
92% Instrumentalness • 25% Positiveness
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Joris de Man
City On The Mesa - Part 3 - Onwards to M...
130 bpm • F Maj • 04:07 • -22db
34% Popularity • 42% Danceability • 16% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
34% Popularity • 42% Danceability • 16% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
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Oleksa Lozowchuk
The Chorus
130 bpm • E min • 02:34 • -18.96db
25% Popularity • 18% Danceability • 16% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 16% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Aakaash Rao
Ascension
130 bpm • C# Maj • 02:20 • -14.32db
38% Popularity • 22% Danceability • 34% Energy • 12% Liveness
91% Instrumentalness • 11% Positiveness
38% Popularity • 22% Danceability • 34% Energy • 12% Liveness
91% Instrumentalness • 11% Positiveness
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Gareth Coker
Riding the Wind
130 bpm • E min • 05:00 • -20db
36% Popularity • 31% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
36% Popularity • 31% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Marcin Przybyłowicz
The Vagabond
130 bpm • D min • 02:47 • -19.92db
52% Popularity • 37% Danceability • 7% Energy • 11% Liveness
82% Instrumentalness • 7% Positiveness
52% Popularity • 37% Danceability • 7% Energy • 11% Liveness
82% Instrumentalness • 7% Positiveness
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David Fenn
Onsen
130 bpm • F Maj • 01:01 • -21db
37% Popularity • 35% Danceability • 22% Energy • 10% Liveness
98% Instrumentalness • 24% Positiveness
37% Popularity • 35% Danceability • 22% Energy • 10% Liveness
98% Instrumentalness • 24% Positiveness
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Chance Thomas
Rivendell
129 bpm • C# min • 02:03 • -15.23db
35% Popularity • 25% Danceability • 28% Energy • 54% Liveness
1% Instrumentalness • 4% Positiveness
35% Popularity • 25% Danceability • 28% Energy • 54% Liveness
1% Instrumentalness • 4% Positiveness
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Berlinist
Descent
129 bpm • E min • 10:00 • -26.89db
33% Popularity • 18% Danceability • 5% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
33% Popularity • 18% Danceability • 5% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Russell Shaw
Redcaps Lurking
128 bpm • A# min • 02:06 • -16.67db
24% Popularity • 36% Danceability • 26% Energy • 31% Liveness
83% Instrumentalness • 5% Positiveness
24% Popularity • 36% Danceability • 26% Energy • 31% Liveness
83% Instrumentalness • 5% Positiveness
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Vincent Diamante
Floating on a Gentle Breeze
132 bpm • D Maj • 03:25 • -18.19db
24% Popularity • 39% Danceability • 15% Energy • 10% Liveness
82% Instrumentalness • 9% Positiveness
24% Popularity • 39% Danceability • 15% Energy • 10% Liveness
82% Instrumentalness • 9% Positiveness
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Arnaud Roy
Time of Change (Vaulters Theme)
128 bpm • E min • 03:22 • -17db
30% Popularity • 41% Danceability • 30% Energy • 10% Liveness
59% Instrumentalness • 12% Positiveness
30% Popularity • 41% Danceability • 30% Energy • 10% Liveness
59% Instrumentalness • 12% Positiveness
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Pawel Blaszczak
Silver Sword
128 bpm • F min • 01:33 • -19db
33% Popularity • 17% Danceability • 11% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 11% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Marcin Przybyłowicz
Farewell, Old Friend
127 bpm • D min • 02:52 • -16.69db
45% Popularity • 17% Danceability • 20% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
45% Popularity • 17% Danceability • 20% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
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Bill Brown
Unicorn's Rest
133 bpm • C# Maj • 01:59 • -16db
48% Popularity • 16% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
48% Popularity • 16% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Russell Brower
Azsuna
127 bpm • F Maj • 02:40 • -18.02db
27% Popularity • 17% Danceability • 15% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 15% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Jason Hayes
Graveyard
126 bpm • A# min • 01:08 • -17.75db
40% Popularity • 20% Danceability • 19% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
40% Popularity • 20% Danceability • 19% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
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Jason Graves
Last Respite
134 bpm • E min • 05:38 • -19.7db
23% Popularity • 17% Danceability • 9% Energy • 7% Liveness
74% Instrumentalness • 14% Positiveness
23% Popularity • 17% Danceability • 9% Energy • 7% Liveness
74% Instrumentalness • 14% Positiveness
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Halo
Riven Gate
134 bpm • C Maj • 02:47 • -15.3db
25% Popularity • 78% Danceability • 43% Energy • 7% Liveness
82% Instrumentalness • 62% Positiveness
25% Popularity • 78% Danceability • 43% Energy • 7% Liveness
82% Instrumentalness • 62% Positiveness
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Gareth Coker
Separated by the Storm
126 bpm • C# min • 03:47 • -30.73db
36% Popularity • 17% Danceability • 2% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
36% Popularity • 17% Danceability • 2% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
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Brad Derrick
Recollection of Wars Long Lost
134 bpm • D min • 07:08 • -16.3db
37% Popularity • 16% Danceability • 30% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 30% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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David GarcÃa DÃaz
The King
134 bpm • E min • 02:01 • -20.46db
36% Popularity • 19% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
36% Popularity • 19% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Max LL
First Snow
125 bpm • E min • 02:34 • -26.85db
32% Popularity • 33% Danceability • 3% Energy • 6% Liveness
80% Instrumentalness • 8% Positiveness
32% Popularity • 33% Danceability • 3% Energy • 6% Liveness
80% Instrumentalness • 8% Positiveness
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Curtis Schweitzer
Atlas
135 bpm • C min • 04:06 • -17db
30% Popularity • 42% Danceability • 20% Energy • 11% Liveness
72% Instrumentalness • 10% Positiveness
30% Popularity • 42% Danceability • 20% Energy • 11% Liveness
72% Instrumentalness • 10% Positiveness
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Mikolai Stroinski
Yes, I Do...
135 bpm • G Maj • 01:33 • -14.99db
46% Popularity • 18% Danceability • 16% Energy • 18% Liveness
45% Instrumentalness • 8% Positiveness
46% Popularity • 18% Danceability • 16% Energy • 18% Liveness
45% Instrumentalness • 8% Positiveness
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Aakaash Rao
Expanse
135 bpm • D Maj • 02:48 • -10.53db
30% Popularity • 59% Danceability • 74% Energy • 8% Liveness
72% Instrumentalness • 20% Positiveness
30% Popularity • 59% Danceability • 74% Energy • 8% Liveness
72% Instrumentalness • 20% Positiveness
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David Fenn
Hall of Doors
125 bpm • A min • 02:34 • -17db
36% Popularity • 28% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
36% Popularity • 28% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
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Gareth Coker
A Look Inside
135 bpm • D min • 03:08 • -29.03db
31% Popularity • 34% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
31% Popularity • 34% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
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Bill Brown
Final Crisis
125 bpm • E min • 01:58 • -9db
31% Popularity • 29% Danceability • 76% Energy • 30% Liveness
60% Instrumentalness • 47% Positiveness
31% Popularity • 29% Danceability • 76% Energy • 30% Liveness
60% Instrumentalness • 47% Positiveness
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Curtis Schweitzer
Europa
135 bpm • A min • 06:04 • -18.57db
27% Popularity • 51% Danceability • 17% Energy • 7% Liveness
96% Instrumentalness • 19% Positiveness
27% Popularity • 51% Danceability • 17% Energy • 7% Liveness
96% Instrumentalness • 19% Positiveness
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Christopher Larkin
Queen's Gardens
135 bpm • B min • 01:46 • -20.04db
51% Popularity • 37% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 25% Positiveness
51% Popularity • 37% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 25% Positiveness
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Rik Schaffer
The Heart of Nirn
135 bpm • F min • 06:17 • -22.17db
41% Popularity • 16% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
41% Popularity • 16% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Daniel Licht
Streets of Karnaca (Suspense)
124 bpm • C# Maj • 02:33 • -22.56db
32% Popularity • 22% Danceability • 17% Energy • 16% Liveness
86% Instrumentalness • 3% Positiveness
32% Popularity • 22% Danceability • 17% Energy • 16% Liveness
86% Instrumentalness • 3% Positiveness
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Gareth Coker
The Sacrifice
124 bpm • G Maj • 03:07 • -16.3db
35% Popularity • 17% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 17% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Russell Shaw
The Great Hall
136 bpm • F min • 04:14 • -23.49db
24% Popularity • 25% Danceability • 5% Energy • 6% Liveness
97% Instrumentalness • 3% Positiveness
24% Popularity • 25% Danceability • 5% Energy • 6% Liveness
97% Instrumentalness • 3% Positiveness
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Jeremy Soule
King and Country
136 bpm • F# min • 04:04 • -21.33db
49% Popularity • 17% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
49% Popularity • 17% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Joris de Man
Shelter from the Storm
136 bpm • A min • 05:20 • -16.18db
32% Popularity • 27% Danceability • 27% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
32% Popularity • 27% Danceability • 27% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Maclaine Diemer
Togo's Legacy
124 bpm • C min • 02:14 • -20.23db
15% Popularity • 45% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 34% Positiveness
15% Popularity • 45% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 34% Positiveness
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Berlinist
Gris, Pt. 1
136 bpm • F min • 02:36 • -14.8db
46% Popularity • 17% Danceability • 12% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
46% Popularity • 17% Danceability • 12% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Russell Brower
The Sin'dorei
137 bpm • C# Maj • 06:39 • -17.29db
39% Popularity • 15% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 15% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Max LL
Don't Be Scared Stella
137 bpm • A min • 02:04 • -18.17db
31% Popularity • 15% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
31% Popularity • 15% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Russell Shaw
The Lady of Rosewood: Will You Dance
123 bpm • G# Maj • 02:13 • -21db
31% Popularity • 40% Danceability • 22% Energy • 11% Liveness
68% Instrumentalness • 7% Positiveness
31% Popularity • 40% Danceability • 22% Energy • 11% Liveness
68% Instrumentalness • 7% Positiveness
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Joris de Man
Vanished Voices - Part 1 - Motherland
123 bpm • G min • 01:25 • -23db
32% Popularity • 20% Danceability • 15% Energy • 12% Liveness
32% Instrumentalness • 10% Positiveness
32% Popularity • 20% Danceability • 15% Energy • 12% Liveness
32% Instrumentalness • 10% Positiveness
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Aakaash Rao
Soaring
138 bpm • G min • 01:28 • -13.02db
23% Popularity • 69% Danceability • 98% Energy • 21% Liveness
78% Instrumentalness • 41% Positiveness
23% Popularity • 69% Danceability • 98% Energy • 21% Liveness
78% Instrumentalness • 41% Positiveness
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Mikolai Stroinski
Fanfares And Flowers
139 bpm • D min • 03:10 • -11db
44% Popularity • 24% Danceability • 41% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
44% Popularity • 24% Danceability • 41% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
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NCSOUND
Forest of Odes
122 bpm • C# Maj • 02:53 • -18.7db
18% Popularity • 23% Danceability • 23% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
18% Popularity • 23% Danceability • 23% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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Jason Hayes
Teldrassil
139 bpm • D# Maj • 03:56 • -15.95db
40% Popularity • 17% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
40% Popularity • 17% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Daniel Licht
Epilogue Dunwall
139 bpm • A min • 01:41 • -23.5db
34% Popularity • 20% Danceability • 18% Energy • 17% Liveness
93% Instrumentalness • 6% Positiveness
34% Popularity • 20% Danceability • 18% Energy • 17% Liveness
93% Instrumentalness • 6% Positiveness
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Niels van der Leest
To The Hunt! - Part 1 - Motherland
138 bpm • D Maj • 04:29 • -18.49db
27% Popularity • 63% Danceability • 56% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
27% Popularity • 63% Danceability • 56% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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Aakaash Rao
Dark Descent
139 bpm • A Maj • 05:08 • -20.55db
22% Popularity • 19% Danceability • 37% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
22% Popularity • 19% Danceability • 37% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
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Derek Duke
Shards of the Exodar
121 bpm • C min • 04:38 • -25.11db
38% Popularity • 25% Danceability • 13% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 25% Danceability • 13% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Berlinist
Rain
140 bpm • A Maj • 01:58 • -34.97db
34% Popularity • 14% Danceability • 6% Energy • 6% Liveness
99% Instrumentalness • 4% Positiveness
34% Popularity • 14% Danceability • 6% Energy • 6% Liveness
99% Instrumentalness • 4% Positiveness
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Marcin Przybyłowicz
Kaer Morhen
140 bpm • D min • 02:35 • -13.48db
55% Popularity • 40% Danceability • 33% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
55% Popularity • 40% Danceability • 33% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
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Gareth Coker
The Ancient Wellspring
140 bpm • A min • 02:54 • -27.84db
33% Popularity • 29% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
33% Popularity • 29% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Joris de Man
Victory - Part 1 - Motherland
121 bpm • C# Maj • 03:02 • -18.92db
32% Popularity • 17% Danceability • 31% Energy • 11% Liveness
38% Instrumentalness • 5% Positiveness
32% Popularity • 17% Danceability • 31% Energy • 11% Liveness
38% Instrumentalness • 5% Positiveness
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Lena Raine
Tarir, the Forgotten City
140 bpm • A Maj • 04:04 • -18.01db
34% Popularity • 23% Danceability • 17% Energy • 8% Liveness
72% Instrumentalness • 16% Positiveness
34% Popularity • 23% Danceability • 17% Energy • 8% Liveness
72% Instrumentalness • 16% Positiveness
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Curtis Schweitzer
Haiku
140 bpm • C Maj • 07:35 • -19.76db
26% Popularity • 16% Danceability • 27% Energy • 10% Liveness
76% Instrumentalness • 6% Positiveness
26% Popularity • 16% Danceability • 27% Energy • 10% Liveness
76% Instrumentalness • 6% Positiveness
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Arnaud Roy
Last Era
140 bpm • G Maj • 03:32 • -15.11db
17% Popularity • 56% Danceability • 42% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
17% Popularity • 56% Danceability • 42% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
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Aakaash Rao
Warm Waves of Happiness
140 bpm • G Maj • 02:22 • -17.18db
40% Popularity • 58% Danceability • 30% Energy • 12% Liveness
88% Instrumentalness • 27% Positiveness
40% Popularity • 58% Danceability • 30% Energy • 12% Liveness
88% Instrumentalness • 27% Positiveness
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Jason Graves
Adventure Found Me
140 bpm • G Maj • 01:02 • -17.04db
35% Popularity • 39% Danceability • 32% Energy • 8% Liveness
14% Instrumentalness • 4% Positiveness
35% Popularity • 39% Danceability • 32% Energy • 8% Liveness
14% Instrumentalness • 4% Positiveness
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Berlinist
Debris
140 bpm • D min • 02:51 • -27db
39% Popularity • 34% Danceability • 5% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 34% Danceability • 5% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
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Josh Whelchel
Presentiment
121 bpm • F min • 01:23 • -21.56db
28% Popularity • 88% Danceability • 3% Energy • 11% Liveness
67% Instrumentalness • 40% Positiveness
28% Popularity • 88% Danceability • 3% Energy • 11% Liveness
67% Instrumentalness • 40% Positiveness
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Curtis Schweitzer
Blue Straggler
140 bpm • F Maj • 05:43 • -18.57db
20% Popularity • 54% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
20% Popularity • 54% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
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Theophany
Dawn of the First Day
140 bpm • B min • 03:11 • -17.72db
26% Popularity • 18% Danceability • 34% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 34% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Russell Brower
The Gates of Ahn'Qiraj
120 bpm • C Maj • 04:00 • -16.59db
30% Popularity • 17% Danceability • 46% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 46% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
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Jeff van Dyck
Lucidity
120 bpm • A# min • 04:04 • -12.79db
19% Popularity • 44% Danceability • 21% Energy • 13% Liveness
97% Instrumentalness • 10% Positiveness
19% Popularity • 44% Danceability • 21% Energy • 13% Liveness
97% Instrumentalness • 10% Positiveness
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Oleksa Lozowchuk
Look Deeper
120 bpm • E min • 01:27 • -15.31db
31% Popularity • 31% Danceability • 35% Energy • 12% Liveness
50% Instrumentalness • 4% Positiveness
31% Popularity • 31% Danceability • 35% Energy • 12% Liveness
50% Instrumentalness • 4% Positiveness
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Borislav Slavov
Rivellon - Light Version
120 bpm • G Maj • 02:17 • -17.07db
39% Popularity • 56% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
39% Popularity • 56% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Arnaud Roy
Terra Amata
120 bpm • G# Maj • 04:45 • -17.89db
38% Popularity • 60% Danceability • 16% Energy • 14% Liveness
87% Instrumentalness • 10% Positiveness
38% Popularity • 60% Danceability • 16% Energy • 14% Liveness
87% Instrumentalness • 10% Positiveness
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Gareth Coker
Burrowing
120 bpm • E Maj • 04:17 • -22.61db
30% Popularity • 25% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 25% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Christopher Larkin
Crystal Peak
120 bpm • E min • 04:08 • -16.29db
47% Popularity • 59% Danceability • 50% Energy • 7% Liveness
74% Instrumentalness • 39% Positiveness
47% Popularity • 59% Danceability • 50% Energy • 7% Liveness
74% Instrumentalness • 39% Positiveness
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Paradox Interactive
Infinite Being - Additional Take
120 bpm • C min • 07:32 • -15.18db
30% Popularity • 42% Danceability • 39% Energy • 13% Liveness
90% Instrumentalness • 8% Positiveness
30% Popularity • 42% Danceability • 39% Energy • 13% Liveness
90% Instrumentalness • 8% Positiveness
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Adam Skorupa
Peaceful Moments
120 bpm • B min • 05:10 • -13.33db
44% Popularity • 54% Danceability • 36% Energy • 18% Liveness
93% Instrumentalness • 37% Positiveness
44% Popularity • 54% Danceability • 36% Energy • 18% Liveness
93% Instrumentalness • 37% Positiveness
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Borislav Slavov
Welcome to Fort Joy
120 bpm • B min • 02:03 • -18db
42% Popularity • 71% Danceability • 32% Energy • 11% Liveness
84% Instrumentalness • 28% Positiveness
42% Popularity • 71% Danceability • 32% Energy • 11% Liveness
84% Instrumentalness • 28% Positiveness
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Krzysztof Wierzynkiewicz
Vergen By Night
120 bpm • D min • 05:16 • -16db
38% Popularity • 34% Danceability • 20% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
38% Popularity • 34% Danceability • 20% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
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Gareth Coker
Home Of the Gumon
120 bpm • D min • 05:07 • -21.08db
33% Popularity • 38% Danceability • 12% Energy • 10% Liveness
72% Instrumentalness • 7% Positiveness
33% Popularity • 38% Danceability • 12% Energy • 10% Liveness
72% Instrumentalness • 7% Positiveness
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Hyperduck Soundworks
Aurora
120 bpm • E min • 02:24 • -20.12db
18% Popularity • 47% Danceability • 20% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
18% Popularity • 47% Danceability • 20% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
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Will Savino
In the Warmth of the Fire
120 bpm • E min • 04:07 • -18.67db
25% Popularity • 29% Danceability • 25% Energy • 9% Liveness
78% Instrumentalness • 8% Positiveness
25% Popularity • 29% Danceability • 25% Energy • 9% Liveness
78% Instrumentalness • 8% Positiveness
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Jeff van Dyck
Hand of Fate II (The Beginning)
120 bpm • C min • 03:23 • -17db
32% Popularity • 41% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
32% Popularity • 41% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
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Halo
Echo-216
120 bpm • C Maj • 03:24 • -22.08db
27% Popularity • 52% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
27% Popularity • 52% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
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Curtis Schweitzer
Large Magellanic Cloud
120 bpm • C Maj • 06:14 • -21.34db
25% Popularity • 21% Danceability • 6% Energy • 5% Liveness
86% Instrumentalness • 5% Positiveness
25% Popularity • 21% Danceability • 6% Energy • 5% Liveness
86% Instrumentalness • 5% Positiveness
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Gareth Coker
Lost In the Misty Woods
120 bpm • F min • 04:45 • -24.58db
33% Popularity • 49% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
33% Popularity • 49% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Marcin Przybyłowicz
Words On Wind
141 bpm • D min • 02:48 • -15.53db
42% Popularity • 14% Danceability • 22% Energy • 20% Liveness
74% Instrumentalness • 4% Positiveness
42% Popularity • 14% Danceability • 22% Energy • 20% Liveness
74% Instrumentalness • 4% Positiveness
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Chance Thomas
Shadow of the Argonath
141 bpm • G Maj • 03:08 • -18.64db
32% Popularity • 14% Danceability • 19% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 19% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Brad Derrick
Grazelands Dawn
141 bpm • G min • 05:01 • -15.34db
44% Popularity • 14% Danceability • 22% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
44% Popularity • 14% Danceability • 22% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Joris de Man
Homecoming - Part 1 - Motherland
141 bpm • C min • 02:56 • -20.95db
31% Popularity • 14% Danceability • 10% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
31% Popularity • 14% Danceability • 10% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
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Esteban Mercado
Forest Ambient Theme
119 bpm • D# min • 04:33 • -24.25db
23% Popularity • 23% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
23% Popularity • 23% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Gareth Coker
Luma Pools
120 bpm • A# Maj • 05:05 • -24db
36% Popularity • 51% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
36% Popularity • 51% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Derek Duke
Azuremyst Isle
119 bpm • C min • 02:42 • -23db
43% Popularity • 22% Danceability • 15% Energy • 36% Liveness
96% Instrumentalness • 4% Positiveness
43% Popularity • 22% Danceability • 15% Energy • 36% Liveness
96% Instrumentalness • 4% Positiveness
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Marcin Przybyłowicz
Wind In The Caroberta Woods
142 bpm • D min • 03:19 • -23.1db
45% Popularity • 14% Danceability • 8% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
45% Popularity • 14% Danceability • 8% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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Borislav Slavov
Quest for a Cure
119 bpm • D min • 04:43 • -24.09db
47% Popularity • 24% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
47% Popularity • 24% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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The Flight
Years of Training - Part 1 - Motherland
142 bpm • G Maj • 02:22 • -17db
38% Popularity • 45% Danceability • 52% Energy • 10% Liveness
81% Instrumentalness • 11% Positiveness
38% Popularity • 45% Danceability • 52% Energy • 10% Liveness
81% Instrumentalness • 11% Positiveness
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Arnaud Roy
The Sharing (Wild Walkers Prologue)
119 bpm • D Maj • 01:45 • -13.89db
27% Popularity • 52% Danceability • 49% Energy • 21% Liveness
88% Instrumentalness • 68% Positiveness
27% Popularity • 52% Danceability • 49% Energy • 21% Liveness
88% Instrumentalness • 68% Positiveness
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Gareth Coker
Calling Out
141 bpm • A Maj • 01:27 • -19.06db
40% Popularity • 18% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
40% Popularity • 18% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness