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Righteously
Songs like
Righteously
by
Lucinda Williams
Based on a tempo of (+/- 10%) and a similar genre
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Lucinda Williams
Righteously
102 bpm • G Maj • 04:38 • -9.78db
40% Popularity • 68% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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Golden Smog
Pecan Pie
102 bpm • G Maj • 02:53 • -12db
27% Popularity • 50% Danceability • 57% Energy • 50% Liveness
0% Instrumentalness • 78% Positiveness
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Chris Smither
Hold On I
103 bpm • E Maj • 04:03 • -9.08db
34% Popularity • 56% Danceability • 49% Energy • 69% Liveness
3% Instrumentalness • 50% Positiveness
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John Hiatt
Crossing Muddy Waters
101 bpm • A Maj • 04:05 • -9.93db
51% Popularity • 63% Danceability • 49% Energy • 33% Liveness
4% Instrumentalness • 49% Positiveness
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Uncle Tupelo
Whiskey Bottle
104 bpm • A Maj • 04:46 • -12.86db
25% Popularity • 37% Danceability • 25% Energy • 13% Liveness
2% Instrumentalness • 17% Positiveness
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John Mellencamp
Save Some Time To Dream
104 bpm • G Maj • 04:30 • -9.13db
28% Popularity • 66% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Lucinda Williams
Hot Blood
103 bpm • D min • 06:19 • -9db
25% Popularity • 52% Danceability • 60% Energy • 13% Liveness
15% Instrumentalness • 43% Positiveness
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Joe Henry
Grave Angels
104 bpm • C Maj • 05:31 • -9.33db
23% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Chris Smither
Leave The Light On
101 bpm • D Maj • 03:47 • -9.86db
17% Popularity • 54% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 60% Positiveness
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Susan Tedeschi
You Need To Be With Me
104 bpm • A min • 03:04 • -5.46db
37% Popularity • 77% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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The Be Good Tanyas
Draft Daughter's Blues aka Ootischenia
99 bpm • C Maj • 03:21 • -8.24db
48% Popularity • 56% Danceability • 58% Energy • 11% Liveness
6% Instrumentalness • 76% Positiveness
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Pieta Brown
So Many Miles
105 bpm • G Maj • 03:03 • -9.87db
21% Popularity • 70% Danceability • 54% Energy • 26% Liveness
2% Instrumentalness • 35% Positiveness
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Lucinda Williams
Pyramid of Tears
104 bpm • F# Maj • 04:47 • -12.95db
12% Popularity • 68% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Stephen Bruton
Bigger Wheel
99 bpm • A# Maj • 05:44 • -6.75db
3% Popularity • 55% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Chris Smither
She Said She Said
104 bpm • D Maj • 02:54 • -8.95db
36% Popularity • 65% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Hard Working Americans
Down to the Well
105 bpm • D Maj • 04:16 • -11db
30% Popularity • 65% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Luther Dickinson
Up Over Yonder
99 bpm • A min • 03:19 • -11.49db
17% Popularity • 66% Danceability • 37% Energy • 11% Liveness
10% Instrumentalness • 61% Positiveness
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Shannon McNally
The Worst Part Of A Broken Heart
105 bpm • D Maj • 03:27 • -5.73db
15% Popularity • 66% Danceability • 71% Energy • 9% Liveness
3% Instrumentalness • 61% Positiveness
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Lucinda Williams
Learning How To Live
100 bpm • G Maj • 05:11 • -8.76db
22% Popularity • 65% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Susan Tedeschi
Tired Of My Tears
99 bpm • C# Maj • 02:42 • -6.2db
31% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Levon Helm
False Hearted Lover Blues
105 bpm • C# min • 03:29 • -7db
33% Popularity • 65% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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John Hiatt
Long Time Comin'
99 bpm • E Maj • 04:12 • -9.58db
38% Popularity • 65% Danceability • 42% Energy • 8% Liveness
53% Instrumentalness • 26% Positiveness
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Chris Smither
Hundred Dollar Valentine
105 bpm • G Maj • 03:05 • -4.99db
31% Popularity • 72% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Willie Nelson
Live Forever
105 bpm • G Maj • 03:00 • -9.34db
23% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Lucinda Williams
Ventura
104 bpm • D Maj • 04:41 • -9.79db
30% Popularity • 56% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Randy Scruggs
Passin' Thru
106 bpm • A Maj • 05:15 • -5.38db
8% Popularity • 50% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Kim Richey
Whistle on Occasion
98 bpm • C Maj • 02:36 • -15.1db
29% Popularity • 62% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Leon Russell
Wild Horses
106 bpm • F Maj • 03:37 • -13.72db
31% Popularity • 65% Danceability • 48% Energy • 20% Liveness
1% Instrumentalness • 83% Positiveness
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Chris Smither
Crocodile Man
106 bpm • D min • 03:33 • -10db
28% Popularity • 65% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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John Hiatt
Before I Go
107 bpm • E Maj • 03:34 • -7.9db
34% Popularity • 62% Danceability • 74% Energy • 20% Liveness
8% Instrumentalness • 76% Positiveness
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Lucinda Williams
Car Wheels On A Gravel Road
99 bpm • B Maj • 04:44 • -6.98db
45% Popularity • 63% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Bruce Cockburn
Stab At Matter
107 bpm • G Maj • 03:44 • -7.19db
9% Popularity • 63% Danceability • 63% Energy • 13% Liveness
2% Instrumentalness • 73% Positiveness
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Rodney Crowell
Reckless
107 bpm • D Maj • 03:30 • -10.22db
28% Popularity • 64% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 45% Positiveness
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Mudcrutch
Crystal River
108 bpm • G Maj • 09:28 • -8.66db
29% Popularity • 42% Danceability • 49% Energy • 18% Liveness
17% Instrumentalness • 22% Positiveness
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Mary Gauthier
Got Your Six
108 bpm • E Maj • 02:38 • -8.22db
30% Popularity • 73% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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John Hiatt
Terms of My Surrender
108 bpm • B Maj • 03:29 • -12.09db
27% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Lucinda Williams
Real Live Bleeding Fingers And Broken Gu...
108 bpm • A Maj • 04:41 • -5.66db
27% Popularity • 55% Danceability • 85% Energy • 20% Liveness
2% Instrumentalness • 48% Positiveness
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Nick Lowe
What's So Funny 'Bout Peace, Love and Un...
108 bpm • G Maj • 04:03 • -15.32db
38% Popularity • 63% Danceability • 26% Energy • 73% Liveness
0% Instrumentalness • 36% Positiveness
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Rodney Crowell
Something Has To Change
108 bpm • E Maj • 04:01 • -7.07db
31% Popularity • 80% Danceability • 62% Energy • 12% Liveness
17% Instrumentalness • 86% Positiveness
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Shannon McNally
Low Rider
96 bpm • F# Maj • 02:53 • -13.37db
17% Popularity • 66% Danceability • 39% Energy • 15% Liveness
1% Instrumentalness • 37% Positiveness
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Justin Townes Earle
Ain’t Got No Money
108 bpm • D min • 03:05 • -7.4db
33% Popularity • 44% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Malcolm Holcombe
Black Bitter Moon
109 bpm • C# Maj • 02:59 • -11.44db
28% Popularity • 66% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Lucinda Williams
Hot Blood
98 bpm • A Maj • 05:27 • -9.19db
24% Popularity • 69% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Tom Petty
Don't Fade On Me
109 bpm • G Maj • 03:32 • -14.75db
39% Popularity • 55% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Rodney Crowell
Dancin' Circles Round The Sun (Epictetus...
108 bpm • A Maj • 04:32 • -8.54db
9% Popularity • 77% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Chuck Prophet
That's How Much I Need Your Love
109 bpm • A# min • 04:06 • -5.25db
25% Popularity • 71% Danceability • 86% Energy • 14% Liveness
1% Instrumentalness • 85% Positiveness
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Lilly Hiatt
Brightest Star
109 bpm • F# min • 03:07 • -7.89db
20% Popularity • 63% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Uncle Tupelo
Screen Door
109 bpm • C Maj • 02:42 • -14.24db
28% Popularity • 50% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Lucinda Williams
Jailhouse Tears
106 bpm • D# Maj • 05:25 • -6.12db
14% Popularity • 52% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Bruce Cockburn
Different When It Comes To You
95 bpm • A Maj • 02:57 • -8.9db
24% Popularity • 66% Danceability • 55% Energy • 17% Liveness
28% Instrumentalness • 36% Positiveness
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Tift Merritt
Trouble Over Me
109 bpm • G Maj • 05:08 • -9db
27% Popularity • 70% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 53% Positiveness
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Levon Helm
Feelin' Good
110 bpm • C Maj • 03:31 • -7.48db
25% Popularity • 86% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Jim Lauderdale
No Later than Soon
95 bpm • B Maj • 02:56 • -9.6db
32% Popularity • 64% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Yola
Love All Night (Work All Day)
110 bpm • C Maj • 03:33 • -6db
42% Popularity • 54% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Lucinda Williams
Get Right With God
106 bpm • B Maj • 04:17 • -8.1db
21% Popularity • 62% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Chris Smither
Maybellene
95 bpm • D Maj • 02:56 • -7.23db
40% Popularity • 60% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Rosanne Cash
A Feather's Not A Bird
110 bpm • C min • 03:18 • -6.26db
37% Popularity • 71% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Mercury Rev
Ode to Billie Joe
110 bpm • G Maj • 05:36 • -5.78db
12% Popularity • 50% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Amy Helm
Good News
110 bpm • C Maj • 03:39 • -7.44db
11% Popularity • 71% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Amanda Shires
You Are My Home
110 bpm • D Maj • 03:39 • -15db
29% Popularity • 45% Danceability • 9% Energy • 12% Liveness
3% Instrumentalness • 20% Positiveness
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Lucinda Williams
2 Kool 2 Be 4-Gotten
98 bpm • D Maj • 04:42 • -10.38db
37% Popularity • 59% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Mary Gauthier
Brothers
110 bpm • E Maj • 02:50 • -7db
30% Popularity • 65% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Shannon McNally
I Ain't Gonna Stand for It
110 bpm • C# min • 03:32 • -9.71db
12% Popularity • 57% Danceability • 55% Energy • 12% Liveness
1% Instrumentalness • 29% Positiveness
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Alejandro Escovedo
Rosalie
111 bpm • G Maj • 03:49 • -6.72db
31% Popularity • 55% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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Tift Merritt
Laid A Highway
111 bpm • G Maj • 03:53 • -5.76db
28% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Ryan Adams
My Winding Wheel
94 bpm • F# Maj • 03:12 • -12.88db
46% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Lucinda Williams
Lake Charles
98 bpm • A Maj • 05:27 • -8.71db
30% Popularity • 61% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Warren Zevon
Carmelita
94 bpm • E Maj • 03:34 • -14db
48% Popularity • 74% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Pieta Brown
I'm Gone
94 bpm • C Maj • 02:20 • -8.2db
28% Popularity • 74% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Blackie & The Rodeo Kings
South
94 bpm • G Maj • 04:24 • -4.7db
21% Popularity • 58% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Jimmy Webb
Galveston
94 bpm • E Maj • 03:57 • -8.41db
13% Popularity • 52% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Susan Tedeschi
You Got The Silver
94 bpm • E Maj • 02:51 • -7.41db
43% Popularity • 42% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Lucinda Williams
Can't Let Go
94 bpm • G Maj • 03:28 • -8.61db
48% Popularity • 62% Danceability • 82% Energy • 7% Liveness
3% Instrumentalness • 92% Positiveness
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Shovels & Rope
Unknown Legend
111 bpm • G Maj • 04:28 • -6db
50% Popularity • 59% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Charles Lloyd
Ventura
94 bpm • D# Maj • 06:22 • -15.09db
18% Popularity • 54% Danceability • 25% Energy • 15% Liveness
1% Instrumentalness • 30% Positiveness
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John Hiatt
All The Lilacs In Ohio
111 bpm • G Maj • 03:29 • -10.41db
33% Popularity • 50% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Uncle Tupelo
Still Be Around
111 bpm • E Maj • 02:44 • -9.72db
31% Popularity • 36% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Joe Ely
The Road Goes On Forever
111 bpm • E Maj • 04:33 • -7.33db
41% Popularity • 47% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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Lucinda Williams
Essence
94 bpm • F min • 05:51 • -8db
33% Popularity • 53% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Chris Smither
Winsome Smile
94 bpm • F# Maj • 03:34 • -7.05db
32% Popularity • 49% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Levon Helm
Growing Trade
111 bpm • A Maj • 04:22 • -8db
28% Popularity • 64% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Tom Petty and the Heartbreakers
Angel Dream (No. 4)
112 bpm • E Maj • 02:27 • -10db
45% Popularity • 62% Danceability • 78% Energy • 62% Liveness
0% Instrumentalness • 66% Positiveness
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Tedeschi Trucks Band
Anyhow
93 bpm • A Maj • 06:35 • -9.29db
49% Popularity • 45% Danceability • 68% Energy • 10% Liveness
38% Instrumentalness • 52% Positiveness
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Chuck Prophet
Jesus Was a Social Drinker
112 bpm • D Maj • 04:54 • -3.85db
28% Popularity • 56% Danceability • 71% Energy • 8% Liveness
19% Instrumentalness • 72% Positiveness
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Lucinda Williams
Out Of Touch
111 bpm • E Maj • 05:29 • -9.54db
21% Popularity • 53% Danceability • 56% Energy • 12% Liveness
4% Instrumentalness • 26% Positiveness
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Rodney Crowell
I Don't Care Anymore
93 bpm • D min • 04:28 • -9.26db
19% Popularity • 65% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Charles Lloyd
We've Come Too Far To Turn Around
93 bpm • G Maj • 06:30 • -14.67db
14% Popularity • 37% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Peter Wolf
Some Other Time, Some Other Place
112 bpm • G Maj • 03:49 • -11.93db
23% Popularity • 59% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
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Tom Petty and the Heartbreakers
Swingin'
93 bpm • G Maj • 05:30 • -5.6db
45% Popularity • 40% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Chuck Prophet
Pin a Rose on Me
93 bpm • F min • 04:53 • -8.24db
16% Popularity • 71% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Mary Gauthier
Walk Through The Fire
112 bpm • G min • 04:38 • -9db
27% Popularity • 42% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Ray Bonneville
Cool Cool Rain
112 bpm • D Maj • 03:46 • -13db
28% Popularity • 66% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
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John Hiatt
Gone
93 bpm • G Maj • 02:57 • -7.7db
44% Popularity • 71% Danceability • 64% Energy • 7% Liveness
13% Instrumentalness • 94% Positiveness
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Trigger Hippy
Heartache On The Line
112 bpm • A Maj • 05:48 • -4.83db
22% Popularity • 36% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Ryan Adams
To Be Young (Is to Be Sad, Is to Be High...
93 bpm • G Maj • 03:04 • -6db
54% Popularity • 49% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Lukas Nelson and Promise of the Real
Just Outside Of Austin
93 bpm • C Maj • 04:44 • -12.87db
44% Popularity • 60% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
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Tom Petty
Time To Move On
113 bpm • D Maj • 03:15 • -9db
56% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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The Mastersons
Closer to You
112 bpm • D Maj • 03:48 • -5.23db
6% Popularity • 71% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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John Hiatt & The Goners
The Most Unoriginal Sin
113 bpm • D Maj • 04:15 • -9.92db
10% Popularity • 56% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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The Band
Ophelia - Remastered 2000
92 bpm • C Maj • 03:32 • -7.4db
54% Popularity • 83% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
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Righteously