Songs like Robert le Diable, Act I: Scène du Jeu. Quinze ! by Giacomo Meyerbeer
Based on a tempo of (+/- 10%) and a similar genre
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Robert Schumann
Symphony No. 4 In D Minor, Op. 120: 3. S...
63 bpm • A# Maj • 05:51 • -21.17db
11% Popularity • 23% Danceability • 6% Energy • 16% Liveness
93% Instrumentalness • 24% Positiveness
11% Popularity • 23% Danceability • 6% Energy • 16% Liveness
93% Instrumentalness • 24% Positiveness
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Giacomo Meyerbeer
Robert le Diable, Act I: Scène du Jeu. ...
63 bpm • G min • 04:41 • -16db
2% Popularity • 37% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
2% Popularity • 37% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Francois-Joseph Gossec
Grande Messe des Morts: Introduzione: Gr...
64 bpm • C Maj • 05:02 • -27.93db
12% Popularity • 6% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
12% Popularity • 6% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
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Richard Wagner
Wagner: Lohengrin: "Mein lieber Schwan" ...
62 bpm • G Maj • 05:49 • -18.49db
32% Popularity • 19% Danceability • 13% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 13% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Stabat Mater, Op. 58, B.71: 3. Coro "Eia...
64 bpm • C min • 07:49 • -19.74db
10% Popularity • 6% Danceability • 9% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
10% Popularity • 6% Danceability • 9% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Piano Concerto No. 2 in G ...
64 bpm • D# Maj • 05:34 • -22db
22% Popularity • 32% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 30% Positiveness
22% Popularity • 32% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 30% Positiveness
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Henryk Wieniawski
Violin Concerto No. 1 in F Sharp Minor, ...
65 bpm • A Maj • 05:20 • -29.15db
12% Popularity • 6% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
12% Popularity • 6% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Giacomo Meyerbeer
Robert le Diable, Act I: Ballade et Réc...
63 bpm • C Maj • 06:18 • -20db
3% Popularity • 33% Danceability • 23% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
3% Popularity • 33% Danceability • 23% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
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Robert Schumann
Myrthen, Op. 25: No. 3. Der Nussbaum
65 bpm • G Maj • 03:32 • -28.2db
31% Popularity • 32% Danceability • 1% Energy • 9% Liveness
8% Instrumentalness • 13% Positiveness
31% Popularity • 32% Danceability • 1% Energy • 9% Liveness
8% Instrumentalness • 13% Positiveness
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Richard Strauss
4 Letzte Lieder, TrV 296: No. 3, Beim Sc...
66 bpm • C# Maj • 05:40 • -24.57db
15% Popularity • 9% Danceability • 5% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 5% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
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Paul Wranitzky
Das Waldmädchen: No. 10, Larghetto
66 bpm • D# Maj • 01:20 • -27.12db
25% Popularity • 29% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
25% Popularity • 29% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
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Camille Saint-Saëns
Piano Concerto No. 2 in G Minor, Op. 22,...
60 bpm • D# Maj • 05:51 • -27.09db
18% Popularity • 27% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 28% Positiveness
18% Popularity • 27% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 28% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
67 bpm • E Maj • 06:20 • -23.84db
14% Popularity • 9% Danceability • 3% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
14% Popularity • 9% Danceability • 3% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
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Giacomo Meyerbeer
Meyerbeer: Les Huguenots, Act 2: "Ô bea...
66 bpm • G Maj • 12:54 • -20.11db
3% Popularity • 26% Danceability • 11% Energy • 9% Liveness
3% Instrumentalness • 7% Positiveness
3% Popularity • 26% Danceability • 11% Energy • 9% Liveness
3% Instrumentalness • 7% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
68 bpm • C Maj • 09:52 • -19db
36% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
36% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
69 bpm • F# Maj • 02:03 • -36.26db
35% Popularity • 16% Danceability • 1% Energy • 77% Liveness
95% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 1% Energy • 77% Liveness
95% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
69 bpm • C Maj • 04:00 • -19.41db
25% Popularity • 17% Danceability • 27% Energy • 11% Liveness
50% Instrumentalness • 6% Positiveness
25% Popularity • 17% Danceability • 27% Energy • 11% Liveness
50% Instrumentalness • 6% Positiveness
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Antonín Dvořák
Piano Quintet In A, Op. 81, B. 155: 3. S...
70 bpm • A Maj • 04:13 • -23.86db
22% Popularity • 22% Danceability • 5% Energy • 25% Liveness
66% Instrumentalness • 23% Positiveness
22% Popularity • 22% Danceability • 5% Energy • 25% Liveness
66% Instrumentalness • 23% Positiveness
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Paul Wranitzky
Divertissement, Vorstellungen 1803: Intr...
70 bpm • A Maj • 00:59 • -19db
21% Popularity • 27% Danceability • 3% Energy • 16% Liveness
86% Instrumentalness • 6% Positiveness
21% Popularity • 27% Danceability • 3% Energy • 16% Liveness
86% Instrumentalness • 6% Positiveness
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Giacomo Meyerbeer
Robert le diable, Act 1: "Jadis régnait...
60 bpm • C Maj • 02:45 • -21.97db
1% Popularity • 44% Danceability • 15% Energy • 62% Liveness
0% Instrumentalness • 39% Positiveness
1% Popularity • 44% Danceability • 15% Energy • 62% Liveness
0% Instrumentalness • 39% Positiveness
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Gaetano Donizetti
Sinfonia concertante in D Major: Symphon...
71 bpm • D Maj • 08:59 • -24.22db
9% Popularity • 34% Danceability • 5% Energy • 11% Liveness
76% Instrumentalness • 18% Positiveness
9% Popularity • 34% Danceability • 5% Energy • 11% Liveness
76% Instrumentalness • 18% Positiveness
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Richard Wagner
Tannhäuser - Paris Version / Act III: O...
71 bpm • G Maj • 03:00 • -31.49db
31% Popularity • 19% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
31% Popularity • 19% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: "Act III, Scene 1, Or...
71 bpm • G Maj • 04:28 • -22.23db
36% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
36% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
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Franz Liszt
Piano Concerto No. 1 in E Flat Major, S....
71 bpm • D# Maj • 04:02 • -19.55db
25% Popularity • 28% Danceability • 25% Energy • 31% Liveness
79% Instrumentalness • 15% Positiveness
25% Popularity • 28% Danceability • 25% Energy • 31% Liveness
79% Instrumentalness • 15% Positiveness
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Johannes Brahms
Brahms: Violin Concerto in D Major, Op. ...
72 bpm • F Maj • 10:08 • -22db
29% Popularity • 10% Danceability • 16% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
29% Popularity • 10% Danceability • 16% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
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Giacomo Meyerbeer
Das Brandenburger Tor: Einleitung
59 bpm • G Maj • 03:27 • -29db
4% Popularity • 20% Danceability • 3% Energy • 8% Liveness
76% Instrumentalness • 10% Positiveness
4% Popularity • 20% Danceability • 3% Energy • 8% Liveness
76% Instrumentalness • 10% Positiveness
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George Frideric Handel
Giulio Cesare / Act 2: "V'adoro, pupille...
72 bpm • E Maj • 04:52 • -17db
27% Popularity • 26% Danceability • 14% Energy • 30% Liveness
1% Instrumentalness • 10% Positiveness
27% Popularity • 26% Danceability • 14% Energy • 30% Liveness
1% Instrumentalness • 10% Positiveness
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Johann Nepomuk Hummel
Adagio, Theme and Variations in F for Ob...
74 bpm • F Maj • 01:06 • -26db
28% Popularity • 32% Danceability • 2% Energy • 28% Liveness
87% Instrumentalness • 73% Positiveness
28% Popularity • 32% Danceability • 2% Energy • 28% Liveness
87% Instrumentalness • 73% Positiveness
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Georges Bizet
Carmen Suite No. 1: 3. Intermezzo
74 bpm • A# Maj • 02:33 • -30db
34% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
34% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
74 bpm • F Maj • 01:15 • -18db
19% Popularity • 34% Danceability • 10% Energy • 18% Liveness
93% Instrumentalness • 27% Positiveness
19% Popularity • 34% Danceability • 10% Energy • 18% Liveness
93% Instrumentalness • 27% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: II. A...
73 bpm • C Maj • 07:56 • -25.32db
20% Popularity • 11% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
20% Popularity • 11% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Giacomo Meyerbeer
Meyerbeer: Il crociato in Egitto: "Suona...
55 bpm • F Maj • 07:57 • -21.04db
13% Popularity • 19% Danceability • 12% Energy • 10% Liveness
37% Instrumentalness • 10% Positiveness
13% Popularity • 19% Danceability • 12% Energy • 10% Liveness
37% Instrumentalness • 10% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Act II, Scene 2, Ball...
74 bpm • C Maj • 02:05 • -33db
28% Popularity • 7% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
28% Popularity • 7% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
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George Frideric Handel
Julius Caesar, HWV 17, Act III Scene 1: ...
72 bpm • E Maj • 06:50 • -27db
38% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Anton Bruckner
Symphony No. 7 in E Major, WAB 107 (Ed. ...
74 bpm • F Maj • 10:11 • -15db
25% Popularity • 20% Danceability • 16% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
25% Popularity • 20% Danceability • 16% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act III: Treulich gef...
74 bpm • A# Maj • 05:08 • -32.9db
22% Popularity • 8% Danceability • 2% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
22% Popularity • 8% Danceability • 2% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
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Johannes Brahms
Variations on a Theme by Haydn, Op. 56a:...
73 bpm • A# Maj • 02:15 • -28.13db
10% Popularity • 21% Danceability • 2% Energy • 14% Liveness
90% Instrumentalness • 21% Positiveness
10% Popularity • 21% Danceability • 2% Energy • 14% Liveness
90% Instrumentalness • 21% Positiveness
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Giacomo Meyerbeer
Robert le diable, Act 3: Baccanale
73 bpm • D Maj • 04:01 • -20.69db
1% Popularity • 37% Danceability • 18% Energy • 71% Liveness
40% Instrumentalness • 32% Positiveness
1% Popularity • 37% Danceability • 18% Energy • 71% Liveness
40% Instrumentalness • 32% Positiveness
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Giovanni Battista Viotti
Violin Concerto No. 23 in G Major, G. 98...
74 bpm • E Maj • 05:50 • -29db
13% Popularity • 8% Danceability • 3% Energy • 11% Liveness
38% Instrumentalness • 4% Positiveness
13% Popularity • 8% Danceability • 3% Energy • 11% Liveness
38% Instrumentalness • 4% Positiveness
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Franz Schubert
Schubert: Rosamunde, Op. 26, D. 797: Bal...
75 bpm • G Maj • 07:39 • -23.66db
18% Popularity • 41% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 41% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
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Gioachino Rossini
La Cenerentola: Overture (Sinfonia)
74 bpm • D# Maj • 07:46 • -26.58db
15% Popularity • 31% Danceability • 8% Energy • 18% Liveness
4% Instrumentalness • 22% Positiveness
15% Popularity • 31% Danceability • 8% Energy • 18% Liveness
4% Instrumentalness • 22% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Piano Concerto No. 5 in F ...
76 bpm • C Maj • 05:56 • -14.35db
20% Popularity • 35% Danceability • 36% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
20% Popularity • 35% Danceability • 36% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
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Johannes Brahms
Variations on a Theme by Haydn, Op. 56a,...
76 bpm • A# Maj • 02:08 • -25.03db
39% Popularity • 31% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 16% Positiveness
39% Popularity • 31% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 16% Positiveness
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Giacomo Meyerbeer
Robert le diable, Act 1: "Courage! Ta no...
68 bpm • A# Maj • 02:13 • -21.13db
1% Popularity • 46% Danceability • 23% Energy • 60% Liveness
0% Instrumentalness • 37% Positiveness
1% Popularity • 46% Danceability • 23% Energy • 60% Liveness
0% Instrumentalness • 37% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 7 in A Major, Op...
76 bpm • D Maj • 08:28 • -20.11db
26% Popularity • 24% Danceability • 18% Energy • 10% Liveness
82% Instrumentalness • 24% Positiveness
26% Popularity • 24% Danceability • 18% Energy • 10% Liveness
82% Instrumentalness • 24% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Overtura
76 bpm • G Maj • 02:46 • -21.6db
25% Popularity • 46% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
25% Popularity • 46% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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Georges Bizet
L’arlésienne Suite No. 2 (Arr. E. Gui...
76 bpm • D# Maj • 04:11 • -33.32db
31% Popularity • 16% Danceability • 1% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
31% Popularity • 16% Danceability • 1% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
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Camille Saint-Saëns
Étienne Marcel, R. 209, Act III, The Ni...
77 bpm • A# Maj • 02:08 • -26.38db
12% Popularity • 17% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
12% Popularity • 17% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • E min • 02:25 • -21.62db
30% Popularity • 19% Danceability • 14% Energy • 18% Liveness
95% Instrumentalness • 8% Positiveness
30% Popularity • 19% Danceability • 14% Energy • 18% Liveness
95% Instrumentalness • 8% Positiveness
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Giacomo Meyerbeer
Robert le diable, Act 2: "Oui! dans ces ...
77 bpm • A# Maj • 01:31 • -26.95db
0% Popularity • 45% Danceability • 9% Energy • 76% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 45% Danceability • 9% Energy • 76% Liveness
0% Instrumentalness • 23% Positiveness
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Ludwig van Beethoven
I. Kyrie
77 bpm • D Maj • 09:56 • -23.3db
27% Popularity • 10% Danceability • 6% Energy • 10% Liveness
43% Instrumentalness • 4% Positiveness
27% Popularity • 10% Danceability • 6% Energy • 10% Liveness
43% Instrumentalness • 4% Positiveness
► Preview
Leoš Janáček
Jenufa / Act 2: Co chvila ... co chvila
77 bpm • B Maj • 03:47 • -15db
31% Popularity • 21% Danceability • 19% Energy • 64% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 21% Danceability • 19% Energy • 64% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Georges Bizet
Bizet: Suite No. 1 de L'Arlésienne, Op....
78 bpm • F Maj • 03:00 • -36db
20% Popularity • 7% Danceability • 0% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
20% Popularity • 7% Danceability • 0% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Franz Schubert
Symphony No. 5 in B-Flat Major, D. 485: ...
78 bpm • A# Maj • 05:58 • -17.95db
18% Popularity • 23% Danceability • 17% Energy • 72% Liveness
83% Instrumentalness • 33% Positiveness
18% Popularity • 23% Danceability • 17% Energy • 72% Liveness
83% Instrumentalness • 33% Positiveness
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Johannes Brahms
Academic Festival Overture, Op. 80
77 bpm • C Maj • 09:23 • -13db
28% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
28% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
► Preview
Giacomo Meyerbeer
Robert le Diable, Act IV: Cavatine. Robe...
78 bpm • F min • 07:02 • -22.52db
1% Popularity • 21% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 21% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Antonio Salieri
Sinfonia in D Major, "La Veneziana": II....
78 bpm • G Maj • 03:57 • -24db
30% Popularity • 17% Danceability • 5% Energy • 12% Liveness
44% Instrumentalness • 7% Positiveness
30% Popularity • 17% Danceability • 5% Energy • 12% Liveness
44% Instrumentalness • 7% Positiveness
► Preview
Edvard Grieg
Holberg Suite, Op. 40: III. Gavotte (All...
78 bpm • G Maj • 03:31 • -21.35db
28% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
28% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
► Preview
Alexander Glazunov
Scènes de ballet, Op. 52: VI. Danse Ori...
78 bpm • G# Maj • 02:40 • -29.43db
17% Popularity • 11% Danceability • 3% Energy • 9% Liveness
65% Instrumentalness • 21% Positiveness
17% Popularity • 11% Danceability • 3% Energy • 9% Liveness
65% Instrumentalness • 21% Positiveness
► Preview
Antonín Dvořák
Serenade for Strings in E Major, Op. 22,...
78 bpm • E Maj • 04:56 • -25db
21% Popularity • 14% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
21% Popularity • 14% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Symphony No. 1 in C Major, Op...
78 bpm • C Maj • 05:43 • -19.19db
30% Popularity • 43% Danceability • 22% Energy • 12% Liveness
56% Instrumentalness • 33% Positiveness
30% Popularity • 43% Danceability • 22% Energy • 12% Liveness
56% Instrumentalness • 33% Positiveness
► Preview
Giacomo Meyerbeer
Der Fischer und das Milchmädchen: XIX. ...
68 bpm • G Maj • 02:19 • -20db
22% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
22% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
► Preview
Domenico Cimarosa
Symphony for Flute, Oboe, Horn and Strin...
78 bpm • D Maj • 02:10 • -23db
36% Popularity • 45% Danceability • 8% Energy • 19% Liveness
84% Instrumentalness • 39% Positiveness
36% Popularity • 45% Danceability • 8% Energy • 19% Liveness
84% Instrumentalness • 39% Positiveness
► Preview
Franz Liszt
Piano Concerto No. 2 in A Major, S. 125:...
78 bpm • G# Maj • 08:19 • -20db
27% Popularity • 22% Danceability • 13% Energy • 36% Liveness
72% Instrumentalness • 4% Positiveness
27% Popularity • 22% Danceability • 13% Energy • 36% Liveness
72% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Concerto for Oboe and Small Orchestra in...
79 bpm • A# Maj • 08:52 • -19.97db
15% Popularity • 14% Danceability • 9% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 9% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Antonín Dvořák
8 Slavonic Dances, Op. 72, B. 147: 1. Od...
78 bpm • F# min • 04:13 • -11db
19% Popularity • 22% Danceability • 31% Energy • 7% Liveness
86% Instrumentalness • 30% Positiveness
19% Popularity • 22% Danceability • 31% Energy • 7% Liveness
86% Instrumentalness • 30% Positiveness
► Preview
Ludwig van Beethoven
Mass in D Major, Op. 123 "Missa Solemnis...
79 bpm • D Maj • 08:49 • -19.15db
21% Popularity • 12% Danceability • 12% Energy • 12% Liveness
57% Instrumentalness • 4% Positiveness
21% Popularity • 12% Danceability • 12% Energy • 12% Liveness
57% Instrumentalness • 4% Positiveness
► Preview
Giacomo Meyerbeer
Robert le diable, Act 3: "Il est à nous...
79 bpm • D Maj • 01:06 • -16.38db
0% Popularity • 51% Danceability • 50% Energy • 68% Liveness
9% Instrumentalness • 15% Positiveness
0% Popularity • 51% Danceability • 50% Energy • 68% Liveness
9% Instrumentalness • 15% Positiveness
► Preview
Peter Warlock
Capriol Suite: II. Pavane
80 bpm • D min • 01:59 • -25.37db
13% Popularity • 14% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
13% Popularity • 14% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Franz Berwald
Symphony No. 4 in E-Flat Major, "Sinfoni...
80 bpm • D Maj • 07:52 • -22.71db
3% Popularity • 9% Danceability • 3% Energy • 19% Liveness
27% Instrumentalness • 5% Positiveness
3% Popularity • 9% Danceability • 3% Energy • 19% Liveness
27% Instrumentalness • 5% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
80 bpm • E min • 01:17 • -19db
37% Popularity • 35% Danceability • 36% Energy • 12% Liveness
81% Instrumentalness • 49% Positiveness
37% Popularity • 35% Danceability • 36% Energy • 12% Liveness
81% Instrumentalness • 49% Positiveness
► Preview
Léo Delibes
Coppelia Ballet Suite: Notturno
80 bpm • G Maj • 02:04 • -34.96db
23% Popularity • 34% Danceability • 0% Energy • 6% Liveness
2% Instrumentalness • 4% Positiveness
23% Popularity • 34% Danceability • 0% Energy • 6% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Hector Berlioz
Roman Carnaval, Op. 9, H. 95: Le carnava...
80 bpm • A Maj • 08:39 • -21db
10% Popularity • 16% Danceability • 18% Energy • 26% Liveness
53% Instrumentalness • 5% Positiveness
10% Popularity • 16% Danceability • 18% Energy • 26% Liveness
53% Instrumentalness • 5% Positiveness
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Giacomo Meyerbeer
Les Huguenots / Act 1: En ce chateau ......
70 bpm • A# Maj • 03:49 • -19.09db
1% Popularity • 36% Danceability • 10% Energy • 5% Liveness
0% Instrumentalness • 11% Positiveness
1% Popularity • 36% Danceability • 10% Energy • 5% Liveness
0% Instrumentalness • 11% Positiveness
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Joseph Haydn
Symphony No. 104 in D Major, Hob.I:104, ...
80 bpm • G Maj • 09:29 • -21.67db
6% Popularity • 21% Danceability • 2% Energy • 19% Liveness
29% Instrumentalness • 4% Positiveness
6% Popularity • 21% Danceability • 2% Energy • 19% Liveness
29% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Piano Concerto No. 1 in G Minor, Op. 25,...
80 bpm • G# Maj • 07:23 • -19db
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 4 in F Minor, Op. 36: IV. F...
80 bpm • F min • 08:37 • -14.33db
23% Popularity • 26% Danceability • 41% Energy • 39% Liveness
88% Instrumentalness • 9% Positiveness
23% Popularity • 26% Danceability • 41% Energy • 39% Liveness
88% Instrumentalness • 9% Positiveness
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Mikhail Glinka
Ruslan and Ludmila: Overture
81 bpm • F Maj • 05:05 • -16.6db
22% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
22% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Hector Berlioz
La damnation de Faust, Op. 24, Part II: ...
80 bpm • D Maj • 02:22 • -36.64db
39% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
39% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
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Giacomo Meyerbeer
Les Huguenots / Act 1: Sous ce beau ciel...
80 bpm • G# Maj • 01:39 • -21.01db
1% Popularity • 38% Danceability • 14% Energy • 47% Liveness
0% Instrumentalness • 40% Positiveness
1% Popularity • 38% Danceability • 14% Energy • 47% Liveness
0% Instrumentalness • 40% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
81 bpm • C Maj • 06:23 • -20db
31% Popularity • 51% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
31% Popularity • 51% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
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Gabriel Fauré
Masques et Bergamasques, suite, Op.112: ...
81 bpm • F Maj • 02:35 • -19.93db
12% Popularity • 33% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 17% Positiveness
12% Popularity • 33% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 17% Positiveness
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Pyotr Ilyich Tchaikovsky
Violin Concerto In D, Op. 35, TH. 59: 3....
81 bpm • D Maj • 10:19 • -20db
28% Popularity • 39% Danceability • 16% Energy • 14% Liveness
25% Instrumentalness • 25% Positiveness
28% Popularity • 39% Danceability • 16% Energy • 14% Liveness
25% Instrumentalness • 25% Positiveness
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Franz Schubert
Symphony No. 5 in B-Flat Major, D. 485: ...
81 bpm • D# Maj • 09:32 • -26.22db
33% Popularity • 8% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
33% Popularity • 8% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Felix Mendelssohn
Violin Concerto In E Minor, Op. 64, MWV ...
81 bpm • E Maj • 06:14 • -22.23db
19% Popularity • 33% Danceability • 16% Energy • 17% Liveness
15% Instrumentalness • 37% Positiveness
19% Popularity • 33% Danceability • 16% Energy • 17% Liveness
15% Instrumentalness • 37% Positiveness
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Giacomo Meyerbeer
Les Huguenots / Act 1: Bonheur de la tab...
70 bpm • C Maj • 03:38 • -10.78db
2% Popularity • 39% Danceability • 57% Energy • 64% Liveness
86% Instrumentalness • 51% Positiveness
2% Popularity • 39% Danceability • 57% Energy • 64% Liveness
86% Instrumentalness • 51% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 12. Anda...
82 bpm • A# Maj • 03:29 • -29db
32% Popularity • 19% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
32% Popularity • 19% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
► Preview
Hector Berlioz
Harold en Italie, Op. 16: 2. Marche des ...
82 bpm • E Maj • 08:28 • -29.64db
7% Popularity • 20% Danceability • 2% Energy • 10% Liveness
60% Instrumentalness • 7% Positiveness
7% Popularity • 20% Danceability • 2% Energy • 10% Liveness
60% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir de Florence, Op. 70 TH 118: III...
82 bpm • D min • 06:27 • -17db
12% Popularity • 46% Danceability • 23% Energy • 13% Liveness
85% Instrumentalness • 24% Positiveness
12% Popularity • 46% Danceability • 23% Energy • 13% Liveness
85% Instrumentalness • 24% Positiveness
► Preview
John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Gabriel Fauré
Pelléas et Mélisande, Op. 80: 6. Molto...
82 bpm • D min • 04:37 • -22.81db
18% Popularity • 8% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
18% Popularity • 8% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Giacomo Meyerbeer
Robert le diable, Act 3: "Si j'aurai ce ...
71 bpm • D Maj • 04:32 • -18.79db
0% Popularity • 32% Danceability • 31% Energy • 71% Liveness
10% Instrumentalness • 35% Positiveness
0% Popularity • 32% Danceability • 31% Energy • 71% Liveness
10% Instrumentalness • 35% Positiveness
► Preview
Léo Delibes
Le roi s'amuse: Madrigal
82 bpm • A Maj • 01:41 • -31db
41% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
41% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
► Preview
Franz Schubert
Piano Quintet in A Major, D. 667, Op. 11...
82 bpm • A Maj • 06:18 • -20.02db
17% Popularity • 52% Danceability • 8% Energy • 7% Liveness
88% Instrumentalness • 33% Positiveness
17% Popularity • 52% Danceability • 8% Energy • 7% Liveness
88% Instrumentalness • 33% Positiveness
► Preview
Felix Mendelssohn
Mendelssohn: Violin Concerto in E Minor,...
82 bpm • C Maj • 08:13 • -24.23db
19% Popularity • 10% Danceability • 9% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
19% Popularity • 10% Danceability • 9% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
Georges Bizet
Scènes bohémiennes la jolie fille de p...
83 bpm • B min • 03:02 • -21.17db
20% Popularity • 24% Danceability • 11% Energy • 16% Liveness
91% Instrumentalness • 12% Positiveness
20% Popularity • 24% Danceability • 11% Energy • 16% Liveness
91% Instrumentalness • 12% Positiveness
► Preview
Édouard Lalo
Symphonie Espagnole In D Minor, Op. 21: ...
83 bpm • D Maj • 08:04 • -21.6db
19% Popularity • 38% Danceability • 15% Energy • 7% Liveness
38% Instrumentalness • 54% Positiveness
19% Popularity • 38% Danceability • 15% Energy • 7% Liveness
38% Instrumentalness • 54% Positiveness
► Preview
Giacomo Meyerbeer
Der Fischer und das Milchmädchen: XVIII...
71 bpm • G Maj • 02:01 • -21.15db
15% Popularity • 57% Danceability • 5% Energy • 10% Liveness
12% Instrumentalness • 45% Positiveness
15% Popularity • 57% Danceability • 5% Energy • 10% Liveness
12% Instrumentalness • 45% Positiveness
