Songs like Rock And Roll Medley - Live at the Fillmore East, NYC, NY - 1970 by Johnny Winter
Based on a tempo of (+/- 10%) and a similar genre
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Jimmy Thackery
Jimmy's Detroit Boogie
162 bpm • G Maj • 06:09 • -7.73db
9% Popularity • 27% Danceability • 89% Energy • 98% Liveness
94% Instrumentalness • 66% Positiveness
9% Popularity • 27% Danceability • 89% Energy • 98% Liveness
94% Instrumentalness • 66% Positiveness
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Jimmy Reed
Shame, Shame, Shame
162 bpm • D Maj • 02:49 • -10db
39% Popularity • 57% Danceability • 50% Energy • 31% Liveness
50% Instrumentalness • 90% Positiveness
39% Popularity • 57% Danceability • 50% Energy • 31% Liveness
50% Instrumentalness • 90% Positiveness
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Pee Wee Crayton
Let The Good Times Roll
162 bpm • A Maj • 02:53 • -10db
36% Popularity • 62% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 62% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Charlie Musselwhite
River Hip Mama
163 bpm • D Maj • 04:17 • -10.43db
12% Popularity • 48% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 48% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Camdyn Sandoval
Good to Bad
164 bpm • F# min • 02:50 • -8.93db
29% Popularity • 45% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 45% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Hour Glass
B.B. King Medley: Sweet Little Angel/It'...
164 bpm • C Maj • 07:11 • -10.06db
28% Popularity • 42% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 69% Positiveness
28% Popularity • 42% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 69% Positiveness
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Hubert Sumlin
My Guitar and Me
160 bpm • A# Maj • 04:15 • -11.69db
35% Popularity • 50% Danceability • 63% Energy • 9% Liveness
80% Instrumentalness • 87% Positiveness
35% Popularity • 50% Danceability • 63% Energy • 9% Liveness
80% Instrumentalness • 87% Positiveness
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Steppenwolf
Forty Days And Forty Nights
164 bpm • G Maj • 03:03 • -11.37db
38% Popularity • 60% Danceability • 57% Energy • 29% Liveness
3% Instrumentalness • 97% Positiveness
38% Popularity • 60% Danceability • 57% Energy • 29% Liveness
3% Instrumentalness • 97% Positiveness
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Pat Ramsey
Allergic To Work
164 bpm • D Maj • 03:35 • -4.59db
17% Popularity • 38% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 38% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Son Seals
She's Fine aka Honey, Where You Going
159 bpm • D Maj • 03:42 • -16.7db
34% Popularity • 42% Danceability • 28% Energy • 7% Liveness
5% Instrumentalness • 88% Positiveness
34% Popularity • 42% Danceability • 28% Energy • 7% Liveness
5% Instrumentalness • 88% Positiveness
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Sonny Landreth
Taylor's Rock
165 bpm • E Maj • 03:57 • -8.16db
32% Popularity • 45% Danceability • 84% Energy • 20% Liveness
91% Instrumentalness • 60% Positiveness
32% Popularity • 45% Danceability • 84% Energy • 20% Liveness
91% Instrumentalness • 60% Positiveness
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Duster Bennett
It's a Man Down There - Single Version
165 bpm • C Maj • 02:48 • -6.7db
20% Popularity • 46% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 46% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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A.C. Reed
These Blues Is Killing Me
159 bpm • B min • 03:07 • -7.41db
35% Popularity • 56% Danceability • 87% Energy • 17% Liveness
1% Instrumentalness • 67% Positiveness
35% Popularity • 56% Danceability • 87% Energy • 17% Liveness
1% Instrumentalness • 67% Positiveness
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Koko Taylor
Never Trust A Man
165 bpm • F# min • 03:21 • -14.56db
23% Popularity • 48% Danceability • 58% Energy • 31% Liveness
3% Instrumentalness • 90% Positiveness
23% Popularity • 48% Danceability • 58% Energy • 31% Liveness
3% Instrumentalness • 90% Positiveness
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Smokin' Joe Kubek & Bnois King
Have Blues, Will Travel
166 bpm • E min • 04:07 • -3db
40% Popularity • 28% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 28% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Albert Collins
Brick
158 bpm • F Maj • 04:35 • -12db
35% Popularity • 48% Danceability • 71% Energy • 30% Liveness
6% Instrumentalness • 87% Positiveness
35% Popularity • 48% Danceability • 71% Energy • 30% Liveness
6% Instrumentalness • 87% Positiveness
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Little Walter
My Babe
158 bpm • F Maj • 02:42 • -10.57db
60% Popularity • 68% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
60% Popularity • 68% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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Jimmy Page
Lovin' Up A Storm
166 bpm • E Maj • 02:10 • -13db
16% Popularity • 43% Danceability • 67% Energy • 33% Liveness
1% Instrumentalness • 91% Positiveness
16% Popularity • 43% Danceability • 67% Energy • 33% Liveness
1% Instrumentalness • 91% Positiveness
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Hound Dog Taylor & The HouseRockers
Taylor's Rock
166 bpm • E Maj • 03:55 • -15.34db
27% Popularity • 38% Danceability • 63% Energy • 28% Liveness
89% Instrumentalness • 89% Positiveness
27% Popularity • 38% Danceability • 63% Energy • 28% Liveness
89% Instrumentalness • 89% Positiveness
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Eddy Clearwater
They Call Me The Chief
168 bpm • A Maj • 04:22 • -3.12db
19% Popularity • 52% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 52% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Johnny Winter
Life Is Hard
168 bpm • F min • 06:19 • -9.25db
41% Popularity • 40% Danceability • 50% Energy • 22% Liveness
18% Instrumentalness • 40% Positiveness
41% Popularity • 40% Danceability • 50% Energy • 22% Liveness
18% Instrumentalness • 40% Positiveness
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Big Walter Horton
Have A Good Time
156 bpm • B min • 03:48 • -15db
41% Popularity • 64% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 64% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Walter Trout and The Free Radicals
Let Me Know
154 bpm • F min • 05:04 • -6db
24% Popularity • 28% Danceability • 80% Energy • 96% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 28% Danceability • 80% Energy • 96% Liveness
0% Instrumentalness • 61% Positiveness
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Derek & The Dominos
Have You Ever Loved A Woman?
170 bpm • C Maj • 06:52 • -6.8db
55% Popularity • 30% Danceability • 65% Energy • 41% Liveness
5% Instrumentalness • 64% Positiveness
55% Popularity • 30% Danceability • 65% Energy • 41% Liveness
5% Instrumentalness • 64% Positiveness
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Sonny Landreth
Blues Attack
154 bpm • G Maj • 05:14 • -7.13db
13% Popularity • 53% Danceability • 93% Energy • 71% Liveness
4% Instrumentalness • 61% Positiveness
13% Popularity • 53% Danceability • 93% Energy • 71% Liveness
4% Instrumentalness • 61% Positiveness
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Popa Chubby
Same Old Blues
154 bpm • A Maj • 05:42 • -6.1db
30% Popularity • 37% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 37% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Duane Allman
Goin' Down Slow
153 bpm • F Maj • 08:48 • -13db
31% Popularity • 49% Danceability • 24% Energy • 12% Liveness
33% Instrumentalness • 23% Positiveness
31% Popularity • 49% Danceability • 24% Energy • 12% Liveness
33% Instrumentalness • 23% Positiveness
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Son Seals
Crying For My Baby
153 bpm • C Maj • 04:41 • -8.21db
29% Popularity • 42% Danceability • 87% Energy • 97% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 42% Danceability • 87% Energy • 97% Liveness
0% Instrumentalness • 67% Positiveness
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Muddy Waters
Mama Talk to Your Daughter
154 bpm • D Maj • 05:53 • -6.43db
11% Popularity • 50% Danceability • 88% Energy • 96% Liveness
1% Instrumentalness • 69% Positiveness
11% Popularity • 50% Danceability • 88% Energy • 96% Liveness
1% Instrumentalness • 69% Positiveness
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Smokin' Joe Kubek & Bnois King
My Guitar
153 bpm • C Maj • 04:22 • -2.89db
25% Popularity • 44% Danceability • 94% Energy • 43% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 44% Danceability • 94% Energy • 43% Liveness
0% Instrumentalness • 67% Positiveness
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Johnny Copeland
Blues Ain't Nothin'
172 bpm • A# min • 04:02 • -9.45db
36% Popularity • 63% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 63% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Eddy Clearwater
Too Old To Get Married
153 bpm • C Maj • 03:55 • -3db
11% Popularity • 54% Danceability • 83% Energy • 69% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 54% Danceability • 83% Energy • 69% Liveness
0% Instrumentalness • 74% Positiveness
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Coco Montoya
Coming In Hot
172 bpm • B min • 03:25 • -4.71db
37% Popularity • 47% Danceability • 88% Energy • 33% Liveness
45% Instrumentalness • 81% Positiveness
37% Popularity • 47% Danceability • 88% Energy • 33% Liveness
45% Instrumentalness • 81% Positiveness
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Son Seals
Going Back Home
172 bpm • D min • 07:03 • -9.73db
27% Popularity • 38% Danceability • 50% Energy • 61% Liveness
75% Instrumentalness • 89% Positiveness
27% Popularity • 38% Danceability • 50% Energy • 61% Liveness
75% Instrumentalness • 89% Positiveness
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Steppenwolf
Hoochie Coochie Man
173 bpm • D Maj • 05:13 • -12.91db
40% Popularity • 24% Danceability • 56% Energy • 15% Liveness
15% Instrumentalness • 53% Positiveness
40% Popularity • 24% Danceability • 56% Energy • 15% Liveness
15% Instrumentalness • 53% Positiveness
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James Cotton
Mississippi Mud
172 bpm • A min • 04:00 • -7.96db
19% Popularity • 41% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 41% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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The Paladins
Keep On Lovin' Me Baby
173 bpm • A min • 04:02 • -10.76db
30% Popularity • 34% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 34% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Carey Bell
Lonesome Stranger
151 bpm • E min • 04:03 • -11.28db
14% Popularity • 57% Danceability • 47% Energy • 11% Liveness
5% Instrumentalness • 79% Positiveness
14% Popularity • 57% Danceability • 47% Energy • 11% Liveness
5% Instrumentalness • 79% Positiveness
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Muddy Waters
Caledonia
173 bpm • G Maj • 06:57 • -6.71db
21% Popularity • 40% Danceability • 91% Energy • 85% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 40% Danceability • 91% Energy • 85% Liveness
0% Instrumentalness • 46% Positiveness
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Jimmy Dawkins
Highway Man Blues
174 bpm • B min • 07:38 • -8.81db
24% Popularity • 38% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 38% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Johnny Winter
Master Mechanic
151 bpm • G# Maj • 03:41 • -11.31db
22% Popularity • 54% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 54% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Son Seals
Sitting At My Window
174 bpm • G Maj • 04:34 • -13.16db
27% Popularity • 44% Danceability • 33% Energy • 15% Liveness
2% Instrumentalness • 46% Positiveness
27% Popularity • 44% Danceability • 33% Energy • 15% Liveness
2% Instrumentalness • 46% Positiveness
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The Moving Sidewalks
Joe Blues
175 bpm • F min • 07:35 • -7.16db
17% Popularity • 30% Danceability • 55% Energy • 21% Liveness
12% Instrumentalness • 44% Positiveness
17% Popularity • 30% Danceability • 55% Energy • 21% Liveness
12% Instrumentalness • 44% Positiveness
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Taste
If I Don't Sing I'll Cry
175 bpm • G# Maj • 02:38 • -16.43db
27% Popularity • 52% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 87% Positiveness
27% Popularity • 52% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 87% Positiveness
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Matt "Guitar" Murphy
Matt's Guitar Boogie #2
175 bpm • A Maj • 03:10 • -10.6db
32% Popularity • 47% Danceability • 86% Energy • 27% Liveness
60% Instrumentalness • 71% Positiveness
32% Popularity • 47% Danceability • 86% Energy • 27% Liveness
60% Instrumentalness • 71% Positiveness
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Buddy Guy
Cognac
175 bpm • G Maj • 05:22 • -4.77db
41% Popularity • 31% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 31% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Johnny Winter
Messin' With the Kid
151 bpm • G Maj • 02:53 • -5.21db
14% Popularity • 55% Danceability • 91% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
14% Popularity • 55% Danceability • 91% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
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The Vaughan Brothers
Brothers
175 bpm • G Maj • 05:05 • -14db
42% Popularity • 36% Danceability • 41% Energy • 33% Liveness
83% Instrumentalness • 56% Positiveness
42% Popularity • 36% Danceability • 41% Energy • 33% Liveness
83% Instrumentalness • 56% Positiveness
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Magic Slim & The Teardrops
Crazy Woman
149 bpm • C# min • 05:48 • -5db
33% Popularity • 43% Danceability • 60% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
33% Popularity • 43% Danceability • 60% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
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Free
I'm A Mover
149 bpm • G Maj • 02:58 • -11db
46% Popularity • 46% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 46% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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ZZ Top
Bedroom Thang
149 bpm • G Maj • 04:39 • -13.38db
29% Popularity • 47% Danceability • 41% Energy • 10% Liveness
67% Instrumentalness • 77% Positiveness
29% Popularity • 47% Danceability • 41% Energy • 10% Liveness
67% Instrumentalness • 77% Positiveness
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Lonnie Mack
Strike Like Lightning
177 bpm • G Maj • 03:43 • -9db
31% Popularity • 38% Danceability • 87% Energy • 10% Liveness
1% Instrumentalness • 93% Positiveness
31% Popularity • 38% Danceability • 87% Energy • 10% Liveness
1% Instrumentalness • 93% Positiveness
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Johnny Winter
Sound The Bell
151 bpm • C Maj • 03:30 • -10.96db
17% Popularity • 53% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 53% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
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The Vaughan Brothers
DFW
149 bpm • C Maj • 02:52 • -11db
34% Popularity • 65% Danceability • 85% Energy • 54% Liveness
67% Instrumentalness • 87% Positiveness
34% Popularity • 65% Danceability • 85% Energy • 54% Liveness
67% Instrumentalness • 87% Positiveness
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Son Seals
Hot Sauce
148 bpm • C Maj • 03:07 • -14.35db
34% Popularity • 52% Danceability • 56% Energy • 9% Liveness
7% Instrumentalness • 93% Positiveness
34% Popularity • 52% Danceability • 56% Energy • 9% Liveness
7% Instrumentalness • 93% Positiveness
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Little
A Apolitical Blues
177 bpm • D Maj • 03:28 • -13db
32% Popularity • 38% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 38% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Taste
Same Old Story
148 bpm • G Maj • 03:31 • -15.55db
27% Popularity • 58% Danceability • 44% Energy • 12% Liveness
9% Instrumentalness • 82% Positiveness
27% Popularity • 58% Danceability • 44% Energy • 12% Liveness
9% Instrumentalness • 82% Positiveness
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Free
The Stealer
177 bpm • G Maj • 03:15 • -12.62db
38% Popularity • 34% Danceability • 57% Energy • 7% Liveness
3% Instrumentalness • 75% Positiveness
38% Popularity • 34% Danceability • 57% Energy • 7% Liveness
3% Instrumentalness • 75% Positiveness
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Johnny Winter
Come on in My Kitchen
149 bpm • F min • 05:03 • -14.81db
4% Popularity • 48% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
4% Popularity • 48% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Billy Branch
Nobody But You
148 bpm • A# Maj • 03:07 • -6.63db
25% Popularity • 57% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 57% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Son Seals
All Your Love
177 bpm • G Maj • 03:37 • -13.43db
38% Popularity • 45% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 45% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Guitar Shorty
We The People
178 bpm • C Maj • 04:20 • -3db
42% Popularity • 31% Danceability • 86% Energy • 87% Liveness
0% Instrumentalness • 75% Positiveness
42% Popularity • 31% Danceability • 86% Energy • 87% Liveness
0% Instrumentalness • 75% Positiveness
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Jimmie Vaughan
No One to Talk to (But the Blues)
148 bpm • C Maj • 02:41 • -8db
35% Popularity • 47% Danceability • 46% Energy • 43% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 47% Danceability • 46% Energy • 43% Liveness
0% Instrumentalness • 80% Positiveness
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Ry Cooder
Available Space
147 bpm • G Maj • 02:14 • -14db
36% Popularity • 57% Danceability • 43% Energy • 23% Liveness
63% Instrumentalness • 69% Positiveness
36% Popularity • 57% Danceability • 43% Energy • 23% Liveness
63% Instrumentalness • 69% Positiveness
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Johnny Winter
Good Morning Little School Girl
176 bpm • E Maj • 02:43 • -6.91db
24% Popularity • 40% Danceability • 64% Energy • 9% Liveness
4% Instrumentalness • 97% Positiveness
24% Popularity • 40% Danceability • 64% Energy • 9% Liveness
4% Instrumentalness • 97% Positiveness
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Lightnin' Hopkins
Mojo Hand
147 bpm • B min • 02:59 • -9db
49% Popularity • 60% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
49% Popularity • 60% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Son Seals
Your Love Is Like A Cancer
148 bpm • A min • 04:36 • -11db
32% Popularity • 70% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
32% Popularity • 70% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Johnny Copeland
Rain
147 bpm • A Maj • 06:03 • -7db
19% Popularity • 53% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 53% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Charlie Musselwhite
The Blues Overtook Me
147 bpm • G Maj • 04:42 • -5.76db
19% Popularity • 41% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 41% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Byther Smith
Givin' Up On Love
179 bpm • D# Maj • 05:47 • -11.57db
37% Popularity • 46% Danceability • 39% Energy • 36% Liveness
4% Instrumentalness • 40% Positiveness
37% Popularity • 46% Danceability • 39% Energy • 36% Liveness
4% Instrumentalness • 40% Positiveness
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Johnny Winter
Leland Mississippi Blues - Live at The W...
148 bpm • B min • 04:58 • -7.55db
12% Popularity • 27% Danceability • 78% Energy • 87% Liveness
58% Instrumentalness • 80% Positiveness
12% Popularity • 27% Danceability • 78% Energy • 87% Liveness
58% Instrumentalness • 80% Positiveness
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Sonny Landreth
Firebird Blues
179 bpm • G Maj • 03:43 • -9.81db
17% Popularity • 31% Danceability • 64% Energy • 10% Liveness
91% Instrumentalness • 75% Positiveness
17% Popularity • 31% Danceability • 64% Energy • 10% Liveness
91% Instrumentalness • 75% Positiveness
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Jonny Lang
Changes
146 bpm • A Maj • 03:17 • -8.16db
48% Popularity • 55% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
48% Popularity • 55% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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The Vaughan Brothers
White Boots
146 bpm • B min • 03:49 • -11.61db
30% Popularity • 71% Danceability • 80% Energy • 4% Liveness
2% Instrumentalness • 92% Positiveness
30% Popularity • 71% Danceability • 80% Energy • 4% Liveness
2% Instrumentalness • 92% Positiveness
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William Clarke
Lonesome Bedroom Blues
180 bpm • G min • 05:45 • -13db
34% Popularity • 38% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 38% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Dave Hole
Short Fuse Blues
180 bpm • A Maj • 05:17 • -10db
26% Popularity • 36% Danceability • 63% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 36% Danceability • 63% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
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Jimmie Vaughan
Dengue Woman Blues
180 bpm • F min • 06:23 • -9.6db
44% Popularity • 39% Danceability • 36% Energy • 12% Liveness
3% Instrumentalness • 60% Positiveness
44% Popularity • 39% Danceability • 36% Energy • 12% Liveness
3% Instrumentalness • 60% Positiveness
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Buddy Guy
Damn Right, I've Got the Blues
146 bpm • D Maj • 04:31 • -5.64db
54% Popularity • 35% Danceability • 92% Energy • 31% Liveness
6% Instrumentalness • 53% Positiveness
54% Popularity • 35% Danceability • 92% Energy • 31% Liveness
6% Instrumentalness • 53% Positiveness
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James Cotton
Born In Chicago
146 bpm • D Maj • 03:06 • -13.52db
17% Popularity • 59% Danceability • 73% Energy • 87% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 59% Danceability • 73% Energy • 87% Liveness
0% Instrumentalness • 76% Positiveness
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Steppenwolf
Berry Rides Again
145 bpm • F Maj • 02:50 • -12db
43% Popularity • 62% Danceability • 77% Energy • 9% Liveness
20% Instrumentalness • 97% Positiveness
43% Popularity • 62% Danceability • 77% Energy • 9% Liveness
20% Instrumentalness • 97% Positiveness
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Little Walter
Juke
145 bpm • E Maj • 02:44 • -10.33db
50% Popularity • 57% Danceability • 66% Energy • 16% Liveness
90% Instrumentalness • 64% Positiveness
50% Popularity • 57% Danceability • 66% Energy • 16% Liveness
90% Instrumentalness • 64% Positiveness
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Jonny Lang
Lovin My Baby
145 bpm • C Maj • 03:10 • -7.74db
45% Popularity • 55% Danceability • 80% Energy • 33% Liveness
6% Instrumentalness • 92% Positiveness
45% Popularity • 55% Danceability • 80% Energy • 33% Liveness
6% Instrumentalness • 92% Positiveness
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Johnny Copeland
Don't Stop By The Creek, Son
181 bpm • A Maj • 04:06 • -11.62db
28% Popularity • 55% Danceability • 56% Energy • 27% Liveness
1% Instrumentalness • 84% Positiveness
28% Popularity • 55% Danceability • 56% Energy • 27% Liveness
1% Instrumentalness • 84% Positiveness
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Johnny Winter
See See Baby - Remastered
144 bpm • F min • 03:09 • -4.91db
22% Popularity • 40% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 40% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Joanne Shaw Taylor
Blackest Day
144 bpm • F# min • 08:17 • -8db
36% Popularity • 47% Danceability • 48% Energy • 39% Liveness
1% Instrumentalness • 39% Positiveness
36% Popularity • 47% Danceability • 48% Energy • 39% Liveness
1% Instrumentalness • 39% Positiveness
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Koko Taylor
Hey Bartender
144 bpm • B min • 02:53 • -9.78db
34% Popularity • 57% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 57% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Joe Louis Walker
I Won't Do That
181 bpm • A min • 05:01 • -3db
29% Popularity • 28% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 28% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Blindside Blues Band
Ramblin' On My Mind
183 bpm • E Maj • 06:45 • -6db
10% Popularity • 28% Danceability • 73% Energy • 45% Liveness
4% Instrumentalness • 44% Positiveness
10% Popularity • 28% Danceability • 73% Energy • 45% Liveness
4% Instrumentalness • 44% Positiveness
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The Vaughan Brothers
Good Texan
143 bpm • A Maj • 04:21 • -13db
41% Popularity • 79% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 79% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Johnny Winter
Self Destructive Blues
143 bpm • C Maj • 03:29 • -8.27db
11% Popularity • 39% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 39% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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James Gang
Heartbreak Hotel
142 bpm • E Maj • 02:15 • -10.41db
31% Popularity • 62% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 62% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Son Seals
I Can't Hold Out
142 bpm • C Maj • 04:14 • -13.06db
28% Popularity • 38% Danceability • 57% Energy • 22% Liveness
1% Instrumentalness • 96% Positiveness
28% Popularity • 38% Danceability • 57% Energy • 22% Liveness
1% Instrumentalness • 96% Positiveness
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Hound Dog Taylor & The HouseRockers
It's Alright
142 bpm • C# min • 03:14 • -17.13db
33% Popularity • 65% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 74% Positiveness
33% Popularity • 65% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 74% Positiveness
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Michael Burks
Strange Feeling
185 bpm • A Maj • 04:28 • -2.93db
18% Popularity • 21% Danceability • 86% Energy • 27% Liveness
21% Instrumentalness • 53% Positiveness
18% Popularity • 21% Danceability • 86% Energy • 27% Liveness
21% Instrumentalness • 53% Positiveness
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The Vaughan Brothers
Hillbillies from Outerspace
142 bpm • G# Maj • 03:45 • -15.34db
30% Popularity • 76% Danceability • 26% Energy • 61% Liveness
88% Instrumentalness • 83% Positiveness
30% Popularity • 76% Danceability • 26% Energy • 61% Liveness
88% Instrumentalness • 83% Positiveness
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Johnny Winter
Rollin' and Tumblin'
142 bpm • E min • 03:25 • -5.48db
15% Popularity • 45% Danceability • 99% Energy • 34% Liveness
65% Instrumentalness • 51% Positiveness
15% Popularity • 45% Danceability • 99% Energy • 34% Liveness
65% Instrumentalness • 51% Positiveness
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Eddy Clearwater
Gotta Move On
186 bpm • G# Maj • 04:40 • -4db
30% Popularity • 31% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 31% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
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Sonny Boy Williamson II
Checkin' Up On My Baby - Single Version
141 bpm • G Maj • 01:57 • -6.17db
42% Popularity • 55% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 55% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
