Songs like Rock 'n' Roll Ghost - Matt Wallace Mix by The Replacements
Based on a tempo of (+/- 10%) and a similar genre
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Billy Bragg
Airline To Heaven
113 bpm • E Maj • 04:50 • -7.17db
34% Popularity • 56% Danceability • 93% Energy • 38% Liveness
2% Instrumentalness • 71% Positiveness
34% Popularity • 56% Danceability • 93% Energy • 38% Liveness
2% Instrumentalness • 71% Positiveness
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The Replacements
Torture - 2008 Remaster
113 bpm • A Maj • 01:51 • -10.26db
19% Popularity • 58% Danceability • 38% Energy • 44% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 58% Danceability • 38% Energy • 44% Liveness
0% Instrumentalness • 61% Positiveness
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Mekons
The Curse
113 bpm • D Maj • 03:43 • -10.63db
9% Popularity • 58% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 58% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Mission Of Burma
Einstein's Day
113 bpm • A Maj • 04:35 • -8.49db
15% Popularity • 31% Danceability • 65% Energy • 13% Liveness
63% Instrumentalness • 41% Positiveness
15% Popularity • 31% Danceability • 65% Energy • 13% Liveness
63% Instrumentalness • 41% Positiveness
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Velvet Crush
Faster Days
113 bpm • D# Maj • 04:36 • -9.13db
10% Popularity • 44% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 44% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Yo La Tengo
Somebody's Baby
114 bpm • B min • 03:38 • -6.85db
13% Popularity • 30% Danceability • 88% Energy • 12% Liveness
5% Instrumentalness • 66% Positiveness
13% Popularity • 30% Danceability • 88% Energy • 12% Liveness
5% Instrumentalness • 66% Positiveness
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The Only Ones
No Peace For The Wicked - 2008 re-master...
114 bpm • B Maj • 02:51 • -8db
18% Popularity • 63% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 63% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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The Replacements
Rock 'n' Roll Ghost - Matt Wallace Mix
113 bpm • F Maj • 03:23 • -12.17db
10% Popularity • 56% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 56% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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Elvis Costello & The Attractions
You Little Fool
112 bpm • G Maj • 03:09 • -7.95db
19% Popularity • 58% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 58% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Violent Femmes
Good Friend
114 bpm • D Maj • 03:28 • -12.43db
18% Popularity • 74% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 74% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Liz Phair
Never Said - 2018 Remaster
112 bpm • G Maj • 03:16 • -4.95db
40% Popularity • 50% Danceability • 79% Energy • 66% Liveness
2% Instrumentalness • 56% Positiveness
40% Popularity • 50% Danceability • 79% Energy • 66% Liveness
2% Instrumentalness • 56% Positiveness
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The Jim Carroll Band
Day and Night
112 bpm • D# Maj • 02:22 • -13.21db
17% Popularity • 62% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 62% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Silver Jews
Black and Brown Blues
114 bpm • D Maj • 04:04 • -10db
36% Popularity • 53% Danceability • 40% Energy • 16% Liveness
1% Instrumentalness • 59% Positiveness
36% Popularity • 53% Danceability • 40% Energy • 16% Liveness
1% Instrumentalness • 59% Positiveness
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The Replacements
If Only You Were Lonely - Twin Tone Sing...
113 bpm • G Maj • 02:37 • -12db
33% Popularity • 54% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 54% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Frank Black & The Catholics
You're Such a Wire
112 bpm • G Maj • 02:05 • -6.25db
10% Popularity • 60% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 60% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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Yo La Tengo
Speeding Motorcycle
112 bpm • C# Maj • 03:24 • -12.23db
22% Popularity • 58% Danceability • 39% Energy • 23% Liveness
14% Instrumentalness • 67% Positiveness
22% Popularity • 58% Danceability • 39% Energy • 23% Liveness
14% Instrumentalness • 67% Positiveness
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Wire
Reuters - 2006 Remastered Version
112 bpm • D Maj • 03:03 • -8.91db
36% Popularity • 53% Danceability • 62% Energy • 11% Liveness
67% Instrumentalness • 13% Positiveness
36% Popularity • 53% Danceability • 62% Energy • 11% Liveness
67% Instrumentalness • 13% Positiveness
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Liz Phair
Dance of the Seven Veils - 2018 Remaster
114 bpm • D# Maj • 02:29 • -11.41db
30% Popularity • 53% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 53% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Silver Jews
Tennessee
114 bpm • G Maj • 04:10 • -11.26db
27% Popularity • 42% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
27% Popularity • 42% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
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Television
Venus
115 bpm • C Maj • 03:49 • -11.49db
44% Popularity • 55% Danceability • 63% Energy • 5% Liveness
18% Instrumentalness • 91% Positiveness
44% Popularity • 55% Danceability • 63% Energy • 5% Liveness
18% Instrumentalness • 91% Positiveness
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The Replacements
Rock 'N' Roll Ghost - 2008 Remaster
113 bpm • F Maj • 03:25 • -14.73db
13% Popularity • 53% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 36% Positiveness
13% Popularity • 53% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 36% Positiveness
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Violent Femmes
Look Like That
115 bpm • A Maj • 02:45 • -10.92db
37% Popularity • 49% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 49% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Elvis Costello & The Attractions
Tiny Steps - 2021 Remaster
115 bpm • G Maj • 02:44 • -8db
11% Popularity • 53% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 53% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Buffalo Tom
The Bus
115 bpm • D Maj • 04:49 • -7.66db
14% Popularity • 25% Danceability • 74% Energy • 12% Liveness
2% Instrumentalness • 44% Positiveness
14% Popularity • 25% Danceability • 74% Energy • 12% Liveness
2% Instrumentalness • 44% Positiveness
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Mekons
Chivalry
115 bpm • D Maj • 04:03 • -9.24db
19% Popularity • 59% Danceability • 72% Energy • 42% Liveness
47% Instrumentalness • 66% Positiveness
19% Popularity • 59% Danceability • 72% Energy • 42% Liveness
47% Instrumentalness • 66% Positiveness
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Evan Dando
Shots Is Fired - Alternative Version
111 bpm • G Maj • 02:42 • -6db
14% Popularity • 40% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 40% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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The Replacements
They're Blind - 2008 Remaster
114 bpm • A# Maj • 04:41 • -9.28db
16% Popularity • 60% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 60% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Billy Bragg
Little Time Bomb
111 bpm • G Maj • 02:17 • -6.88db
25% Popularity • 56% Danceability • 45% Energy • 8% Liveness
2% Instrumentalness • 60% Positiveness
25% Popularity • 56% Danceability • 45% Energy • 8% Liveness
2% Instrumentalness • 60% Positiveness
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Grandpaboy
Eyes Like Sparks
115 bpm • A Maj • 02:31 • -4.36db
17% Popularity • 66% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 66% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Velvet Crush
Star Trip
116 bpm • G# Maj • 04:17 • -9.08db
8% Popularity • 40% Danceability • 79% Energy • 38% Liveness
53% Instrumentalness • 39% Positiveness
8% Popularity • 40% Danceability • 79% Energy • 38% Liveness
53% Instrumentalness • 39% Positiveness
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The Smithereens
Listen To Me Girl
116 bpm • C# Maj • 03:01 • -12.37db
8% Popularity • 50% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 50% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Frank Black
Space is Gonna do me Good
116 bpm • D# Maj • 02:22 • -7.11db
15% Popularity • 65% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 65% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Television
Elevation
110 bpm • A min • 05:05 • -10.22db
37% Popularity • 53% Danceability • 59% Energy • 8% Liveness
30% Instrumentalness • 66% Positiveness
37% Popularity • 53% Danceability • 59% Energy • 8% Liveness
30% Instrumentalness • 66% Positiveness
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Elvis Costello & The Attractions
Riot Act
116 bpm • D Maj • 03:36 • -8.71db
22% Popularity • 43% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 43% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Bob Mould
Heartbreak A Stranger
110 bpm • B Maj • 05:52 • -15db
26% Popularity • 64% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 64% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Camper Van Beethoven
Where the Hell Is Bill?
116 bpm • A Maj • 02:05 • -10.94db
21% Popularity • 60% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 60% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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The Go-Betweens
Love Is A Sign - 2004 Digital Remaster
110 bpm • G Maj • 04:12 • -9.17db
13% Popularity • 52% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 52% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Grandpaboy
2 Days 'Til Tomorrow
116 bpm • F# Maj • 03:26 • -4.87db
11% Popularity • 63% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
11% Popularity • 63% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Alex Chilton
Guantanamerika
110 bpm • D Maj • 03:09 • -11.18db
9% Popularity • 66% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 66% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Elvis Costello & The Attractions
Poor Napoleon
116 bpm • F Maj • 03:21 • -7.61db
14% Popularity • 45% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 45% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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The Rain Parade
You Are My Friend
117 bpm • C Maj • 03:05 • -12.51db
13% Popularity • 42% Danceability • 68% Energy • 37% Liveness
65% Instrumentalness • 58% Positiveness
13% Popularity • 42% Danceability • 68% Energy • 37% Liveness
65% Instrumentalness • 58% Positiveness
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Bob Mould
Poison Years
116 bpm • B min • 05:24 • -10.26db
18% Popularity • 55% Danceability • 67% Energy • 31% Liveness
1% Instrumentalness • 56% Positiveness
18% Popularity • 55% Danceability • 67% Energy • 31% Liveness
1% Instrumentalness • 56% Positiveness
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Television
Days - 2003 Remaster
117 bpm • D Maj • 03:14 • -8.69db
40% Popularity • 59% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
40% Popularity • 59% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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The Mice
Little Rage
117 bpm • C Maj • 04:50 • -6.02db
9% Popularity • 40% Danceability • 87% Energy • 8% Liveness
1% Instrumentalness • 66% Positiveness
9% Popularity • 40% Danceability • 87% Energy • 8% Liveness
1% Instrumentalness • 66% Positiveness
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Robyn Hitchcock & The Egyptians
My Wife and My Dead Wife
109 bpm • G# Maj • 04:18 • -7.22db
13% Popularity • 58% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 58% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Elvis Costello & The Attractions
New Lace Sleeves
109 bpm • C Maj • 03:46 • -9.28db
25% Popularity • 66% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 66% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Camper Van Beethoven
Flowers
109 bpm • A Maj • 02:59 • -7.89db
15% Popularity • 63% Danceability • 54% Energy • 24% Liveness
6% Instrumentalness • 24% Positiveness
15% Popularity • 63% Danceability • 54% Energy • 24% Liveness
6% Instrumentalness • 24% Positiveness
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Bob Mould
Lonely Afternoon
116 bpm • B Maj • 04:29 • -10.73db
12% Popularity • 58% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 58% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Paul Westerberg
Love Untold
117 bpm • A# Maj • 04:17 • -5db
26% Popularity • 68% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 68% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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The Replacements
Swingin Party - Ed Stasium Mix
117 bpm • B min • 03:50 • -9.84db
27% Popularity • 63% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 63% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Grandpaboy
High Time
117 bpm • F# Maj • 02:59 • -3.78db
16% Popularity • 53% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 53% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 39% Positiveness
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Billy Bragg
Hesitating Beauty
109 bpm • C Maj • 03:05 • -7db
37% Popularity • 62% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
37% Popularity • 62% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
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Bash & Pop
Loose Ends
117 bpm • D Maj • 04:08 • -5.11db
13% Popularity • 70% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 70% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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The Dream Syndicate
Tell Me When It's Over
118 bpm • G Maj • 03:33 • -6.78db
24% Popularity • 38% Danceability • 93% Energy • 23% Liveness
62% Instrumentalness • 59% Positiveness
24% Popularity • 38% Danceability • 93% Energy • 23% Liveness
62% Instrumentalness • 59% Positiveness
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Buffalo Tom
Crutch
108 bpm • C Maj • 04:03 • -11db
11% Popularity • 23% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 23% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Television
Prove It
118 bpm • D Maj • 05:00 • -13.89db
36% Popularity • 67% Danceability • 38% Energy • 16% Liveness
28% Instrumentalness • 80% Positiveness
36% Popularity • 67% Danceability • 38% Energy • 16% Liveness
28% Instrumentalness • 80% Positiveness
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Violent Femmes
Gimme The Car - 1983 Rough Trade UK Sing...
109 bpm • D Maj • 05:04 • -13db
35% Popularity • 42% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 42% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Keene Brothers
Death of the Party
118 bpm • A# Maj • 03:14 • -6.64db
12% Popularity • 42% Danceability • 72% Energy • 25% Liveness
4% Instrumentalness • 39% Positiveness
12% Popularity • 42% Danceability • 72% Energy • 25% Liveness
4% Instrumentalness • 39% Positiveness
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Billy Bragg
Someday Some Morning Sometime
118 bpm • C Maj • 02:51 • -14.56db
37% Popularity • 43% Danceability • 23% Energy • 8% Liveness
9% Instrumentalness • 9% Positiveness
37% Popularity • 43% Danceability • 23% Energy • 8% Liveness
9% Instrumentalness • 9% Positiveness
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The Replacements
Sixteen Blue - Outtake - Alternate Vocal
118 bpm • G Maj • 04:46 • -8.33db
17% Popularity • 43% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 43% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
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Silver Jews
Sleeping Is The Only Love
118 bpm • C Maj • 02:56 • -6.98db
29% Popularity • 54% Danceability • 77% Energy • 15% Liveness
20% Instrumentalness • 96% Positiveness
29% Popularity • 54% Danceability • 77% Energy • 15% Liveness
20% Instrumentalness • 96% Positiveness
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Frank Black
Sing for Joy
108 bpm • E Maj • 04:57 • -9.85db
11% Popularity • 61% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
11% Popularity • 61% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Violent Femmes
More Money Tonight
108 bpm • E min • 03:59 • -12.54db
17% Popularity • 68% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 68% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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Throwing Muses
Devil's Roof
108 bpm • A min • 03:39 • -16.64db
13% Popularity • 70% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
13% Popularity • 70% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
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Robyn Hitchcock
This Could Be the Day
108 bpm • E Maj • 02:46 • -8.28db
8% Popularity • 62% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 62% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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The Replacements
Sixteen Blue
118 bpm • G Maj • 04:25 • -6.74db
33% Popularity • 49% Danceability • 72% Energy • 23% Liveness
2% Instrumentalness • 60% Positiveness
33% Popularity • 49% Danceability • 72% Energy • 23% Liveness
2% Instrumentalness • 60% Positiveness
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Let's Active
Waters Part
118 bpm • C Maj • 05:00 • -9.6db
16% Popularity • 43% Danceability • 81% Energy • 31% Liveness
2% Instrumentalness • 60% Positiveness
16% Popularity • 43% Danceability • 81% Energy • 31% Liveness
2% Instrumentalness • 60% Positiveness
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Frank Black
I Don't Want To Hurt You (Every SingleTi...
118 bpm • F Maj • 03:02 • -8.63db
26% Popularity • 53% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 53% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Hüsker Dü
It's Not Funny Anymore
108 bpm • G Maj • 02:10 • -11.09db
28% Popularity • 52% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 52% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Scud Mountain Boys
Penthouse In The Woods
119 bpm • G Maj • 02:42 • -11db
15% Popularity • 57% Danceability • 56% Energy • 11% Liveness
4% Instrumentalness • 87% Positiveness
15% Popularity • 57% Danceability • 56% Energy • 11% Liveness
4% Instrumentalness • 87% Positiveness
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The Vaselines
Rory Rides Me Raw
107 bpm • D Maj • 02:26 • -7db
25% Popularity • 45% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 45% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
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Paul Westerberg
First Glimmer
119 bpm • D Maj • 04:57 • -8.3db
23% Popularity • 61% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 61% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
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Wire
Feeling Called Love - 2006 Remastered Ve...
107 bpm • A Maj • 01:28 • -7.23db
41% Popularity • 46% Danceability • 75% Energy • 10% Liveness
54% Instrumentalness • 96% Positiveness
41% Popularity • 46% Danceability • 75% Energy • 10% Liveness
54% Instrumentalness • 96% Positiveness
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Frank Black
Selkie Bride
119 bpm • C min • 03:05 • -13.02db
21% Popularity • 66% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
21% Popularity • 66% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Elvis Costello & The Attractions
Big Tears - 2021 Remaster
119 bpm • G Maj • 03:11 • -6.48db
25% Popularity • 56% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 56% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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X
See How We Are
107 bpm • G Maj • 03:49 • -5.79db
10% Popularity • 51% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 51% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Throwing Muses
Graffiti
119 bpm • G Maj • 02:37 • -16.95db
18% Popularity • 73% Danceability • 45% Energy • 14% Liveness
14% Instrumentalness • 95% Positiveness
18% Popularity • 73% Danceability • 45% Energy • 14% Liveness
14% Instrumentalness • 95% Positiveness
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Richard Lloyd
Misty Eyes
107 bpm • A Maj • 03:51 • -11.63db
14% Popularity • 73% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 73% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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The Bevis Frond
Lights Are Changing
119 bpm • F Maj • 04:55 • -7.47db
17% Popularity • 32% Danceability • 74% Energy • 21% Liveness
64% Instrumentalness • 38% Positiveness
17% Popularity • 32% Danceability • 74% Energy • 21% Liveness
64% Instrumentalness • 38% Positiveness
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Minutemen
Have You Ever Seen the Rain?
119 bpm • C Maj • 02:30 • -12.02db
17% Popularity • 62% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 62% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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New York Dolls
Lonely Planet Boy
120 bpm • D Maj • 04:08 • -15db
36% Popularity • 48% Danceability • 53% Energy • 9% Liveness
11% Instrumentalness • 56% Positiveness
36% Popularity • 48% Danceability • 53% Energy • 9% Liveness
11% Instrumentalness • 56% Positiveness
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When It Rains
119 bpm • F# min • 04:33 • -7.03db
1% Popularity • 32% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
1% Popularity • 32% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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The Vaselines
Bitch
120 bpm • G Maj • 02:37 • -7.61db
19% Popularity • 46% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 46% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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The Dream Syndicate
Burn
120 bpm • G Maj • 05:34 • -12.6db
7% Popularity • 41% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
7% Popularity • 41% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
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Silver Jews
Honk If You're Lonely
107 bpm • D Maj • 02:47 • -8.96db
42% Popularity • 66% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
42% Popularity • 66% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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Robyn Hitchcock & The Egyptians
Vibrating
120 bpm • E Maj • 03:02 • -13.33db
14% Popularity • 58% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 87% Positiveness
14% Popularity • 58% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 87% Positiveness
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Buffalo Tom
For All To See
107 bpm • D# Maj • 03:35 • -7.72db
15% Popularity • 36% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 36% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Cyrano De Berger's Back
120 bpm • D min • 03:33 • -6.41db
1% Popularity • 48% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
1% Popularity • 48% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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The Replacements
Sadly Beautiful - 2008 Remaster
107 bpm • D Maj • 03:17 • -20.6db
20% Popularity • 53% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 53% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Bash & Pop
Nothing
106 bpm • C Maj • 03:41 • -9.46db
7% Popularity • 61% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
7% Popularity • 61% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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Bob Mould
Compositions For The Young And Old
106 bpm • G Maj • 04:39 • -10.9db
14% Popularity • 65% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 65% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Television
The Dream's Dream - 2003 Remaster
106 bpm • D# Maj • 06:36 • -10db
26% Popularity • 61% Danceability • 47% Energy • 7% Liveness
36% Instrumentalness • 42% Positiveness
26% Popularity • 61% Danceability • 47% Energy • 7% Liveness
36% Instrumentalness • 42% Positiveness
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Wilco
Burned
120 bpm • G Maj • 02:32 • -5.63db
11% Popularity • 57% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 57% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
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Drunk in My Past
120 bpm • A Maj • 02:52 • -7.12db
9% Popularity • 67% Danceability • 71% Energy • 25% Liveness
2% Instrumentalness • 89% Positiveness
9% Popularity • 67% Danceability • 71% Energy • 25% Liveness
2% Instrumentalness • 89% Positiveness
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Liz Phair
Divorce Song - 2018 Remaster
120 bpm • C# Maj • 03:20 • -4.78db
35% Popularity • 64% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 64% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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New York Dolls
Making Rain
106 bpm • E Maj • 04:06 • -7.08db
10% Popularity • 46% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 46% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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The Replacements
The Last - 2008 Remaster
106 bpm • C Maj • 02:55 • -17db
11% Popularity • 64% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 64% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Violent Femmes
I Held Her In My Arms
106 bpm • B min • 02:52 • -6.86db
35% Popularity • 60% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 60% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
