Songs like Rock Da House by Shiba San
Based on a tempo of (+/- 10%) and a similar genre
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Anti Up
Hey Pablo
126 bpm • B min • 04:09 • -6.5db
42% Popularity • 80% Danceability • 94% Energy • 68% Liveness
87% Instrumentalness • 86% Positiveness
42% Popularity • 80% Danceability • 94% Energy • 68% Liveness
87% Instrumentalness • 86% Positiveness
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DJ Chus
Heart of Glitter
126 bpm • A# min • 03:00 • -7.25db
31% Popularity • 79% Danceability • 89% Energy • 2% Liveness
89% Instrumentalness • 69% Positiveness
31% Popularity • 79% Danceability • 89% Energy • 2% Liveness
89% Instrumentalness • 69% Positiveness
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Riva Starr
False Claim
126 bpm • B min • 03:26 • -7db
20% Popularity • 86% Danceability • 70% Energy • 17% Liveness
91% Instrumentalness • 46% Positiveness
20% Popularity • 86% Danceability • 70% Energy • 17% Liveness
91% Instrumentalness • 46% Positiveness
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Heider
Be There
126 bpm • B min • 03:33 • -6db
11% Popularity • 79% Danceability • 86% Energy • 8% Liveness
83% Instrumentalness • 84% Positiveness
11% Popularity • 79% Danceability • 86% Energy • 8% Liveness
83% Instrumentalness • 84% Positiveness
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Shiba San
Rock Da House
126 bpm • B Maj • 03:18 • -4.77db
31% Popularity • 80% Danceability • 88% Energy • 9% Liveness
91% Instrumentalness • 20% Positiveness
31% Popularity • 80% Danceability • 88% Energy • 9% Liveness
91% Instrumentalness • 20% Positiveness
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Arnold & Lane
Faith & Family
126 bpm • B min • 04:47 • -7.12db
13% Popularity • 85% Danceability • 80% Energy • 7% Liveness
47% Instrumentalness • 48% Positiveness
13% Popularity • 85% Danceability • 80% Energy • 7% Liveness
47% Instrumentalness • 48% Positiveness
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Maxinne
To The Music
126 bpm • G Maj • 03:37 • -6db
18% Popularity • 62% Danceability • 97% Energy • 17% Liveness
86% Instrumentalness • 47% Positiveness
18% Popularity • 62% Danceability • 97% Energy • 17% Liveness
86% Instrumentalness • 47% Positiveness
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Chocolate Puma
Megablast
126 bpm • D Maj • 02:27 • -5.53db
19% Popularity • 86% Danceability • 91% Energy • 5% Liveness
83% Instrumentalness • 27% Positiveness
19% Popularity • 86% Danceability • 91% Energy • 5% Liveness
83% Instrumentalness • 27% Positiveness
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Anti Up
Right Now
126 bpm • C# Maj • 03:35 • -4.94db
35% Popularity • 81% Danceability • 88% Energy • 4% Liveness
36% Instrumentalness • 63% Positiveness
35% Popularity • 81% Danceability • 88% Energy • 4% Liveness
36% Instrumentalness • 63% Positiveness
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Sage Armstrong
Party Ppl
126 bpm • G Maj • 04:07 • -9.1db
23% Popularity • 81% Danceability • 71% Energy • 7% Liveness
77% Instrumentalness • 32% Positiveness
23% Popularity • 81% Danceability • 71% Energy • 7% Liveness
77% Instrumentalness • 32% Positiveness
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Tchami
Rainforest (Valentino Khan Remix)
126 bpm • G# min • 03:39 • -4.26db
36% Popularity • 76% Danceability • 95% Energy • 13% Liveness
39% Instrumentalness • 42% Positiveness
36% Popularity • 76% Danceability • 95% Energy • 13% Liveness
39% Instrumentalness • 42% Positiveness
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Huxley
Freekon
126 bpm • G Maj • 02:47 • -5.37db
27% Popularity • 79% Danceability • 90% Energy • 7% Liveness
71% Instrumentalness • 58% Positiveness
27% Popularity • 79% Danceability • 90% Energy • 7% Liveness
71% Instrumentalness • 58% Positiveness
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Josement
All Night Alone - Chris Lake Edit
126 bpm • C# Maj • 02:59 • -6.81db
51% Popularity • 80% Danceability • 86% Energy • 9% Liveness
82% Instrumentalness • 85% Positiveness
51% Popularity • 80% Danceability • 86% Energy • 9% Liveness
82% Instrumentalness • 85% Positiveness
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Carl Cox
Dr. Funk (Riva Starr Mo' Funk Mix)
126 bpm • D Maj • 06:00 • -6.47db
42% Popularity • 81% Danceability • 99% Energy • 3% Liveness
92% Instrumentalness • 28% Positiveness
42% Popularity • 81% Danceability • 99% Energy • 3% Liveness
92% Instrumentalness • 28% Positiveness
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Steve Darko
Small Things
126 bpm • G Maj • 04:49 • -6.17db
20% Popularity • 82% Danceability • 67% Energy • 9% Liveness
30% Instrumentalness • 33% Positiveness
20% Popularity • 82% Danceability • 67% Energy • 9% Liveness
30% Instrumentalness • 33% Positiveness
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OMNOM
Skin
126 bpm • E Maj • 03:35 • -5db
23% Popularity • 79% Danceability • 80% Energy • 9% Liveness
34% Instrumentalness • 43% Positiveness
23% Popularity • 79% Danceability • 80% Energy • 9% Liveness
34% Instrumentalness • 43% Positiveness
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Sage Armstrong
Fukitup
126 bpm • C# min • 04:04 • -8db
0% Popularity • 80% Danceability • 88% Energy • 10% Liveness
78% Instrumentalness • 67% Positiveness
0% Popularity • 80% Danceability • 88% Energy • 10% Liveness
78% Instrumentalness • 67% Positiveness
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Sammy Porter
Inta Outta
126 bpm • C Maj • 02:20 • -4db
40% Popularity • 80% Danceability • 99% Energy • 7% Liveness
80% Instrumentalness • 90% Positiveness
40% Popularity • 80% Danceability • 99% Energy • 7% Liveness
80% Instrumentalness • 90% Positiveness
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VNSSA
In The Dark
126 bpm • F# min • 05:42 • -6db
19% Popularity • 68% Danceability • 91% Energy • 66% Liveness
87% Instrumentalness • 57% Positiveness
19% Popularity • 68% Danceability • 91% Energy • 66% Liveness
87% Instrumentalness • 57% Positiveness
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Sosa UK
Isolator
126 bpm • E min • 04:03 • -8.96db
27% Popularity • 80% Danceability • 71% Energy • 10% Liveness
60% Instrumentalness • 20% Positiveness
27% Popularity • 80% Danceability • 71% Energy • 10% Liveness
60% Instrumentalness • 20% Positiveness
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Marc Spence
Mooda Koopa
126 bpm • C min • 05:47 • -7.67db
1% Popularity • 90% Danceability • 44% Energy • 10% Liveness
88% Instrumentalness • 49% Positiveness
1% Popularity • 90% Danceability • 44% Energy • 10% Liveness
88% Instrumentalness • 49% Positiveness
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Eddy M
Killing
126 bpm • G Maj • 06:20 • -7db
17% Popularity • 81% Danceability • 99% Energy • 7% Liveness
93% Instrumentalness • 73% Positiveness
17% Popularity • 81% Danceability • 99% Energy • 7% Liveness
93% Instrumentalness • 73% Positiveness
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RYBO
Favela Funk
126 bpm • C# Maj • 05:51 • -5.53db
23% Popularity • 81% Danceability • 87% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
23% Popularity • 81% Danceability • 87% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
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Shiba San
Back To Funk
126 bpm • G# Maj • 03:42 • -5.77db
19% Popularity • 79% Danceability • 72% Energy • 10% Liveness
3% Instrumentalness • 40% Positiveness
19% Popularity • 79% Danceability • 72% Energy • 10% Liveness
3% Instrumentalness • 40% Positiveness
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Claude VonStroke
Getting Hot
126 bpm • F# Maj • 03:50 • -7.53db
5% Popularity • 85% Danceability • 88% Energy • 7% Liveness
79% Instrumentalness • 84% Positiveness
5% Popularity • 85% Danceability • 88% Energy • 7% Liveness
79% Instrumentalness • 84% Positiveness
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Puka
Shit!
126 bpm • A min • 05:50 • -8db
17% Popularity • 89% Danceability • 90% Energy • 5% Liveness
58% Instrumentalness • 4% Positiveness
17% Popularity • 89% Danceability • 90% Energy • 5% Liveness
58% Instrumentalness • 4% Positiveness
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Max Styler
Gimme That Funk
126 bpm • A Maj • 02:50 • -3.49db
29% Popularity • 75% Danceability • 96% Energy • 36% Liveness
21% Instrumentalness • 78% Positiveness
29% Popularity • 75% Danceability • 96% Energy • 36% Liveness
21% Instrumentalness • 78% Positiveness
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Jamie Jones
Under My Control
126 bpm • A# min • 05:27 • -8.95db
25% Popularity • 80% Danceability • 57% Energy • 8% Liveness
89% Instrumentalness • 38% Positiveness
25% Popularity • 80% Danceability • 57% Energy • 8% Liveness
89% Instrumentalness • 38% Positiveness
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Return Of The Jaded
Dusty Organ
126 bpm • F# Maj • 06:28 • -8.09db
12% Popularity • 80% Danceability • 91% Energy • 7% Liveness
84% Instrumentalness • 49% Positiveness
12% Popularity • 80% Danceability • 91% Energy • 7% Liveness
84% Instrumentalness • 49% Positiveness
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Shiba San
Drop That Shhh
126 bpm • C# Maj • 03:42 • -5.49db
21% Popularity • 81% Danceability • 88% Energy • 8% Liveness
87% Instrumentalness • 72% Positiveness
21% Popularity • 81% Danceability • 88% Energy • 8% Liveness
87% Instrumentalness • 72% Positiveness
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Tom Budin
Supersonic
126 bpm • C Maj • 02:49 • -8db
42% Popularity • 76% Danceability • 77% Energy • 16% Liveness
75% Instrumentalness • 33% Positiveness
42% Popularity • 76% Danceability • 77% Energy • 16% Liveness
75% Instrumentalness • 33% Positiveness
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Local Dialect
Poseidon - Gorgon City Remix
126 bpm • G Maj • 03:35 • -7db
25% Popularity • 75% Danceability • 89% Energy • 9% Liveness
92% Instrumentalness • 66% Positiveness
25% Popularity • 75% Danceability • 89% Energy • 9% Liveness
92% Instrumentalness • 66% Positiveness
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Tita Lau
Into The Groove
126 bpm • G# Maj • 03:11 • -6.01db
29% Popularity • 81% Danceability • 92% Energy • 7% Liveness
84% Instrumentalness • 52% Positiveness
29% Popularity • 81% Danceability • 92% Energy • 7% Liveness
84% Instrumentalness • 52% Positiveness
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Malóne
Passed The Max
126 bpm • C Maj • 03:11 • -5.36db
16% Popularity • 74% Danceability • 93% Energy • 8% Liveness
51% Instrumentalness • 70% Positiveness
16% Popularity • 74% Danceability • 93% Energy • 8% Liveness
51% Instrumentalness • 70% Positiveness
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Anti Up
Concentrate
126 bpm • F# Maj • 03:08 • -5.08db
38% Popularity • 85% Danceability • 87% Energy • 11% Liveness
42% Instrumentalness • 61% Positiveness
38% Popularity • 85% Danceability • 87% Energy • 11% Liveness
42% Instrumentalness • 61% Positiveness
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Shiba San
My Harmony
126 bpm • C# Maj • 03:40 • -5.19db
12% Popularity • 79% Danceability • 94% Energy • 5% Liveness
41% Instrumentalness • 42% Positiveness
12% Popularity • 79% Danceability • 94% Energy • 5% Liveness
41% Instrumentalness • 42% Positiveness
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AGLF
Funky Piano
126 bpm • B Maj • 02:51 • -9.7db
23% Popularity • 88% Danceability • 78% Energy • 17% Liveness
93% Instrumentalness • 22% Positiveness
23% Popularity • 88% Danceability • 78% Energy • 17% Liveness
93% Instrumentalness • 22% Positiveness
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House Divided
Turn It Up
126 bpm • A Maj • 03:32 • -4.72db
19% Popularity • 87% Danceability • 90% Energy • 17% Liveness
86% Instrumentalness • 41% Positiveness
19% Popularity • 87% Danceability • 90% Energy • 17% Liveness
86% Instrumentalness • 41% Positiveness
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Marcellus (UK)
Funk Machines - Original Mix
126 bpm • D Maj • 06:22 • -7.48db
22% Popularity • 82% Danceability • 68% Energy • 6% Liveness
83% Instrumentalness • 40% Positiveness
22% Popularity • 82% Danceability • 68% Energy • 6% Liveness
83% Instrumentalness • 40% Positiveness
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Green Velvet
FUZION
126 bpm • A Maj • 03:50 • -4.25db
28% Popularity • 80% Danceability • 97% Energy • 10% Liveness
60% Instrumentalness • 22% Positiveness
28% Popularity • 80% Danceability • 97% Energy • 10% Liveness
60% Instrumentalness • 22% Positiveness
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Sebastian Knight
Dome
126 bpm • E min • 03:49 • -6.16db
10% Popularity • 79% Danceability • 90% Energy • 32% Liveness
71% Instrumentalness • 55% Positiveness
10% Popularity • 79% Danceability • 90% Energy • 32% Liveness
71% Instrumentalness • 55% Positiveness
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Shiba San
Don't Talk
126 bpm • A# min • 05:44 • -7.59db
1% Popularity • 82% Danceability • 80% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
1% Popularity • 82% Danceability • 80% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Steve Darko
Whistle Work
126 bpm • D Maj • 03:31 • -6.25db
2% Popularity • 84% Danceability • 88% Energy • 11% Liveness
23% Instrumentalness • 60% Positiveness
2% Popularity • 84% Danceability • 88% Energy • 11% Liveness
23% Instrumentalness • 60% Positiveness
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Rebūke
The Pipe
126 bpm • G Maj • 05:39 • -7.81db
19% Popularity • 85% Danceability • 75% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
19% Popularity • 85% Danceability • 75% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
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Austin Hennessey
Focus
126 bpm • B Maj • 04:19 • -7.48db
12% Popularity • 94% Danceability • 91% Energy • 16% Liveness
31% Instrumentalness • 65% Positiveness
12% Popularity • 94% Danceability • 91% Energy • 16% Liveness
31% Instrumentalness • 65% Positiveness
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Tom Budin
Shake That
126 bpm • B min • 03:06 • -10.88db
46% Popularity • 80% Danceability • 67% Energy • 7% Liveness
76% Instrumentalness • 91% Positiveness
46% Popularity • 80% Danceability • 67% Energy • 7% Liveness
76% Instrumentalness • 91% Positiveness
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Hood Rich
Bring A Friend
126 bpm • D# Maj • 03:13 • -4.91db
34% Popularity • 81% Danceability • 86% Energy • 59% Liveness
85% Instrumentalness • 85% Positiveness
34% Popularity • 81% Danceability • 86% Energy • 59% Liveness
85% Instrumentalness • 85% Positiveness
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Shiba San
Upside Down
126 bpm • B Maj • 05:21 • -6.05db
11% Popularity • 80% Danceability • 53% Energy • 11% Liveness
71% Instrumentalness • 35% Positiveness
11% Popularity • 80% Danceability • 53% Energy • 11% Liveness
71% Instrumentalness • 35% Positiveness
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Goooey Vuitton
Appreciation
126 bpm • C min • 03:23 • -11.66db
21% Popularity • 80% Danceability • 54% Energy • 16% Liveness
72% Instrumentalness • 74% Positiveness
21% Popularity • 80% Danceability • 54% Energy • 16% Liveness
72% Instrumentalness • 74% Positiveness
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Jay Robinson
Pass That
126 bpm • B min • 03:07 • -6.82db
13% Popularity • 80% Danceability • 91% Energy • 10% Liveness
92% Instrumentalness • 71% Positiveness
13% Popularity • 80% Danceability • 91% Energy • 10% Liveness
92% Instrumentalness • 71% Positiveness
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Ciszak
To The Stars
126 bpm • B Maj • 03:35 • -5.77db
13% Popularity • 81% Danceability • 59% Energy • 11% Liveness
84% Instrumentalness • 84% Positiveness
13% Popularity • 81% Danceability • 59% Energy • 11% Liveness
84% Instrumentalness • 84% Positiveness
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Miane
Who Are You? - Chris Lake Remix
126 bpm • D Maj • 03:12 • -5.84db
45% Popularity • 79% Danceability • 87% Energy • 9% Liveness
22% Instrumentalness • 68% Positiveness
45% Popularity • 79% Danceability • 87% Energy • 9% Liveness
22% Instrumentalness • 68% Positiveness
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Prok & Fitch
Crave The Rave
126 bpm • G Maj • 03:44 • -6.04db
8% Popularity • 80% Danceability • 83% Energy • 2% Liveness
90% Instrumentalness • 24% Positiveness
8% Popularity • 80% Danceability • 83% Energy • 2% Liveness
90% Instrumentalness • 24% Positiveness
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Shiba San
Back To Funk - Original Mix
126 bpm • C# Maj • 05:51 • -5.73db
6% Popularity • 80% Danceability • 70% Energy • 9% Liveness
19% Instrumentalness • 31% Positiveness
6% Popularity • 80% Danceability • 70% Energy • 9% Liveness
19% Instrumentalness • 31% Positiveness
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Tita Lau
The Sequel
126 bpm • A# min • 03:09 • -6.33db
31% Popularity • 67% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
31% Popularity • 67% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Tchami
Born Again
126 bpm • B min • 03:42 • -8.19db
30% Popularity • 86% Danceability • 58% Energy • 7% Liveness
90% Instrumentalness • 56% Positiveness
30% Popularity • 86% Danceability • 58% Energy • 7% Liveness
90% Instrumentalness • 56% Positiveness
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Marco Strous
Tip Toe
126 bpm • C# min • 07:07 • -9db
34% Popularity • 81% Danceability • 58% Energy • 6% Liveness
71% Instrumentalness • 30% Positiveness
34% Popularity • 81% Danceability • 58% Energy • 6% Liveness
71% Instrumentalness • 30% Positiveness
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MASTERIA
This Groove
126 bpm • B min • 03:50 • -3.07db
18% Popularity • 82% Danceability • 99% Energy • 7% Liveness
87% Instrumentalness • 62% Positiveness
18% Popularity • 82% Danceability • 99% Energy • 7% Liveness
87% Instrumentalness • 62% Positiveness
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SQWAD
Big Ting Vibe
126 bpm • C# Maj • 02:51 • -4.36db
30% Popularity • 86% Danceability • 94% Energy • 11% Liveness
39% Instrumentalness • 72% Positiveness
30% Popularity • 86% Danceability • 94% Energy • 11% Liveness
39% Instrumentalness • 72% Positiveness
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Shiba San
Ba Da Bam
126 bpm • C Maj • 03:35 • -5.44db
30% Popularity • 79% Danceability • 93% Energy • 9% Liveness
90% Instrumentalness • 28% Positiveness
30% Popularity • 79% Danceability • 93% Energy • 9% Liveness
90% Instrumentalness • 28% Positiveness
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Steve Darko
That's Hot
126 bpm • G# min • 03:25 • -5.76db
1% Popularity • 78% Danceability • 92% Energy • 57% Liveness
36% Instrumentalness • 72% Positiveness
1% Popularity • 78% Danceability • 92% Energy • 57% Liveness
36% Instrumentalness • 72% Positiveness
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CID
Deep In Your Heart
126 bpm • B min • 02:34 • -6.77db
38% Popularity • 65% Danceability • 92% Energy • 36% Liveness
94% Instrumentalness • 70% Positiveness
38% Popularity • 65% Danceability • 92% Energy • 36% Liveness
94% Instrumentalness • 70% Positiveness
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Heider
Oh Babe - Radio Edit
126 bpm • C Maj • 03:35 • -6.18db
25% Popularity • 73% Danceability • 88% Energy • 8% Liveness
86% Instrumentalness • 59% Positiveness
25% Popularity • 73% Danceability • 88% Energy • 8% Liveness
86% Instrumentalness • 59% Positiveness
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Melé
Conga Mode - Edit
126 bpm • A# min • 03:44 • -7.49db
38% Popularity • 76% Danceability • 87% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
38% Popularity • 76% Danceability • 87% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
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Jordan Brando
Tangle
126 bpm • G Maj • 03:33 • -5.1db
13% Popularity • 80% Danceability • 97% Energy • 7% Liveness
81% Instrumentalness • 84% Positiveness
13% Popularity • 80% Danceability • 97% Energy • 7% Liveness
81% Instrumentalness • 84% Positiveness
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Shiba San
Clean Or Dirty
126 bpm • G Maj • 04:06 • -7.72db
8% Popularity • 81% Danceability • 78% Energy • 19% Liveness
90% Instrumentalness • 61% Positiveness
8% Popularity • 81% Danceability • 78% Energy • 19% Liveness
90% Instrumentalness • 61% Positiveness
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Joshwa (UK)
Party's Jumpin
126 bpm • F# Maj • 02:55 • -6.92db
35% Popularity • 82% Danceability • 85% Energy • 2% Liveness
1% Instrumentalness • 91% Positiveness
35% Popularity • 82% Danceability • 85% Energy • 2% Liveness
1% Instrumentalness • 91% Positiveness
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CID
Where I Want 2 B
126 bpm • A min • 03:21 • -4.55db
45% Popularity • 77% Danceability • 88% Energy • 8% Liveness
47% Instrumentalness • 82% Positiveness
45% Popularity • 77% Danceability • 88% Energy • 8% Liveness
47% Instrumentalness • 82% Positiveness
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Noizu
Mi Corazón
126 bpm • F# Maj • 03:07 • -5.23db
38% Popularity • 73% Danceability • 93% Energy • 12% Liveness
46% Instrumentalness • 70% Positiveness
38% Popularity • 73% Danceability • 93% Energy • 12% Liveness
46% Instrumentalness • 70% Positiveness
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Anti Up
Pizza
126 bpm • F# min • 02:13 • -5.16db
36% Popularity • 70% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 70% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Fab Massimo
MY MAN
126 bpm • F# Maj • 03:49 • -5.88db
24% Popularity • 73% Danceability • 94% Energy • 17% Liveness
22% Instrumentalness • 48% Positiveness
24% Popularity • 73% Danceability • 94% Energy • 17% Liveness
22% Instrumentalness • 48% Positiveness
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Shiba San
Brace Yourself
126 bpm • G# min • 03:26 • -6.48db
13% Popularity • 87% Danceability • 87% Energy • 14% Liveness
82% Instrumentalness • 43% Positiveness
13% Popularity • 87% Danceability • 87% Energy • 14% Liveness
82% Instrumentalness • 43% Positiveness
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House Divided
Customer Service
126 bpm • A# min • 04:36 • -4.86db
11% Popularity • 81% Danceability • 92% Energy • 7% Liveness
75% Instrumentalness • 77% Positiveness
11% Popularity • 81% Danceability • 92% Energy • 7% Liveness
75% Instrumentalness • 77% Positiveness
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Guille Placencia
Go Girl
126 bpm • E Maj • 06:07 • -9.02db
22% Popularity • 81% Danceability • 87% Energy • 20% Liveness
91% Instrumentalness • 59% Positiveness
22% Popularity • 81% Danceability • 87% Energy • 20% Liveness
91% Instrumentalness • 59% Positiveness
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Chris Lake
I Remember
126 bpm • E Maj • 03:10 • -5.28db
44% Popularity • 73% Danceability • 94% Energy • 13% Liveness
10% Instrumentalness • 96% Positiveness
44% Popularity • 73% Danceability • 94% Energy • 13% Liveness
10% Instrumentalness • 96% Positiveness
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Nick Raff
That's Right
126 bpm • B Maj • 02:12 • -7.94db
23% Popularity • 60% Danceability • 88% Energy • 28% Liveness
88% Instrumentalness • 54% Positiveness
23% Popularity • 60% Danceability • 88% Energy • 28% Liveness
88% Instrumentalness • 54% Positiveness
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Eddy M
Dropping
126 bpm • F# min • 05:50 • -6.32db
25% Popularity • 81% Danceability • 97% Energy • 7% Liveness
95% Instrumentalness • 71% Positiveness
25% Popularity • 81% Danceability • 97% Energy • 7% Liveness
95% Instrumentalness • 71% Positiveness
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Hannah Wants
Call Me - Extended Mix
126 bpm • C# Maj • 05:51 • -6.39db
12% Popularity • 78% Danceability • 97% Energy • 3% Liveness
53% Instrumentalness • 88% Positiveness
12% Popularity • 78% Danceability • 97% Energy • 3% Liveness
53% Instrumentalness • 88% Positiveness
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Detlef
Music Please - Edit
126 bpm • F# Maj • 02:50 • -7.4db
25% Popularity • 78% Danceability • 94% Energy • 7% Liveness
81% Instrumentalness • 82% Positiveness
25% Popularity • 78% Danceability • 94% Energy • 7% Liveness
81% Instrumentalness • 82% Positiveness
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CID
La La La
126 bpm • B min • 03:07 • -3.45db
38% Popularity • 82% Danceability • 88% Energy • 6% Liveness
63% Instrumentalness • 79% Positiveness
38% Popularity • 82% Danceability • 88% Energy • 6% Liveness
63% Instrumentalness • 79% Positiveness
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Chiqito
Rock The Disco
126 bpm • C# Maj • 03:36 • -10.58db
17% Popularity • 80% Danceability • 91% Energy • 10% Liveness
83% Instrumentalness • 50% Positiveness
17% Popularity • 80% Danceability • 91% Energy • 10% Liveness
83% Instrumentalness • 50% Positiveness
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Chris Lake
Beat Freak
126 bpm • A min • 03:34 • -5.32db
45% Popularity • 89% Danceability • 69% Energy • 13% Liveness
44% Instrumentalness • 96% Positiveness
45% Popularity • 89% Danceability • 69% Energy • 13% Liveness
44% Instrumentalness • 96% Positiveness
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VNSSA
Cuz of the Beat
126 bpm • F# Maj • 03:00 • -6.77db
21% Popularity • 79% Danceability • 99% Energy • 16% Liveness
76% Instrumentalness • 63% Positiveness
21% Popularity • 79% Danceability • 99% Energy • 16% Liveness
76% Instrumentalness • 63% Positiveness
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Jack Villa
Tuyo
126 bpm • C# Maj • 03:10 • -9.73db
45% Popularity • 82% Danceability • 46% Energy • 12% Liveness
27% Instrumentalness • 26% Positiveness
45% Popularity • 82% Danceability • 46% Energy • 12% Liveness
27% Instrumentalness • 26% Positiveness
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CAAL
Mi Gente - Marco Strous Remix
126 bpm • B min • 07:07 • -6.5db
17% Popularity • 86% Danceability • 86% Energy • 5% Liveness
91% Instrumentalness • 60% Positiveness
17% Popularity • 86% Danceability • 86% Energy • 5% Liveness
91% Instrumentalness • 60% Positiveness
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Max Styler
Hypnotic
126 bpm • A# min • 03:20 • -5.34db
49% Popularity • 80% Danceability • 88% Energy • 8% Liveness
89% Instrumentalness • 27% Positiveness
49% Popularity • 80% Danceability • 88% Energy • 8% Liveness
89% Instrumentalness • 27% Positiveness
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Maximono
Dayum
126 bpm • D min • 02:49 • -6.64db
18% Popularity • 78% Danceability • 89% Energy • 12% Liveness
67% Instrumentalness • 92% Positiveness
18% Popularity • 78% Danceability • 89% Energy • 12% Liveness
67% Instrumentalness • 92% Positiveness
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Chris Lake
Dubai Dublin
126 bpm • D Maj • 03:49 • -4.64db
30% Popularity • 71% Danceability • 95% Energy • 6% Liveness
8% Instrumentalness • 51% Positiveness
30% Popularity • 71% Danceability • 95% Energy • 6% Liveness
8% Instrumentalness • 51% Positiveness
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Little Fritter
Bang This Joint
126 bpm • A# min • 03:25 • -8.24db
17% Popularity • 52% Danceability • 96% Energy • 23% Liveness
91% Instrumentalness • 52% Positiveness
17% Popularity • 52% Danceability • 96% Energy • 23% Liveness
91% Instrumentalness • 52% Positiveness
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Shiba San
Let's Go Dancing
126 bpm • C# Maj • 03:50 • -7.48db
28% Popularity • 78% Danceability • 63% Energy • 9% Liveness
88% Instrumentalness • 35% Positiveness
28% Popularity • 78% Danceability • 63% Energy • 9% Liveness
88% Instrumentalness • 35% Positiveness
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Dr. Fresch
Ravewerk
126 bpm • G# Maj • 03:08 • -5.87db
29% Popularity • 71% Danceability • 97% Energy • 39% Liveness
52% Instrumentalness • 49% Positiveness
29% Popularity • 71% Danceability • 97% Energy • 39% Liveness
52% Instrumentalness • 49% Positiveness
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House Divided
Amsterdam
126 bpm • B min • 03:28 • -4.38db
16% Popularity • 80% Danceability • 92% Energy • 5% Liveness
88% Instrumentalness • 61% Positiveness
16% Popularity • 80% Danceability • 92% Energy • 5% Liveness
88% Instrumentalness • 61% Positiveness
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Ship Wrek
Dance with Me
126 bpm • D min • 03:05 • -4.52db
32% Popularity • 83% Danceability • 80% Energy • 6% Liveness
7% Instrumentalness • 83% Positiveness
32% Popularity • 83% Danceability • 80% Energy • 6% Liveness
7% Instrumentalness • 83% Positiveness
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Jerome Price
Smack Ma - Edit
126 bpm • B Maj • 03:06 • -6.24db
17% Popularity • 70% Danceability • 98% Energy • 4% Liveness
22% Instrumentalness • 61% Positiveness
17% Popularity • 70% Danceability • 98% Energy • 4% Liveness
22% Instrumentalness • 61% Positiveness
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Noizu
Elevate
126 bpm • D Maj • 03:11 • -5.36db
23% Popularity • 66% Danceability • 95% Energy • 13% Liveness
6% Instrumentalness • 54% Positiveness
23% Popularity • 66% Danceability • 95% Energy • 13% Liveness
6% Instrumentalness • 54% Positiveness
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Shiba San
Runnin' Roll
126 bpm • B min • 04:01 • -6.7db
11% Popularity • 80% Danceability • 88% Energy • 12% Liveness
90% Instrumentalness • 52% Positiveness
11% Popularity • 80% Danceability • 88% Energy • 12% Liveness
90% Instrumentalness • 52% Positiveness
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Bellecour
Calibrator
126 bpm • B Maj • 03:48 • -5.79db
19% Popularity • 90% Danceability • 72% Energy • 8% Liveness
16% Instrumentalness • 46% Positiveness
19% Popularity • 90% Danceability • 72% Energy • 8% Liveness
16% Instrumentalness • 46% Positiveness
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House Divided
Where Whe Beats Go Low
126 bpm • D Maj • 03:30 • -6.41db
16% Popularity • 85% Danceability • 89% Energy • 10% Liveness
41% Instrumentalness • 67% Positiveness
16% Popularity • 85% Danceability • 89% Energy • 10% Liveness
41% Instrumentalness • 67% Positiveness
