Songs like RIO Bravo - Main Theme (End Titles) by Dimitri Tiomkin
Based on a tempo of (+/- 10%) and a similar genre
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Mario Nascimbene
Funeral / Exit
69 bpm • F Maj • 03:55 • -18db
10% Popularity • 23% Danceability • 19% Energy • 8% Liveness
97% Instrumentalness • 11% Positiveness
10% Popularity • 23% Danceability • 19% Energy • 8% Liveness
97% Instrumentalness • 11% Positiveness
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Dimitri Tiomkin
RIO Bravo - Main Theme (End Titles)
69 bpm • A Maj • 02:02 • -38.84db
11% Popularity • 24% Danceability • 1% Energy • 7% Liveness
12% Instrumentalness • 20% Positiveness
11% Popularity • 24% Danceability • 1% Energy • 7% Liveness
12% Instrumentalness • 20% Positiveness
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Jerome Moross
The Big Country
68 bpm • G Maj • 03:05 • -13.2db
1% Popularity • 13% Danceability • 29% Energy • 33% Liveness
94% Instrumentalness • 27% Positiveness
1% Popularity • 13% Danceability • 29% Energy • 33% Liveness
94% Instrumentalness • 27% Positiveness
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Orchestra de Verona
Days Of Heaven (Main Theme)
70 bpm • C min • 02:49 • -16.29db
15% Popularity • 21% Danceability • 27% Energy • 37% Liveness
94% Instrumentalness • 13% Positiveness
15% Popularity • 21% Danceability • 27% Energy • 37% Liveness
94% Instrumentalness • 13% Positiveness
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George Fenton
The Londonderry Air / Front Titles (Memp...
71 bpm • D# Maj • 03:57 • -24db
23% Popularity • 19% Danceability • 10% Energy • 37% Liveness
85% Instrumentalness • 4% Positiveness
23% Popularity • 19% Danceability • 10% Energy • 37% Liveness
85% Instrumentalness • 4% Positiveness
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Franz Waxman
Rear Window Suite: IV. Lisa - Finale
68 bpm • C Maj • 02:19 • -18db
16% Popularity • 26% Danceability • 22% Energy • 32% Liveness
54% Instrumentalness • 12% Positiveness
16% Popularity • 26% Danceability • 22% Energy • 32% Liveness
54% Instrumentalness • 12% Positiveness
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Bill Conti
Friends Farewell
71 bpm • C Maj • 02:39 • -13db
11% Popularity • 19% Danceability • 19% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
11% Popularity • 19% Danceability • 19% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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King Palmer
Softly She Sleeps
67 bpm • E Maj • 02:29 • -29.28db
9% Popularity • 12% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
9% Popularity • 12% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Gianni Ferrio
Un dollaro bucato, Suite No. 1
67 bpm • G Maj • 02:04 • -23.51db
20% Popularity • 24% Danceability • 17% Energy • 39% Liveness
83% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 17% Energy • 39% Liveness
83% Instrumentalness • 4% Positiveness
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Laurie Johnson
Doctor Returns To Kronos / Setting Trap
71 bpm • D# Maj • 01:28 • -31.21db
0% Popularity • 22% Danceability • 2% Energy • 15% Liveness
99% Instrumentalness • 4% Positiveness
0% Popularity • 22% Danceability • 2% Energy • 15% Liveness
99% Instrumentalness • 4% Positiveness
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Alfred Newman
Home in the Meadow
71 bpm • B min • 01:56 • -16db
21% Popularity • 39% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 36% Positiveness
21% Popularity • 39% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 36% Positiveness
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Gary Grant
Ballet
71 bpm • G Maj • 01:00 • -14.67db
26% Popularity • 49% Danceability • 36% Energy • 26% Liveness
90% Instrumentalness • 51% Positiveness
26% Popularity • 49% Danceability • 36% Energy • 26% Liveness
90% Instrumentalness • 51% Positiveness
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Franz Waxman
Rebecca Suite [Arr. J, Mauceri]
67 bpm • B Maj • 08:29 • -16db
11% Popularity • 8% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
11% Popularity • 8% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Bill Conti
Breaking The Sound Barrier
72 bpm • C Maj • 04:46 • -11.77db
24% Popularity • 31% Danceability • 38% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
24% Popularity • 31% Danceability • 38% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Original Soundtrack
Restaurant Interior
72 bpm • D# Maj • 01:53 • -18.25db
13% Popularity • 32% Danceability • 13% Energy • 13% Liveness
3% Instrumentalness • 39% Positiveness
13% Popularity • 32% Danceability • 13% Energy • 13% Liveness
3% Instrumentalness • 39% Positiveness
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Laurie Johnson
Enter Sarah / Mother In Bed
66 bpm • E min • 01:19 • -22.88db
0% Popularity • 12% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
0% Popularity • 12% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Frances Nero
If Ever I Would Leave You - Love Montage
66 bpm • A# Maj • 05:54 • -15db
20% Popularity • 11% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 5% Positiveness
20% Popularity • 11% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 5% Positiveness
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Dimitri Tiomkin
Flying Saucer Sequence, Part 1
65 bpm • G Maj • 02:17 • -11.51db
0% Popularity • 15% Danceability • 48% Energy • 9% Liveness
77% Instrumentalness • 10% Positiveness
0% Popularity • 15% Danceability • 48% Energy • 9% Liveness
77% Instrumentalness • 10% Positiveness
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Gianni Ferrio
A Man... A Story - Alternate Mix
65 bpm • E min • 02:06 • -17db
26% Popularity • 29% Danceability • 17% Energy • 10% Liveness
86% Instrumentalness • 29% Positiveness
26% Popularity • 29% Danceability • 17% Energy • 10% Liveness
86% Instrumentalness • 29% Positiveness
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Quincy Jones
Britannia And Mr. Bridger - If You Pleas...
73 bpm • G Maj • 01:59 • -11.58db
16% Popularity • 41% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 41% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Bill Conti
Mach I
73 bpm • F Maj • 01:22 • -8.9db
18% Popularity • 24% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 24% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Cliff Eidelman
Star Trek VI: The Undiscovered Country: ...
73 bpm • F Maj • 07:45 • -19db
25% Popularity • 15% Danceability • 19% Energy • 30% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 19% Energy • 30% Liveness
90% Instrumentalness • 4% Positiveness
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Lucie Svehlová
The Barn - Love Theme
65 bpm • D min • 05:06 • -14db
12% Popularity • 6% Danceability • 28% Energy • 13% Liveness
62% Instrumentalness • 4% Positiveness
12% Popularity • 6% Danceability • 28% Energy • 13% Liveness
62% Instrumentalness • 4% Positiveness
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Dimitri Tiomkin
Red River: Main Title
73 bpm • G# Maj • 01:30 • -12.72db
15% Popularity • 18% Danceability • 42% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
15% Popularity • 18% Danceability • 42% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
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George Dunning
3:10 To Yuma (Lovely Emily)
74 bpm • A# min • 03:29 • -13.79db
9% Popularity • 20% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 20% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Ricardo Neffi
La chanson du Chianti
65 bpm • D Maj • 03:19 • -21.45db
13% Popularity • 31% Danceability • 18% Energy • 11% Liveness
25% Instrumentalness • 52% Positiveness
13% Popularity • 31% Danceability • 18% Energy • 11% Liveness
25% Instrumentalness • 52% Positiveness
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Orchester Ambros Seelos
As Time Goes By (Casablanca)
65 bpm • D# Maj • 03:12 • -17.55db
25% Popularity • 17% Danceability • 18% Energy • 18% Liveness
88% Instrumentalness • 14% Positiveness
25% Popularity • 17% Danceability • 18% Energy • 18% Liveness
88% Instrumentalness • 14% Positiveness
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Ron Goodwin
Those Magnificent Men in Their Flying Ma...
74 bpm • A# Maj • 06:18 • -18.01db
9% Popularity • 14% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
9% Popularity • 14% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
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Robert Sharples
Stop Gap
74 bpm • F Maj • 02:19 • -10.74db
8% Popularity • 45% Danceability • 43% Energy • 38% Liveness
1% Instrumentalness • 82% Positiveness
8% Popularity • 45% Danceability • 43% Energy • 38% Liveness
1% Instrumentalness • 82% Positiveness
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Luis Bacalov
Il Grande Duello (Parte Terza)
74 bpm • C Maj • 01:28 • -15.7db
12% Popularity • 32% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 16% Positiveness
12% Popularity • 32% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 16% Positiveness
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Ernest Gold
Fight for Peace
74 bpm • E min • 01:26 • -12.44db
14% Popularity • 17% Danceability • 42% Energy • 9% Liveness
86% Instrumentalness • 26% Positiveness
14% Popularity • 17% Danceability • 42% Energy • 9% Liveness
86% Instrumentalness • 26% Positiveness
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Laurie Johnson
Gala Premiere
74 bpm • G Maj • 02:48 • -10db
19% Popularity • 21% Danceability • 59% Energy • 38% Liveness
3% Instrumentalness • 49% Positiveness
19% Popularity • 21% Danceability • 59% Energy • 38% Liveness
3% Instrumentalness • 49% Positiveness
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Dimitri Tiomkin
RIO Bravo - De Guella
74 bpm • A min • 03:35 • -31db
21% Popularity • 22% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 7% Positiveness
21% Popularity • 22% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 7% Positiveness
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George Fenton
A New Day
75 bpm • D# Maj • 01:24 • -12.57db
24% Popularity • 10% Danceability • 22% Energy • 6% Liveness
95% Instrumentalness • 5% Positiveness
24% Popularity • 10% Danceability • 22% Energy • 6% Liveness
95% Instrumentalness • 5% Positiveness
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Bill Conti
The Kerchief
75 bpm • D Maj • 02:16 • -27.93db
11% Popularity • 15% Danceability • 4% Energy • 11% Liveness
80% Instrumentalness • 9% Positiveness
11% Popularity • 15% Danceability • 4% Energy • 11% Liveness
80% Instrumentalness • 9% Positiveness
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Anton Karas
The Cafe Mozart Waltz - Original Version
75 bpm • F min • 02:19 • -10.01db
10% Popularity • 52% Danceability • 30% Energy • 28% Liveness
55% Instrumentalness • 52% Positiveness
10% Popularity • 52% Danceability • 30% Energy • 28% Liveness
55% Instrumentalness • 52% Positiveness
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The Starshine Orchestra And Singers
Theme From The Virginian
75 bpm • G Maj • 02:33 • -11db
23% Popularity • 40% Danceability • 68% Energy • 9% Liveness
86% Instrumentalness • 48% Positiveness
23% Popularity • 40% Danceability • 68% Energy • 9% Liveness
86% Instrumentalness • 48% Positiveness
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Leonard Rosenman
Rebel Without a Cause: Love Theme
75 bpm • G Maj • 01:28 • -29.59db
27% Popularity • 7% Danceability • 6% Energy • 13% Liveness
84% Instrumentalness • 3% Positiveness
27% Popularity • 7% Danceability • 6% Energy • 13% Liveness
84% Instrumentalness • 3% Positiveness
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Dimitri Tiomkin
Night Passage - Follow the River
75 bpm • F Maj • 03:02 • -27.37db
3% Popularity • 19% Danceability • 5% Energy • 32% Liveness
42% Instrumentalness • 23% Positiveness
3% Popularity • 19% Danceability • 5% Energy • 32% Liveness
42% Instrumentalness • 23% Positiveness
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Mark Ayres
Das Boot
75 bpm • D min • 03:36 • -19.04db
11% Popularity • 51% Danceability • 23% Energy • 14% Liveness
87% Instrumentalness • 18% Positiveness
11% Popularity • 51% Danceability • 23% Energy • 14% Liveness
87% Instrumentalness • 18% Positiveness
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Neal Hefti
The Odd Couple Theme - Instrumental Demo
63 bpm • F min • 01:12 • -12.82db
34% Popularity • 55% Danceability • 46% Energy • 21% Liveness
94% Instrumentalness • 71% Positiveness
34% Popularity • 55% Danceability • 46% Energy • 21% Liveness
94% Instrumentalness • 71% Positiveness
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Robert Farnon
Westminster Waltz
76 bpm • D Maj • 03:24 • -11.33db
9% Popularity • 11% Danceability • 27% Energy • 25% Liveness
74% Instrumentalness • 17% Positiveness
9% Popularity • 11% Danceability • 27% Energy • 25% Liveness
74% Instrumentalness • 17% Positiveness
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The Warner Bros. Studio Orchestra
Medley (Shine / It Had To Be You)
76 bpm • F min • 02:20 • -9.93db
7% Popularity • 59% Danceability • 40% Energy • 7% Liveness
92% Instrumentalness • 80% Positiveness
7% Popularity • 59% Danceability • 40% Energy • 7% Liveness
92% Instrumentalness • 80% Positiveness
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Leonard Rosenman
Main Title
76 bpm • E min • 02:50 • -17db
11% Popularity • 7% Danceability • 12% Energy • 39% Liveness
96% Instrumentalness • 13% Positiveness
11% Popularity • 7% Danceability • 12% Energy • 39% Liveness
96% Instrumentalness • 13% Positiveness
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Dimitri Tiomkin
Duel In the Sun - Prelude and Legend
76 bpm • G Maj • 03:07 • -24.04db
12% Popularity • 7% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
12% Popularity • 7% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Ron Goodwin
Where Eagles Dare: Main Theme
62 bpm • F min • 03:07 • -18.07db
26% Popularity • 27% Danceability • 43% Energy • 7% Liveness
91% Instrumentalness • 17% Positiveness
26% Popularity • 27% Danceability • 43% Energy • 7% Liveness
91% Instrumentalness • 17% Positiveness
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Hollywood Studio Symphony Orchestra
Bart Returns
77 bpm • F Maj • 00:56 • -18.02db
11% Popularity • 24% Danceability • 22% Energy • 11% Liveness
7% Instrumentalness • 14% Positiveness
11% Popularity • 24% Danceability • 22% Energy • 11% Liveness
7% Instrumentalness • 14% Positiveness
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United States Air Force Band
America the Beautiful (Instrumental Vers...
78 bpm • F Maj • 03:25 • -15.49db
12% Popularity • 14% Danceability • 18% Energy • 17% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 18% Energy • 17% Liveness
91% Instrumentalness • 4% Positiveness
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The Warner Bros. Studio Orchestra
Medley: Main Title / Prologue
76 bpm • F Maj • 05:20 • -10db
9% Popularity • 21% Danceability • 42% Energy • 11% Liveness
13% Instrumentalness • 9% Positiveness
9% Popularity • 21% Danceability • 42% Energy • 11% Liveness
13% Instrumentalness • 9% Positiveness
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Leonard Rosenman
Ferris Wheel
76 bpm • C Maj • 01:25 • -25.39db
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
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Dimitri Tiomkin
Red River: Birth of Red River D
78 bpm • G# Maj • 03:15 • -14.72db
4% Popularity • 12% Danceability • 24% Energy • 60% Liveness
93% Instrumentalness • 20% Positiveness
4% Popularity • 12% Danceability • 24% Energy • 60% Liveness
93% Instrumentalness • 20% Positiveness
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Laurie Johnson
Innocent Maidens / Drained Of Life
78 bpm • C Maj • 02:06 • -12.86db
0% Popularity • 17% Danceability • 17% Energy • 10% Liveness
78% Instrumentalness • 3% Positiveness
0% Popularity • 17% Danceability • 17% Energy • 10% Liveness
78% Instrumentalness • 3% Positiveness
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Ron Goodwin
The Girl from Corsica
76 bpm • G min • 02:59 • -10.67db
16% Popularity • 22% Danceability • 38% Energy • 15% Liveness
90% Instrumentalness • 29% Positiveness
16% Popularity • 22% Danceability • 38% Energy • 15% Liveness
90% Instrumentalness • 29% Positiveness
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Michael Kamen
Charley Rides Off
78 bpm • G Maj • 03:03 • -20.56db
8% Popularity • 15% Danceability • 12% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 12% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
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Alan Perry
Gay Time
78 bpm • G min • 02:04 • -14db
12% Popularity • 59% Danceability • 36% Energy • 12% Liveness
24% Instrumentalness • 91% Positiveness
12% Popularity • 59% Danceability • 36% Energy • 12% Liveness
24% Instrumentalness • 91% Positiveness
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Carlo Savina
Love Theme Of Ben-Hur
78 bpm • F Maj • 02:51 • -21.83db
10% Popularity • 14% Danceability • 8% Energy • 13% Liveness
71% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 8% Energy • 13% Liveness
71% Instrumentalness • 4% Positiveness
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Dimitri Tiomkin
High Noon
78 bpm • F Maj • 04:49 • -12.58db
10% Popularity • 16% Danceability • 33% Energy • 16% Liveness
95% Instrumentalness • 14% Positiveness
10% Popularity • 16% Danceability • 33% Energy • 16% Liveness
95% Instrumentalness • 14% Positiveness
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Alex North
The Long,Hot Summer
78 bpm • C Maj • 02:28 • -15.69db
14% Popularity • 29% Danceability • 16% Energy • 42% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 29% Danceability • 16% Energy • 42% Liveness
0% Instrumentalness • 28% Positiveness
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Ron Goodwin
Theme from Limelight
78 bpm • F Maj • 03:01 • -19.86db
16% Popularity • 22% Danceability • 11% Energy • 36% Liveness
47% Instrumentalness • 9% Positiveness
16% Popularity • 22% Danceability • 11% Energy • 36% Liveness
47% Instrumentalness • 9% Positiveness
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Burt Bacharach
The Old Fun City (N.Y. Sequence)
79 bpm • D# Maj • 04:04 • -16.04db
20% Popularity • 42% Danceability • 29% Energy • 12% Liveness
46% Instrumentalness • 70% Positiveness
20% Popularity • 42% Danceability • 29% Energy • 12% Liveness
46% Instrumentalness • 70% Positiveness
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Orchestra di Bruno Nicolai
Titoli finali - Dal film ''La resa dei c...
79 bpm • A min • 01:05 • -20db
24% Popularity • 17% Danceability • 20% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
24% Popularity • 17% Danceability • 20% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
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Francesco De Masi
Ritorno E Blackstone Ville
79 bpm • B min • 01:15 • -25db
27% Popularity • 22% Danceability • 14% Energy • 10% Liveness
66% Instrumentalness • 6% Positiveness
27% Popularity • 22% Danceability • 14% Energy • 10% Liveness
66% Instrumentalness • 6% Positiveness
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Luis Bacalov
Il prezzo del potere
79 bpm • C Maj • 03:34 • -21db
10% Popularity • 16% Danceability • 17% Energy • 8% Liveness
32% Instrumentalness • 9% Positiveness
10% Popularity • 16% Danceability • 17% Energy • 8% Liveness
32% Instrumentalness • 9% Positiveness
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Dimitri Tiomkin
Jett Rink Theme
79 bpm • D# Maj • 06:51 • -25.73db
7% Popularity • 13% Danceability • 8% Energy • 10% Liveness
55% Instrumentalness • 18% Positiveness
7% Popularity • 13% Danceability • 8% Energy • 10% Liveness
55% Instrumentalness • 18% Positiveness
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Hollywood Studio Symphony Orchestra
A New Rock Ridge
79 bpm • F# Maj • 00:53 • -13.05db
10% Popularity • 16% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
10% Popularity • 16% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
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Alfred Newman
Main Title
60 bpm • F min • 01:33 • -14db
22% Popularity • 22% Danceability • 26% Energy • 12% Liveness
82% Instrumentalness • 14% Positiveness
22% Popularity • 22% Danceability • 26% Energy • 12% Liveness
82% Instrumentalness • 14% Positiveness
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Martin Böttcher
Banditen-Thema
79 bpm • C min • 02:43 • -12.15db
5% Popularity • 19% Danceability • 35% Energy • 13% Liveness
91% Instrumentalness • 25% Positiveness
5% Popularity • 19% Danceability • 35% Energy • 13% Liveness
91% Instrumentalness • 25% Positiveness
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Alex North
A Streetcar Named Desire: Main Title/New...
80 bpm • F# min • 02:30 • -11.36db
17% Popularity • 33% Danceability • 38% Energy • 37% Liveness
65% Instrumentalness • 7% Positiveness
17% Popularity • 33% Danceability • 38% Energy • 37% Liveness
65% Instrumentalness • 7% Positiveness
► Preview
Ron Goodwin
The Battle of Britain Suite: III. Work a...
60 bpm • F Maj • 01:59 • -25.53db
15% Popularity • 12% Danceability • 10% Energy • 52% Liveness
82% Instrumentalness • 14% Positiveness
15% Popularity • 12% Danceability • 10% Energy • 52% Liveness
82% Instrumentalness • 14% Positiveness
► Preview
Original Soundtrack
Gardener's Suite
80 bpm • D# Maj • 02:18 • -15.66db
10% Popularity • 16% Danceability • 18% Energy • 36% Liveness
88% Instrumentalness • 9% Positiveness
10% Popularity • 16% Danceability • 18% Energy • 36% Liveness
88% Instrumentalness • 9% Positiveness
► Preview
Lennie Niehaus
Will Rides In
80 bpm • C Maj • 01:05 • -19.94db
31% Popularity • 17% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 6% Positiveness
31% Popularity • 17% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 6% Positiveness
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Carmine Coppola
The Godfather Intermezzo
80 bpm • D min • 03:20 • -19.53db
23% Popularity • 18% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
23% Popularity • 18% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
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Dimitri Tiomkin
RIO Bravo - Love-Theme
80 bpm • F Maj • 02:34 • -41.99db
8% Popularity • 7% Danceability • 0% Energy • 8% Liveness
35% Instrumentalness • 6% Positiveness
8% Popularity • 7% Danceability • 0% Energy • 8% Liveness
35% Instrumentalness • 6% Positiveness
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Gary Grant
Villefranche / In The Chapel
81 bpm • G Maj • 03:37 • -22.31db
14% Popularity • 15% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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Bill Shirley
On The Street Where You Live (reprise)* ...
81 bpm • C Maj • 01:23 • -16db
25% Popularity • 39% Danceability • 25% Energy • 64% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 39% Danceability • 25% Energy • 64% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Laurie Johnson
Couple Kissing In The Woods / Girl Attac...
81 bpm • F# min • 02:24 • -24.08db
0% Popularity • 12% Danceability • 6% Energy • 11% Liveness
58% Instrumentalness • 3% Positiveness
0% Popularity • 12% Danceability • 6% Energy • 11% Liveness
58% Instrumentalness • 3% Positiveness
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The Warner Bros. Studio Orchestra
Medley: At La Belle Aurore
81 bpm • G min • 04:43 • -10.98db
5% Popularity • 15% Danceability • 33% Energy • 34% Liveness
94% Instrumentalness • 5% Positiveness
5% Popularity • 15% Danceability • 33% Energy • 34% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
Bill Conti
Orry's Odyssey
81 bpm • G Maj • 03:02 • -17.01db
10% Popularity • 12% Danceability • 22% Energy • 17% Liveness
53% Instrumentalness • 7% Positiveness
10% Popularity • 12% Danceability • 22% Energy • 17% Liveness
53% Instrumentalness • 7% Positiveness
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Dimitri Tiomkin
Finale
80 bpm • D Maj • 01:26 • -17.57db
10% Popularity • 54% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 54% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Clint Eastwood
They're Amateurs
81 bpm • G Maj • 01:16 • -23.08db
40% Popularity • 9% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
40% Popularity • 9% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Hans Zimmer
Matchstick Men
81 bpm • A Maj • 02:09 • -16.92db
10% Popularity • 62% Danceability • 27% Energy • 10% Liveness
76% Instrumentalness • 21% Positiveness
10% Popularity • 62% Danceability • 27% Energy • 10% Liveness
76% Instrumentalness • 21% Positiveness
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Hollywood Studio Symphony Orchestra
Wagon Train Flashback
81 bpm • D min • 01:09 • -16.76db
11% Popularity • 38% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 18% Positiveness
11% Popularity • 38% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 18% Positiveness
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Laurie Johnson
Tales of Nature Suite (Introduction & Fi...
82 bpm • C Maj • 03:35 • -15.05db
1% Popularity • 13% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
1% Popularity • 13% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Valentino
Pantomime Flirtation
81 bpm • D# Maj • 03:06 • -12.73db
10% Popularity • 22% Danceability • 37% Energy • 10% Liveness
84% Instrumentalness • 53% Positiveness
10% Popularity • 22% Danceability • 37% Energy • 10% Liveness
84% Instrumentalness • 53% Positiveness
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Dimitri Tiomkin
High Noon
81 bpm • D# Maj • 02:31 • -23.53db
11% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Lennie Niehaus
Burn His House Down
82 bpm • A min • 02:10 • -28.7db
14% Popularity • 14% Danceability • 5% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
14% Popularity • 14% Danceability • 5% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Group-Forty Orchestra
Spring Fashion
83 bpm • G Maj • 02:41 • -13db
21% Popularity • 23% Danceability • 31% Energy • 10% Liveness
73% Instrumentalness • 46% Positiveness
21% Popularity • 23% Danceability • 31% Energy • 10% Liveness
73% Instrumentalness • 46% Positiveness
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Jerome Moross
The Major Alone
83 bpm • F Maj • 01:53 • -9db
9% Popularity • 35% Danceability • 40% Energy • 13% Liveness
82% Instrumentalness • 36% Positiveness
9% Popularity • 35% Danceability • 40% Energy • 13% Liveness
82% Instrumentalness • 36% Positiveness
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Burt Bacharach
Not Goin' Home Anymore - Reprise / From ...
83 bpm • G min • 01:02 • -22.97db
34% Popularity • 70% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 53% Positiveness
34% Popularity • 70% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 53% Positiveness
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Gary Grant
End Title: An Affair To Remember
83 bpm • G# Maj • 03:53 • -20db
17% Popularity • 18% Danceability • 22% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
17% Popularity • 18% Danceability • 22% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
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Orchestra Sinfonica Di Milano
The Shower - Excerpt from Dressed to Kil...
83 bpm • C Maj • 03:41 • -17.84db
17% Popularity • 10% Danceability • 19% Energy • 36% Liveness
87% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 19% Energy • 36% Liveness
87% Instrumentalness • 4% Positiveness
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Ned Washington
The Fall of Love
83 bpm • D min • 02:40 • -16.6db
2% Popularity • 16% Danceability • 19% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
2% Popularity • 16% Danceability • 19% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Ron Goodwin
The Battle of Britain Suite: VI. Epilogu...
83 bpm • D# Maj • 03:17 • -18.58db
14% Popularity • 16% Danceability • 26% Energy • 10% Liveness
63% Instrumentalness • 7% Positiveness
14% Popularity • 16% Danceability • 26% Energy • 10% Liveness
63% Instrumentalness • 7% Positiveness
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Western Orchestra
I magnifici sette - dal film 'i magnific...
84 bpm • C Maj • 02:05 • -11.14db
25% Popularity • 63% Danceability • 48% Energy • 7% Liveness
82% Instrumentalness • 96% Positiveness
25% Popularity • 63% Danceability • 48% Energy • 7% Liveness
82% Instrumentalness • 96% Positiveness
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Burt Bacharach
Come Touch The Sun
83 bpm • G Maj • 02:31 • -19.79db
29% Popularity • 28% Danceability • 12% Energy • 9% Liveness
54% Instrumentalness • 21% Positiveness
29% Popularity • 28% Danceability • 12% Energy • 9% Liveness
54% Instrumentalness • 21% Positiveness
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Pino Donaggio
John's Theme (Laura Leaves Venice)
84 bpm • G Maj • 01:00 • -16.25db
29% Popularity • 22% Danceability • 28% Energy • 36% Liveness
98% Instrumentalness • 6% Positiveness
29% Popularity • 22% Danceability • 28% Energy • 36% Liveness
98% Instrumentalness • 6% Positiveness
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Orchestra de Verona
For A Few Dollars More - Music Clock (la...
84 bpm • D min • 03:04 • -12db
27% Popularity • 16% Danceability • 34% Energy • 17% Liveness
90% Instrumentalness • 5% Positiveness
27% Popularity • 16% Danceability • 34% Energy • 17% Liveness
90% Instrumentalness • 5% Positiveness
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Carmine Coppola
Vincent's Theme
84 bpm • A min • 01:49 • -24.92db
25% Popularity • 11% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
25% Popularity • 11% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
