Songs like Rivers (Of the Hidden Funk) by Joe Walsh
Based on a tempo of (+/- 10%) and a similar genre
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The Gregg Allman Band
Thorn And A Wild Rose
99 bpm • E min • 04:12 • -11.17db
29% Popularity • 64% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 64% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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The Firm
Spirit Of Love
99 bpm • A# Maj • 05:07 • -10db
16% Popularity • 26% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 26% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
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The Tubes
What Do You Want From Life
99 bpm • C# Maj • 04:01 • -12.55db
28% Popularity • 50% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 50% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Joe Walsh
Rivers (Of the Hidden Funk)
99 bpm • G Maj • 05:06 • -11.18db
27% Popularity • 72% Danceability • 59% Energy • 5% Liveness
1% Instrumentalness • 80% Positiveness
27% Popularity • 72% Danceability • 59% Energy • 5% Liveness
1% Instrumentalness • 80% Positiveness
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Wet Willie
Everything That 'Cha Do (Will Come Back ...
99 bpm • F Maj • 05:19 • -14db
25% Popularity • 74% Danceability • 56% Energy • 9% Liveness
15% Instrumentalness • 72% Positiveness
25% Popularity • 74% Danceability • 56% Energy • 9% Liveness
15% Instrumentalness • 72% Positiveness
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Jo Jo Gunne
Shake That Fat
100 bpm • F min • 03:47 • -6.33db
17% Popularity • 61% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 61% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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Rod Stewart
You're Insane
98 bpm • B min • 04:49 • -4.44db
24% Popularity • 76% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 76% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Climax Blues Band
Mighty Fire
98 bpm • A Maj • 04:50 • -8.82db
18% Popularity • 47% Danceability • 70% Energy • 8% Liveness
12% Instrumentalness • 45% Positiveness
18% Popularity • 47% Danceability • 70% Energy • 8% Liveness
12% Instrumentalness • 45% Positiveness
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Tommy Bolin
Sweet Burgundy
100 bpm • G Maj • 04:11 • -9.68db
23% Popularity • 67% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 67% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Joe Walsh
Second Hand Store
99 bpm • C Maj • 03:35 • -13.77db
29% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Thin Lizzy
Night Life
98 bpm • A Maj • 03:57 • -14db
43% Popularity • 74% Danceability • 43% Energy • 16% Liveness
25% Instrumentalness • 63% Positiveness
43% Popularity • 74% Danceability • 43% Energy • 16% Liveness
25% Instrumentalness • 63% Positiveness
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The Who
Eminence Front - Live
98 bpm • C# Maj • 05:43 • -6.62db
27% Popularity • 63% Danceability • 95% Energy • 97% Liveness
13% Instrumentalness • 83% Positiveness
27% Popularity • 63% Danceability • 95% Energy • 97% Liveness
13% Instrumentalness • 83% Positiveness
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Shooting Star
Hollywood - Remastered
98 bpm • A min • 04:10 • -8.92db
27% Popularity • 38% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 38% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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The Guess Who
Proper Stranger
98 bpm • A Maj • 04:06 • -6.61db
25% Popularity • 66% Danceability • 87% Energy • 18% Liveness
24% Instrumentalness • 56% Positiveness
25% Popularity • 66% Danceability • 87% Energy • 18% Liveness
24% Instrumentalness • 56% Positiveness
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Molly Hatchet
The Price You Pay
98 bpm • B min • 03:03 • -11db
29% Popularity • 60% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
29% Popularity • 60% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Joe Walsh
(Day Dream) Prayer
98 bpm • C Maj • 01:55 • -20.92db
19% Popularity • 34% Danceability • 18% Energy • 12% Liveness
35% Instrumentalness • 19% Positiveness
19% Popularity • 34% Danceability • 18% Energy • 12% Liveness
35% Instrumentalness • 19% Positiveness
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The Firm
You've Lost That Lovin' Feeling
98 bpm • A Maj • 04:32 • -15.57db
23% Popularity • 54% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 54% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Gary Wright
Can't Find the Judge
98 bpm • D min • 03:22 • -15.57db
22% Popularity • 77% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 77% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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Crack The Sky
We Want Mine
97 bpm • C min • 04:55 • -11.34db
12% Popularity • 50% Danceability • 68% Energy • 38% Liveness
4% Instrumentalness • 84% Positiveness
12% Popularity • 50% Danceability • 68% Energy • 38% Liveness
4% Instrumentalness • 84% Positiveness
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The Edgar Winter Group
We All Had a Real Good Time
97 bpm • A Maj • 03:05 • -12.13db
18% Popularity • 69% Danceability • 72% Energy • 10% Liveness
2% Instrumentalness • 81% Positiveness
18% Popularity • 69% Danceability • 72% Energy • 10% Liveness
2% Instrumentalness • 81% Positiveness
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Molly Hatchet
I'll Be Running
100 bpm • B min • 02:59 • -10.47db
27% Popularity • 57% Danceability • 88% Energy • 14% Liveness
30% Instrumentalness • 81% Positiveness
27% Popularity • 57% Danceability • 88% Energy • 14% Liveness
30% Instrumentalness • 81% Positiveness
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Joe Walsh
Rosewood Bitters
97 bpm • C Maj • 03:29 • -14db
27% Popularity • 58% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 58% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Head East
Brother Jacob
101 bpm • F Maj • 03:10 • -11.96db
15% Popularity • 64% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 64% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Traffic
Stranger To Himself - Remastered 2010
97 bpm • A min • 03:52 • -9.26db
37% Popularity • 56% Danceability • 57% Energy • 20% Liveness
2% Instrumentalness • 82% Positiveness
37% Popularity • 56% Danceability • 57% Energy • 20% Liveness
2% Instrumentalness • 82% Positiveness
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The Marshall Tucker Band
Take the Highway
97 bpm • G Maj • 06:15 • -5.62db
44% Popularity • 38% Danceability • 74% Energy • 8% Liveness
8% Instrumentalness • 61% Positiveness
44% Popularity • 38% Danceability • 74% Energy • 8% Liveness
8% Instrumentalness • 61% Positiveness
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Eddie Money
No Control
97 bpm • B Maj • 03:56 • -11.89db
32% Popularity • 54% Danceability • 60% Energy • 58% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 54% Danceability • 60% Energy • 58% Liveness
0% Instrumentalness • 71% Positiveness
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Chilliwack
There's Something I Like About That
101 bpm • C Maj • 02:49 • -13.26db
16% Popularity • 56% Danceability • 44% Energy • 8% Liveness
19% Instrumentalness • 72% Positiveness
16% Popularity • 56% Danceability • 44% Energy • 8% Liveness
19% Instrumentalness • 72% Positiveness
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Joe Walsh
Look At Us Now
98 bpm • F Maj • 04:45 • -12.45db
13% Popularity • 65% Danceability • 65% Energy • 17% Liveness
2% Instrumentalness • 64% Positiveness
13% Popularity • 65% Danceability • 65% Energy • 17% Liveness
2% Instrumentalness • 64% Positiveness
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Ambrosia
Life Beyond L.A.
97 bpm • A# min • 04:45 • -5db
32% Popularity • 56% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 56% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 44% Positiveness
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Traffic
Empty Pages - Remastered 2010
101 bpm • A Maj • 04:34 • -9db
41% Popularity • 43% Danceability • 62% Energy • 16% Liveness
2% Instrumentalness • 39% Positiveness
41% Popularity • 43% Danceability • 62% Energy • 16% Liveness
2% Instrumentalness • 39% Positiveness
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Tommy Bolin
You Told Me That You Loved Me
96 bpm • C Maj • 05:13 • -12.08db
17% Popularity • 40% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 40% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Bob Welch
Outskirts
97 bpm • F# Maj • 03:18 • -12.75db
17% Popularity • 68% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 68% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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The Firm
Together
96 bpm • D Maj • 03:54 • -12.64db
21% Popularity • 50% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 50% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Joe Walsh
I Broke My Leg
101 bpm • G min • 03:12 • -14.31db
12% Popularity • 86% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 86% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Red Rider
Only Game In Town
96 bpm • G Maj • 03:21 • -14.21db
19% Popularity • 57% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 57% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Billy Squier
Calley Oh
102 bpm • E Maj • 04:09 • -4.51db
18% Popularity • 41% Danceability • 87% Energy • 16% Liveness
3% Instrumentalness • 73% Positiveness
18% Popularity • 41% Danceability • 87% Energy • 16% Liveness
3% Instrumentalness • 73% Positiveness
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Blackfoot
Road Fever
96 bpm • D Maj • 03:08 • -11db
30% Popularity • 58% Danceability • 87% Energy • 47% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 58% Danceability • 87% Energy • 47% Liveness
0% Instrumentalness • 70% Positiveness
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Moxy
Sail On Sail Away
96 bpm • G Maj • 04:52 • -8.63db
32% Popularity • 41% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
32% Popularity • 41% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Mama's Pride
Blue Mist
102 bpm • D min • 04:03 • -7.03db
23% Popularity • 49% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 49% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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The Gregg Allman Band
Can't Keep Running
102 bpm • D min • 04:02 • -11.1db
29% Popularity • 64% Danceability • 56% Energy • 62% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 64% Danceability • 56% Energy • 62% Liveness
0% Instrumentalness • 69% Positiveness
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Molly Hatchet
Gator Country
95 bpm • G Maj • 06:16 • -11db
43% Popularity • 43% Danceability • 78% Energy • 16% Liveness
20% Instrumentalness • 93% Positiveness
43% Popularity • 43% Danceability • 78% Energy • 16% Liveness
20% Instrumentalness • 93% Positiveness
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Chilliwack
Crazy Talk
103 bpm • A min • 03:07 • -7.48db
21% Popularity • 86% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 86% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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The Edgar Winter Group
Alta Mira
103 bpm • A Maj • 03:17 • -14.02db
14% Popularity • 74% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 74% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Ray Wylie Hubbard
Bad Trick
103 bpm • A Maj • 04:01 • -6.45db
34% Popularity • 78% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
34% Popularity • 78% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Tommy Bolin
Bustin' Out For Rosey
103 bpm • G# Maj • 04:20 • -10.65db
29% Popularity • 62% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 62% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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Sheryl Crow
Still The Good Old Days
95 bpm • D Maj • 05:17 • -3.87db
26% Popularity • 67% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 67% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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The Marshall Tucker Band
Fly Like an Eagle
103 bpm • G Maj • 03:03 • -7db
36% Popularity • 49% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 49% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Eddie Money
You've Really Got a Hold On Me (2022 Rem...
95 bpm • A Maj • 03:53 • -14db
32% Popularity • 59% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
32% Popularity • 59% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Traffic
You Can All Join In
95 bpm • D Maj • 03:36 • -10db
42% Popularity • 72% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
42% Popularity • 72% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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Poco
Barbados
95 bpm • B Maj • 03:34 • -15.72db
31% Popularity • 65% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
31% Popularity • 65% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
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Billy Squier
I Need You - Remastered 2010
103 bpm • A Maj • 03:52 • -6.41db
33% Popularity • 51% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 51% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Joe Walsh
Class of '65
95 bpm • C Maj • 04:27 • -15.78db
9% Popularity • 55% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 55% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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Robert Palmer
Sailing Shoes
95 bpm • A Maj • 02:42 • -13.02db
42% Popularity • 69% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 69% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Gerry Rafferty
Home and Dry
103 bpm • C# Maj • 04:57 • -11.7db
37% Popularity • 56% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 56% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Styx
The Grand Illusion
95 bpm • G# Maj • 04:37 • -12.38db
48% Popularity • 33% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
48% Popularity • 33% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Traffic
Pearly Queen
104 bpm • D min • 04:19 • -10db
34% Popularity • 54% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
34% Popularity • 54% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
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Eddie Money
Don't Worry (2022 Remaster)
94 bpm • A min • 03:48 • -10.85db
19% Popularity • 70% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 70% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Joe Walsh
Two Sides To Every Story
94 bpm • A Maj • 03:21 • -12.49db
25% Popularity • 68% Danceability • 52% Energy • 14% Liveness
1% Instrumentalness • 53% Positiveness
25% Popularity • 68% Danceability • 52% Energy • 14% Liveness
1% Instrumentalness • 53% Positiveness
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Point Blank
Mean to Your Queenie
104 bpm • D Maj • 04:38 • -13.03db
22% Popularity • 56% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 56% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Robert Palmer
Hey Julia
95 bpm • G Maj • 02:24 • -14.06db
34% Popularity • 79% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 79% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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The Who
Relay - Original Single A-Side Mix
94 bpm • D Maj • 03:54 • -9.72db
19% Popularity • 55% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 55% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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The Outlaws
You Are the Show
94 bpm • B min • 04:53 • -6db
21% Popularity • 30% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 30% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Heartsfield
Racin' the Sun
93 bpm • A Maj • 08:44 • -12.48db
13% Popularity • 39% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 39% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Traffic
Medicated Goo
94 bpm • G Maj • 03:37 • -10db
44% Popularity • 50% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
44% Popularity • 50% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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The Firm
Live In Peace
105 bpm • E min • 05:06 • -12.94db
19% Popularity • 31% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 31% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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John Mayall
Cards On The Table
105 bpm • C# Maj • 04:16 • -6.68db
6% Popularity • 58% Danceability • 83% Energy • 14% Liveness
47% Instrumentalness • 79% Positiveness
6% Popularity • 58% Danceability • 83% Energy • 14% Liveness
47% Instrumentalness • 79% Positiveness
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Spirit
Mr. Skin
105 bpm • G min • 04:00 • -9db
29% Popularity • 69% Danceability • 62% Energy • 64% Liveness
2% Instrumentalness • 80% Positiveness
29% Popularity • 69% Danceability • 62% Energy • 64% Liveness
2% Instrumentalness • 80% Positiveness
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Molly Hatchet
One Man's Pleasure
105 bpm • A Maj • 03:25 • -7.83db
33% Popularity • 62% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 62% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Montrose
Shoot Us Down - Demo
105 bpm • A Maj • 04:31 • -10.36db
18% Popularity • 51% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 51% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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Jethro Tull
Hymn 43
93 bpm • G Maj • 03:16 • -9db
46% Popularity • 49% Danceability • 79% Energy • 45% Liveness
0% Instrumentalness • 88% Positiveness
46% Popularity • 49% Danceability • 79% Energy • 45% Liveness
0% Instrumentalness • 88% Positiveness
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The Firm
Someone to Love
93 bpm • A Maj • 04:53 • -14.29db
23% Popularity • 44% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 44% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Hollywood Vampires
Whole Lotta Love
93 bpm • A Maj • 04:13 • -3.37db
39% Popularity • 21% Danceability • 91% Energy • 10% Liveness
15% Instrumentalness • 26% Positiveness
39% Popularity • 21% Danceability • 91% Energy • 10% Liveness
15% Instrumentalness • 26% Positiveness
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Eddie Money
So Good To Be In Love Again (2022 Remast...
105 bpm • A min • 04:15 • -11.88db
24% Popularity • 58% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 58% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Joe Walsh
Tomorrow
93 bpm • C# min • 03:39 • -12.33db
29% Popularity • 72% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 72% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Tommy Bolin
Someday, We'll Bring Our Love Home
93 bpm • A Maj • 03:02 • -13.22db
24% Popularity • 63% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 63% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Molly Hatchet
Double Talker
106 bpm • C Maj • 03:14 • -10.36db
27% Popularity • 62% Danceability • 64% Energy • 15% Liveness
17% Instrumentalness • 62% Positiveness
27% Popularity • 62% Danceability • 64% Energy • 15% Liveness
17% Instrumentalness • 62% Positiveness
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The Firm
Dreaming
93 bpm • D min • 06:02 • -12.41db
13% Popularity • 37% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 37% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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The Outlaws
Song For You
106 bpm • A Maj • 03:33 • -6db
31% Popularity • 44% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 44% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Jethro Tull
Bungle in the Jungle - 2002 Remaster
106 bpm • B min • 03:36 • -10.8db
47% Popularity • 62% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
47% Popularity • 62% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Joe Walsh
Rockets
92 bpm • C Maj • 03:55 • -14.34db
15% Popularity • 61% Danceability • 33% Energy • 7% Liveness
9% Instrumentalness • 55% Positiveness
15% Popularity • 61% Danceability • 33% Energy • 7% Liveness
9% Instrumentalness • 55% Positiveness
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Montrose
Good Rockin' Tonight
106 bpm • E Maj • 02:57 • -9.65db
31% Popularity • 42% Danceability • 90% Energy • 52% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 42% Danceability • 90% Energy • 52% Liveness
0% Instrumentalness • 43% Positiveness
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Molly Hatchet
Dreams I'll Never See
106 bpm • G Maj • 07:26 • -9.13db
26% Popularity • 63% Danceability • 68% Energy • 7% Liveness
3% Instrumentalness • 52% Positiveness
26% Popularity • 63% Danceability • 68% Energy • 7% Liveness
3% Instrumentalness • 52% Positiveness
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The Firm
Radioactive
106 bpm • A min • 02:49 • -14db
42% Popularity • 58% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 58% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Point Blank
Nicole
106 bpm • A min • 03:53 • -5.99db
34% Popularity • 62% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 62% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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The Outlaws
Ain't So Bad - Digitally Remastered 2001
106 bpm • A Maj • 03:46 • -9.54db
17% Popularity • 42% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 42% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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The Babys
I Was One
92 bpm • E Maj • 03:28 • -5db
21% Popularity • 51% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 51% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Climax Blues Band
So Good After Midnight
107 bpm • D Maj • 04:13 • -8.43db
14% Popularity • 46% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 46% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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Molly Hatchet
Dreams I'll Never See
106 bpm • G Maj • 07:06 • -13db
48% Popularity • 64% Danceability • 58% Energy • 13% Liveness
18% Instrumentalness • 62% Positiveness
48% Popularity • 64% Danceability • 58% Energy • 13% Liveness
18% Instrumentalness • 62% Positiveness
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The Marshall Tucker Band
I'll Be Loving You
107 bpm • G Maj • 05:31 • -6.87db
32% Popularity • 41% Danceability • 91% Energy • 9% Liveness
2% Instrumentalness • 68% Positiveness
32% Popularity • 41% Danceability • 91% Energy • 9% Liveness
2% Instrumentalness • 68% Positiveness
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Joe Walsh
Over and Over
107 bpm • G Maj • 04:52 • -13.54db
31% Popularity • 55% Danceability • 40% Energy • 8% Liveness
5% Instrumentalness • 77% Positiveness
31% Popularity • 55% Danceability • 40% Energy • 8% Liveness
5% Instrumentalness • 77% Positiveness
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Faces
You're So Rude
107 bpm • A Maj • 03:44 • -8db
32% Popularity • 69% Danceability • 68% Energy • 20% Liveness
2% Instrumentalness • 90% Positiveness
32% Popularity • 69% Danceability • 68% Energy • 20% Liveness
2% Instrumentalness • 90% Positiveness
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Crack The Sky
Lighten Up Mcgraw
91 bpm • C# Maj • 05:08 • -12.8db
14% Popularity • 45% Danceability • 68% Energy • 7% Liveness
1% Instrumentalness • 79% Positiveness
14% Popularity • 45% Danceability • 68% Energy • 7% Liveness
1% Instrumentalness • 79% Positiveness
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Heart
Love Alive
91 bpm • D Maj • 04:18 • -17db
45% Popularity • 54% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 54% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Santana
Open Invitation
91 bpm • D Maj • 04:47 • -13.91db
33% Popularity • 49% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 49% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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The Outlaws
Prisoner - Digitally Remastered 2001
108 bpm • D Maj • 03:55 • -12.32db
10% Popularity • 45% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 45% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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The Firm
Make or Break
90 bpm • D Maj • 04:22 • -12.05db
22% Popularity • 26% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 26% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Faces
Cindy Incidentally
108 bpm • A# Maj • 02:38 • -8db
44% Popularity • 73% Danceability • 81% Energy • 7% Liveness
1% Instrumentalness • 94% Positiveness
44% Popularity • 73% Danceability • 81% Energy • 7% Liveness
1% Instrumentalness • 94% Positiveness
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Eddie Money
Gimme Some Water
91 bpm • D Maj • 03:37 • -11.15db
48% Popularity • 51% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
48% Popularity • 51% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
