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Right Hand Man
Songs like
Right Hand Man
by
Heidi Blickenstaff
Based on a tempo of (+/- 10%) and a similar genre
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Heidi Blickenstaff
Right Hand Man
147 bpm • C# Maj • 02:43 • -8db
48% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Emma Hunton
The Other Hourglass
146 bpm • A min • 00:43 • -5.65db
20% Popularity • 56% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Alex Brightman
The Whole "Being Dead" Thing, Pt. 2
148 bpm • G min • 01:40 • -5.61db
53% Popularity • 64% Danceability • 73% Energy • 41% Liveness
0% Instrumentalness • 90% Positiveness
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Hunter Bell
Get into It
148 bpm • A# Maj • 05:01 • -5.98db
4% Popularity • 65% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Erika Henningsen
I See Stars
146 bpm • A Maj • 03:48 • -4db
49% Popularity • 36% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Aaron Tveit
Goodbye
148 bpm • G# Maj • 03:34 • -7.06db
40% Popularity • 56% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Aléna Watters
He Lied To Me
146 bpm • A min • 05:44 • -6.86db
21% Popularity • 58% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Patina Miller
Finale
146 bpm • A# Maj • 07:30 • -8.86db
31% Popularity • 35% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Rob McClure
Ready Set, Not Yet
146 bpm • G Maj • 03:42 • -7.05db
50% Popularity • 66% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Will Connolly
More Than Survive
146 bpm • C Maj • 08:00 • -7.61db
41% Popularity • 51% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Stephen Schwartz
Thank Goodness
148 bpm • D# Maj • 06:23 • -9.41db
37% Popularity • 40% Danceability • 33% Energy • 80% Liveness
0% Instrumentalness • 48% Positiveness
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Jerome Kern
Nobody Else but Me
149 bpm • F Maj • 02:18 • -10.96db
0% Popularity • 39% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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John Tartaglia
Freak Flag
145 bpm • A Maj • 03:51 • -7.09db
43% Popularity • 60% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
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Charlotte D'Amboise
Spread a Little Sunshine
148 bpm • C min • 03:03 • -9.43db
33% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
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Sophia Anne Caruso
Home
146 bpm • D Maj • 03:47 • -6.51db
50% Popularity • 41% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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The Original Broadway Cast Of School Of Rock
You're in the Band
145 bpm • G Maj • 04:54 • -3.69db
36% Popularity • 65% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Heidi Blickenstaff
After All of This and Everything
149 bpm • G# Maj • 03:22 • -12db
30% Popularity • 35% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Jerome Kern
The Land Where the Good Songs Go
145 bpm • D# Maj • 03:20 • -13.29db
2% Popularity • 30% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Taylor Louderman
Someone Gets Hurt
150 bpm • B min • 03:07 • -4.37db
59% Popularity • 27% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Matthew James Thomas
Extraordinary
146 bpm • D min • 02:38 • -7.39db
34% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Kerry Butler
Barbara 2.0
149 bpm • G# Maj • 03:25 • -5.54db
48% Popularity • 56% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Ethan Slater
(Just a) Simple Sponge
150 bpm • C Maj • 03:56 • -5.64db
34% Popularity • 50% Danceability • 85% Energy • 41% Liveness
0% Instrumentalness • 56% Positiveness
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Krystina Alabado
Freedom
144 bpm • E Maj • 06:39 • -7.03db
27% Popularity • 48% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Brian Gonzales
High Adventure
143 bpm • C Maj • 05:31 • -7db
37% Popularity • 50% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Grey Henson
Where Do You Belong?
144 bpm • A# Maj • 04:53 • -5.41db
52% Popularity • 46% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Jerome Kern
How’d You Like to Spoon With Me?
143 bpm • G min • 01:40 • -9.7db
1% Popularity • 76% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Dana Steingold
Girl Scout
150 bpm • G Maj • 02:26 • -6.96db
51% Popularity • 69% Danceability • 57% Energy • 55% Liveness
0% Instrumentalness • 60% Positiveness
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'Falsettos' 2016 Broadway Company
A Day in Falsettoland
143 bpm • F# Maj • 07:39 • -7.97db
40% Popularity • 58% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Robert Cuccioli
Bigger Than Baseball
143 bpm • C Maj • 07:06 • -6.16db
1% Popularity • 51% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
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Lynn Ahrens
Alone In The Universe - Original Broadwa...
143 bpm • C Maj • 04:49 • -12.83db
35% Popularity • 35% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Original StarKid Cast of Twisted
Dream a Little Harder
142 bpm • D Maj • 05:34 • -8.09db
34% Popularity • 52% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Beth Leavel
Changing Lives
142 bpm • F# Maj • 03:10 • -6db
32% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Alex Brightman
Fright of Their Lives
144 bpm • A Maj • 03:44 • -5.49db
50% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Josh Gad
Man Up
142 bpm • D Maj • 04:03 • -8.37db
44% Popularity • 49% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Danny Skinner
Super Sea Star Savior
142 bpm • A# Maj • 04:43 • -5.98db
36% Popularity • 61% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Rob McClure
She's Happy
152 bpm • D min • 01:16 • -12.16db
24% Popularity • 71% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Stephen Schwartz
What Is This Feeling?
152 bpm • C Maj • 03:32 • -8.69db
48% Popularity • 63% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Lisa Brescia
Gotta Get Out
153 bpm • C Maj • 03:27 • -10.71db
27% Popularity • 57% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Jeanine Tesori
Flying Away (Finale)
141 bpm • A Maj • 03:34 • -10.9db
29% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Scott Barnhardt
Turn It Off
142 bpm • F Maj • 05:03 • -10.55db
51% Popularity • 55% Danceability • 41% Energy • 56% Liveness
0% Instrumentalness • 63% Positiveness
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Marissa Jaret Winokur
Mama, I'm a Big Girl Now
141 bpm • F Maj • 03:18 • -4.62db
37% Popularity • 78% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Jason Gotay
Go
153 bpm • D Maj • 06:19 • -6.58db
26% Popularity • 36% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Barrett Wilbert Weed
Seventeen (Reprise)
153 bpm • G# Maj • 02:44 • -8.09db
52% Popularity • 33% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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A Chorus Line Ensemble (2006)
Opening: I Hope I Get It
141 bpm • A Maj • 06:57 • -9.75db
39% Popularity • 56% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
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Lauren Marcus
Do You Wanna Ride?
141 bpm • A# Maj • 01:33 • -10.15db
31% Popularity • 60% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Kate Shindle
Legally Blonde - Remix
154 bpm • A Maj • 04:59 • -9.84db
47% Popularity • 49% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
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Aaron Tveit
Someone Else's Skin
141 bpm • F Maj • 04:14 • -7.32db
32% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Brian D'Arcy James
God, I Hate Shakespeare
154 bpm • C# min • 02:44 • -7.14db
47% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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The Original Broadway Cast Of School Of Rock
Where Did the Rock Go
141 bpm • A# Maj • 04:14 • -7.58db
35% Popularity • 36% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Carlos López
Daddy Knows Best
140 bpm • G Maj • 02:52 • -5db
39% Popularity • 51% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Stephanie J. Block
I'm Breaking Down
141 bpm • A Maj • 04:48 • -7.7db
46% Popularity • 61% Danceability • 43% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
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Cozi Zuehlsdorff
Just One Day
154 bpm • C Maj • 04:01 • -5.01db
24% Popularity • 48% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Barrett Wilbert Weed
I'd Rather Be Me
140 bpm • E Maj • 02:50 • -3.33db
56% Popularity • 67% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Brian D'Arcy James
It's Eggs!
141 bpm • D Maj • 00:39 • -8.53db
34% Popularity • 79% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Analise Scarpaci
What The Hell
140 bpm • F# Maj • 03:16 • -6.86db
36% Popularity • 75% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Kasie Gasparini
Two Little Lines
140 bpm • F Maj • 04:40 • -7.15db
23% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Jenn Colella
38 Planes (Reprise) / Somewhere In The M...
140 bpm • D Maj • 04:22 • -6.03db
43% Popularity • 73% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Sarah Jessica Parker
Shy
140 bpm • A# Maj • 04:20 • -11.44db
27% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Anna Kendrick
A Part of That
140 bpm • F min • 04:00 • -8db
38% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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'Something Rotten' Ensemble
The Black Death
140 bpm • E Maj • 01:15 • -8.96db
39% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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'Legally Blonde' Ensemble
Blood in the Water
140 bpm • C# Maj • 04:49 • -12.59db
45% Popularity • 58% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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Gavin Creel
Agony
139 bpm • E Maj • 02:26 • -11db
40% Popularity • 41% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Caitlin Kinnunen
Unruly Heart
139 bpm • F Maj • 03:57 • -7.77db
34% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Emily Blunt
Moments in the Woods
140 bpm • D Maj • 03:07 • -17.64db
38% Popularity • 57% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Stephen Schwartz
The Wizard And I
139 bpm • C Maj • 05:09 • -8.23db
44% Popularity • 38% Danceability • 39% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
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Caissie Levy
Dangerous to Dream
139 bpm • A Maj • 05:03 • -8.44db
44% Popularity • 31% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
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Rob McClure
I'm Rockin' Now
139 bpm • A min • 03:19 • -4.34db
26% Popularity • 72% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Company - Freaky Friday: A New Musical
Just One Day (Reprise)
139 bpm • C Maj • 02:44 • -5.45db
23% Popularity • 52% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Carla J. Hargrove
Skid Row (Downtown)
139 bpm • A# Maj • 04:06 • -8.5db
44% Popularity • 54% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Newsies Original Broadway Cast
Brooklyn's Here
139 bpm • G Maj • 01:53 • -8.07db
46% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Company of The Prom: A New Musical
Tonight Belongs to You
156 bpm • C Maj • 05:20 • -5db
34% Popularity • 48% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
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Sara Bareilles
It Takes Two
139 bpm • A# Maj • 02:49 • -10.59db
38% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Gwen Verdon
We Both Reached for the Gun
138 bpm • B Maj • 03:57 • -18db
29% Popularity • 60% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Andrew Rannells
Two by Two
157 bpm • D# Maj • 04:31 • -10.08db
48% Popularity • 55% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Jeanine Tesori
Ring of Keys
138 bpm • A Maj • 03:07 • -12db
39% Popularity • 45% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Jenn Gambatese
The Shape Of Things To Come
138 bpm • A Maj • 03:04 • -4.88db
24% Popularity • 81% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Chris McCarrell
Good Kid
138 bpm • G# Maj • 03:24 • -6.81db
48% Popularity • 61% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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B. D'Addario as Flounder
She's In Love
138 bpm • C min • 03:39 • -16.89db
50% Popularity • 60% Danceability • 26% Energy • 59% Liveness
0% Instrumentalness • 78% Positiveness
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John Dossett
The Bottom Line
138 bpm • G Maj • 02:16 • -11.94db
42% Popularity • 59% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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'Come From Away' Company
In The Bar / Heave Away
137 bpm • D Maj • 01:22 • -5db
42% Popularity • 58% Danceability • 85% Energy • 51% Liveness
0% Instrumentalness • 82% Positiveness
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Caroline O'Connor
The Press Conference
137 bpm • C Maj • 02:05 • -9db
38% Popularity • 74% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Michael Berresse
Cell Block Tango
137 bpm • F Maj • 06:14 • -12.75db
41% Popularity • 64% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Company of SpongeBob SquarePants, The New Musical
Bikini Bottom Day
137 bpm • A Maj • 06:12 • -7.25db
42% Popularity • 56% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Sierra Boggess as Ariel
Part of Your World
137 bpm • G Maj • 03:24 • -20.02db
43% Popularity • 42% Danceability • 8% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Beth Leavel
It's Not About Me
158 bpm • A min • 03:52 • -5.63db
32% Popularity • 52% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Benjamin Schrader
Spooky Mormon Hell Dream
158 bpm • D# Maj • 04:30 • -8db
45% Popularity • 53% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Mike Faist
Disappear
137 bpm • G# Maj • 04:35 • -6.65db
51% Popularity • 45% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Hunter Parrish
All for the Best
136 bpm • G Maj • 03:16 • -10.76db
39% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Jerome Kern
Rolled into One
137 bpm • A Maj • 02:30 • -11.67db
4% Popularity • 62% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
Anna Kendrick
Climbing Uphill
136 bpm • E min • 03:29 • -8db
36% Popularity • 55% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Charity Angél Dawson
You've Been Playing With Fire
136 bpm • C Maj • 04:04 • -3.65db
22% Popularity • 67% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 30% Positiveness
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Jenn Colella
Me And The Sky
136 bpm • C# Maj • 04:36 • -7.15db
50% Popularity • 67% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Christine Baranski
We Both Reached For The Gun
136 bpm • B Maj • 03:58 • -7.43db
40% Popularity • 63% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
► Preview
Scott Alan
This Time
136 bpm • B Maj • 03:31 • -6.5db
3% Popularity • 58% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
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Jennifer Damiano
Hey #3 / Perfect for You - Reprise
136 bpm • E min • 02:23 • -13.98db
29% Popularity • 45% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Hunter Bell
More Life
136 bpm • G Maj • 02:58 • -6db
13% Popularity • 72% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Mindi Dickstein
Better
159 bpm • E Maj • 01:45 • -8.3db
30% Popularity • 45% Danceability • 36% Energy • 13% Liveness
1% Instrumentalness • 70% Positiveness
► Preview
Robert Cuccioli
Be More
136 bpm • C Maj • 04:03 • -9.63db
2% Popularity • 61% Danceability • 22% Energy • 78% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Brian D'Arcy James
To Thine Own Self - Reprise
135 bpm • E min • 01:50 • -13.56db
32% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Right Hand Man