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Songs like
Right Place
by
Nathan Ball
Based on a tempo of (+/- 10%) and a similar genre
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Nathan Ball
Waste of Time
145 bpm • C# min • 03:27 • -4.39db
15% Popularity • 54% Danceability • 90% Energy • 17% Liveness
1% Instrumentalness • 89% Positiveness
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Matthew And The Atlas
Temple
145 bpm • D# Maj • 03:33 • -6.75db
16% Popularity • 52% Danceability • 63% Energy • 9% Liveness
1% Instrumentalness • 24% Positiveness
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Old Sea Brigade
Once Again
145 bpm • A Maj • 03:44 • -9.04db
32% Popularity • 50% Danceability • 37% Energy • 33% Liveness
1% Instrumentalness • 14% Positiveness
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Bradley Stone
On The Moon
145 bpm • G Maj • 03:21 • -13.31db
20% Popularity • 57% Danceability • 19% Energy • 12% Liveness
3% Instrumentalness • 14% Positiveness
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Christof van der Ven
Oh When The Night
145 bpm • B Maj • 04:08 • -11.32db
10% Popularity • 28% Danceability • 34% Energy • 11% Liveness
45% Instrumentalness • 19% Positiveness
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Hudson Taylor
Old Soul
144 bpm • D Maj • 04:08 • -8.62db
20% Popularity • 40% Danceability • 39% Energy • 8% Liveness
53% Instrumentalness • 52% Positiveness
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Nathan Ball
Right Place
145 bpm • E Maj • 03:56 • -9.38db
28% Popularity • 55% Danceability • 57% Energy • 11% Liveness
77% Instrumentalness • 37% Positiveness
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Portage
Columns
144 bpm • A Maj • 03:08 • -12.4db
17% Popularity • 50% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Ciaran Lavery
Wells Tower Song
146 bpm • F min • 05:01 • -10.18db
23% Popularity • 55% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Fractures
Time Frame
146 bpm • A# Maj • 03:14 • -9.69db
11% Popularity • 45% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Tim Hart
I'd Do Well
144 bpm • G Maj • 02:49 • -7.77db
2% Popularity • 56% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Rod Ladgrove
How Many Times
146 bpm • G Maj • 02:39 • -6.74db
27% Popularity • 62% Danceability • 52% Energy • 30% Liveness
1% Instrumentalness • 26% Positiveness
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Racing Glaciers
High Love
144 bpm • D# Maj • 04:48 • -13.13db
34% Popularity • 58% Danceability • 47% Energy • 11% Liveness
39% Instrumentalness • 36% Positiveness
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Michael Benjamin
Slowly Fading
144 bpm • D# Maj • 03:34 • -12db
22% Popularity • 50% Danceability • 42% Energy • 48% Liveness
14% Instrumentalness • 33% Positiveness
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Lilla Vargen
Believe Me
144 bpm • C Maj • 03:42 • -11db
18% Popularity • 34% Danceability • 25% Energy • 17% Liveness
10% Instrumentalness • 11% Positiveness
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Belle Mt.
Made to Find You
146 bpm • C# Maj • 03:29 • -6.98db
23% Popularity • 54% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Stu Larsen
By the River - Acoustic
146 bpm • D min • 04:28 • -12db
42% Popularity • 48% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Alexander Biggs
Out in the Dark
143 bpm • D min • 02:43 • -11.64db
23% Popularity • 41% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Charlie Cunningham
An Opening
147 bpm • G# Maj • 03:51 • -12.57db
46% Popularity • 54% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Martin Luke Brown
Shadow & Light
147 bpm • C Maj • 03:41 • -8.76db
32% Popularity • 54% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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The Wealthy West
That Silver Line
148 bpm • G Maj • 03:36 • -13.42db
11% Popularity • 48% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Tom Joshua
Meteor Showers
148 bpm • F Maj • 03:40 • -12db
23% Popularity • 49% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Nathan Ball
Cold Hands
142 bpm • F# min • 03:52 • -8db
19% Popularity • 61% Danceability • 68% Energy • 11% Liveness
18% Instrumentalness • 57% Positiveness
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Garrett Kato
UFOS
148 bpm • E Maj • 03:50 • -9.59db
20% Popularity • 64% Danceability • 62% Energy • 7% Liveness
82% Instrumentalness • 46% Positiveness
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Jeremy Loops
Hues of the Fall
142 bpm • B Maj • 04:28 • -10db
27% Popularity • 48% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Tom Francis
Upon These Stones
149 bpm • C min • 04:18 • -14db
33% Popularity • 58% Danceability • 33% Energy • 10% Liveness
48% Instrumentalness • 20% Positiveness
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Mary Lou
A Bit Of
149 bpm • D Maj • 04:05 • -10.62db
10% Popularity • 55% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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George Ogilvie
Foreign Hands
141 bpm • D# min • 04:18 • -5.58db
47% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Nina June
When We Fall
141 bpm • G min • 03:31 • -13.41db
35% Popularity • 63% Danceability • 42% Energy • 11% Liveness
22% Instrumentalness • 14% Positiveness
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Beta Radio
On the Frame (Acoustic)
141 bpm • D min • 03:04 • -13.3db
42% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Terrible Sons
Tears Don’t Fall
149 bpm • G Maj • 03:10 • -12.69db
37% Popularity • 67% Danceability • 54% Energy • 15% Liveness
2% Instrumentalness • 85% Positiveness
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Matthew And The Atlas
Graveyard Parade
141 bpm • F# Maj • 04:07 • -7.75db
16% Popularity • 47% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Sara Hartman
From The Other Side Of The World
150 bpm • B min • 04:35 • -9.42db
14% Popularity • 65% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Daniel Docherty
This Holy Fire
140 bpm • A# Maj • 05:37 • -6.94db
15% Popularity • 30% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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All The Luck In The World
High Beams
140 bpm • D Maj • 03:32 • -10.68db
17% Popularity • 34% Danceability • 43% Energy • 14% Liveness
3% Instrumentalness • 10% Positiveness
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George Ogilvie
Count Your Blessings
150 bpm • G# min • 04:05 • -9db
39% Popularity • 45% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Ben Howard
There's Your Man
150 bpm • E min • 04:38 • -7.44db
38% Popularity • 60% Danceability • 83% Energy • 6% Liveness
12% Instrumentalness • 64% Positiveness
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Charlie Cunningham
Lights Off
150 bpm • G Maj • 03:53 • -11.67db
51% Popularity • 64% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Matthew And The Atlas
On A Midnight Street - Acoustic Version
150 bpm • D Maj • 03:33 • -13db
31% Popularity • 54% Danceability • 31% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
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Daniel Docherty
This Holy Fire
140 bpm • F min • 05:40 • -8.82db
14% Popularity • 31% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Belle Mt.
Loving You
140 bpm • C Maj • 04:13 • -8.35db
24% Popularity • 54% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 21% Positiveness
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Garrett Kato
Ghost Town
150 bpm • G# Maj • 03:53 • -9.53db
23% Popularity • 49% Danceability • 75% Energy • 13% Liveness
1% Instrumentalness • 39% Positiveness
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Mountains of the Moon
How I Leapt from the Stratosphere
140 bpm • A# min • 04:02 • -13.76db
22% Popularity • 49% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
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China Lane
Marco Polo
140 bpm • D Maj • 03:19 • -12.39db
23% Popularity • 62% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
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Toby Johnson
Fox
140 bpm • F# min • 03:08 • -8.96db
24% Popularity • 77% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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George Ogilvie
Foreign Hands (George's Version)
140 bpm • D# min • 04:18 • -8.74db
45% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Elmore
I'm Still Here
140 bpm • A Maj • 03:04 • -7.92db
12% Popularity • 51% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Harrison Storm
Sense of Home
140 bpm • D# Maj • 04:25 • -11db
58% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Blanco White
November Rain
140 bpm • B min • 04:06 • -10.04db
34% Popularity • 48% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Arctic Lake
Heal Me
140 bpm • A min • 03:27 • -9.61db
42% Popularity • 41% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Zac Crook
rather be losing
139 bpm • F min • 03:37 • -7.86db
19% Popularity • 53% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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George Ogilvie
Out Of Harms' Way
140 bpm • D Maj • 04:20 • -15db
21% Popularity • 60% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Tim Hart
I'd Do Well - Acoustic
138 bpm • A# Maj • 02:53 • -10.04db
1% Popularity • 52% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Will Heggadon
sinking in
152 bpm • G# Maj • 04:00 • -9.42db
19% Popularity • 50% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Nathan Hawes
I Wasn't There
152 bpm • F# Maj • 04:57 • -6.95db
22% Popularity • 37% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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Dan Owen
Fall Like a Feather
152 bpm • G Maj • 03:22 • -5.44db
22% Popularity • 54% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Daggy Man
Little Whip
152 bpm • F# Maj • 03:48 • -14db
16% Popularity • 55% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
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George Ogilvie
All That I Ask
140 bpm • G# Maj • 04:38 • -7db
34% Popularity • 38% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Matthew And The Atlas
To The North
152 bpm • G Maj • 03:35 • -9.13db
24% Popularity • 38% Danceability • 55% Energy • 6% Liveness
1% Instrumentalness • 29% Positiveness
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George Taylor
Give It Up
152 bpm • F# min • 03:44 • -8.9db
28% Popularity • 57% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Garrett Kato
Arkansas
138 bpm • E Maj • 03:25 • -9.39db
29% Popularity • 57% Danceability • 57% Energy • 12% Liveness
2% Instrumentalness • 50% Positiveness
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Nina June
If We Never Go
138 bpm • F min • 03:07 • -12.88db
41% Popularity • 71% Danceability • 44% Energy • 7% Liveness
83% Instrumentalness • 39% Positiveness
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Patrick James
Bugs
138 bpm • E Maj • 03:57 • -8db
31% Popularity • 65% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Kyson
Pictures
153 bpm • F min • 04:16 • -14.33db
35% Popularity • 40% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
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David Benjamin
Sunrise
138 bpm • D min • 03:23 • -14db
25% Popularity • 60% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Mat Hunsley
Dropping
138 bpm • B min • 03:53 • -12.34db
11% Popularity • 68% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Nathan Ball
All Comes Back To You
138 bpm • G Maj • 04:09 • -16.89db
13% Popularity • 32% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Old Sea Brigade
Did You Think It Was Right
153 bpm • C Maj • 03:49 • -13.13db
23% Popularity • 71% Danceability • 22% Energy • 8% Liveness
3% Instrumentalness • 36% Positiveness
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Hazlett
Lowdown, Lay It On
137 bpm • D Maj • 03:54 • -13db
34% Popularity • 46% Danceability • 27% Energy • 66% Liveness
1% Instrumentalness • 4% Positiveness
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Ben Howard
What The Moon Does
154 bpm • C Maj • 05:20 • -10.62db
37% Popularity • 54% Danceability • 54% Energy • 10% Liveness
82% Instrumentalness • 61% Positiveness
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Matthew And The Atlas
On A Midnight Street
154 bpm • D Maj • 03:36 • -6.36db
26% Popularity • 60% Danceability • 71% Energy • 10% Liveness
2% Instrumentalness • 65% Positiveness
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Tay Oskee
We Were Young
136 bpm • A Maj • 04:53 • -9.63db
36% Popularity • 31% Danceability • 56% Energy • 10% Liveness
17% Instrumentalness • 8% Positiveness
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Nathan Ball
Borders
154 bpm • F# min • 04:20 • -7.04db
31% Popularity • 30% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Phoria
When Everything Was Mine
136 bpm • D Maj • 03:55 • -10.66db
23% Popularity • 24% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
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Ed Wells
Sparrow and Seed
136 bpm • G# min • 04:33 • -8.23db
10% Popularity • 61% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Lewis Watson
stay
136 bpm • B Maj • 04:15 • -7db
32% Popularity • 48% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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BROOKFIELD
Cloud 9
155 bpm • A min • 04:54 • -11db
14% Popularity • 49% Danceability • 52% Energy • 10% Liveness
21% Instrumentalness • 20% Positiveness
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Haux
Youth
136 bpm • G Maj • 02:40 • -25.72db
40% Popularity • 55% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Nathan Ball
Drifting - Under The Mackerel Sky Versio...
154 bpm • F min • 04:33 • -12.17db
10% Popularity • 27% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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The Map Room
Dynamo
136 bpm • D Maj • 03:13 • -14.99db
20% Popularity • 56% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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All The Luck In The World
Landmarks
136 bpm • B min • 04:07 • -9.01db
29% Popularity • 35% Danceability • 43% Energy • 20% Liveness
1% Instrumentalness • 19% Positiveness
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Nick Cunningham
Small Body
155 bpm • A Maj • 04:11 • -22.34db
22% Popularity • 30% Danceability • 14% Energy • 11% Liveness
15% Instrumentalness • 12% Positiveness
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Harrison Storm
Be Yourself
135 bpm • C# Maj • 04:10 • -15.39db
36% Popularity • 59% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 12% Positiveness
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Charlie Cunningham
Lines
156 bpm • F Maj • 02:51 • -13.24db
36% Popularity • 43% Danceability • 19% Energy • 8% Liveness
2% Instrumentalness • 13% Positiveness
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Nathan Ball
All Or Nothing
155 bpm • A# Maj • 03:50 • -6db
29% Popularity • 56% Danceability • 84% Energy • 13% Liveness
1% Instrumentalness • 68% Positiveness
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Jordy Maxwell
Mother
135 bpm • D Maj • 04:41 • -13.43db
20% Popularity • 40% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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The Jepettos
Inside
156 bpm • C min • 03:44 • -9.1db
22% Popularity • 45% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Hudson Taylor
Run with Me - Acoustic
135 bpm • C Maj • 03:01 • -8.04db
31% Popularity • 66% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Tall Heights
Spirit Cold
156 bpm • B Maj • 03:38 • -8.81db
42% Popularity • 38% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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George Taylor
Stay Warm
135 bpm • C Maj • 04:32 • -11db
32% Popularity • 75% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Nathan Ball
Waste of Time - Acoustic
135 bpm • D Maj • 03:39 • -14.74db
27% Popularity • 60% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Jesse Marchant
Frame for One
156 bpm • G# Maj • 05:23 • -8.09db
27% Popularity • 33% Danceability • 55% Energy • 13% Liveness
8% Instrumentalness • 25% Positiveness
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Unknown Neighbour
You And Me
156 bpm • A Maj • 02:45 • -6.97db
27% Popularity • 55% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Billy Lockett
Holding a Gun
157 bpm • G# Maj • 03:31 • -11.09db
13% Popularity • 38% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Tall Heights
Spirit Cold
156 bpm • B Maj • 03:42 • -6db
50% Popularity • 41% Danceability • 66% Energy • 18% Liveness
1% Instrumentalness • 36% Positiveness
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Ziggy Alberts
Warm Coffee (The Market Song)
134 bpm • E Maj • 03:16 • -10.78db
47% Popularity • 67% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Nathan Ball
Luna
135 bpm • C Maj • 04:46 • -12.75db
9% Popularity • 60% Danceability • 40% Energy • 9% Liveness
16% Instrumentalness • 40% Positiveness
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Old Sea Brigade
Cover My Own
134 bpm • G Maj • 03:53 • -15db
40% Popularity • 73% Danceability • 21% Energy • 7% Liveness
3% Instrumentalness • 40% Positiveness
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Folly and the Hunter
Awake
134 bpm • C# Maj • 04:57 • -11.45db
20% Popularity • 59% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Bootstraps
You Are So Beautiful
134 bpm • A# Maj • 02:42 • -14.55db
23% Popularity • 48% Danceability • 40% Energy • 11% Liveness
61% Instrumentalness • 14% Positiveness
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