Songs like Rise and Shine by Fizzy Orange
Based on a tempo of (+/- 10%) and a similar genre
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Jonny Kosmo
Don't Trip
77 bpm • F# min • 03:35 • -8.89db
26% Popularity • 66% Danceability • 44% Energy • 11% Liveness
12% Instrumentalness • 81% Positiveness
26% Popularity • 66% Danceability • 44% Energy • 11% Liveness
12% Instrumentalness • 81% Positiveness
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Bobby Oroza
I Got Love (Instrumental)
77 bpm • F# min • 03:53 • -7.23db
12% Popularity • 74% Danceability • 53% Energy • 12% Liveness
3% Instrumentalness • 59% Positiveness
12% Popularity • 74% Danceability • 53% Energy • 12% Liveness
3% Instrumentalness • 59% Positiveness
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Marshall Yerkes
Saturday
77 bpm • D min • 01:45 • -5.59db
29% Popularity • 71% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 71% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Fizzy Orange
Rise and Shine
77 bpm • F Maj • 03:15 • -10.82db
15% Popularity • 64% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 64% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Alec Young
Just Slow Down
77 bpm • G# min • 03:30 • -11.63db
21% Popularity • 63% Danceability • 62% Energy • 33% Liveness
14% Instrumentalness • 55% Positiveness
21% Popularity • 63% Danceability • 62% Energy • 33% Liveness
14% Instrumentalness • 55% Positiveness
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Jaytee600
Out of my head
78 bpm • C min • 02:45 • -10.08db
15% Popularity • 37% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 37% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Saint Louis
Never Tear Us Apart
78 bpm • C min • 03:16 • -9.94db
7% Popularity • 34% Danceability • 73% Energy • 37% Liveness
1% Instrumentalness • 57% Positiveness
7% Popularity • 34% Danceability • 73% Energy • 37% Liveness
1% Instrumentalness • 57% Positiveness
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Joshua Ellard Garner
Sweet Thing
76 bpm • D Maj • 05:03 • -8.86db
16% Popularity • 34% Danceability • 62% Energy • 11% Liveness
14% Instrumentalness • 39% Positiveness
16% Popularity • 34% Danceability • 62% Energy • 11% Liveness
14% Instrumentalness • 39% Positiveness
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Smokey Cake
The Highest Place
78 bpm • F# min • 03:20 • -9.26db
18% Popularity • 48% Danceability • 47% Energy • 18% Liveness
72% Instrumentalness • 24% Positiveness
18% Popularity • 48% Danceability • 47% Energy • 18% Liveness
72% Instrumentalness • 24% Positiveness
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Simon O'Hagan
Oh Well
78 bpm • B min • 02:44 • -8.99db
17% Popularity • 62% Danceability • 34% Energy • 14% Liveness
1% Instrumentalness • 70% Positiveness
17% Popularity • 62% Danceability • 34% Energy • 14% Liveness
1% Instrumentalness • 70% Positiveness
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LYLO
Hush
76 bpm • D# min • 04:13 • -10.12db
15% Popularity • 62% Danceability • 61% Energy • 11% Liveness
8% Instrumentalness • 80% Positiveness
15% Popularity • 62% Danceability • 61% Energy • 11% Liveness
8% Instrumentalness • 80% Positiveness
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Eric Rasputin
Time Changes When I'm With You
78 bpm • F Maj • 02:18 • -7.57db
24% Popularity • 74% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 74% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
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Dakota Theim
The High Life
76 bpm • B min • 04:04 • -6.76db
11% Popularity • 64% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 64% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Jonny Kosmo
Panopticon
76 bpm • G Maj • 02:20 • -6.92db
24% Popularity • 76% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 76% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Sleepy Gaucho
True Love Corridor
78 bpm • G# Maj • 02:36 • -10.17db
25% Popularity • 62% Danceability • 54% Energy • 9% Liveness
2% Instrumentalness • 61% Positiveness
25% Popularity • 62% Danceability • 54% Energy • 9% Liveness
2% Instrumentalness • 61% Positiveness
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Fizzy Orange
Who's Yizer Man?
75 bpm • C# Maj • 02:56 • -8.98db
11% Popularity • 62% Danceability • 52% Energy • 57% Liveness
91% Instrumentalness • 47% Positiveness
11% Popularity • 62% Danceability • 52% Energy • 57% Liveness
91% Instrumentalness • 47% Positiveness
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Big Sleep
Two Cents
79 bpm • C Maj • 03:55 • -6.75db
35% Popularity • 46% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 46% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Sugar Leaves
Cool Coconuts
79 bpm • G Maj • 03:05 • -8.96db
10% Popularity • 62% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 62% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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The Zenmenn
Papi's Wishing Wheel
75 bpm • D# min • 03:24 • -6.02db
9% Popularity • 64% Danceability • 68% Energy • 27% Liveness
1% Instrumentalness • 70% Positiveness
9% Popularity • 64% Danceability • 68% Energy • 27% Liveness
1% Instrumentalness • 70% Positiveness
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The Infinite Atom
Ever Infinite
79 bpm • C# min • 03:33 • -7.72db
9% Popularity • 44% Danceability • 59% Energy • 11% Liveness
27% Instrumentalness • 76% Positiveness
9% Popularity • 44% Danceability • 59% Energy • 11% Liveness
27% Instrumentalness • 76% Positiveness
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Muunjuun
All The Reasons Why
79 bpm • E min • 03:02 • -5db
14% Popularity • 63% Danceability • 75% Energy • 14% Liveness
2% Instrumentalness • 56% Positiveness
14% Popularity • 63% Danceability • 75% Energy • 14% Liveness
2% Instrumentalness • 56% Positiveness
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Lennon KC
when you wake back up
75 bpm • A min • 02:46 • -8.91db
13% Popularity • 70% Danceability • 48% Energy • 63% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 70% Danceability • 48% Energy • 63% Liveness
0% Instrumentalness • 49% Positiveness
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Matthew Gregory
Waste My Time
79 bpm • B Maj • 03:36 • -9.64db
10% Popularity • 49% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 49% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Ancient Spaceship
Into the Sky
80 bpm • D min • 03:50 • -7.77db
8% Popularity • 32% Danceability • 66% Energy • 53% Liveness
97% Instrumentalness • 88% Positiveness
8% Popularity • 32% Danceability • 66% Energy • 53% Liveness
97% Instrumentalness • 88% Positiveness
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Fizzy Orange
It Hurts Me Too
80 bpm • A Maj • 01:54 • -10.85db
14% Popularity • 40% Danceability • 27% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
14% Popularity • 40% Danceability • 27% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
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Elrichman
A Delicate Dance
80 bpm • C min • 02:56 • -8.16db
7% Popularity • 64% Danceability • 52% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
7% Popularity • 64% Danceability • 52% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
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allanwhy
Brave Souls
80 bpm • A min • 03:41 • -11.07db
17% Popularity • 61% Danceability • 40% Energy • 10% Liveness
38% Instrumentalness • 29% Positiveness
17% Popularity • 61% Danceability • 40% Energy • 10% Liveness
38% Instrumentalness • 29% Positiveness
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Claudia Liz
Keep My Name Out Your Mouth
80 bpm • C Maj • 02:45 • -4.96db
9% Popularity • 32% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 32% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Airpark
If Not You
80 bpm • F Maj • 03:34 • -7db
17% Popularity • 54% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 54% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Rich Tea
Sold
80 bpm • E Maj • 04:11 • -12.16db
8% Popularity • 78% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 78% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Guvvy
Molly
80 bpm • A min • 03:02 • -4.54db
9% Popularity • 57% Danceability • 72% Energy • 11% Liveness
1% Instrumentalness • 51% Positiveness
9% Popularity • 57% Danceability • 72% Energy • 11% Liveness
1% Instrumentalness • 51% Positiveness
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ESCHES
Longingly
80 bpm • B min • 03:06 • -7.29db
12% Popularity • 60% Danceability • 63% Energy • 8% Liveness
36% Instrumentalness • 50% Positiveness
12% Popularity • 60% Danceability • 63% Energy • 8% Liveness
36% Instrumentalness • 50% Positiveness
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MAXN
Mirror In a Gold Mine
80 bpm • F min • 03:57 • -8.12db
15% Popularity • 81% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 92% Positiveness
15% Popularity • 81% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 92% Positiveness
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Speelburg
Gold In Them Hills
80 bpm • D min • 02:54 • -6.14db
9% Popularity • 57% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 57% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Adam Bruce
Hello from the Future
80 bpm • A min • 04:08 • -9.74db
11% Popularity • 51% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 51% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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friendstore
High Life
74 bpm • A Maj • 03:34 • -13.39db
11% Popularity • 66% Danceability • 35% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 66% Danceability • 35% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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Les Imprimés
It's Over
74 bpm • E Maj • 03:09 • -7.62db
26% Popularity • 56% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 56% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Thomas de Pourquery
Back from the war
74 bpm • B min • 04:13 • -10.11db
23% Popularity • 71% Danceability • 30% Energy • 63% Liveness
2% Instrumentalness • 54% Positiveness
23% Popularity • 71% Danceability • 30% Energy • 63% Liveness
2% Instrumentalness • 54% Positiveness
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Joshua Ellard Garner
Paradox Blues
81 bpm • A min • 04:44 • -10.92db
15% Popularity • 21% Danceability • 47% Energy • 18% Liveness
86% Instrumentalness • 28% Positiveness
15% Popularity • 21% Danceability • 47% Energy • 18% Liveness
86% Instrumentalness • 28% Positiveness
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Ignorancia Sofisticada
Bienvenidos Al Barrio Equivocado
81 bpm • G# min • 01:33 • -10.2db
18% Popularity • 31% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 31% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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Self-Help
Sun Drop
81 bpm • E Maj • 01:58 • -7.91db
12% Popularity • 52% Danceability • 60% Energy • 28% Liveness
80% Instrumentalness • 41% Positiveness
12% Popularity • 52% Danceability • 60% Energy • 28% Liveness
80% Instrumentalness • 41% Positiveness
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Drewy
Numbers
81 bpm • B Maj • 02:21 • -7.02db
25% Popularity • 49% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 49% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Principles Of Joy
Soulmate
82 bpm • A Maj • 03:15 • -10.33db
10% Popularity • 65% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 65% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Dummy Getaway
space jam
82 bpm • A# Maj • 03:10 • -11.09db
9% Popularity • 66% Danceability • 52% Energy • 24% Liveness
88% Instrumentalness • 69% Positiveness
9% Popularity • 66% Danceability • 52% Energy • 24% Liveness
88% Instrumentalness • 69% Positiveness
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The Colour
Sweet Illusions
82 bpm • A# Maj • 03:06 • -6.11db
11% Popularity • 79% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 79% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Kicell
柔らかな丘
82 bpm • B min • 03:44 • -10.1db
10% Popularity • 78% Danceability • 36% Energy • 10% Liveness
6% Instrumentalness • 38% Positiveness
10% Popularity • 78% Danceability • 36% Energy • 10% Liveness
6% Instrumentalness • 38% Positiveness
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Object Heavy
Love & Gravity
83 bpm • F# min • 04:25 • -6.82db
14% Popularity • 58% Danceability • 64% Energy • 17% Liveness
12% Instrumentalness • 77% Positiveness
14% Popularity • 58% Danceability • 64% Energy • 17% Liveness
12% Instrumentalness • 77% Positiveness
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Alex Cherney
baby steppin
82 bpm • C# Maj • 03:25 • -7.59db
7% Popularity • 55% Danceability • 50% Energy • 13% Liveness
4% Instrumentalness • 38% Positiveness
7% Popularity • 55% Danceability • 50% Energy • 13% Liveness
4% Instrumentalness • 38% Positiveness
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Michael Benedikt
We All Belong to Someone
83 bpm • B Maj • 02:08 • -15.05db
34% Popularity • 74% Danceability • 37% Energy • 10% Liveness
52% Instrumentalness • 83% Positiveness
34% Popularity • 74% Danceability • 37% Energy • 10% Liveness
52% Instrumentalness • 83% Positiveness
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Sōmaphore
Winston
83 bpm • F Maj • 02:34 • -9.85db
11% Popularity • 44% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 44% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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AVIJÉ
Black Jungle
83 bpm • D# min • 03:41 • -4.9db
12% Popularity • 68% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 68% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Ice Cream Boy
nada es tan sincero
83 bpm • G min • 04:53 • -8.11db
17% Popularity • 68% Danceability • 46% Energy • 11% Liveness
10% Instrumentalness • 47% Positiveness
17% Popularity • 68% Danceability • 46% Energy • 11% Liveness
10% Instrumentalness • 47% Positiveness
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Uncle Reno
Call On Me
83 bpm • D Maj • 02:43 • -6.29db
13% Popularity • 67% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 67% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Carey Ott
World Gone Crazy
83 bpm • G Maj • 03:57 • -8.3db
29% Popularity • 65% Danceability • 38% Energy • 13% Liveness
75% Instrumentalness • 56% Positiveness
29% Popularity • 65% Danceability • 38% Energy • 13% Liveness
75% Instrumentalness • 56% Positiveness
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Noel Heaney
Overwhelmed
83 bpm • A Maj • 02:32 • -12.04db
14% Popularity • 81% Danceability • 46% Energy • 17% Liveness
16% Instrumentalness • 50% Positiveness
14% Popularity • 81% Danceability • 46% Energy • 17% Liveness
16% Instrumentalness • 50% Positiveness
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Moon Soul
Don't Change
83 bpm • A min • 02:18 • -10.12db
19% Popularity • 56% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 56% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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The Medford Group
Only You - Extended
83 bpm • E min • 03:23 • -12.94db
14% Popularity • 48% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 48% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Drop Legs
In Time You'll Know
84 bpm • D min • 03:26 • -10.53db
12% Popularity • 44% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 44% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Theo Champion
Lean On Me
84 bpm • C min • 03:33 • -13.01db
6% Popularity • 62% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
6% Popularity • 62% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Fred Paa Jord
Corals
84 bpm • D Maj • 03:07 • -10.8db
7% Popularity • 49% Danceability • 46% Energy • 11% Liveness
90% Instrumentalness • 49% Positiveness
7% Popularity • 49% Danceability • 46% Energy • 11% Liveness
90% Instrumentalness • 49% Positiveness
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Yellow Days
CRYING FOR HELP
70 bpm • B min • 04:22 • -10.24db
30% Popularity • 34% Danceability • 46% Energy • 17% Liveness
1% Instrumentalness • 36% Positiveness
30% Popularity • 34% Danceability • 46% Energy • 17% Liveness
1% Instrumentalness • 36% Positiveness
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Any Kind
Do What You Want Me To
84 bpm • C# min • 03:43 • -8.52db
14% Popularity • 52% Danceability • 86% Energy • 65% Liveness
11% Instrumentalness • 71% Positiveness
14% Popularity • 52% Danceability • 86% Energy • 65% Liveness
11% Instrumentalness • 71% Positiveness
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Jaguar Jaguar
Birth
85 bpm • G min • 02:47 • -11.22db
11% Popularity • 35% Danceability • 40% Energy • 38% Liveness
17% Instrumentalness • 36% Positiveness
11% Popularity • 35% Danceability • 40% Energy • 38% Liveness
17% Instrumentalness • 36% Positiveness
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Mo Money Matteo
GOD IS A WOMAN
70 bpm • A# min • 02:48 • -5.92db
8% Popularity • 46% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 46% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Sim Nagai
Music In My Heart
85 bpm • G Maj • 03:24 • -11.68db
16% Popularity • 75% Danceability • 28% Energy • 12% Liveness
17% Instrumentalness • 55% Positiveness
16% Popularity • 75% Danceability • 28% Energy • 12% Liveness
17% Instrumentalness • 55% Positiveness
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The Bright Light Social Hour
Empty Fields
85 bpm • G min • 03:16 • -9.09db
13% Popularity • 67% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 67% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Bulle T
Gato Work
85 bpm • C Maj • 02:10 • -7.88db
14% Popularity • 79% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 79% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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The Blaze Velluto Collection
Yellow Hand
85 bpm • C# Maj • 03:24 • -7.48db
10% Popularity • 72% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 72% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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The Sentiments
She Won't Be Gone Long (Instrumental)
86 bpm • C Maj • 04:35 • -13.78db
9% Popularity • 60% Danceability • 29% Energy • 11% Liveness
18% Instrumentalness • 36% Positiveness
9% Popularity • 60% Danceability • 29% Energy • 11% Liveness
18% Instrumentalness • 36% Positiveness
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Harry and Rory
Pêche (Reprise)
85 bpm • E Maj • 01:42 • -13.24db
10% Popularity • 68% Danceability • 49% Energy • 13% Liveness
9% Instrumentalness • 75% Positiveness
10% Popularity • 68% Danceability • 49% Energy • 13% Liveness
9% Instrumentalness • 75% Positiveness
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Lucy Liebe
Deliberance
87 bpm • D Maj • 01:41 • -7.65db
21% Popularity • 65% Danceability • 75% Energy • 17% Liveness
94% Instrumentalness • 59% Positiveness
21% Popularity • 65% Danceability • 75% Energy • 17% Liveness
94% Instrumentalness • 59% Positiveness
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Rafa Carbonell
So Right
87 bpm • A Maj • 03:29 • -7.04db
28% Popularity • 77% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 77% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Cosmic Soul
Stand on the Ground
87 bpm • F min • 04:28 • -6.8db
22% Popularity • 79% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 79% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Cole McSween
The Lord Will Make a Way
87 bpm • F# min • 03:34 • -10.8db
18% Popularity • 80% Danceability • 73% Energy • 3% Liveness
13% Instrumentalness • 97% Positiveness
18% Popularity • 80% Danceability • 73% Energy • 3% Liveness
13% Instrumentalness • 97% Positiveness
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Ryan Scott
Just Like The First Time
87 bpm • G# min • 04:27 • -7.93db
9% Popularity • 48% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 48% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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The Blaze Velluto Collection
She Loves Everyone
87 bpm • C# min • 03:32 • -11.85db
11% Popularity • 73% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 73% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Charlie Whitten
The Outside
88 bpm • C# min • 04:10 • -10.97db
11% Popularity • 58% Danceability • 66% Energy • 22% Liveness
15% Instrumentalness • 79% Positiveness
11% Popularity • 58% Danceability • 66% Energy • 22% Liveness
15% Instrumentalness • 79% Positiveness
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OLSSON
Better Run
88 bpm • D Maj • 03:33 • -8.47db
21% Popularity • 52% Danceability • 83% Energy • 10% Liveness
2% Instrumentalness • 42% Positiveness
21% Popularity • 52% Danceability • 83% Energy • 10% Liveness
2% Instrumentalness • 42% Positiveness
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Joe Probert
Redlights
88 bpm • C Maj • 03:42 • -10.88db
20% Popularity • 63% Danceability • 64% Energy • 95% Liveness
4% Instrumentalness • 74% Positiveness
20% Popularity • 63% Danceability • 64% Energy • 95% Liveness
4% Instrumentalness • 74% Positiveness
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Zola Nova
Bliss Land
88 bpm • C Maj • 04:40 • -11.2db
9% Popularity • 67% Danceability • 57% Energy • 30% Liveness
4% Instrumentalness • 39% Positiveness
9% Popularity • 67% Danceability • 57% Energy • 30% Liveness
4% Instrumentalness • 39% Positiveness
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Mamas Gun
Go Through It - At PizzaExpress Live
88 bpm • F min • 03:53 • -7.68db
11% Popularity • 66% Danceability • 66% Energy • 68% Liveness
1% Instrumentalness • 54% Positiveness
11% Popularity • 66% Danceability • 66% Energy • 68% Liveness
1% Instrumentalness • 54% Positiveness
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MAXN
Woodsong
88 bpm • F# min • 03:13 • -8.52db
7% Popularity • 78% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 78% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Las Los
Floating Rock
88 bpm • A Maj • 02:59 • -6.98db
11% Popularity • 75% Danceability • 52% Energy • 10% Liveness
5% Instrumentalness • 68% Positiveness
11% Popularity • 75% Danceability • 52% Energy • 10% Liveness
5% Instrumentalness • 68% Positiveness
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Crash Richard
Get Out of Town
89 bpm • B min • 03:29 • -13.3db
14% Popularity • 72% Danceability • 24% Energy • 13% Liveness
3% Instrumentalness • 47% Positiveness
14% Popularity • 72% Danceability • 24% Energy • 13% Liveness
3% Instrumentalness • 47% Positiveness
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LEX FRANSCHE
EXCUSE ME MRS LOCO COMMOTION
89 bpm • G# Maj • 03:06 • -10.43db
16% Popularity • 80% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 80% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Mourning [A] BLKstar
Catch 22
90 bpm • A# Maj • 02:56 • -7.92db
7% Popularity • 67% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
7% Popularity • 67% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Jonny Kosmo
Caterpillar
90 bpm • F# min • 03:03 • -7.35db
19% Popularity • 79% Danceability • 87% Energy • 15% Liveness
17% Instrumentalness • 95% Positiveness
19% Popularity • 79% Danceability • 87% Energy • 15% Liveness
17% Instrumentalness • 95% Positiveness
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Tebs
Intentionally Lost
90 bpm • C# min • 03:48 • -8.64db
7% Popularity • 34% Danceability • 64% Energy • 71% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 34% Danceability • 64% Energy • 71% Liveness
0% Instrumentalness • 26% Positiveness
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Big Sleep
Hunnibee
90 bpm • G Maj • 02:17 • -7.93db
11% Popularity • 45% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 45% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Caspian Coberly
...Wanna make love
90 bpm • G# Maj • 02:39 • -13.33db
18% Popularity • 83% Danceability • 27% Energy • 10% Liveness
2% Instrumentalness • 46% Positiveness
18% Popularity • 83% Danceability • 27% Energy • 10% Liveness
2% Instrumentalness • 46% Positiveness
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Carrom Board
Among the Stars
90 bpm • F# min • 04:13 • -7.37db
7% Popularity • 67% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
7% Popularity • 67% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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LunchMoney Lewis
Rain or Shine
90 bpm • F min • 03:44 • -5.77db
28% Popularity • 74% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 74% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
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Elephants from Neptune
Boogieland
90 bpm • B min • 02:58 • -10.7db
8% Popularity • 70% Danceability • 46% Energy • 34% Liveness
24% Instrumentalness • 68% Positiveness
8% Popularity • 70% Danceability • 46% Energy • 34% Liveness
24% Instrumentalness • 68% Positiveness
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Muunjuun
The Magic Ball
90 bpm • D Maj • 03:44 • -6.47db
10% Popularity • 81% Danceability • 55% Energy • 9% Liveness
54% Instrumentalness • 71% Positiveness
10% Popularity • 81% Danceability • 55% Energy • 9% Liveness
54% Instrumentalness • 71% Positiveness
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Late Runner
Closed-Eye Hallucination
90 bpm • A Maj • 03:30 • -7.79db
10% Popularity • 58% Danceability • 82% Energy • 14% Liveness
56% Instrumentalness • 80% Positiveness
10% Popularity • 58% Danceability • 82% Energy • 14% Liveness
56% Instrumentalness • 80% Positiveness
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Wukan
Neon Lights
90 bpm • B min • 04:31 • -10.21db
21% Popularity • 70% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 70% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Dakota Theim
Wild Magnolias
90 bpm • F Maj • 02:53 • -6.13db
15% Popularity • 73% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 73% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Fort Frances
Nothing Ever Change in America
90 bpm • A Maj • 02:44 • -9.96db
21% Popularity • 75% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 75% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
