Songs like Road Runner by Bo Diddley
Based on a tempo of (+/- 10%) and a similar genre
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Lloyd Price
Lawdy Miss Clawdy
132 bpm • D# Maj • 01:48 • -4.85db
33% Popularity • 43% Danceability • 86% Energy • 27% Liveness
77% Instrumentalness • 78% Positiveness
33% Popularity • 43% Danceability • 86% Energy • 27% Liveness
77% Instrumentalness • 78% Positiveness
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Bo Diddley
Road Runner
132 bpm • E Maj • 02:47 • -10.37db
41% Popularity • 54% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 54% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Kidd & The Pirates
A Shot Of Rhythm And Blues
132 bpm • A Maj • 02:00 • -7.63db
17% Popularity • 66% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 66% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Slim Harpo
Buzzin'
132 bpm • F Maj • 02:05 • -11.27db
44% Popularity • 61% Danceability • 49% Energy • 19% Liveness
58% Instrumentalness • 96% Positiveness
44% Popularity • 61% Danceability • 49% Energy • 19% Liveness
58% Instrumentalness • 96% Positiveness
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Barrett Strong
Money (That's What I Want) - Single Vers...
132 bpm • F Maj • 02:38 • -7.32db
61% Popularity • 66% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 66% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Magic Sam
21 Days in Jail
132 bpm • G# Maj • 01:58 • -7.47db
13% Popularity • 64% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 64% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Johnny Horton
Lover's Rock
131 bpm • A min • 02:34 • -10db
20% Popularity • 84% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 84% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Bo Diddley
The Greatest Lover In The World
132 bpm • G Maj • 02:43 • -9.87db
11% Popularity • 77% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 77% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Johnny Kidd & The Pirates
Restless
132 bpm • D Maj • 02:11 • -8.37db
24% Popularity • 66% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 66% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Clarence "Frogman" Henry
Lonely Tramp
133 bpm • C Maj • 02:25 • 0.59db
9% Popularity • 59% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 59% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Chuck Willis
Hang up My Rock and Roll Shoes
131 bpm • F Maj • 02:19 • -8db
28% Popularity • 63% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 63% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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The Big Bopper
Crazy Blues
131 bpm • E Maj • 02:06 • -9.3db
30% Popularity • 53% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 93% Positiveness
30% Popularity • 53% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 93% Positiveness
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Johnny Burnette & The Rock 'N' Roll Trio
Rock Therapy
133 bpm • A Maj • 02:15 • -7.77db
26% Popularity • 65% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 65% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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The Marketts
Out of Limits
133 bpm • G Maj • 02:09 • -14db
47% Popularity • 48% Danceability • 78% Energy • 18% Liveness
43% Instrumentalness • 48% Positiveness
47% Popularity • 48% Danceability • 78% Energy • 18% Liveness
43% Instrumentalness • 48% Positiveness
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Captain Beefheart & His Magic Band
Diddy Wah Diddy
133 bpm • F Maj • 02:27 • -9.77db
35% Popularity • 53% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 53% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Vince Taylor
Shaking All Over
130 bpm • A Maj • 02:25 • -10.64db
14% Popularity • 56% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 56% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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Big Mama Thornton
Hound Dog
133 bpm • A Maj • 03:01 • -10.86db
57% Popularity • 56% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
57% Popularity • 56% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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Ernie K-Doe
Mother-In-Law - Remastered
130 bpm • D# Maj • 02:31 • -9.72db
35% Popularity • 81% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
35% Popularity • 81% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Hound Dog Taylor & The HouseRockers
She's Gone
130 bpm • E Maj • 03:51 • -15.83db
36% Popularity • 70% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 70% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Paul Revere & The Raiders
I'm Not Your Stepping Stone
134 bpm • D Maj • 02:51 • -8.89db
40% Popularity • 45% Danceability • 73% Energy • 50% Liveness
0% Instrumentalness • 81% Positiveness
40% Popularity • 45% Danceability • 73% Energy • 50% Liveness
0% Instrumentalness • 81% Positiveness
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Chuck Willis
What'cha Gonna Do (When Your Baby Leaves...
130 bpm • D min • 02:45 • -9db
26% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Lloyd Price
Lawdy Miss Clawdy
130 bpm • D# Maj • 01:51 • -8db
38% Popularity • 50% Danceability • 68% Energy • 18% Liveness
74% Instrumentalness • 78% Positiveness
38% Popularity • 50% Danceability • 68% Energy • 18% Liveness
74% Instrumentalness • 78% Positiveness
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Freddie King
Hide Away
134 bpm • A Maj • 02:37 • -11db
38% Popularity • 64% Danceability • 66% Energy • 14% Liveness
20% Instrumentalness • 86% Positiveness
38% Popularity • 64% Danceability • 66% Energy • 14% Liveness
20% Instrumentalness • 86% Positiveness
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J.B. Lenoir
I Feel So Good
130 bpm • B min • 01:54 • -7db
41% Popularity • 84% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 84% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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The Rooftop Singers
Walk Right In
130 bpm • D# Maj • 02:37 • -10.43db
44% Popularity • 68% Danceability • 66% Energy • 7% Liveness
4% Instrumentalness • 96% Positiveness
44% Popularity • 68% Danceability • 66% Energy • 7% Liveness
4% Instrumentalness • 96% Positiveness
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Ernie K-Doe
A Certain Girl
130 bpm • C# Maj • 02:44 • -10.36db
27% Popularity • 80% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 80% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Slim Harpo
Buzz Me, Babe
130 bpm • B min • 02:14 • -7.5db
46% Popularity • 61% Danceability • 52% Energy • 37% Liveness
1% Instrumentalness • 48% Positiveness
46% Popularity • 61% Danceability • 52% Energy • 37% Liveness
1% Instrumentalness • 48% Positiveness
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The Clovers
You're Cash Ain't Nothin' but Trash - Re...
134 bpm • C Maj • 02:57 • -9.22db
12% Popularity • 73% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 73% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Floyd Dixon
Hey, Bartender
135 bpm • A# Maj • 03:25 • -6db
35% Popularity • 54% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 54% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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J.B. Lenoir
Voodoo Boogie
134 bpm • F Maj • 01:58 • -11.97db
26% Popularity • 66% Danceability • 52% Energy • 8% Liveness
3% Instrumentalness • 86% Positiveness
26% Popularity • 66% Danceability • 52% Energy • 8% Liveness
3% Instrumentalness • 86% Positiveness
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Johnny Burnette & The Rock 'N' Roll Trio
Midnight Train - Single Version
135 bpm • A min • 02:11 • -12db
21% Popularity • 70% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 70% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
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Otis Rush
All Your Love
135 bpm • C Maj • 02:52 • -14db
27% Popularity • 65% Danceability • 43% Energy • 9% Liveness
23% Instrumentalness • 96% Positiveness
27% Popularity • 65% Danceability • 43% Energy • 9% Liveness
23% Instrumentalness • 96% Positiveness
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James Brown & The Famous Flames
I'll Go Crazy
135 bpm • C Maj • 02:11 • -11db
38% Popularity • 57% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
38% Popularity • 57% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Junior Wells
Messin' With The Kid
135 bpm • C min • 02:15 • -7db
25% Popularity • 84% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
25% Popularity • 84% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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The Nashville Teens
Tobacco Road
129 bpm • G Maj • 02:40 • -14db
35% Popularity • 47% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 47% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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Earl Hooker
Two Bugs and a Roach
135 bpm • A Maj • 04:19 • -13db
43% Popularity • 52% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
43% Popularity • 52% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
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The Coasters
Riot in Cell Block No. 9
135 bpm • D min • 03:03 • -9.4db
21% Popularity • 54% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 54% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Bo Diddley
Mumblin' Guitar
129 bpm • C# min • 02:53 • -8.4db
13% Popularity • 61% Danceability • 95% Energy • 6% Liveness
2% Instrumentalness • 50% Positiveness
13% Popularity • 61% Danceability • 95% Energy • 6% Liveness
2% Instrumentalness • 50% Positiveness
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Sam The Sham & The Pharaohs
Ring Dang Doo
136 bpm • E Maj • 02:28 • -9.83db
28% Popularity • 81% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 81% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Larry Williams
Bad Boy
136 bpm • A# Maj • 02:20 • -12.73db
29% Popularity • 70% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 70% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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The Nashville Teens
Tobacco Road
135 bpm • G Maj • 02:27 • -9.67db
24% Popularity • 66% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 66% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Booker T. & the M.G.'s
Jelly Bread
136 bpm • A# Maj • 02:32 • -12.07db
34% Popularity • 64% Danceability • 51% Energy • 12% Liveness
84% Instrumentalness • 79% Positiveness
34% Popularity • 64% Danceability • 51% Energy • 12% Liveness
84% Instrumentalness • 79% Positiveness
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Slim Harpo
My Little Queen Bee (Got A Brand New Kin...
137 bpm • F Maj • 02:36 • -6.03db
32% Popularity • 48% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 48% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Bo Diddley
Little Girl
128 bpm • D Maj • 02:31 • -15.65db
12% Popularity • 55% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 55% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Johnny Kidd & The Pirates
I Can Tell
137 bpm • D Maj • 02:31 • -8.55db
12% Popularity • 70% Danceability • 72% Energy • 61% Liveness
2% Instrumentalness • 96% Positiveness
12% Popularity • 70% Danceability • 72% Energy • 61% Liveness
2% Instrumentalness • 96% Positiveness
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Sam The Sham & The Pharaohs
Ain't Gonna Move
137 bpm • A Maj • 02:05 • -10.31db
22% Popularity • 63% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 63% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
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Wanda Jackson
Riot In Cell Block Number Nine
127 bpm • A Maj • 02:30 • -8.91db
25% Popularity • 56% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 56% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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J.B. Lenoir
Mama Talk To Your Daughter
137 bpm • A min • 02:21 • -9db
40% Popularity • 61% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 61% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Booker T. & the M.G.'s
Green Onions
137 bpm • A# Maj • 02:56 • -8.74db
72% Popularity • 82% Danceability • 51% Energy • 9% Liveness
95% Instrumentalness • 91% Positiveness
72% Popularity • 82% Danceability • 51% Energy • 9% Liveness
95% Instrumentalness • 91% Positiveness
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The Rumblers
Boss
137 bpm • C# Maj • 02:21 • -5.41db
16% Popularity • 54% Danceability • 92% Energy • 10% Liveness
63% Instrumentalness • 90% Positiveness
16% Popularity • 54% Danceability • 92% Energy • 10% Liveness
63% Instrumentalness • 90% Positiveness
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LaVern Baker
Whipper Snapper
127 bpm • A Maj • 02:12 • -9.28db
23% Popularity • 76% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 76% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Sam The Sham & The Pharaohs
Ju Ju Hand
137 bpm • G Maj • 02:09 • -7.63db
18% Popularity • 77% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 77% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Little Willie John
All Around The World
127 bpm • G Maj • 03:03 • -9db
22% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Duane Eddy
Forty Miles of Bad Road
127 bpm • D Maj • 02:10 • -16.44db
33% Popularity • 72% Danceability • 53% Energy • 18% Liveness
92% Instrumentalness • 96% Positiveness
33% Popularity • 72% Danceability • 53% Energy • 18% Liveness
92% Instrumentalness • 96% Positiveness
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Booker T. & the M.G.'s
Twist and Shout
137 bpm • F Maj • 02:13 • -7.8db
31% Popularity • 72% Danceability • 63% Energy • 13% Liveness
86% Instrumentalness • 95% Positiveness
31% Popularity • 72% Danceability • 63% Energy • 13% Liveness
86% Instrumentalness • 95% Positiveness
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Rufus Thomas
Tiger Man (King of the Jungle)
127 bpm • B min • 02:48 • -8.85db
8% Popularity • 69% Danceability • 68% Energy • 13% Liveness
1% Instrumentalness • 66% Positiveness
8% Popularity • 69% Danceability • 68% Energy • 13% Liveness
1% Instrumentalness • 66% Positiveness
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Hound Dog Taylor
Ain't Got Nobody
127 bpm • G# min • 03:30 • -13.9db
45% Popularity • 54% Danceability • 72% Energy • 29% Liveness
1% Instrumentalness • 92% Positiveness
45% Popularity • 54% Danceability • 72% Energy • 29% Liveness
1% Instrumentalness • 92% Positiveness
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Slim Harpo
Tip On In
127 bpm • E Maj • 02:51 • -15.28db
33% Popularity • 93% Danceability • 41% Energy • 10% Liveness
24% Instrumentalness • 94% Positiveness
33% Popularity • 93% Danceability • 41% Energy • 10% Liveness
24% Instrumentalness • 94% Positiveness
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The Mar-Keys
Last Night
127 bpm • C Maj • 02:39 • -4db
44% Popularity • 72% Danceability • 56% Energy • 7% Liveness
87% Instrumentalness • 86% Positiveness
44% Popularity • 72% Danceability • 56% Energy • 7% Liveness
87% Instrumentalness • 86% Positiveness
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Ronnie Self
Ain't I'm a Dog
126 bpm • E Maj • 02:17 • -9.02db
25% Popularity • 63% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 63% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Booker T. & the M.G.'s
Mo' Onions
126 bpm • F min • 02:57 • -9.17db
38% Popularity • 72% Danceability • 43% Energy • 14% Liveness
90% Instrumentalness • 60% Positiveness
38% Popularity • 72% Danceability • 43% Energy • 14% Liveness
90% Instrumentalness • 60% Positiveness
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Sugar Pie DeSanto
I Want To Know
126 bpm • C Maj • 03:00 • -6.38db
29% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Larry Williams
Dizzy Miss Lizzy
138 bpm • D# Maj • 02:12 • -10db
35% Popularity • 60% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 60% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Rosco Gordon
Just A Little Bit
138 bpm • C Maj • 02:09 • -14db
31% Popularity • 73% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 73% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Sam & Dave
Soothe Me
126 bpm • F# Maj • 02:32 • -13.42db
51% Popularity • 75% Danceability • 33% Energy • 26% Liveness
1% Instrumentalness • 68% Positiveness
51% Popularity • 75% Danceability • 33% Energy • 26% Liveness
1% Instrumentalness • 68% Positiveness
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John Brim
Ice Cream Man
126 bpm • A Maj • 02:44 • -13.7db
34% Popularity • 71% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 71% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Freddie King
San-Ho-Zay
138 bpm • G min • 02:38 • -9db
40% Popularity • 66% Danceability • 88% Energy • 7% Liveness
81% Instrumentalness • 98% Positiveness
40% Popularity • 66% Danceability • 88% Energy • 7% Liveness
81% Instrumentalness • 98% Positiveness
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Guitar Slim
Well I Done Got Over It
126 bpm • A# min • 02:27 • -13db
31% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Mike Pedecin
Burnt Toast and Black Coffee
138 bpm • G Maj • 02:05 • -9.37db
21% Popularity • 71% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 71% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
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Rosco Gordon
Just A Little Bit
138 bpm • C Maj • 02:03 • -14.01db
27% Popularity • 67% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 67% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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The Coasters
Love Potion #9
126 bpm • F min • 02:38 • -12.06db
35% Popularity • 82% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 82% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Bo Diddley
When The Saints Go Marching In
126 bpm • F Maj • 02:53 • -12.3db
10% Popularity • 53% Danceability • 53% Energy • 24% Liveness
74% Instrumentalness • 96% Positiveness
10% Popularity • 53% Danceability • 53% Energy • 24% Liveness
74% Instrumentalness • 96% Positiveness
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Pee Wee Crayton
Do Unto Others
125 bpm • A# Maj • 02:22 • -10db
28% Popularity • 67% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 67% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Amos Milburn
Chicken Shack Boogie
139 bpm • G Maj • 02:50 • -9.63db
17% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
17% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Johnny Kidd & The Pirates
Shakin' All Over
125 bpm • A Maj • 02:21 • -10db
50% Popularity • 77% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
50% Popularity • 77% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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The Flares
Foot Stomping - Pt. 1
125 bpm • G Maj • 02:17 • -6db
19% Popularity • 76% Danceability • 77% Energy • 6% Liveness
17% Instrumentalness • 98% Positiveness
19% Popularity • 76% Danceability • 77% Energy • 6% Liveness
17% Instrumentalness • 98% Positiveness
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The Coasters
Three Cool Cats
125 bpm • F min • 02:11 • -10.18db
40% Popularity • 74% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
40% Popularity • 74% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Bo Diddley
Love Is Strange
125 bpm • E Maj • 02:39 • -9.36db
12% Popularity • 66% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 66% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Huey "Piano" Smith
Don't You Just Know It
139 bpm • A# min • 02:30 • -7db
34% Popularity • 73% Danceability • 81% Energy • 38% Liveness
1% Instrumentalness • 87% Positiveness
34% Popularity • 73% Danceability • 81% Energy • 38% Liveness
1% Instrumentalness • 87% Positiveness
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The Rockin' Rebels
Wild Weekend
125 bpm • D Maj • 02:18 • -6db
28% Popularity • 57% Danceability • 81% Energy • 12% Liveness
55% Instrumentalness • 64% Positiveness
28% Popularity • 57% Danceability • 81% Energy • 12% Liveness
55% Instrumentalness • 64% Positiveness
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LaVern Baker
Hey Memphis
139 bpm • G min • 02:28 • -9.61db
18% Popularity • 59% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 59% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
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Dave Dee, Dozy, Beaky, Mick & Tich
Hold Tight!
125 bpm • E Maj • 02:47 • -3.12db
47% Popularity • 60% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
47% Popularity • 60% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Gene Vincent & His Blue Caps
Ain't She Sweet
125 bpm • D min • 02:29 • -12db
16% Popularity • 62% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 62% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Magic Sam
I Don't Want No Woman
125 bpm • E Maj • 03:38 • -10.23db
12% Popularity • 50% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 50% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Huey "Piano" Smith
Don't You Just Know It
140 bpm • A# min • 02:34 • -3.8db
42% Popularity • 76% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
42% Popularity • 76% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Sam The Sham & The Pharaohs
Wooly Bully
140 bpm • G Maj • 02:21 • -9.38db
54% Popularity • 53% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 53% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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Slim Harpo
I'm Your Bread Maker Baby - Single Versi...
125 bpm • B Maj • 02:33 • -13db
36% Popularity • 84% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 84% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Bill Allen
Please Give Me Something
140 bpm • E Maj • 02:14 • -4.1db
14% Popularity • 61% Danceability • 94% Energy • 60% Liveness
31% Instrumentalness • 96% Positiveness
14% Popularity • 61% Danceability • 94% Energy • 60% Liveness
31% Instrumentalness • 96% Positiveness
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Gene Vincent & His Blue Caps
Cruisin'
124 bpm • G Maj • 02:12 • -8.71db
30% Popularity • 62% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
30% Popularity • 62% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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The Collins Kids
Hoy Hoy
124 bpm • G Maj • 01:59 • -4.78db
22% Popularity • 83% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 83% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Bo Diddley
Down Home Special
124 bpm • C Maj • 03:11 • -7.56db
10% Popularity • 47% Danceability • 97% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 47% Danceability • 97% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
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Duane Eddy
Peter Gunn
124 bpm • A# Maj • 02:30 • -7.32db
47% Popularity • 54% Danceability • 74% Energy • 40% Liveness
89% Instrumentalness • 73% Positiveness
47% Popularity • 54% Danceability • 74% Energy • 40% Liveness
89% Instrumentalness • 73% Positiveness
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Shirley & Lee
Let The Good Times Roll
141 bpm • C# Maj • 02:24 • -7.85db
43% Popularity • 51% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
43% Popularity • 51% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Huey "Piano" Smith
High Blood Pressure
123 bpm • D# Maj • 02:43 • -6.59db
22% Popularity • 67% Danceability • 81% Energy • 3% Liveness
35% Instrumentalness • 98% Positiveness
22% Popularity • 67% Danceability • 81% Energy • 3% Liveness
35% Instrumentalness • 98% Positiveness
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Gene Vincent & His Blue Caps
Jump Back, Honey, Jump Back
124 bpm • C min • 02:00 • -7.1db
24% Popularity • 59% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 59% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Wanda Jackson
Fujiyama Mama - Remastered
141 bpm • D Maj • 02:14 • -8.08db
43% Popularity • 83% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 83% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Bo Diddley
Crackin' Up
124 bpm • E Maj • 02:03 • -13db
26% Popularity • 73% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 94% Positiveness
26% Popularity • 73% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 94% Positiveness
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Duane Eddy
Forty Miles Of Bad Road
124 bpm • C# Maj • 02:04 • -12.17db
21% Popularity • 78% Danceability • 67% Energy • 7% Liveness
77% Instrumentalness • 97% Positiveness
21% Popularity • 78% Danceability • 67% Energy • 7% Liveness
77% Instrumentalness • 97% Positiveness