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Rock Me
Songs like
Rock Me (feat. General Degree)
by
Richie Stephens
Based on a tempo of (+/- 10%) and a similar genre
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Pam Hall
Sweetest Sound
142 bpm • F# Maj • 03:36 • -6.71db
17% Popularity • 89% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
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Barry Boom
Dial My Number
142 bpm • G min • 03:39 • -9.1db
20% Popularity • 75% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Fiona
One Dance
142 bpm • F# min • 04:16 • -6.69db
14% Popularity • 80% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Leroy Mafia
You Lie
142 bpm • E Maj • 03:47 • -8.05db
17% Popularity • 68% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Janet Lee Davis
Key To Your Heart
142 bpm • D Maj • 02:56 • -10.9db
16% Popularity • 76% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Richie Stephens
Rock Me
142 bpm • E min • 04:02 • -7db
13% Popularity • 86% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Duane Stephenson
August Town
141 bpm • B Maj • 05:23 • -5.38db
25% Popularity • 84% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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Pam Hall
Time For Love
141 bpm • F Maj • 03:44 • -8db
13% Popularity • 73% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Agent Sasco (Assassin)
Mix Up
144 bpm • D Maj • 02:39 • -4.83db
26% Popularity • 74% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Yami Bolo
Curly Locks
144 bpm • G# Maj • 03:52 • -7.21db
23% Popularity • 78% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Beres Hammond & U Roy
Ain't That Loving You
144 bpm • A# Maj • 03:48 • -5db
25% Popularity • 65% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Lloyd Brown
Stress
144 bpm • A Maj • 04:16 • -4.59db
15% Popularity • 75% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Sandra Cross
Hello There
140 bpm • G Maj • 03:42 • -8.67db
24% Popularity • 85% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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Peter Spence
Things in Life
140 bpm • A# min • 03:46 • -7.13db
24% Popularity • 73% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Pam Hall
I Love How You Love Me
140 bpm • A# Maj • 03:41 • -11.69db
16% Popularity • 75% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Fred Locks
True Rastaman
140 bpm • F# min • 03:37 • -5.33db
26% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Richie Stephens
Glory to the Lord
144 bpm • D# Maj • 03:37 • -7.84db
6% Popularity • 29% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Fiona
From This Moment On
144 bpm • D Maj • 03:41 • -9.13db
14% Popularity • 64% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Vivian Jones
Extra Classic S.F
146 bpm • C# min • 04:00 • -10.21db
11% Popularity • 73% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
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Shola Ama
Puppy Love - Ft: Christoper Ellis
138 bpm • B min • 03:22 • -8.04db
8% Popularity • 62% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Pam Hall
Sad Movies
145 bpm • C# Maj • 03:48 • -8.48db
11% Popularity • 87% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Ghost
Breathless
146 bpm • B min • 03:13 • -3.08db
18% Popularity • 50% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Kofi
Keep U Satisfied
146 bpm • F# min • 03:51 • -11.22db
30% Popularity • 88% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Peter Spence
Baby I
146 bpm • G# Maj • 04:40 • -9.38db
16% Popularity • 75% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Nerious Joseph
Guidance
138 bpm • C Maj • 03:52 • -15.09db
34% Popularity • 88% Danceability • 27% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Sister Love
Goodbye Little Man
137 bpm • B min • 06:47 • -11.3db
14% Popularity • 76% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Half Pint
Hold On
146 bpm • B min • 04:00 • -9.49db
30% Popularity • 80% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Jamelody
Can't Take My Eyes Off Of You
147 bpm • C Maj • 03:54 • -2.39db
13% Popularity • 65% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Bitty Mclean & Rocky Brown
I Want A Love I Can See
147 bpm • C Maj • 04:47 • -7.96db
5% Popularity • 77% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Sandra Cross
Put It On
137 bpm • C Maj • 04:47 • -13.08db
23% Popularity • 86% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Junior Tucker
Love Of A Lifetime
147 bpm • A Maj • 03:36 • -15.4db
34% Popularity • 89% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Ambelique
She's Mine
148 bpm • F Maj • 03:33 • -5.62db
17% Popularity • 77% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Warrior King
Virtuous Woman
148 bpm • A# Maj • 03:42 • -6.22db
33% Popularity • 73% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Richie Stephens
Should I
136 bpm • E min • 03:58 • -15.56db
9% Popularity • 77% Danceability • 46% Energy • 6% Liveness
25% Instrumentalness • 88% Positiveness
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Tyrone Taylor
Cottage in Negril
136 bpm • C# Maj • 04:32 • -5.65db
16% Popularity • 55% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Benjy Myaz
Don't Ask My Neighbor
149 bpm • G Maj • 03:58 • -7.43db
8% Popularity • 69% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Pam Hall
Lean On Me
149 bpm • E Maj • 03:49 • -11.38db
23% Popularity • 79% Danceability • 37% Energy • 37% Liveness
0% Instrumentalness • 89% Positiveness
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Henry Fong
What's the Move - RemK Remix
135 bpm • B min • 03:13 • -3.39db
5% Popularity • 72% Danceability • 98% Energy • 21% Liveness
3% Instrumentalness • 39% Positiveness
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Kofi
Secret Combination
135 bpm • B Maj • 02:59 • -10.03db
16% Popularity • 88% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Richie Stephens
We've Made It
150 bpm • B Maj • 04:01 • -3.91db
1% Popularity • 70% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Tony Curtis
Body Calling
134 bpm • E Maj • 03:44 • -8.76db
16% Popularity • 82% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Tyrone Taylor
Cottage In Negril
136 bpm • C# Maj • 04:37 • -8db
13% Popularity • 64% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Sandra Cross
I Adore You
134 bpm • F Maj • 03:59 • -8.78db
26% Popularity • 81% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Legato
Fool for Your Love
134 bpm • C# Maj • 04:13 • -7.28db
13% Popularity • 67% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Bunny Maloney
Baby I've Been Missing You
151 bpm • F Maj • 04:15 • -7db
21% Popularity • 73% Danceability • 64% Energy • 14% Liveness
2% Instrumentalness • 78% Positiveness
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Ambelique
Picking up Packing Up
133 bpm • G# Maj • 04:04 • -6.19db
11% Popularity • 89% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Delroy Wilson
Sharing the Night Together
152 bpm • F Maj • 03:26 • -14.37db
31% Popularity • 57% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Bushman
ARMS OF A WOMAN
152 bpm • E min • 03:39 • -6.18db
24% Popularity • 75% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 82% Positiveness
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Nikesha
How Can I Live
152 bpm • A Maj • 03:31 • -6.37db
29% Popularity • 72% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Sandra Cross
I Adore You
132 bpm • F Maj • 03:25 • -13.23db
22% Popularity • 83% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Tyrone Taylor
Cottage In Negril
153 bpm • D Maj • 03:55 • -5db
31% Popularity • 76% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Ambelique
Sharing The Night
152 bpm • F Maj • 03:54 • -9.21db
11% Popularity • 71% Danceability • 41% Energy • 7% Liveness
1% Instrumentalness • 60% Positiveness
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Turbulence
X-Girlfriend
153 bpm • F Maj • 04:05 • -2.23db
30% Popularity • 61% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Don Campbell
I Wish I Could
154 bpm • A Maj • 04:06 • -5.2db
29% Popularity • 74% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Jamelody
Love Crazy
154 bpm • F min • 03:54 • -5.64db
23% Popularity • 60% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Vivian Jones
Strong Love
154 bpm • F Maj • 04:21 • -10db
27% Popularity • 78% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Tony Curtis
Jah I Thank You
154 bpm • A Maj • 04:00 • -5.11db
27% Popularity • 74% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Ambelique
New Sheriff
154 bpm • A Maj • 04:01 • -4.83db
17% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Thriller U
Smile
154 bpm • C# Maj • 03:38 • -17db
13% Popularity • 79% Danceability • 10% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
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Christopher Ellis
Inseparable
154 bpm • F min • 04:05 • -5.21db
20% Popularity • 50% Danceability • 82% Energy • 71% Liveness
0% Instrumentalness • 71% Positiveness
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Louisa Mark
People in Love
131 bpm • A Maj • 02:45 • -17.59db
25% Popularity • 71% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Winston Reedy
Paradise in Your Eyes
131 bpm • C Maj • 04:28 • -6.48db
17% Popularity • 72% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
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Tony Curtis
Hold Me Darling
154 bpm • F Maj • 03:26 • -11db
19% Popularity • 74% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Half Pint
Just Be Good
154 bpm • A Maj • 03:52 • -6db
46% Popularity • 74% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Richie Stephens
Born to Love You
131 bpm • F# min • 03:40 • -3.48db
5% Popularity • 73% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Seanizzle
Born to Love U
130 bpm • F# min • 03:42 • -5.41db
11% Popularity • 77% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Ghost
Nothing At All
156 bpm • G# Maj • 04:02 • -8.85db
35% Popularity • 63% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Sammy Levi
Hurting on the Inside
157 bpm • C# Maj • 03:02 • -11.24db
18% Popularity • 75% Danceability • 47% Energy • 3% Liveness
0% Instrumentalness • 97% Positiveness
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Tyrone Taylor
Rainy Sunset
157 bpm • C Maj • 03:40 • -5.51db
37% Popularity • 71% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Red Rat
Dwayne
128 bpm • C# Maj • 03:47 • -6db
39% Popularity • 62% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Janet Lee Davis
Stick with You
158 bpm • G# Maj • 03:45 • -5.47db
14% Popularity • 62% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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Lloyd Brown
Sharing The Night
158 bpm • C# min • 03:25 • -7.65db
26% Popularity • 67% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Mighty Diamonds
The Last Dance (Last Waltz)
159 bpm • C# Maj • 03:32 • -7.04db
16% Popularity • 64% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
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Terror Fabulous
Position
127 bpm • A min • 03:07 • -7.69db
25% Popularity • 94% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Richie Stephens
Come Give Me Your Love
126 bpm • C# min • 03:45 • -5.09db
5% Popularity • 89% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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Deborahe Glasgow
The First
160 bpm • E Maj • 04:14 • -13.07db
31% Popularity • 76% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Singing Melody
Want You Back
160 bpm • F Maj • 04:02 • -7db
40% Popularity • 70% Danceability • 63% Energy • 41% Liveness
0% Instrumentalness • 97% Positiveness
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Pam Hall
I Will Always Love You
160 bpm • A Maj • 03:35 • -14.01db
1% Popularity • 71% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Spragga Benz
We Nuh Like - Mixed
125 bpm • D Maj • 02:36 • -9.9db
30% Popularity • 66% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Calero
Ella Siempre Me Llama
125 bpm • D# min • 03:14 • -3.62db
2% Popularity • 61% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Richie Stephens
I Found Heaven
160 bpm • D Maj • 03:15 • -5.57db
11% Popularity • 61% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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Yvonne Sterling
Thank You Lord
162 bpm • G Maj • 03:27 • -5.16db
4% Popularity • 54% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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General Degree
Pianist
163 bpm • A Maj • 03:37 • -12.54db
9% Popularity • 85% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Pam Hall
I'll Always Love You
160 bpm • A Maj • 04:01 • -8.15db
29% Popularity • 68% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Admiral Tibet
Be Mine Tonight
163 bpm • C# Maj • 03:08 • -13.62db
31% Popularity • 82% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Leroy Mafia
There She Goes Again
164 bpm • F# Maj • 03:02 • -14.14db
20% Popularity • 76% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Richie Stephens
Foundation Sound
124 bpm • C Maj • 04:14 • -2.76db
3% Popularity • 72% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Barry Boom
Making Love
164 bpm • B Maj • 04:06 • -15.84db
33% Popularity • 81% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Singing Melody
I Wanna Know
164 bpm • C# Maj • 03:48 • -7db
19% Popularity • 71% Danceability • 53% Energy • 41% Liveness
0% Instrumentalness • 94% Positiveness
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Pam Hall
Dear Boopsie
161 bpm • C# Maj • 03:50 • -10.01db
13% Popularity • 75% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Janet Lee Davis
Walk On By
164 bpm • A min • 03:23 • -7.85db
30% Popularity • 72% Danceability • 66% Energy • 4% Liveness
2% Instrumentalness • 94% Positiveness
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Beres Hammond & Marcia Griffiths
Live On
165 bpm • D Maj • 03:08 • -4.54db
23% Popularity • 73% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Richie Stephens
Badder Than Before
164 bpm • G Maj • 03:54 • -5.84db
1% Popularity • 54% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Lloyd Brown
It's a Love Thing
165 bpm • C# Maj • 05:18 • -16.96db
8% Popularity • 73% Danceability • 25% Energy • 28% Liveness
2% Instrumentalness • 78% Positiveness
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Barrington Levy
Don't Throw It All Away
165 bpm • A Maj • 03:26 • -9.81db
12% Popularity • 62% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Pam Hall
Truly
162 bpm • C Maj • 03:31 • -15.19db
17% Popularity • 64% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Junior Kelly
Sunshine
166 bpm • A# Maj • 04:03 • -6.61db
28% Popularity • 73% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Tony Curtis
Heaven Only Knows
165 bpm • B Maj • 03:22 • -6db
32% Popularity • 62% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Natural Black
Never Hurt You
166 bpm • C Maj • 03:24 • -6db
18% Popularity • 66% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 35% Positiveness
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Tony Rebel & Swade
Just Friends
166 bpm • C Maj • 03:51 • -6db
27% Popularity • 72% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Rock Me