Songs like Rock Me Tonight For Old Times Sake by Freddie Jackson
Based on a tempo of (+/- 10%) and a similar genre
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Freddie Jackson
Rock Me Tonight For Old Times Sake
144 bpm • C# Maj • 07:12 • -14.88db
47% Popularity • 72% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
47% Popularity • 72% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Angela Winbush
I'm the Kind of Woman
144 bpm • D min • 05:43 • -8.18db
17% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Kem
Love Calls
144 bpm • F# min • 05:13 • -9db
55% Popularity • 81% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
55% Popularity • 81% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Shai
Baby I'm Yours
144 bpm • D Maj • 04:34 • -10db
46% Popularity • 70% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 70% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Joe
Good Girls
144 bpm • G# min • 04:57 • -6.26db
50% Popularity • 70% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
50% Popularity • 70% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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DeBarge
A Dream
144 bpm • C min • 05:13 • -7db
44% Popularity • 64% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
44% Popularity • 64% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Freddie Jackson
Rock Me Tonight (For Old Times Sake)
144 bpm • C# Maj • 04:04 • -6.63db
51% Popularity • 71% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 71% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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New Edition
Can You Stand The Rain
143 bpm • G# Maj • 04:57 • -15.18db
65% Popularity • 61% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
65% Popularity • 61% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Kem
Why Would You Stay - Main
144 bpm • B Maj • 04:04 • -7db
47% Popularity • 60% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
47% Popularity • 60% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Rene & Angela
Your Smile - Single Version
143 bpm • A# min • 04:01 • -6.83db
33% Popularity • 56% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 56% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Con Funk Shun
I'm Leaving Baby
143 bpm • F Maj • 05:41 • -13.29db
32% Popularity • 74% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 74% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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DeBarge
A Dream
144 bpm • C min • 04:24 • -13db
42% Popularity • 65% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 65% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Freddie Jackson
Rock Me Tonight/Let's Get It On
144 bpm • C# Maj • 07:07 • -12.13db
22% Popularity • 78% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 78% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Levert
Start Me up Again
146 bpm • C Maj • 04:18 • -10.23db
21% Popularity • 75% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
21% Popularity • 75% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Force M.D.'s
Tender Love
143 bpm • G# Maj • 03:54 • -7.29db
61% Popularity • 34% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
61% Popularity • 34% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Rene & Angela
Your Smile
143 bpm • A# min • 04:15 • -10db
51% Popularity • 56% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
51% Popularity • 56% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Keith Washington
Lovers After All
146 bpm • G# min • 04:48 • -7.25db
23% Popularity • 61% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 61% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 79% Positiveness
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The Dramatics
You're The Best Thing In My Life
142 bpm • F Maj • 04:27 • -10.08db
34% Popularity • 58% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 58% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Con Funk Shun
All Up To You
146 bpm • F# min • 05:31 • -18.42db
28% Popularity • 50% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 50% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 20% Positiveness
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Ohio Players
I Want To Be Free
142 bpm • F Maj • 06:54 • -12.83db
38% Popularity • 50% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 50% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Betty Wright
No Pain, (No Gain)
146 bpm • A# Maj • 05:12 • -13.43db
46% Popularity • 75% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 75% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Freddie Jackson
A Little Taste
146 bpm • F# Maj • 03:57 • -10.13db
17% Popularity • 73% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 73% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Anita Baker
Good Love
146 bpm • G min • 05:33 • -8.56db
35% Popularity • 54% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 54% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Mint Condition
Someone To Love
142 bpm • D Maj • 05:20 • -7.16db
39% Popularity • 52% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 52% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 33% Positiveness
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Keith Washington
Are You Still in Love with Me
142 bpm • B Maj • 05:08 • -9db
43% Popularity • 65% Danceability • 70% Energy • 41% Liveness
0% Instrumentalness • 79% Positiveness
43% Popularity • 65% Danceability • 70% Energy • 41% Liveness
0% Instrumentalness • 79% Positiveness
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Angie Stone
No More Rain (In This Cloud)
142 bpm • G min • 04:43 • -8db
48% Popularity • 70% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
48% Popularity • 70% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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The Dells
I Touched A Dream
146 bpm • E Maj • 05:21 • -11.85db
34% Popularity • 45% Danceability • 55% Energy • 3% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 45% Danceability • 55% Energy • 3% Liveness
0% Instrumentalness • 65% Positiveness
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Tevin Campbell
What Do I Say
142 bpm • A Maj • 04:55 • -11db
33% Popularity • 68% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 68% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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The Spinners
Love Don't Love Nobody
141 bpm • F Maj • 03:37 • -13.87db
41% Popularity • 49% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 49% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Surface
Lately
141 bpm • E Maj • 04:05 • -12.54db
20% Popularity • 72% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 72% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Freddie Jackson
Janay
141 bpm • D Maj • 04:58 • -13.94db
22% Popularity • 54% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 54% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Kem
I Can't Stop Loving You
141 bpm • D# min • 05:23 • -9.76db
58% Popularity • 70% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
58% Popularity • 70% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Vesta Williams
Special
147 bpm • A# Maj • 05:07 • -7db
29% Popularity • 60% Danceability • 83% Energy • 49% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 60% Danceability • 83% Energy • 49% Liveness
0% Instrumentalness • 65% Positiveness
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Con Funk Shun
Straight From The Heart
141 bpm • D Maj • 04:37 • -11db
45% Popularity • 54% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 54% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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The Bar-Kays
Anticipation
147 bpm • D# Maj • 05:47 • -10.98db
32% Popularity • 66% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 66% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Rene & Angela
Your Smile - 12" Mix
141 bpm • A# min • 05:01 • -10.69db
30% Popularity • 44% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 44% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Debra Laws
Very Special
147 bpm • G# min • 04:28 • -9.36db
48% Popularity • 54% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
48% Popularity • 54% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Hi-Five
I Can't Wait Another Minute
147 bpm • G# Maj • 05:01 • -15db
40% Popularity • 62% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 62% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Angela Winbush
Angel
148 bpm • A# min • 05:18 • -14.94db
42% Popularity • 62% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
42% Popularity • 62% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Guy
Smile
140 bpm • B Maj • 04:17 • -14db
34% Popularity • 66% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 66% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Gladys Knight & The Pips
Neither One Of Us (Wants To Be The First...
140 bpm • F Maj • 04:24 • -14db
57% Popularity • 51% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
57% Popularity • 51% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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The Emotions
Don't Ask My Neighbors
140 bpm • C# Maj • 04:27 • -9.54db
48% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Levert
ABC-123
148 bpm • F Maj • 05:55 • -8.81db
32% Popularity • 75% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 75% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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Xscape
Who Can I Run To
140 bpm • E Maj • 03:36 • -9.6db
59% Popularity • 71% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
59% Popularity • 71% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Stacy Lattisaw
Love on a Two Way Street
140 bpm • E Maj • 04:11 • -14db
40% Popularity • 58% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 58% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Hi-Five
Unconditional Love
148 bpm • F min • 05:06 • -7.12db
39% Popularity • 65% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 65% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Trey Lorenz
Someone to Hold
148 bpm • E Maj • 04:43 • -10db
47% Popularity • 59% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
47% Popularity • 59% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Con Funk Shun
Love's Train
140 bpm • F# min • 05:16 • -13db
52% Popularity • 74% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
52% Popularity • 74% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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LSG
Where Would We Go
148 bpm • G Maj • 04:16 • -10.6db
30% Popularity • 71% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 71% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Toni Braxton
Seven Whole Days
140 bpm • D min • 06:20 • -6db
43% Popularity • 69% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 69% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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Enchantment
Sunshine
148 bpm • E Maj • 04:52 • -6db
41% Popularity • 37% Danceability • 68% Energy • 16% Liveness
2% Instrumentalness • 74% Positiveness
41% Popularity • 37% Danceability • 68% Energy • 16% Liveness
2% Instrumentalness • 74% Positiveness
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Blackstreet
Before I Let You Go
140 bpm • C# min • 04:59 • -7db
59% Popularity • 67% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 67% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
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Mint Condition
Forever In Your Eyes
140 bpm • G Maj • 05:12 • -11db
38% Popularity • 60% Danceability • 49% Energy • 72% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 60% Danceability • 49% Energy • 72% Liveness
0% Instrumentalness • 41% Positiveness
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Ready For The World
Tonight
149 bpm • G Maj • 04:58 • -13.16db
42% Popularity • 69% Danceability • 30% Energy • 58% Liveness
0% Instrumentalness • 41% Positiveness
42% Popularity • 69% Danceability • 30% Energy • 58% Liveness
0% Instrumentalness • 41% Positiveness
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L.T.D.
Lovers Everywhere
149 bpm • F# min • 03:45 • -12.97db
37% Popularity • 66% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 66% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Alexander O'Neal
Sunshine
139 bpm • C# Maj • 05:59 • -15db
47% Popularity • 63% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 63% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Michael Sterling
Lovers and Friends
139 bpm • G min • 05:02 • -4.08db
33% Popularity • 62% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 62% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Quincy Jones
You Put A Move On My Heart
150 bpm • F Maj • 06:13 • -7db
47% Popularity • 47% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
47% Popularity • 47% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Dru Hill
Love's Train
139 bpm • F# min • 04:19 • -7db
44% Popularity • 73% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
44% Popularity • 73% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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The Stylistics
Hurry Up This Way Again
150 bpm • A min • 05:53 • -9db
45% Popularity • 76% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
45% Popularity • 76% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Karyn White
Superwoman
138 bpm • G# Maj • 05:47 • -6db
57% Popularity • 62% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
57% Popularity • 62% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Guy
Tease Me Tonite
150 bpm • G# min • 05:09 • -17db
35% Popularity • 55% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 55% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Anita Baker
You're the Best Thing Yet
150 bpm • C Maj • 05:35 • -9db
29% Popularity • 49% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 49% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Pebbles
Love Makes Things Happen
150 bpm • G# min • 05:11 • -11.98db
44% Popularity • 66% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 66% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Dru Hill
The Love We Had (Stays On My Mind)
138 bpm • G Maj • 05:35 • -4db
46% Popularity • 73% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 73% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Brian McKnight
The Way Love Goes
150 bpm • B Maj • 05:07 • -8.14db
33% Popularity • 72% Danceability • 59% Energy • 55% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 72% Danceability • 59% Energy • 55% Liveness
0% Instrumentalness • 90% Positiveness
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Tevin Campbell
Brown Eyed Girl
138 bpm • B min • 04:01 • -11db
36% Popularity • 55% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 55% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
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Levert
All Season
138 bpm • E min • 05:45 • -9db
35% Popularity • 73% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 73% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Anita Baker
No More Tears
138 bpm • A# Maj • 05:35 • -7.85db
37% Popularity • 47% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 47% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
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Xscape
Understanding
138 bpm • G Maj • 05:41 • -10.43db
50% Popularity • 70% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
50% Popularity • 70% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Shirley Murdock
Husband
138 bpm • G# Maj • 05:05 • -12.88db
31% Popularity • 56% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 56% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
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Johnny Gill
There U Go
138 bpm • A# Maj • 05:16 • -14.18db
47% Popularity • 71% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 71% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Brownstone
Grapevyne
137 bpm • B min • 05:36 • -9.18db
43% Popularity • 72% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
43% Popularity • 72% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Monica
Why I Love You So Much
152 bpm • B min • 04:30 • -8.93db
56% Popularity • 72% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
56% Popularity • 72% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Jade
One Woman
152 bpm • C# Maj • 04:49 • -9.48db
31% Popularity • 66% Danceability • 60% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 66% Danceability • 60% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
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Force M.D.'s
Here I Go Again
137 bpm • F# Maj • 06:30 • -15db
36% Popularity • 37% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 37% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Heatwave
Always and Forever - Single Version
152 bpm • D Maj • 04:50 • -15.91db
50% Popularity • 34% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 34% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Karyn White
Thinkin' 'Bout Love
136 bpm • F# Maj • 05:13 • -9db
31% Popularity • 69% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 69% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Cameo
Feel Me
136 bpm • F Maj • 06:09 • -9.35db
25% Popularity • 60% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 60% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Jaheim
Finding My Way Back
136 bpm • C Maj • 03:46 • -5.13db
51% Popularity • 60% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
51% Popularity • 60% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Alicia Myers
If You Play Your Cards Right
153 bpm • B min • 06:00 • -16.08db
37% Popularity • 40% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 40% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Aaron Hall
Don't Be Afraid - Sex You Down Some Mo' ...
136 bpm • A min • 04:31 • -6.75db
40% Popularity • 51% Danceability • 71% Energy • 45% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 51% Danceability • 71% Energy • 45% Liveness
0% Instrumentalness • 36% Positiveness
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Angela Winbush
Too Good to Let You Go
136 bpm • C min • 05:44 • -6.98db
21% Popularity • 62% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 62% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Karyn White
Make Him Do Right
153 bpm • G min • 05:07 • -8.89db
30% Popularity • 59% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 59% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Anita Baker
You Bring Me Joy
135 bpm • A Maj • 04:24 • -7.22db
40% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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The Dells
A Heart Is A House For Love
153 bpm • C Maj • 06:10 • -10db
37% Popularity • 59% Danceability • 61% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 59% Danceability • 61% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
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Skyy
Real Love
135 bpm • B min • 05:14 • -11.83db
46% Popularity • 67% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
46% Popularity • 67% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Troop
Still in Love
135 bpm • F# Maj • 05:08 • -16db
29% Popularity • 67% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 67% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Melba Moore
A Little Bit More - Radio Edit
154 bpm • A# Maj • 04:21 • -5.17db
1% Popularity • 67% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
1% Popularity • 67% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Freddie Jackson
A Little Bit More
154 bpm • A# Maj • 04:54 • -11.24db
39% Popularity • 67% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 67% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Force M.D.'s
Couldn't Care Less
154 bpm • F# min • 05:29 • -15.65db
30% Popularity • 68% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 68% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Stacy Lattisaw
Let Me Be Your Angel
134 bpm • F Maj • 03:59 • -13.32db
38% Popularity • 38% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
38% Popularity • 38% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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New Edition
I'm Still In Love With You
134 bpm • G# min • 04:39 • -4.68db
59% Popularity • 74% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
59% Popularity • 74% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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Shirley Jones
Do You Get Enough Love?
134 bpm • G Maj • 04:39 • -9db
23% Popularity • 77% Danceability • 56% Energy • 51% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 77% Danceability • 56% Energy • 51% Liveness
0% Instrumentalness • 56% Positiveness
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Lillo Thomas
Wanna Make Love ( All Night Long)
134 bpm • G Maj • 04:54 • -15db
34% Popularity • 64% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 64% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Terry Ellis
Where Ever You Are
134 bpm • F Maj • 04:58 • -7db
35% Popularity • 73% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 73% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Force M.D.'s
Couldn't Care Less
154 bpm • F# min • 05:29 • -11.95db
32% Popularity • 70% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 70% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Cameo
Why Have I Lost You
134 bpm • G Maj • 05:14 • -12.6db
38% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
