Songs like Rimini Rimini (Sequence 2) by Franco Micalizzi
Based on a tempo of (+/- 10%) and a similar genre
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Bruno Nicolai
La notte che Evelyn uscì dalla tomba
116 bpm • C Maj • 03:44 • -13.8db
5% Popularity • 22% Danceability • 38% Energy • 18% Liveness
67% Instrumentalness • 22% Positiveness
5% Popularity • 22% Danceability • 38% Energy • 18% Liveness
67% Instrumentalness • 22% Positiveness
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Stefano Torossi
Having fun
116 bpm • D min • 04:03 • -14db
22% Popularity • 48% Danceability • 59% Energy • 13% Liveness
29% Instrumentalness • 64% Positiveness
22% Popularity • 48% Danceability • 59% Energy • 13% Liveness
29% Instrumentalness • 64% Positiveness
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Neil Richardson
Rio Magic
116 bpm • C Maj • 01:35 • -8db
22% Popularity • 38% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 38% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Enrico Intra
Birimbao
115 bpm • D min • 02:28 • -14.33db
25% Popularity • 55% Danceability • 51% Energy • 12% Liveness
90% Instrumentalness • 74% Positiveness
25% Popularity • 55% Danceability • 51% Energy • 12% Liveness
90% Instrumentalness • 74% Positiveness
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Franco Micalizzi. Orch. Diretta M° Plenizio
In due contro tutti
116 bpm • B min • 01:32 • -4.64db
20% Popularity • 44% Danceability • 55% Energy • 4% Liveness
94% Instrumentalness • 18% Positiveness
20% Popularity • 44% Danceability • 55% Energy • 4% Liveness
94% Instrumentalness • 18% Positiveness
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Hareton Salvanini
Espairecendo
115 bpm • F Maj • 03:38 • -10.57db
28% Popularity • 60% Danceability • 53% Energy • 7% Liveness
95% Instrumentalness • 51% Positiveness
28% Popularity • 60% Danceability • 53% Energy • 7% Liveness
95% Instrumentalness • 51% Positiveness
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Bruno Nicolai
Barlington - Version 2
116 bpm • G# Maj • 01:03 • -16db
27% Popularity • 52% Danceability • 35% Energy • 14% Liveness
90% Instrumentalness • 31% Positiveness
27% Popularity • 52% Danceability • 35% Energy • 14% Liveness
90% Instrumentalness • 31% Positiveness
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Stefano Torossi
Going home
115 bpm • G Maj • 02:49 • -10.73db
17% Popularity • 51% Danceability • 76% Energy • 12% Liveness
36% Instrumentalness • 60% Positiveness
17% Popularity • 51% Danceability • 76% Energy • 12% Liveness
36% Instrumentalness • 60% Positiveness
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Ennio Morricone
Patrizia
115 bpm • F Maj • 02:02 • -14.35db
10% Popularity • 60% Danceability • 50% Energy • 11% Liveness
28% Instrumentalness • 96% Positiveness
10% Popularity • 60% Danceability • 50% Energy • 11% Liveness
28% Instrumentalness • 96% Positiveness
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Fred Bongusto
Funny People
114 bpm • A# Maj • 02:06 • -20.33db
23% Popularity • 67% Danceability • 24% Energy • 11% Liveness
25% Instrumentalness • 82% Positiveness
23% Popularity • 67% Danceability • 24% Energy • 11% Liveness
25% Instrumentalness • 82% Positiveness
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Rigol
Sembrava sincera
114 bpm • F min • 02:52 • -18.61db
14% Popularity • 41% Danceability • 15% Energy • 13% Liveness
93% Instrumentalness • 56% Positiveness
14% Popularity • 41% Danceability • 15% Energy • 13% Liveness
93% Instrumentalness • 56% Positiveness
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François de Roubaix
Opération FR1
114 bpm • G min • 03:05 • -13.93db
17% Popularity • 39% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 39% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Bruno Nicolai
Labirinto - Film Version
115 bpm • G# Maj • 02:09 • -15.06db
23% Popularity • 50% Danceability • 38% Energy • 8% Liveness
91% Instrumentalness • 52% Positiveness
23% Popularity • 50% Danceability • 38% Energy • 8% Liveness
91% Instrumentalness • 52% Positiveness
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Piero Umiliani
Nostalgia - Trumpet Version
114 bpm • C Maj • 03:19 • -9.34db
22% Popularity • 39% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 39% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Peter Thomas Sound Orchester
Playboy
118 bpm • D# Maj • 01:29 • -16.14db
23% Popularity • 56% Danceability • 36% Energy • 27% Liveness
94% Instrumentalness • 80% Positiveness
23% Popularity • 56% Danceability • 36% Energy • 27% Liveness
94% Instrumentalness • 80% Positiveness
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I Marc 4
Aspettando July
118 bpm • A min • 02:37 • -17.59db
39% Popularity • 67% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
39% Popularity • 67% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
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Riz Ortolani
Phantom Of Love - Main Title
114 bpm • A min • 02:41 • -16.38db
11% Popularity • 28% Danceability • 18% Energy • 13% Liveness
50% Instrumentalness • 16% Positiveness
11% Popularity • 28% Danceability • 18% Energy • 13% Liveness
50% Instrumentalness • 16% Positiveness
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David Matthews
Song of the Bene Gesserit
118 bpm • G min • 02:49 • -10.2db
23% Popularity • 42% Danceability • 36% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
23% Popularity • 42% Danceability • 36% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
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Trevor Duncan
Windshift
119 bpm • G min • 03:07 • -17db
13% Popularity • 38% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 27% Positiveness
13% Popularity • 38% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 27% Positiveness
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Alessandro Alessandroni
Foggy Town
113 bpm • C Maj • 03:02 • -11.41db
42% Popularity • 60% Danceability • 38% Energy • 11% Liveness
87% Instrumentalness • 44% Positiveness
42% Popularity • 60% Danceability • 38% Energy • 11% Liveness
87% Instrumentalness • 44% Positiveness
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Neil Richardson
The Riviera Affair
113 bpm • C min • 01:34 • -9.41db
38% Popularity • 41% Danceability • 61% Energy • 8% Liveness
83% Instrumentalness • 92% Positiveness
38% Popularity • 41% Danceability • 61% Energy • 8% Liveness
83% Instrumentalness • 92% Positiveness
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Giuliano Sorgini
Ciclo continuo
119 bpm • B Maj • 02:57 • -9.69db
18% Popularity • 58% Danceability • 90% Energy • 7% Liveness
90% Instrumentalness • 81% Positiveness
18% Popularity • 58% Danceability • 90% Energy • 7% Liveness
90% Instrumentalness • 81% Positiveness
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Piero Umiliani
Luna d'agosto - Con clavicembalo
119 bpm • C# Maj • 02:36 • -17.84db
44% Popularity • 53% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
44% Popularity • 53% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
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Fred Bongusto
L'artista e io
113 bpm • B min • 01:08 • -27db
42% Popularity • 36% Danceability • 8% Energy • 23% Liveness
92% Instrumentalness • 28% Positiveness
42% Popularity • 36% Danceability • 8% Energy • 23% Liveness
92% Instrumentalness • 28% Positiveness
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Sandro Brugnolini
Silvana
119 bpm • G min • 03:53 • -17db
22% Popularity • 52% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 35% Positiveness
22% Popularity • 52% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 35% Positiveness
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Lesiman
Confronto
119 bpm • F min • 02:18 • -14.72db
23% Popularity • 57% Danceability • 32% Energy • 10% Liveness
80% Instrumentalness • 55% Positiveness
23% Popularity • 57% Danceability • 32% Energy • 10% Liveness
80% Instrumentalness • 55% Positiveness
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Stelvio Cipriani
Wild Life
112 bpm • G Maj • 02:40 • -12.75db
15% Popularity • 30% Danceability • 58% Energy • 51% Liveness
4% Instrumentalness • 81% Positiveness
15% Popularity • 30% Danceability • 58% Energy • 51% Liveness
4% Instrumentalness • 81% Positiveness
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Stefano Torossi
L'Uomo e la Natura
112 bpm • C Maj • 02:38 • -9db
11% Popularity • 25% Danceability • 37% Energy • 16% Liveness
26% Instrumentalness • 7% Positiveness
11% Popularity • 25% Danceability • 37% Energy • 16% Liveness
26% Instrumentalness • 7% Positiveness
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Franco Micalizzi
Roller Cop
120 bpm • A# min • 03:58 • -11.91db
0% Popularity • 60% Danceability • 60% Energy • 18% Liveness
42% Instrumentalness • 62% Positiveness
0% Popularity • 60% Danceability • 60% Energy • 18% Liveness
42% Instrumentalness • 62% Positiveness
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Gianni Marchetti
Una bossa piccola piccola 1
120 bpm • F Maj • 01:41 • -21db
32% Popularity • 85% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 85% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Carlo Rustichelli
Atelier (Titoli)
112 bpm • A# Maj • 02:13 • -10db
15% Popularity • 50% Danceability • 42% Energy • 7% Liveness
88% Instrumentalness • 70% Positiveness
15% Popularity • 50% Danceability • 42% Energy • 7% Liveness
88% Instrumentalness • 70% Positiveness
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Alessandro Alessandroni
Jazz Whistler
112 bpm • G# Maj • 02:45 • -10.11db
32% Popularity • 66% Danceability • 43% Energy • 12% Liveness
5% Instrumentalness • 56% Positiveness
32% Popularity • 66% Danceability • 43% Energy • 12% Liveness
5% Instrumentalness • 56% Positiveness
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Alain Goraguer
Strip Tease
121 bpm • D min • 02:24 • -15db
35% Popularity • 38% Danceability • 29% Energy • 13% Liveness
98% Instrumentalness • 32% Positiveness
35% Popularity • 38% Danceability • 29% Energy • 13% Liveness
98% Instrumentalness • 32% Positiveness
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Berto Pisano
Voice in the Night - Version 2
111 bpm • F Maj • 03:04 • -10.97db
12% Popularity • 43% Danceability • 31% Energy • 11% Liveness
66% Instrumentalness • 72% Positiveness
12% Popularity • 43% Danceability • 31% Energy • 11% Liveness
66% Instrumentalness • 72% Positiveness
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Franco Micalizzi
NO. 3 Versione disco
120 bpm • G Maj • 02:50 • -11.84db
3% Popularity • 45% Danceability • 47% Energy • 47% Liveness
13% Instrumentalness • 16% Positiveness
3% Popularity • 45% Danceability • 47% Energy • 47% Liveness
13% Instrumentalness • 16% Positiveness
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Luciano Michelini
Linda
111 bpm • F min • 02:45 • -23.09db
10% Popularity • 38% Danceability • 13% Energy • 12% Liveness
18% Instrumentalness • 17% Positiveness
10% Popularity • 38% Danceability • 13% Energy • 12% Liveness
18% Instrumentalness • 17% Positiveness
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Fred Bongusto
Motivo di Giorgia, pt. 2
111 bpm • D# Maj • 01:20 • -19db
46% Popularity • 46% Danceability • 18% Energy • 20% Liveness
74% Instrumentalness • 55% Positiveness
46% Popularity • 46% Danceability • 18% Energy • 20% Liveness
74% Instrumentalness • 55% Positiveness
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Luigi Malatesta
Bakenda Beat
122 bpm • A# Maj • 04:43 • -12.03db
10% Popularity • 55% Danceability • 61% Energy • 15% Liveness
63% Instrumentalness • 76% Positiveness
10% Popularity • 55% Danceability • 61% Energy • 15% Liveness
63% Instrumentalness • 76% Positiveness
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Massimo Catalano
Scoramento
122 bpm • A min • 02:05 • -21.31db
13% Popularity • 46% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
13% Popularity • 46% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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Francis Lai
Un homme qui me plaît - Orchestral
122 bpm • C# min • 03:04 • -16.57db
13% Popularity • 39% Danceability • 26% Energy • 8% Liveness
71% Instrumentalness • 45% Positiveness
13% Popularity • 39% Danceability • 26% Energy • 8% Liveness
71% Instrumentalness • 45% Positiveness
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Franco Micalizzi
Veleno
120 bpm • G# min • 03:40 • -4.41db
0% Popularity • 82% Danceability • 92% Energy • 3% Liveness
93% Instrumentalness • 77% Positiveness
0% Popularity • 82% Danceability • 92% Energy • 3% Liveness
93% Instrumentalness • 77% Positiveness
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Alan Tew
The Detectives (Interlude)
122 bpm • F Maj • 01:48 • -23.2db
34% Popularity • 52% Danceability • 17% Energy • 14% Liveness
95% Instrumentalness • 25% Positiveness
34% Popularity • 52% Danceability • 17% Energy • 14% Liveness
95% Instrumentalness • 25% Positiveness
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Augusto Martelli
Mood
110 bpm • G# Maj • 02:59 • -17db
15% Popularity • 75% Danceability • 38% Energy • 7% Liveness
68% Instrumentalness • 78% Positiveness
15% Popularity • 75% Danceability • 38% Energy • 7% Liveness
68% Instrumentalness • 78% Positiveness
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Fred Bongusto
Motivo di Giorgia
110 bpm • D# Maj • 01:20 • -25db
46% Popularity • 39% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
46% Popularity • 39% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
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John Fiddy
Taste for Living
110 bpm • C Maj • 03:33 • -14.36db
18% Popularity • 57% Danceability • 56% Energy • 9% Liveness
76% Instrumentalness • 62% Positiveness
18% Popularity • 57% Danceability • 56% Energy • 9% Liveness
76% Instrumentalness • 62% Positiveness
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Carlo Rustichelli
I quattro dell'ave maria
110 bpm • F# min • 01:33 • -28.12db
35% Popularity • 23% Danceability • 1% Energy • 10% Liveness
23% Instrumentalness • 9% Positiveness
35% Popularity • 23% Danceability • 1% Energy • 10% Liveness
23% Instrumentalness • 9% Positiveness
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Franco Micalizzi
M3
120 bpm • G Maj • 01:43 • -12.9db
2% Popularity • 49% Danceability • 42% Energy • 36% Liveness
12% Instrumentalness • 28% Positiveness
2% Popularity • 49% Danceability • 42% Energy • 36% Liveness
12% Instrumentalness • 28% Positiveness
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Orchestra Berto Pisano
Sotto Le Stelle
110 bpm • G Maj • 03:16 • -15.57db
14% Popularity • 51% Danceability • 61% Energy • 13% Liveness
84% Instrumentalness • 43% Positiveness
14% Popularity • 51% Danceability • 61% Energy • 13% Liveness
84% Instrumentalness • 43% Positiveness
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Cristiano Turrini
All the way
109 bpm • C# Maj • 03:40 • -5.3db
1% Popularity • 68% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
1% Popularity • 68% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Francesco De Masi
Find A Man
109 bpm • A# Maj • 02:27 • -8db
21% Popularity • 43% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 43% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Stefano Torossi
Flying high
109 bpm • B min • 03:40 • -15db
24% Popularity • 51% Danceability • 52% Energy • 5% Liveness
76% Instrumentalness • 80% Positiveness
24% Popularity • 51% Danceability • 52% Energy • 5% Liveness
76% Instrumentalness • 80% Positiveness
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Riz Ortolani
Promesse di giustizia
123 bpm • E min • 04:01 • -11.5db
8% Popularity • 17% Danceability • 36% Energy • 22% Liveness
93% Instrumentalness • 11% Positiveness
8% Popularity • 17% Danceability • 36% Energy • 22% Liveness
93% Instrumentalness • 11% Positiveness
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Franco Micalizzi
Lezioni private - Seq.12
112 bpm • C Maj • 02:39 • -14.18db
0% Popularity • 23% Danceability • 21% Energy • 13% Liveness
41% Instrumentalness • 12% Positiveness
0% Popularity • 23% Danceability • 21% Energy • 13% Liveness
41% Instrumentalness • 12% Positiveness
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Rino de Filippi
Iconoteca
123 bpm • D min • 03:35 • -10.48db
10% Popularity • 76% Danceability • 47% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
10% Popularity • 76% Danceability • 47% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
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Maurizio De Angelis
Ankara
123 bpm • D Maj • 02:13 • -19db
23% Popularity • 78% Danceability • 42% Energy • 22% Liveness
94% Instrumentalness • 96% Positiveness
23% Popularity • 78% Danceability • 42% Energy • 22% Liveness
94% Instrumentalness • 96% Positiveness
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Alberto Baldan Bembo
Gonzales Go
124 bpm • A# Maj • 02:14 • -11db
37% Popularity • 40% Danceability • 45% Energy • 22% Liveness
96% Instrumentalness • 29% Positiveness
37% Popularity • 40% Danceability • 45% Energy • 22% Liveness
96% Instrumentalness • 29% Positiveness
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Nora Orlandi
The Magic Touch
109 bpm • D# Maj • 03:54 • -15db
13% Popularity • 64% Danceability • 69% Energy • 27% Liveness
80% Instrumentalness • 96% Positiveness
13% Popularity • 64% Danceability • 69% Energy • 27% Liveness
80% Instrumentalness • 96% Positiveness
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Syd Dale
Perfume from Panama
109 bpm • G Maj • 02:36 • -13.72db
29% Popularity • 46% Danceability • 43% Energy • 38% Liveness
89% Instrumentalness • 65% Positiveness
29% Popularity • 46% Danceability • 43% Energy • 38% Liveness
89% Instrumentalness • 65% Positiveness
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Franco Micalizzi
Jessica's Theme
121 bpm • G# Maj • 04:06 • -11.6db
15% Popularity • 44% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 44% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Claude Larson
Murrumbidgee River
109 bpm • A Maj • 07:43 • -19.15db
11% Popularity • 36% Danceability • 27% Energy • 46% Liveness
76% Instrumentalness • 4% Positiveness
11% Popularity • 36% Danceability • 27% Energy • 46% Liveness
76% Instrumentalness • 4% Positiveness
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ORF Orchestra
Remembering Romantic Times - Remastered
124 bpm • A# Maj • 03:13 • -11.59db
12% Popularity • 28% Danceability • 40% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
12% Popularity • 28% Danceability • 40% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
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Franco Altissimi
Italian Love
124 bpm • E min • 02:10 • -10.36db
14% Popularity • 61% Danceability • 40% Energy • 9% Liveness
54% Instrumentalness • 18% Positiveness
14% Popularity • 61% Danceability • 40% Energy • 9% Liveness
54% Instrumentalness • 18% Positiveness
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Sven Libaek
Sounds of the Deep
108 bpm • A min • 04:00 • -17db
21% Popularity • 68% Danceability • 32% Energy • 13% Liveness
83% Instrumentalness • 71% Positiveness
21% Popularity • 68% Danceability • 32% Energy • 13% Liveness
83% Instrumentalness • 71% Positiveness
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Alessandro Alessandroni
Operazione Ricchezza - Bossa Nova
108 bpm • A# min • 01:27 • -11.23db
23% Popularity • 44% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 44% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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Franco Micalizzi
Sambamba
111 bpm • C min • 04:06 • -12.96db
12% Popularity • 64% Danceability • 71% Energy • 32% Liveness
17% Instrumentalness • 93% Positiveness
12% Popularity • 64% Danceability • 71% Energy • 32% Liveness
17% Instrumentalness • 93% Positiveness
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Berto Pisano
Free Hammond
124 bpm • F Maj • 02:51 • -18db
23% Popularity • 69% Danceability • 31% Energy • 9% Liveness
88% Instrumentalness • 96% Positiveness
23% Popularity • 69% Danceability • 31% Energy • 9% Liveness
88% Instrumentalness • 96% Positiveness
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Carlo Rustichelli
Traffico
108 bpm • F Maj • 01:09 • -23.9db
29% Popularity • 78% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 59% Positiveness
29% Popularity • 78% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 59% Positiveness
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Bruno Nicolai
La dama rossa uccide sette volte (Ripres...
124 bpm • E min • 02:09 • -11.23db
16% Popularity • 42% Danceability • 50% Energy • 17% Liveness
95% Instrumentalness • 67% Positiveness
16% Popularity • 42% Danceability • 50% Energy • 17% Liveness
95% Instrumentalness • 67% Positiveness
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Lesiman
Playcar
108 bpm • C# Maj • 02:22 • -13db
15% Popularity • 53% Danceability • 40% Energy • 10% Liveness
74% Instrumentalness • 82% Positiveness
15% Popularity • 53% Danceability • 40% Energy • 10% Liveness
74% Instrumentalness • 82% Positiveness
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Alain Goraguer
Méditation des enfants
125 bpm • C min • 01:33 • -16.91db
42% Popularity • 26% Danceability • 19% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 26% Danceability • 19% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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Franco Micalizzi
Hospital Sequence
110 bpm • C# Maj • 01:57 • -12.72db
4% Popularity • 72% Danceability • 66% Energy • 9% Liveness
82% Instrumentalness • 47% Positiveness
4% Popularity • 72% Danceability • 66% Energy • 9% Liveness
82% Instrumentalness • 47% Positiveness
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Stelvio Cipriani
Mary's Theme
108 bpm • E min • 02:10 • -22db
53% Popularity • 36% Danceability • 18% Energy • 12% Liveness
45% Instrumentalness • 30% Positiveness
53% Popularity • 36% Danceability • 18% Energy • 12% Liveness
45% Instrumentalness • 30% Positiveness
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Nora Orlandi
Sweet Sweet Love
125 bpm • F Maj • 04:55 • -12.27db
22% Popularity • 41% Danceability • 69% Energy • 9% Liveness
85% Instrumentalness • 87% Positiveness
22% Popularity • 41% Danceability • 69% Energy • 9% Liveness
85% Instrumentalness • 87% Positiveness
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Ennio Morricone
Tette e antenne, tetti e gonne
108 bpm • C Maj • 05:11 • -12.16db
17% Popularity • 47% Danceability • 37% Energy • 18% Liveness
22% Instrumentalness • 44% Positiveness
17% Popularity • 47% Danceability • 37% Energy • 18% Liveness
22% Instrumentalness • 44% Positiveness
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Giuliano Sorgini
Riposo meritato
108 bpm • C# Maj • 04:15 • -12.86db
27% Popularity • 47% Danceability • 48% Energy • 9% Liveness
96% Instrumentalness • 44% Positiveness
27% Popularity • 47% Danceability • 48% Energy • 9% Liveness
96% Instrumentalness • 44% Positiveness
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Keith Mansfield
Before Summer Ends
108 bpm • E Maj • 06:30 • -13.03db
20% Popularity • 36% Danceability • 53% Energy • 10% Liveness
35% Instrumentalness • 10% Positiveness
20% Popularity • 36% Danceability • 53% Energy • 10% Liveness
35% Instrumentalness • 10% Positiveness
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Franco Micalizzi
Bargain With The Devil - Orchestra
122 bpm • E min • 03:05 • -13.81db
11% Popularity • 45% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 58% Positiveness
11% Popularity • 45% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 58% Positiveness
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Stelvio Cipriani
Mary's Theme - Mixed
108 bpm • A min • 01:34 • -16.36db
36% Popularity • 32% Danceability • 52% Energy • 68% Liveness
67% Instrumentalness • 67% Positiveness
36% Popularity • 32% Danceability • 52% Energy • 68% Liveness
67% Instrumentalness • 67% Positiveness
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Lesiman
Colloquio
125 bpm • A# min • 02:54 • -14db
13% Popularity • 54% Danceability • 44% Energy • 9% Liveness
92% Instrumentalness • 90% Positiveness
13% Popularity • 54% Danceability • 44% Energy • 9% Liveness
92% Instrumentalness • 90% Positiveness
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Ennio Morricone
Terrazza - Alternate Version
108 bpm • C# Maj • 03:01 • -16.09db
12% Popularity • 68% Danceability • 45% Energy • 7% Liveness
96% Instrumentalness • 72% Positiveness
12% Popularity • 68% Danceability • 45% Energy • 7% Liveness
96% Instrumentalness • 72% Positiveness
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Giuliano Sorgini
Turbine in moto
125 bpm • B Maj • 02:42 • -11db
33% Popularity • 51% Danceability • 65% Energy • 11% Liveness
56% Instrumentalness • 72% Positiveness
33% Popularity • 51% Danceability • 65% Energy • 11% Liveness
56% Instrumentalness • 72% Positiveness
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Stefano Torossi
Being friendly
107 bpm • G Maj • 03:00 • -13db
17% Popularity • 36% Danceability • 45% Energy • 7% Liveness
39% Instrumentalness • 34% Positiveness
17% Popularity • 36% Danceability • 45% Energy • 7% Liveness
39% Instrumentalness • 34% Positiveness
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Franco Micalizzi
Lezioni private - Seq.9
110 bpm • C Maj • 01:31 • -18.81db
16% Popularity • 48% Danceability • 22% Energy • 26% Liveness
89% Instrumentalness • 41% Positiveness
16% Popularity • 48% Danceability • 22% Energy • 26% Liveness
89% Instrumentalness • 41% Positiveness
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John Cameron
Sweet Summer
125 bpm • A min • 02:45 • -15db
11% Popularity • 52% Danceability • 22% Energy • 12% Liveness
7% Instrumentalness • 28% Positiveness
11% Popularity • 52% Danceability • 22% Energy • 12% Liveness
7% Instrumentalness • 28% Positiveness
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Sven Libaek
Dark World
125 bpm • A min • 04:32 • -19.87db
20% Popularity • 45% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 40% Positiveness
20% Popularity • 45% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 40% Positiveness
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Alessandro Alessandroni
Fields of Flowers
107 bpm • D# Maj • 01:32 • -11.74db
30% Popularity • 75% Danceability • 26% Energy • 13% Liveness
84% Instrumentalness • 33% Positiveness
30% Popularity • 75% Danceability • 26% Energy • 13% Liveness
84% Instrumentalness • 33% Positiveness
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Massimo Catalano
Memories
126 bpm • A# Maj • 03:32 • -15.74db
9% Popularity • 34% Danceability • 23% Energy • 30% Liveness
97% Instrumentalness • 13% Positiveness
9% Popularity • 34% Danceability • 23% Energy • 30% Liveness
97% Instrumentalness • 13% Positiveness
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Michael Small
Love Theme
107 bpm • C Maj • 01:27 • -12db
56% Popularity • 58% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 33% Positiveness
56% Popularity • 58% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 33% Positiveness
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Franco Micalizzi
Full Action
110 bpm • F# Maj • 03:32 • -4.78db
1% Popularity • 64% Danceability • 91% Energy • 20% Liveness
32% Instrumentalness • 71% Positiveness
1% Popularity • 64% Danceability • 91% Energy • 20% Liveness
32% Instrumentalness • 71% Positiveness
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Armando Trovajoli
In The Dark
126 bpm • C min • 04:42 • -8.5db
19% Popularity • 36% Danceability • 26% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
19% Popularity • 36% Danceability • 26% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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Giovanni Fusco
Titoli 1
126 bpm • G Maj • 02:03 • -17db
12% Popularity • 69% Danceability • 34% Energy • 6% Liveness
22% Instrumentalness • 21% Positiveness
12% Popularity • 69% Danceability • 34% Energy • 6% Liveness
22% Instrumentalness • 21% Positiveness
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Piero Umiliani
Goodmorning Sun
126 bpm • C min • 04:44 • -19.24db
26% Popularity • 31% Danceability • 25% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
26% Popularity • 31% Danceability • 25% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
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Peter Thomas Sound Orchester
Natascha - End Title
127 bpm • F Maj • 01:58 • -11db
15% Popularity • 42% Danceability • 56% Energy • 25% Liveness
89% Instrumentalness • 96% Positiveness
15% Popularity • 42% Danceability • 56% Energy • 25% Liveness
89% Instrumentalness • 96% Positiveness
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Michael Small
Checking Leads
107 bpm • F Maj • 01:19 • -8.35db
29% Popularity • 31% Danceability • 51% Energy • 36% Liveness
27% Instrumentalness • 10% Positiveness
29% Popularity • 31% Danceability • 51% Energy • 36% Liveness
27% Instrumentalness • 10% Positiveness
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Franco Micalizzi
The Criminal Gang
126 bpm • G Maj • 03:01 • -10.59db
5% Popularity • 75% Danceability • 50% Energy • 14% Liveness
92% Instrumentalness • 72% Positiveness
5% Popularity • 75% Danceability • 50% Energy • 14% Liveness
92% Instrumentalness • 72% Positiveness
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Reg Tilsley
Hold the Road
106 bpm • F min • 02:28 • -9.61db
11% Popularity • 46% Danceability • 62% Energy • 50% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 46% Danceability • 62% Energy • 50% Liveness
0% Instrumentalness • 47% Positiveness
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Riz Ortolani
Serena e Lomunno
106 bpm • C Maj • 02:49 • -17db
23% Popularity • 56% Danceability • 44% Energy • 11% Liveness
91% Instrumentalness • 79% Positiveness
23% Popularity • 56% Danceability • 44% Energy • 11% Liveness
91% Instrumentalness • 79% Positiveness
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Francis Lai
Thème de L'Americain
127 bpm • F Maj • 00:58 • -10.86db
34% Popularity • 18% Danceability • 40% Energy • 15% Liveness
88% Instrumentalness • 13% Positiveness
34% Popularity • 18% Danceability • 40% Energy • 15% Liveness
88% Instrumentalness • 13% Positiveness
