Songs like Right Place Right Time by Olly Murs
Based on a tempo of (+/- 10%) and a similar genre
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Neon Jungle
Can't Stop the Love
140 bpm • B Maj • 03:42 • -5db
18% Popularity • 78% Danceability • 80% Energy • 68% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 78% Danceability • 80% Energy • 68% Liveness
0% Instrumentalness • 82% Positiveness
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Rita Ora
Love And War
140 bpm • A min • 03:35 • -2.89db
27% Popularity • 65% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 65% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
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Olly Murs
Right Place Right Time
140 bpm • F Maj • 03:13 • -4db
41% Popularity • 49% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 49% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Busted
Who's David
140 bpm • E Maj • 03:30 • -5db
37% Popularity • 59% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 59% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Foxes
Let Go for Tonight
140 bpm • A min • 03:58 • -6.62db
42% Popularity • 54% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 54% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
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Meghan Trainor
Lips Are Movin
139 bpm • G Maj • 03:02 • -5.4db
70% Popularity • 78% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
70% Popularity • 78% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Tinie Tempah
Invincible - Acoustic
138 bpm • C min • 03:21 • -6.16db
11% Popularity • 73% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 73% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Little Mix
DNA
141 bpm • D# min • 03:58 • -5db
54% Popularity • 54% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
54% Popularity • 54% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Olly Murs
Runaway
142 bpm • C Maj • 03:36 • -4.11db
21% Popularity • 60% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 60% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Mobilée
Peter Pan
138 bpm • F# Maj • 03:20 • -2.01db
18% Popularity • 48% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 48% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Cher Lloyd
Superhero
142 bpm • F# min • 03:28 • -5.11db
33% Popularity • 66% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 66% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Jonas Brothers
S.O.S.
137 bpm • G Maj • 02:33 • -3.84db
64% Popularity • 58% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
64% Popularity • 58% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Katy McAllister
Take Me Away
143 bpm • A# Maj • 03:37 • -5.67db
13% Popularity • 48% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 48% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Jessica Lowndes
The Other Girl
137 bpm • C# Maj • 03:24 • -5db
18% Popularity • 62% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 62% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Olly Murs
That's Alright with Me
138 bpm • A Maj • 03:17 • -4.18db
16% Popularity • 60% Danceability • 97% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 60% Danceability • 97% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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Rixton
Whole
144 bpm • D Maj • 03:38 • -7db
27% Popularity • 46% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
27% Popularity • 46% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
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Owl City
Beautiful Times
136 bpm • A Maj • 03:25 • -5.39db
48% Popularity • 48% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
48% Popularity • 48% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Greyson Chance
Waiting Outside The Lines
136 bpm • C# Maj • 03:51 • -5.27db
41% Popularity • 51% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 51% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Train
Wonder What You're Doing for the Rest of...
136 bpm • A Maj • 03:23 • -4db
35% Popularity • 79% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 79% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
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Paloma Faith
Picking Up the Pieces - Radio Edit
136 bpm • G Maj • 03:35 • -6.13db
30% Popularity • 64% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 64% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Scouting For Girls
Millionaire
144 bpm • G Maj • 02:57 • -5.34db
34% Popularity • 55% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 55% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Olly Murs
We Still Love
136 bpm • A# min • 03:15 • -4.24db
18% Popularity • 37% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 37% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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MKTO
No More Second Chances
145 bpm • A Maj • 03:18 • -7.06db
31% Popularity • 58% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 58% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Asher Monroe
Hello Baby
135 bpm • C min • 03:43 • -4.53db
8% Popularity • 60% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 60% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Adam Lambert
Never Close Our Eyes
135 bpm • D# Maj • 04:08 • -4.71db
44% Popularity • 52% Danceability • 81% Energy • 73% Liveness
0% Instrumentalness • 61% Positiveness
44% Popularity • 52% Danceability • 81% Energy • 73% Liveness
0% Instrumentalness • 61% Positiveness
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Paloma Faith
Picking Up the Pieces
136 bpm • G Maj • 04:04 • -5db
46% Popularity • 62% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 62% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Alexandra Burke
Elephant
135 bpm • G# min • 03:47 • -6.65db
27% Popularity • 61% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 61% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Olly Murs
Loud & Clear
145 bpm • A# Maj • 03:49 • -5.02db
27% Popularity • 51% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 51% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Gavin DeGraw
Best I Ever Had
135 bpm • G Maj • 03:46 • -5.24db
49% Popularity • 55% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
49% Popularity • 55% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
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The Wanted
Lightning
135 bpm • D# Maj • 03:23 • -4.2db
44% Popularity • 61% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 61% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Blake Lewis
Your Touch
135 bpm • F min • 03:53 • -7.28db
26% Popularity • 61% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 61% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Rita Ora
Shine Ya Light
146 bpm • E Maj • 03:30 • -2.12db
35% Popularity • 48% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 48% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 56% Positiveness
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Michael Bublé
After All
134 bpm • E Maj • 03:37 • -3.41db
42% Popularity • 52% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 52% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Olly Murs
Hope You Got What You Came For
135 bpm • B min • 03:25 • -7.11db
25% Popularity • 57% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 57% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Gavin DeGraw
Who's Gonna Save Us
147 bpm • G# Maj • 03:14 • -7.4db
30% Popularity • 54% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 54% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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A Great Big World
I Really Want It
133 bpm • C# Maj • 03:22 • -5.77db
19% Popularity • 77% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 77% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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G.R.L.
Lighthouse
133 bpm • F# Maj • 03:36 • -6.64db
43% Popularity • 58% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 58% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Scouting For Girls
The Airplane Song
148 bpm • G Maj • 04:20 • -5.01db
33% Popularity • 58% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 58% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Alli Simpson
Why I'm Single
148 bpm • D min • 03:06 • -4.45db
25% Popularity • 64% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 64% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 24% Positiveness
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Miley Cyrus
Robot
132 bpm • F min • 03:43 • -2.98db
37% Popularity • 52% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
37% Popularity • 52% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Jonas Brothers
Pom Poms
148 bpm • C# min • 03:18 • -2.2db
40% Popularity • 68% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
40% Popularity • 68% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
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Joe Jonas
Kleptomaniac
132 bpm • F# min • 04:03 • -4.69db
15% Popularity • 58% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 58% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Greyson Chance
Unfriend You
131 bpm • G Maj • 03:20 • -4.32db
42% Popularity • 62% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
42% Popularity • 62% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Scouting For Girls
Famous
132 bpm • D Maj • 02:35 • -3.42db
37% Popularity • 68% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 68% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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Aiden Grimshaw
Is This Love
150 bpm • A# Maj • 03:22 • -4.5db
13% Popularity • 47% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 47% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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McFly
Obviously
131 bpm • C# Maj • 03:18 • -2db
54% Popularity • 64% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
54% Popularity • 64% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Ashley Tisdale
It's Alright, It's OK
130 bpm • C# min • 02:59 • -1.88db
48% Popularity • 53% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 53% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Johnny Ruffo
Take It Home
130 bpm • C Maj • 03:09 • -3db
32% Popularity • 68% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 68% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Selena Gomez
Nobody Does It Like You - Bonus Track
130 bpm • G# Maj • 03:56 • -4db
38% Popularity • 61% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 61% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Melanie Amaro
Don't Fail Me Now
130 bpm • B Maj • 04:21 • -8.69db
12% Popularity • 66% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 66% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Jedward
What's Your Number?
130 bpm • B Maj • 02:55 • -4db
12% Popularity • 67% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 67% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Gavin DeGraw
Different for Girls
130 bpm • C Maj • 03:40 • -6.31db
20% Popularity • 66% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 66% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Carly Rae Jepsen
I Know You Have A Girlfriend
130 bpm • E Maj • 03:03 • -4db
25% Popularity • 74% Danceability • 75% Energy • 6% Liveness
2% Instrumentalness • 96% Positiveness
25% Popularity • 74% Danceability • 75% Energy • 6% Liveness
2% Instrumentalness • 96% Positiveness
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Selena Gomez & The Scene
Hit The Lights
130 bpm • G Maj • 03:14 • -3.95db
59% Popularity • 56% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
59% Popularity • 56% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Austin Mahone
Say Somethin'
130 bpm • C# min • 02:47 • -2.95db
45% Popularity • 64% Danceability • 87% Energy • 50% Liveness
0% Instrumentalness • 91% Positiveness
45% Popularity • 64% Danceability • 87% Energy • 50% Liveness
0% Instrumentalness • 91% Positiveness
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Pixie Lott
All About Tonight
129 bpm • D Maj • 03:06 • -6.14db
51% Popularity • 64% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 64% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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McFly
All About You
130 bpm • C# Maj • 03:06 • -5.31db
56% Popularity • 54% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 54% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Mike Posner
The Way It Used to Be
129 bpm • C# min • 04:06 • -5.51db
26% Popularity • 66% Danceability • 77% Energy • 58% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 66% Danceability • 77% Energy • 58% Liveness
0% Instrumentalness • 92% Positiveness
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Olly Murs
This Song Is About You
129 bpm • C# Maj • 03:46 • -7db
33% Popularity • 56% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 56% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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Little Mix
Cannonball
152 bpm • F Maj • 03:25 • -6.48db
45% Popularity • 35% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
45% Popularity • 35% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
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Giorgia
Did I Lose You
152 bpm • C min • 03:46 • -3.37db
17% Popularity • 57% Danceability • 90% Energy • 49% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 57% Danceability • 90% Energy • 49% Liveness
0% Instrumentalness • 82% Positiveness
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Cheryl
Sexy Den A Mutha
129 bpm • A min • 03:39 • -4.32db
26% Popularity • 74% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 74% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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McFly
Love Is Easy
152 bpm • A Maj • 03:42 • -6.95db
49% Popularity • 68% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
49% Popularity • 68% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Faydee
Forget the World (FML)
128 bpm • B min • 03:49 • -5.94db
28% Popularity • 56% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 56% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Delta Goodrem
Heart Hypnotic - Radio Edit
128 bpm • G# Maj • 03:25 • -6db
19% Popularity • 55% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 55% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Cher Lloyd
Swagger Jagger
128 bpm • D Maj • 03:12 • -2.85db
45% Popularity • 66% Danceability • 84% Energy • 50% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 66% Danceability • 84% Energy • 50% Liveness
0% Instrumentalness • 61% Positiveness
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Ola
Tonight I'm Yours
128 bpm • B min • 03:56 • -5.64db
14% Popularity • 62% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 62% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Taylor Henderson
Worth Fighting For
128 bpm • C# Maj • 03:43 • -4.42db
26% Popularity • 58% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 58% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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WALK THE MOON
Shut Up and Dance
128 bpm • C# Maj • 03:19 • -3.8db
86% Popularity • 58% Danceability • 87% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
86% Popularity • 58% Danceability • 87% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Olly Murs
Oh My Goodness
128 bpm • G# min • 03:04 • -5.47db
39% Popularity • 64% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 64% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Kesha
Crazy Kids
128 bpm • C min • 03:50 • -4.6db
53% Popularity • 74% Danceability • 71% Energy • 13% Liveness
1% Instrumentalness • 48% Positiveness
53% Popularity • 74% Danceability • 71% Energy • 13% Liveness
1% Instrumentalness • 48% Positiveness
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Massad
Girl Next Door
128 bpm • B Maj • 03:33 • -3.02db
33% Popularity • 70% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 70% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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John Martin
Anywhere For You
128 bpm • D# Maj • 03:33 • -4.08db
47% Popularity • 53% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 53% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Justice Crew
Best Night
128 bpm • D# Maj • 03:35 • -4db
41% Popularity • 67% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 67% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Cheryl
Call My Name
128 bpm • G# Maj • 03:27 • -3.5db
54% Popularity • 70% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
54% Popularity • 70% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Olly Murs
Sacrifice
128 bpm • A Maj • 02:45 • -4.88db
20% Popularity • 70% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 70% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Rita Ora
I Will Never Let You Down
128 bpm • E Maj • 03:23 • -3.22db
62% Popularity • 75% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
62% Popularity • 75% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Kesha
Die Young
128 bpm • C# min • 03:31 • -4.81db
79% Popularity • 71% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
79% Popularity • 71% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Jedward
Luminous
128 bpm • G Maj • 03:25 • -7.29db
14% Popularity • 65% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 65% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Carly Rae Jepsen
This Kiss
128 bpm • C Maj • 03:48 • -4.32db
43% Popularity • 74% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 74% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Miley Cyrus
The Time Of Our Lives
128 bpm • A Maj • 03:32 • -2.74db
40% Popularity • 70% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 70% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 51% Positiveness
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USHER
Scream
128 bpm • G min • 03:54 • -5.18db
69% Popularity • 62% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
69% Popularity • 62% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Alexis Jordan
Acid Rain
128 bpm • F min • 03:36 • -2.91db
17% Popularity • 71% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 71% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Owl City
Verge
128 bpm • D Maj • 03:33 • -6.89db
52% Popularity • 55% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 55% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Olly Murs
I Blame Hollywood
128 bpm • E Maj • 03:08 • -5.33db
22% Popularity • 61% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 61% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Allstar Weekend
Wanna Dance With Somebody (Allstar Weeke...
128 bpm • D Maj • 03:41 • -3.51db
21% Popularity • 63% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 63% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Bonnie McKee
American Girl
128 bpm • C min • 03:44 • -4.33db
45% Popularity • 66% Danceability • 82% Energy • 59% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 66% Danceability • 82% Energy • 59% Liveness
0% Instrumentalness • 66% Positiveness
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Asher Monroe
Memory
128 bpm • G Maj • 03:37 • -4.91db
17% Popularity • 55% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 55% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Chris Brown
Don't Wake Me Up
128 bpm • G min • 03:42 • -5.2db
62% Popularity • 60% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
62% Popularity • 60% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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The Wanted
Gold Forever
128 bpm • C Maj • 03:58 • -4.71db
44% Popularity • 59% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 59% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Naughty Boy
Lifted
127 bpm • A min • 03:17 • -5db
41% Popularity • 47% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
41% Popularity • 47% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Rita Ora
Hello, Hi, Goodbye
128 bpm • F Maj • 03:58 • -7.81db
19% Popularity • 70% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 70% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Bastille
Pompeii
127 bpm • A Maj • 03:34 • -6.38db
78% Popularity • 68% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
78% Popularity • 68% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Cher Lloyd
Human
154 bpm • F# Maj • 03:29 • -4.59db
34% Popularity • 50% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 50% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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G.R.L.
Vacation
127 bpm • A Maj • 03:37 • -3.76db
49% Popularity • 49% Danceability • 81% Energy • 52% Liveness
0% Instrumentalness • 46% Positiveness
49% Popularity • 49% Danceability • 81% Energy • 52% Liveness
0% Instrumentalness • 46% Positiveness
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Dami Im
Super Love
127 bpm • G# Maj • 03:24 • -5.03db
35% Popularity • 58% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 58% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Adam Lambert
Take Back
127 bpm • G# Maj • 03:12 • -4.46db
28% Popularity • 55% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 55% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Olly Murs
Personal
127 bpm • A min • 03:15 • -3.49db
25% Popularity • 66% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 66% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
