Songs like Road Song - Edit by Lino Brotto
Based on a tempo of (+/- 10%) and a similar genre
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Lino Brotto
Road Song - Edit
162 bpm • C min • 04:41 • -6.24db
8% Popularity • 41% Danceability • 67% Energy • 10% Liveness
20% Instrumentalness • 69% Positiveness
8% Popularity • 41% Danceability • 67% Energy • 10% Liveness
20% Instrumentalness • 69% Positiveness
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Jeanfrançois Prins
Blue Note Mode
163 bpm • A# Maj • 05:56 • -8.55db
9% Popularity • 42% Danceability • 60% Energy • 12% Liveness
85% Instrumentalness • 51% Positiveness
9% Popularity • 42% Danceability • 60% Energy • 12% Liveness
85% Instrumentalness • 51% Positiveness
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Susanne Alt
Rue Lepic
160 bpm • B min • 05:51 • -8.64db
10% Popularity • 63% Danceability • 56% Energy • 15% Liveness
9% Instrumentalness • 44% Positiveness
10% Popularity • 63% Danceability • 56% Energy • 15% Liveness
9% Instrumentalness • 44% Positiveness
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TPO Big Band 踢霹歐爵士大樂團
港都夜雨
164 bpm • D Maj • 07:57 • -8.04db
11% Popularity • 30% Danceability • 49% Energy • 11% Liveness
11% Instrumentalness • 32% Positiveness
11% Popularity • 30% Danceability • 49% Energy • 11% Liveness
11% Instrumentalness • 32% Positiveness
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Farnell Newton
Groove Easy
160 bpm • A# min • 08:05 • -9.54db
8% Popularity • 49% Danceability • 46% Energy • 9% Liveness
89% Instrumentalness • 64% Positiveness
8% Popularity • 49% Danceability • 46% Energy • 9% Liveness
89% Instrumentalness • 64% Positiveness
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Bruce Saroyan
Enlightenment
165 bpm • C# Maj • 04:53 • -4.82db
19% Popularity • 46% Danceability • 90% Energy • 4% Liveness
4% Instrumentalness • 49% Positiveness
19% Popularity • 46% Danceability • 90% Energy • 4% Liveness
4% Instrumentalness • 49% Positiveness
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Lino Brotto
Chiaro di luna
160 bpm • F min • 04:55 • -8.12db
0% Popularity • 39% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
0% Popularity • 39% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
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YUJIN KIM
Shaking blues
159 bpm • C# Maj • 03:46 • -7db
12% Popularity • 58% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 58% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Wolfgang Lackerschmid
Half The Way
157 bpm • F min • 03:31 • -10db
18% Popularity • 38% Danceability • 48% Energy • 13% Liveness
41% Instrumentalness • 71% Positiveness
18% Popularity • 38% Danceability • 48% Energy • 13% Liveness
41% Instrumentalness • 71% Positiveness
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Gabriele Bianchi
Wasting Time
166 bpm • F min • 05:59 • -10.92db
17% Popularity • 62% Danceability • 48% Energy • 15% Liveness
90% Instrumentalness • 64% Positiveness
17% Popularity • 62% Danceability • 48% Energy • 15% Liveness
90% Instrumentalness • 64% Positiveness
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Armando Luongo
New Lands
167 bpm • F Maj • 05:18 • -13.81db
19% Popularity • 38% Danceability • 40% Energy • 6% Liveness
87% Instrumentalness • 44% Positiveness
19% Popularity • 38% Danceability • 40% Energy • 6% Liveness
87% Instrumentalness • 44% Positiveness
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Joe Locascio
A Haunted House
157 bpm • A Maj • 06:02 • -8.12db
17% Popularity • 39% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
17% Popularity • 39% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Lino Brotto
Italian Boogaloo
160 bpm • C Maj • 03:16 • -12.56db
0% Popularity • 40% Danceability • 52% Energy • 15% Liveness
84% Instrumentalness • 81% Positiveness
0% Popularity • 40% Danceability • 52% Energy • 15% Liveness
84% Instrumentalness • 81% Positiveness
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Yes! Trio
Fivin'
155 bpm • F min • 04:10 • -15.31db
15% Popularity • 63% Danceability • 32% Energy • 9% Liveness
84% Instrumentalness • 89% Positiveness
15% Popularity • 63% Danceability • 32% Energy • 9% Liveness
84% Instrumentalness • 89% Positiveness
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Ferruccio Spinetti
The Look in Your Eyes
155 bpm • G Maj • 04:57 • -13.7db
15% Popularity • 49% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 49% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Makoto Ozone
Mr. Monster
170 bpm • C# Maj • 08:07 • -19.24db
13% Popularity • 45% Danceability • 25% Energy • 7% Liveness
91% Instrumentalness • 44% Positiveness
13% Popularity • 45% Danceability • 25% Energy • 7% Liveness
91% Instrumentalness • 44% Positiveness
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Vladimir Torres
A Gabriel Solo Le Gusta Bailar
171 bpm • D Maj • 05:13 • -12.93db
13% Popularity • 48% Danceability • 37% Energy • 18% Liveness
63% Instrumentalness • 50% Positiveness
13% Popularity • 48% Danceability • 37% Energy • 18% Liveness
63% Instrumentalness • 50% Positiveness
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Rachel Z
These Days - Radio Edit
153 bpm • D Maj • 03:45 • -11.68db
18% Popularity • 36% Danceability • 54% Energy • 19% Liveness
94% Instrumentalness • 41% Positiveness
18% Popularity • 36% Danceability • 54% Energy • 19% Liveness
94% Instrumentalness • 41% Positiveness
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Lino Brotto
Road Song
156 bpm • G min • 05:27 • -10.15db
0% Popularity • 43% Danceability • 57% Energy • 10% Liveness
44% Instrumentalness • 80% Positiveness
0% Popularity • 43% Danceability • 57% Energy • 10% Liveness
44% Instrumentalness • 80% Positiveness
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Tony Glausi
new mantra
172 bpm • G Maj • 06:00 • -19.38db
14% Popularity • 46% Danceability • 22% Energy • 16% Liveness
74% Instrumentalness • 16% Positiveness
14% Popularity • 46% Danceability • 22% Energy • 16% Liveness
74% Instrumentalness • 16% Positiveness
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Francesca Tandoi
Bop Web
153 bpm • F min • 04:07 • -13.98db
15% Popularity • 35% Danceability • 48% Energy • 24% Liveness
91% Instrumentalness • 80% Positiveness
15% Popularity • 35% Danceability • 48% Energy • 24% Liveness
91% Instrumentalness • 80% Positiveness
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Jill McCarron
The Whisperer
152 bpm • C Maj • 06:00 • -10.13db
17% Popularity • 50% Danceability • 45% Energy • 9% Liveness
92% Instrumentalness • 45% Positiveness
17% Popularity • 50% Danceability • 45% Energy • 9% Liveness
92% Instrumentalness • 45% Positiveness
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Matteo Burci
Song for Mary
173 bpm • G Maj • 05:39 • -14.32db
17% Popularity • 32% Danceability • 40% Energy • 15% Liveness
89% Instrumentalness • 52% Positiveness
17% Popularity • 32% Danceability • 40% Energy • 15% Liveness
89% Instrumentalness • 52% Positiveness
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Bruno D'Ambra
Top Geezer
152 bpm • A# Maj • 02:33 • -12.29db
20% Popularity • 45% Danceability • 58% Energy • 10% Liveness
37% Instrumentalness • 58% Positiveness
20% Popularity • 45% Danceability • 58% Energy • 10% Liveness
37% Instrumentalness • 58% Positiveness
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Lino Brotto
A Bossa in Boston
152 bpm • G Maj • 07:37 • -9.43db
0% Popularity • 53% Danceability • 42% Energy • 8% Liveness
3% Instrumentalness • 49% Positiveness
0% Popularity • 53% Danceability • 42% Energy • 8% Liveness
3% Instrumentalness • 49% Positiveness
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Gerard Chumilla
Apricity - Take 2
151 bpm • E min • 06:52 • -11.68db
8% Popularity • 52% Danceability • 33% Energy • 34% Liveness
27% Instrumentalness • 46% Positiveness
8% Popularity • 52% Danceability • 33% Energy • 34% Liveness
27% Instrumentalness • 46% Positiveness
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Philipp Rüttgers
Rounds
175 bpm • G Maj • 03:51 • -13.71db
8% Popularity • 33% Danceability • 59% Energy • 11% Liveness
85% Instrumentalness • 59% Positiveness
8% Popularity • 33% Danceability • 59% Energy • 11% Liveness
85% Instrumentalness • 59% Positiveness
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Alliance
Maiden Voyage
150 bpm • A# Maj • 08:32 • -12.18db
34% Popularity • 44% Danceability • 40% Energy • 6% Liveness
46% Instrumentalness • 23% Positiveness
34% Popularity • 44% Danceability • 40% Energy • 6% Liveness
46% Instrumentalness • 23% Positiveness
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Ramon Valle
Puentes
150 bpm • B min • 05:57 • -14.19db
14% Popularity • 53% Danceability • 45% Energy • 10% Liveness
94% Instrumentalness • 63% Positiveness
14% Popularity • 53% Danceability • 45% Energy • 10% Liveness
94% Instrumentalness • 63% Positiveness
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Itamar Zion
Medea Home
175 bpm • B min • 10:11 • -16.83db
16% Popularity • 42% Danceability • 38% Energy • 27% Liveness
9% Instrumentalness • 37% Positiveness
16% Popularity • 42% Danceability • 38% Energy • 27% Liveness
9% Instrumentalness • 37% Positiveness
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Lino Brotto
Bagnanti
151 bpm • A min • 06:18 • -9.18db
0% Popularity • 44% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 44% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Ruy López Nussa y La Academia
Samurai
175 bpm • C Maj • 03:48 • -9.7db
17% Popularity • 46% Danceability • 70% Energy • 10% Liveness
72% Instrumentalness • 67% Positiveness
17% Popularity • 46% Danceability • 70% Energy • 10% Liveness
72% Instrumentalness • 67% Positiveness
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Marcio Rocha
Blue Hope
149 bpm • G min • 02:25 • -8.11db
4% Popularity • 70% Danceability • 47% Energy • 13% Liveness
52% Instrumentalness • 76% Positiveness
4% Popularity • 70% Danceability • 47% Energy • 13% Liveness
52% Instrumentalness • 76% Positiveness
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Joe Locascio
Artifact
177 bpm • G Maj • 06:06 • -16.33db
16% Popularity • 30% Danceability • 38% Energy • 10% Liveness
86% Instrumentalness • 20% Positiveness
16% Popularity • 30% Danceability • 38% Energy • 10% Liveness
86% Instrumentalness • 20% Positiveness
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Joe Bottle
Mistery at Museum
150 bpm • E Maj • 03:06 • -7.77db
24% Popularity • 52% Danceability • 65% Energy • 7% Liveness
50% Instrumentalness • 28% Positiveness
24% Popularity • 52% Danceability • 65% Energy • 7% Liveness
50% Instrumentalness • 28% Positiveness
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Perico Sambeat
- PERICO & KENNY WHEELER TEMA 5 Part V �...
149 bpm • C Maj • 05:45 • -7.11db
13% Popularity • 39% Danceability • 50% Energy • 73% Liveness
26% Instrumentalness • 38% Positiveness
13% Popularity • 39% Danceability • 50% Energy • 73% Liveness
26% Instrumentalness • 38% Positiveness
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Lisa Hilton
Jagged Lil' Blues
149 bpm • C# Maj • 05:19 • -16.46db
10% Popularity • 52% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 71% Positiveness
10% Popularity • 52% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 71% Positiveness
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Glesnes/Medby Quintet
Snow in June
148 bpm • F Maj • 06:15 • -9.34db
13% Popularity • 33% Danceability • 59% Energy • 11% Liveness
44% Instrumentalness • 17% Positiveness
13% Popularity • 33% Danceability • 59% Energy • 11% Liveness
44% Instrumentalness • 17% Positiveness
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The Derek Nash Acoustic Quartet
You've Got to Dig It to Dig It, You Dig?
148 bpm • C Maj • 05:50 • -9.23db
18% Popularity • 69% Danceability • 50% Energy • 5% Liveness
18% Instrumentalness • 85% Positiveness
18% Popularity • 69% Danceability • 50% Energy • 5% Liveness
18% Instrumentalness • 85% Positiveness
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Matt Carter Octet
Sunny Side
177 bpm • D min • 00:57 • -10.55db
9% Popularity • 45% Danceability • 63% Energy • 48% Liveness
66% Instrumentalness • 65% Positiveness
9% Popularity • 45% Danceability • 63% Energy • 48% Liveness
66% Instrumentalness • 65% Positiveness
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Saori Yano
My Little Suede Shoes
147 bpm • F min • 04:05 • -11.83db
13% Popularity • 71% Danceability • 32% Energy • 10% Liveness
88% Instrumentalness • 55% Positiveness
13% Popularity • 71% Danceability • 32% Energy • 10% Liveness
88% Instrumentalness • 55% Positiveness
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Jill McCarron
The Jody Grind
146 bpm • F min • 04:59 • -8.96db
9% Popularity • 58% Danceability • 52% Energy • 13% Liveness
22% Instrumentalness • 77% Positiveness
9% Popularity • 58% Danceability • 52% Energy • 13% Liveness
22% Instrumentalness • 77% Positiveness
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Cory Weeds
Too Marvelous For Words
148 bpm • C# Maj • 05:47 • -9.62db
13% Popularity • 62% Danceability • 32% Energy • 10% Liveness
40% Instrumentalness • 52% Positiveness
13% Popularity • 62% Danceability • 32% Energy • 10% Liveness
40% Instrumentalness • 52% Positiveness
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Walt Weiskopf
The Blues You Played Last Summer
145 bpm • F min • 05:17 • -8.71db
10% Popularity • 45% Danceability • 63% Energy • 15% Liveness
84% Instrumentalness • 45% Positiveness
10% Popularity • 45% Danceability • 63% Energy • 15% Liveness
84% Instrumentalness • 45% Positiveness
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Josh Lawrence
A Tragic Tango Comedy
145 bpm • A# min • 05:00 • -10.74db
12% Popularity • 59% Danceability • 44% Energy • 10% Liveness
91% Instrumentalness • 52% Positiveness
12% Popularity • 59% Danceability • 44% Energy • 10% Liveness
91% Instrumentalness • 52% Positiveness
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Canadian Jazz Collective
Waltz You Needn't
181 bpm • C# Maj • 06:32 • -13.5db
8% Popularity • 35% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 35% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Elena Jazz
Between the Staff Lines
145 bpm • D# Maj • 01:30 • -10.22db
23% Popularity • 53% Danceability • 35% Energy • 8% Liveness
90% Instrumentalness • 51% Positiveness
23% Popularity • 53% Danceability • 35% Energy • 8% Liveness
90% Instrumentalness • 51% Positiveness
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David Sauzay
Carthage
145 bpm • F min • 06:40 • -8.72db
14% Popularity • 51% Danceability • 49% Energy • 9% Liveness
75% Instrumentalness • 58% Positiveness
14% Popularity • 51% Danceability • 49% Energy • 9% Liveness
75% Instrumentalness • 58% Positiveness
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Hernán Jacinto
Canonblues
182 bpm • G# Maj • 03:29 • -19.72db
14% Popularity • 37% Danceability • 27% Energy • 10% Liveness
94% Instrumentalness • 72% Positiveness
14% Popularity • 37% Danceability • 27% Energy • 10% Liveness
94% Instrumentalness • 72% Positiveness
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Niels Lan Doky
Children's Song
145 bpm • C Maj • 06:28 • -23.75db
19% Popularity • 52% Danceability • 19% Energy • 97% Liveness
84% Instrumentalness • 30% Positiveness
19% Popularity • 52% Danceability • 19% Energy • 97% Liveness
84% Instrumentalness • 30% Positiveness
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Ramon Valle
A Cuban Lost
144 bpm • A Maj • 05:37 • -12.89db
9% Popularity • 57% Danceability • 50% Energy • 16% Liveness
87% Instrumentalness • 76% Positiveness
9% Popularity • 57% Danceability • 50% Energy • 16% Liveness
87% Instrumentalness • 76% Positiveness
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Klas Lindquist Nonet
Joey
144 bpm • G# Maj • 07:03 • -7.75db
8% Popularity • 45% Danceability • 46% Energy • 12% Liveness
85% Instrumentalness • 56% Positiveness
8% Popularity • 45% Danceability • 46% Energy • 12% Liveness
85% Instrumentalness • 56% Positiveness
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Joel Haynes
Payback
144 bpm • D# Maj • 04:40 • -9.95db
7% Popularity • 52% Danceability • 54% Energy • 17% Liveness
84% Instrumentalness • 69% Positiveness
7% Popularity • 52% Danceability • 54% Energy • 17% Liveness
84% Instrumentalness • 69% Positiveness
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Ova Wunsch
All Me
144 bpm • A# min • 03:19 • -12.7db
27% Popularity • 65% Danceability • 33% Energy • 14% Liveness
82% Instrumentalness • 73% Positiveness
27% Popularity • 65% Danceability • 33% Energy • 14% Liveness
82% Instrumentalness • 73% Positiveness
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Monty Alexander
Oh Why
143 bpm • D Maj • 06:39 • -15.11db
19% Popularity • 50% Danceability • 29% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
19% Popularity • 50% Danceability • 29% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Doug Webb
Steak Sauce
143 bpm • F min • 05:26 • -11.46db
16% Popularity • 60% Danceability • 47% Energy • 11% Liveness
85% Instrumentalness • 66% Positiveness
16% Popularity • 60% Danceability • 47% Energy • 11% Liveness
85% Instrumentalness • 66% Positiveness
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Carl Bagge
Bill
185 bpm • C# Maj • 04:26 • -16.9db
15% Popularity • 36% Danceability • 28% Energy • 8% Liveness
86% Instrumentalness • 31% Positiveness
15% Popularity • 36% Danceability • 28% Energy • 8% Liveness
86% Instrumentalness • 31% Positiveness
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Julio Remersaro
Bossa_Shopping
143 bpm • C# Maj • 00:54 • -18.09db
7% Popularity • 56% Danceability • 37% Energy • 7% Liveness
72% Instrumentalness • 80% Positiveness
7% Popularity • 56% Danceability • 37% Energy • 7% Liveness
72% Instrumentalness • 80% Positiveness
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Suzan Veneman
Sunbathing
142 bpm • G Maj • 05:33 • -15.01db
8% Popularity • 60% Danceability • 22% Energy • 8% Liveness
68% Instrumentalness • 55% Positiveness
8% Popularity • 60% Danceability • 22% Energy • 8% Liveness
68% Instrumentalness • 55% Positiveness
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Travel Collective
RAIN IN SEOUL
141 bpm • C Maj • 05:19 • -9.5db
5% Popularity • 60% Danceability • 50% Energy • 14% Liveness
80% Instrumentalness • 34% Positiveness
5% Popularity • 60% Danceability • 50% Energy • 14% Liveness
80% Instrumentalness • 34% Positiveness
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Arne Torvik Trio
Geert
141 bpm • G# Maj • 06:41 • -13.83db
12% Popularity • 55% Danceability • 43% Energy • 11% Liveness
92% Instrumentalness • 45% Positiveness
12% Popularity • 55% Danceability • 43% Energy • 11% Liveness
92% Instrumentalness • 45% Positiveness
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Jean Vernheres
Haumea city
141 bpm • G# min • 05:31 • -16.05db
19% Popularity • 44% Danceability • 30% Energy • 21% Liveness
64% Instrumentalness • 19% Positiveness
19% Popularity • 44% Danceability • 30% Energy • 21% Liveness
64% Instrumentalness • 19% Positiveness
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Baptiste Herbin
Go Khla Yeh
141 bpm • A# min • 04:01 • -8.49db
11% Popularity • 46% Danceability • 65% Energy • 13% Liveness
66% Instrumentalness • 53% Positiveness
11% Popularity • 46% Danceability • 65% Energy • 13% Liveness
66% Instrumentalness • 53% Positiveness
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Jun Iida
Forgotten Memories
140 bpm • G min • 06:30 • -13.55db
8% Popularity • 47% Danceability • 35% Energy • 8% Liveness
86% Instrumentalness • 22% Positiveness
8% Popularity • 47% Danceability • 35% Energy • 8% Liveness
86% Instrumentalness • 22% Positiveness
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Klas Lindquist Nonet
Dream
140 bpm • C Maj • 04:12 • -10.17db
9% Popularity • 41% Danceability • 40% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
9% Popularity • 41% Danceability • 40% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
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Lino Brotto
Parla più piano
140 bpm • F min • 05:50 • -15.13db
0% Popularity • 52% Danceability • 36% Energy • 10% Liveness
66% Instrumentalness • 42% Positiveness
0% Popularity • 52% Danceability • 36% Energy • 10% Liveness
66% Instrumentalness • 42% Positiveness
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Gigi Sella
Albert
140 bpm • C Maj • 03:52 • -9.8db
8% Popularity • 52% Danceability • 48% Energy • 2% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 52% Danceability • 48% Energy • 2% Liveness
0% Instrumentalness • 76% Positiveness
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Thom Rotella
OddBall
140 bpm • C Maj • 03:28 • -9.05db
18% Popularity • 77% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 65% Positiveness
18% Popularity • 77% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 65% Positiveness
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Brilliant Success
おぼろげな歓喜
188 bpm • F min • 01:41 • -15.85db
15% Popularity • 29% Danceability • 61% Energy • 11% Liveness
96% Instrumentalness • 66% Positiveness
15% Popularity • 29% Danceability • 61% Energy • 11% Liveness
96% Instrumentalness • 66% Positiveness
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Kaira
Weight of Scales
139 bpm • F# Maj • 09:47 • -10.96db
9% Popularity • 57% Danceability • 39% Energy • 11% Liveness
72% Instrumentalness • 35% Positiveness
9% Popularity • 57% Danceability • 39% Energy • 11% Liveness
72% Instrumentalness • 35% Positiveness
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SFJAZZ Collective
Witness But Not Measured
139 bpm • A# min • 06:05 • -10.58db
11% Popularity • 48% Danceability • 46% Energy • 20% Liveness
88% Instrumentalness • 34% Positiveness
11% Popularity • 48% Danceability • 46% Energy • 20% Liveness
88% Instrumentalness • 34% Positiveness
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Lino Brotto
E la chiamano estate
140 bpm • G# Maj • 06:48 • -17.21db
0% Popularity • 49% Danceability • 20% Energy • 10% Liveness
72% Instrumentalness • 22% Positiveness
0% Popularity • 49% Danceability • 20% Energy • 10% Liveness
72% Instrumentalness • 22% Positiveness
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Sebastián Chames
Reconstrucción
139 bpm • C min • 06:27 • -9.31db
7% Popularity • 53% Danceability • 54% Energy • 9% Liveness
79% Instrumentalness • 55% Positiveness
7% Popularity • 53% Danceability • 54% Energy • 9% Liveness
79% Instrumentalness • 55% Positiveness
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Marcelo Bucater
After the Storm
139 bpm • D Maj • 06:54 • -11.44db
7% Popularity • 42% Danceability • 47% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
7% Popularity • 42% Danceability • 47% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
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Anthony D'Alessandro
Outbreak
139 bpm • G Maj • 05:07 • -9.57db
13% Popularity • 56% Danceability • 50% Energy • 17% Liveness
89% Instrumentalness • 52% Positiveness
13% Popularity • 56% Danceability • 50% Energy • 17% Liveness
89% Instrumentalness • 52% Positiveness
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Kathrine Windfeld
First Speech
139 bpm • C min • 07:18 • -11.36db
9% Popularity • 32% Danceability • 40% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
9% Popularity • 32% Danceability • 40% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
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Tsuyoshi Yamamoto
The Breeze and I
139 bpm • C Maj • 06:20 • -12.85db
7% Popularity • 53% Danceability • 34% Energy • 8% Liveness
29% Instrumentalness • 44% Positiveness
7% Popularity • 53% Danceability • 34% Energy • 8% Liveness
29% Instrumentalness • 44% Positiveness
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Lino Brotto
Landscape
139 bpm • E min • 09:42 • -10.25db
0% Popularity • 47% Danceability • 45% Energy • 11% Liveness
12% Instrumentalness • 12% Positiveness
0% Popularity • 47% Danceability • 45% Energy • 11% Liveness
12% Instrumentalness • 12% Positiveness
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Vincent Herring
Piccadilly Square
139 bpm • G min • 04:58 • -10.96db
9% Popularity • 51% Danceability • 41% Energy • 6% Liveness
29% Instrumentalness • 55% Positiveness
9% Popularity • 51% Danceability • 41% Energy • 6% Liveness
29% Instrumentalness • 55% Positiveness
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Nye Banfield
Pocket Tissue Blues
138 bpm • A Maj • 05:32 • -11.39db
13% Popularity • 50% Danceability • 48% Energy • 8% Liveness
32% Instrumentalness • 25% Positiveness
13% Popularity • 50% Danceability • 48% Energy • 8% Liveness
32% Instrumentalness • 25% Positiveness
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Tobias Meinhart
White Bear
139 bpm • A min • 08:02 • -12.92db
7% Popularity • 45% Danceability • 45% Energy • 10% Liveness
78% Instrumentalness • 52% Positiveness
7% Popularity • 45% Danceability • 45% Energy • 10% Liveness
78% Instrumentalness • 52% Positiveness
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Mathias Sandberg
Chicken Special
199 bpm • F min • 03:11 • -11.64db
15% Popularity • 52% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 75% Positiveness
15% Popularity • 52% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 75% Positiveness
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Fabrice Tarel
Suite for Freedom-, Pt. IV
200 bpm • F# min • 06:00 • -13.23db
7% Popularity • 22% Danceability • 42% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
7% Popularity • 22% Danceability • 42% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
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Nicholas Krolak
3
199 bpm • E Maj • 10:04 • -10.37db
12% Popularity • 32% Danceability • 56% Energy • 70% Liveness
84% Instrumentalness • 32% Positiveness
12% Popularity • 32% Danceability • 56% Energy • 70% Liveness
84% Instrumentalness • 32% Positiveness
