Songs like Rock 'n' Roll Toilet (Mark 1) [Bonus Track] by The Soft Boys
Based on a tempo of (+/- 10%) and a similar genre
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Wire
Pink Flag - 2006 Remastered Version
122 bpm • A Maj • 03:45 • -9.69db
36% Popularity • 45% Danceability • 84% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
36% Popularity • 45% Danceability • 84% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
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The Soft Boys
Cold Turkey
122 bpm • E min • 04:20 • -6.18db
4% Popularity • 30% Danceability • 88% Energy • 75% Liveness
0% Instrumentalness • 56% Positiveness
4% Popularity • 30% Danceability • 88% Energy • 75% Liveness
0% Instrumentalness • 56% Positiveness
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The Dukes Of Stratosphear
Your Gold Dress - 2001 Mix
122 bpm • G Maj • 04:42 • -6.82db
16% Popularity • 38% Danceability • 87% Energy • 88% Liveness
76% Instrumentalness • 51% Positiveness
16% Popularity • 38% Danceability • 87% Energy • 88% Liveness
76% Instrumentalness • 51% Positiveness
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Richard Hell
The Plan - 2017 Remaster Audio; Remaster...
122 bpm • D Maj • 03:55 • -5db
20% Popularity • 58% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 58% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Psychic TV
Godstar
122 bpm • C Maj • 03:38 • -7.25db
37% Popularity • 61% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 61% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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The Replacements
Go
122 bpm • B min • 02:29 • -8.19db
24% Popularity • 52% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 52% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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The Rain Parade
Talking in My Sleep
121 bpm • B Maj • 03:49 • -15db
18% Popularity • 57% Danceability • 58% Energy • 28% Liveness
36% Instrumentalness • 80% Positiveness
18% Popularity • 57% Danceability • 58% Energy • 28% Liveness
36% Instrumentalness • 80% Positiveness
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Alex Chilton
Like Flies On Sherbert
123 bpm • G Maj • 02:08 • -11db
28% Popularity • 40% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 40% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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The Soft Boys
Black Snake Diamond Rock
121 bpm • D min • 04:24 • -7.63db
7% Popularity • 34% Danceability • 86% Energy • 20% Liveness
15% Instrumentalness • 67% Positiveness
7% Popularity • 34% Danceability • 86% Energy • 20% Liveness
15% Instrumentalness • 67% Positiveness
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Richard Hell
Another World - 2017 Remaster Audio; Rem...
123 bpm • G Maj • 08:14 • -5.3db
15% Popularity • 55% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 55% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Minutemen
History Lesson Part 2
121 bpm • C Maj • 02:12 • -16.19db
42% Popularity • 68% Danceability • 24% Energy • 8% Liveness
52% Instrumentalness • 73% Positiveness
42% Popularity • 68% Danceability • 24% Energy • 8% Liveness
52% Instrumentalness • 73% Positiveness
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Tom Verlaine
The Grip of Love
123 bpm • D Maj • 03:58 • -9db
15% Popularity • 42% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 42% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Mekons
Lost Highway
123 bpm • C Maj • 02:59 • -6.78db
12% Popularity • 48% Danceability • 70% Energy • 11% Liveness
16% Instrumentalness • 78% Positiveness
12% Popularity • 48% Danceability • 70% Energy • 11% Liveness
16% Instrumentalness • 78% Positiveness
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Alex Chilton
Like Flies on Sherbert
123 bpm • G Maj • 02:09 • -14.79db
23% Popularity • 55% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 55% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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The Soft Boys
Cherries
123 bpm • G# Maj • 02:55 • -10.62db
3% Popularity • 69% Danceability • 75% Energy • 9% Liveness
90% Instrumentalness • 53% Positiveness
3% Popularity • 69% Danceability • 75% Energy • 9% Liveness
90% Instrumentalness • 53% Positiveness
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Wreckless Eric
Reconnez Cherie
121 bpm • F Maj • 03:15 • -8.62db
26% Popularity • 52% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 52% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
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The Only Ones
The Beast - 2008 re-mastered version
121 bpm • D Maj • 05:46 • -6.62db
15% Popularity • 40% Danceability • 72% Energy • 53% Liveness
2% Instrumentalness • 49% Positiveness
15% Popularity • 40% Danceability • 72% Energy • 53% Liveness
2% Instrumentalness • 49% Positiveness
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Wire
Three Girl Rhumba - 2006 Remastered Vers...
121 bpm • E Maj • 01:23 • -8.74db
50% Popularity • 94% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
50% Popularity • 94% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
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Pere Ubu
30 Seconds over Tokyo
123 bpm • G Maj • 06:22 • -9.82db
16% Popularity • 40% Danceability • 64% Energy • 50% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 40% Danceability • 64% Energy • 50% Liveness
0% Instrumentalness • 29% Positiveness
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Alex Chilton
Hook or Crook
121 bpm • G Maj • 02:27 • -11.52db
29% Popularity • 52% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 52% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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The Soft Boys
I Wanna, Er... (Extract)
121 bpm • C Maj • 03:45 • -12.29db
4% Popularity • 75% Danceability • 35% Energy • 29% Liveness
78% Instrumentalness • 72% Positiveness
4% Popularity • 75% Danceability • 35% Energy • 29% Liveness
78% Instrumentalness • 72% Positiveness
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Gang Of Four
Not Great Men
124 bpm • D Maj • 03:05 • -7.68db
32% Popularity • 83% Danceability • 55% Energy • 6% Liveness
51% Instrumentalness • 90% Positiveness
32% Popularity • 83% Danceability • 55% Energy • 6% Liveness
51% Instrumentalness • 90% Positiveness
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The Vaselines
Slushy
124 bpm • D Maj • 01:56 • -8db
29% Popularity • 30% Danceability • 90% Energy • 13% Liveness
1% Instrumentalness • 84% Positiveness
29% Popularity • 30% Danceability • 90% Energy • 13% Liveness
1% Instrumentalness • 84% Positiveness
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The Gun Club
She's Like Heroin to Me
120 bpm • E min • 02:36 • -8db
34% Popularity • 40% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 40% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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Pere Ubu
Final Solution
120 bpm • E Maj • 04:58 • -6db
23% Popularity • 40% Danceability • 78% Energy • 11% Liveness
4% Instrumentalness • 54% Positiveness
23% Popularity • 40% Danceability • 78% Energy • 11% Liveness
4% Instrumentalness • 54% Positiveness
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Alex Chilton
All of the Time
121 bpm • E Maj • 02:35 • -5.53db
18% Popularity • 62% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 62% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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The Soft Boys
Amputated
124 bpm • B min • 06:12 • -9.39db
3% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
3% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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The Rain Parade
Prisoners
120 bpm • A Maj • 03:52 • -16.35db
6% Popularity • 42% Danceability • 24% Energy • 29% Liveness
9% Instrumentalness • 35% Positiveness
6% Popularity • 42% Danceability • 24% Energy • 29% Liveness
9% Instrumentalness • 35% Positiveness
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Beat Happening
Cast a Shadow
124 bpm • D Maj • 02:28 • -7.25db
24% Popularity • 46% Danceability • 87% Energy • 28% Liveness
48% Instrumentalness • 66% Positiveness
24% Popularity • 46% Danceability • 87% Energy • 28% Liveness
48% Instrumentalness • 66% Positiveness
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Robyn Hitchcock & The Egyptians
Vibrating
120 bpm • E Maj • 03:02 • -13.33db
15% Popularity • 58% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 87% Positiveness
15% Popularity • 58% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 87% Positiveness
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Wire
Outdoor Miner - 2006 Remastered Version
124 bpm • E Maj • 01:44 • -9db
49% Popularity • 57% Danceability • 64% Energy • 49% Liveness
0% Instrumentalness • 71% Positiveness
49% Popularity • 57% Danceability • 64% Energy • 49% Liveness
0% Instrumentalness • 71% Positiveness
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Alex Chilton
Hook of Crook
120 bpm • G Maj • 02:24 • -11db
32% Popularity • 52% Danceability • 71% Energy • 12% Liveness
3% Instrumentalness • 74% Positiveness
32% Popularity • 52% Danceability • 71% Energy • 12% Liveness
3% Instrumentalness • 74% Positiveness
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Half Japanese
Put Some Sugar on It
124 bpm • G Maj • 02:48 • -13.27db
30% Popularity • 49% Danceability • 59% Energy • 10% Liveness
67% Instrumentalness • 37% Positiveness
30% Popularity • 49% Danceability • 59% Energy • 10% Liveness
67% Instrumentalness • 37% Positiveness
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New York Dolls
Lonely Planet Boy
120 bpm • D Maj • 04:08 • -15db
36% Popularity • 48% Danceability • 53% Energy • 9% Liveness
11% Instrumentalness • 56% Positiveness
36% Popularity • 48% Danceability • 53% Energy • 9% Liveness
11% Instrumentalness • 56% Positiveness
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Mekons
Ghosts of American Astronauts
120 bpm • A Maj • 03:52 • -6db
28% Popularity • 54% Danceability • 84% Energy • 34% Liveness
29% Instrumentalness • 38% Positiveness
28% Popularity • 54% Danceability • 84% Energy • 34% Liveness
29% Instrumentalness • 38% Positiveness
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Delta 5
Journey
119 bpm • A Maj • 02:59 • -8.65db
15% Popularity • 67% Danceability • 55% Energy • 76% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 67% Danceability • 55% Energy • 76% Liveness
0% Instrumentalness • 66% Positiveness
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Wire
The 15th - 2006 Remastered Version
124 bpm • A Maj • 03:05 • -6db
41% Popularity • 52% Danceability • 85% Energy • 12% Liveness
1% Instrumentalness • 63% Positiveness
41% Popularity • 52% Danceability • 85% Energy • 12% Liveness
1% Instrumentalness • 63% Positiveness
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X
I Must Not Think Bad Thoughts
125 bpm • A Maj • 04:15 • -7db
27% Popularity • 55% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 55% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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The Soft Boys
School Dinner Blues
125 bpm • G Maj • 02:23 • -5.09db
2% Popularity • 28% Danceability • 98% Energy • 90% Liveness
0% Instrumentalness • 43% Positiveness
2% Popularity • 28% Danceability • 98% Energy • 90% Liveness
0% Instrumentalness • 43% Positiveness
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Beat Happening
Our Secret
119 bpm • F# Maj • 02:52 • -6.55db
30% Popularity • 71% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 71% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Tom Verlaine
Mr. Blur
125 bpm • D Maj • 03:24 • -10.55db
8% Popularity • 58% Danceability • 71% Energy • 36% Liveness
46% Instrumentalness • 83% Positiveness
8% Popularity • 58% Danceability • 71% Energy • 36% Liveness
46% Instrumentalness • 83% Positiveness
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Orange Juice
Consolation Prize
125 bpm • A Maj • 02:52 • -7db
21% Popularity • 32% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 32% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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The Dream Syndicate
The Days of Wine and Roses
125 bpm • E min • 07:30 • -6db
13% Popularity • 54% Danceability • 97% Energy • 2% Liveness
8% Instrumentalness • 42% Positiveness
13% Popularity • 54% Danceability • 97% Energy • 2% Liveness
8% Instrumentalness • 42% Positiveness
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X
The New World
125 bpm • A Maj • 03:25 • -6.5db
21% Popularity • 52% Danceability • 71% Energy • 10% Liveness
3% Instrumentalness • 69% Positiveness
21% Popularity • 52% Danceability • 71% Energy • 10% Liveness
3% Instrumentalness • 69% Positiveness
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Sparks
Girl from Germany
119 bpm • G Maj • 03:29 • -12.66db
31% Popularity • 50% Danceability • 65% Energy • 6% Liveness
1% Instrumentalness • 89% Positiveness
31% Popularity • 50% Danceability • 65% Energy • 6% Liveness
1% Instrumentalness • 89% Positiveness
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Richard Hell
Liars Beware - 2013 Remaster
119 bpm • A Maj • 02:55 • -3.48db
21% Popularity • 55% Danceability • 98% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
21% Popularity • 55% Danceability • 98% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Wreckless Eric
Be Stiff
119 bpm • D Maj • 03:35 • -8.65db
10% Popularity • 63% Danceability • 70% Energy • 28% Liveness
43% Instrumentalness • 73% Positiveness
10% Popularity • 63% Danceability • 70% Energy • 28% Liveness
43% Instrumentalness • 73% Positiveness
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The Flesh Eaters
Cyrano De Berger's Back
119 bpm • B min • 03:22 • -10.67db
11% Popularity • 43% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 43% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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The Dream Syndicate
That's What You Always Say
126 bpm • A min • 03:12 • -7db
25% Popularity • 61% Danceability • 92% Energy • 8% Liveness
8% Instrumentalness • 73% Positiveness
25% Popularity • 61% Danceability • 92% Energy • 8% Liveness
8% Instrumentalness • 73% Positiveness
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Delta 5
Delta 5
118 bpm • F Maj • 01:52 • -7.61db
25% Popularity • 62% Danceability • 89% Energy • 9% Liveness
6% Instrumentalness • 89% Positiveness
25% Popularity • 62% Danceability • 89% Energy • 9% Liveness
6% Instrumentalness • 89% Positiveness
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The Soft Boys
Only the Stones Remain
126 bpm • A Maj • 02:50 • -5.42db
15% Popularity • 50% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 50% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Richard Hell
Time
119 bpm • C Maj • 03:07 • -3.23db
33% Popularity • 60% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
33% Popularity • 60% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Flamin' Groovies
You Tore Me Down
126 bpm • D Maj • 02:52 • -11.53db
22% Popularity • 48% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 48% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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The Replacements
Sixteen Blue
118 bpm • G Maj • 04:25 • -6.74db
34% Popularity • 49% Danceability • 72% Energy • 23% Liveness
2% Instrumentalness • 60% Positiveness
34% Popularity • 49% Danceability • 72% Energy • 23% Liveness
2% Instrumentalness • 60% Positiveness
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Tom Verlaine
Flash Lightning
126 bpm • A Maj • 03:52 • -9.82db
11% Popularity • 48% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 48% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Chain and The Gang
Certain Kinds of Trash
118 bpm • A Maj • 03:39 • -6.36db
31% Popularity • 85% Danceability • 68% Energy • 14% Liveness
2% Instrumentalness • 89% Positiveness
31% Popularity • 85% Danceability • 68% Energy • 14% Liveness
2% Instrumentalness • 89% Positiveness
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The Monochrome Set
Alphaville - Bonus Track
126 bpm • F Maj • 02:53 • -12.11db
13% Popularity • 50% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 50% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Richard Hell
I'm Your Man - Destiny Street Demos - 20...
126 bpm • A Maj • 02:43 • -9.92db
29% Popularity • 50% Danceability • 58% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 50% Danceability • 58% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
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Flamin' Groovies
Yes It's True
118 bpm • C# min • 02:30 • -8.57db
30% Popularity • 62% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 62% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Magazine
Philadelphia - Remastered 2007
118 bpm • A min • 04:08 • -8.9db
19% Popularity • 44% Danceability • 85% Energy • 32% Liveness
1% Instrumentalness • 64% Positiveness
19% Popularity • 44% Danceability • 85% Energy • 32% Liveness
1% Instrumentalness • 64% Positiveness
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Beat Happening
Red Head Walking
126 bpm • B min • 02:07 • -10.33db
27% Popularity • 70% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 93% Positiveness
27% Popularity • 70% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 93% Positiveness
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XTC
Respectable Street - 2001 Remaster
126 bpm • B min • 03:37 • -6.52db
36% Popularity • 64% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 64% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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The Dream Syndicate
Halloween
126 bpm • G Maj • 06:10 • -7.96db
13% Popularity • 46% Danceability • 87% Energy • 11% Liveness
71% Instrumentalness • 67% Positiveness
13% Popularity • 46% Danceability • 87% Energy • 11% Liveness
71% Instrumentalness • 67% Positiveness
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Pere Ubu
Dub Housing
127 bpm • G min • 03:39 • -9.31db
18% Popularity • 58% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 58% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Brian Eno
Mother Whale Eyeless - 2004 Digital Rema...
118 bpm • C Maj • 05:45 • -10.8db
28% Popularity • 53% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 53% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Alex Chilton
Hey! Little Girl
118 bpm • A Maj • 03:44 • -12.23db
19% Popularity • 89% Danceability • 53% Energy • 7% Liveness
18% Instrumentalness • 92% Positiveness
19% Popularity • 89% Danceability • 53% Energy • 7% Liveness
18% Instrumentalness • 92% Positiveness
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Richard Hell
Walking on the Water - 2013 Remaster
117 bpm • A Maj • 02:18 • -3.69db
20% Popularity • 56% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 56% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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The Monochrome Set
Inside Your Heart
117 bpm • F Maj • 02:28 • -12.37db
31% Popularity • 77% Danceability • 54% Energy • 14% Liveness
76% Instrumentalness • 78% Positiveness
31% Popularity • 77% Danceability • 54% Energy • 14% Liveness
76% Instrumentalness • 78% Positiveness
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The Dream Syndicate
Tell Me When It's Over
118 bpm • G Maj • 03:33 • -6.78db
24% Popularity • 38% Danceability • 93% Energy • 23% Liveness
62% Instrumentalness • 59% Positiveness
24% Popularity • 38% Danceability • 93% Energy • 23% Liveness
62% Instrumentalness • 59% Positiveness
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Magazine
Sweetheart Contract - Remastered 2007
127 bpm • A Maj • 03:20 • -10.34db
25% Popularity • 68% Danceability • 88% Energy • 43% Liveness
4% Instrumentalness • 97% Positiveness
25% Popularity • 68% Danceability • 88% Energy • 43% Liveness
4% Instrumentalness • 97% Positiveness
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Wire
Blessed State - 2006 Remastered Version
127 bpm • B min • 03:28 • -9.01db
30% Popularity • 75% Danceability • 66% Energy • 13% Liveness
52% Instrumentalness • 70% Positiveness
30% Popularity • 75% Danceability • 66% Energy • 13% Liveness
52% Instrumentalness • 70% Positiveness
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Alex Chilton
Hey! Little Child
117 bpm • A Maj • 03:43 • -11.92db
27% Popularity • 89% Danceability • 49% Energy • 9% Liveness
17% Instrumentalness • 83% Positiveness
27% Popularity • 89% Danceability • 49% Energy • 9% Liveness
17% Instrumentalness • 83% Positiveness
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Johnny Thunders & The Heartbreakers
It's Not Enough - Remastered
117 bpm • D Maj • 04:11 • -10.39db
24% Popularity • 49% Danceability • 61% Energy • 5% Liveness
46% Instrumentalness • 65% Positiveness
24% Popularity • 49% Danceability • 61% Energy • 5% Liveness
46% Instrumentalness • 65% Positiveness
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Pere Ubu
Final Solution
117 bpm • G# Maj • 06:41 • -7.79db
16% Popularity • 29% Danceability • 96% Energy • 61% Liveness
79% Instrumentalness • 6% Positiveness
16% Popularity • 29% Danceability • 96% Energy • 61% Liveness
79% Instrumentalness • 6% Positiveness
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The dB's
Big Brown Eyes
127 bpm • D Maj • 01:58 • -6db
17% Popularity • 61% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 61% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Brian Eno
The Paw Paw Negro Blowtorch - 2004 Digit...
127 bpm • C# min • 03:04 • -7.05db
30% Popularity • 59% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 59% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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The Dream Syndicate
Until Lately
127 bpm • A Maj • 06:50 • -6.9db
5% Popularity • 46% Danceability • 87% Energy • 64% Liveness
54% Instrumentalness • 40% Positiveness
5% Popularity • 46% Danceability • 87% Energy • 64% Liveness
54% Instrumentalness • 40% Positiveness
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Alex Chilton
Boogie Shoes
127 bpm • E Maj • 02:32 • -10.16db
21% Popularity • 62% Danceability • 65% Energy • 10% Liveness
8% Instrumentalness • 94% Positiveness
21% Popularity • 62% Danceability • 65% Energy • 10% Liveness
8% Instrumentalness • 94% Positiveness
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Wire
Outdoor Miner
127 bpm • B min • 02:54 • -7.82db
36% Popularity • 56% Danceability • 76% Energy • 43% Liveness
1% Instrumentalness • 71% Positiveness
36% Popularity • 56% Danceability • 76% Energy • 43% Liveness
1% Instrumentalness • 71% Positiveness
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Big Star
When My Baby's Beside Me
127 bpm • C Maj • 03:23 • -7.94db
35% Popularity • 44% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 44% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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The Rain Parade
What's She Done to Your Mind
117 bpm • G Maj • 02:56 • -14.82db
17% Popularity • 57% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 57% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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The Monochrome Set
The Monochrome Set (I Presume)
117 bpm • C Maj • 02:17 • -8.15db
15% Popularity • 71% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 71% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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The Soft Boys
I Wanna Destroy You
127 bpm • G Maj • 02:53 • -4.45db
34% Popularity • 26% Danceability • 96% Energy • 31% Liveness
5% Instrumentalness • 24% Positiveness
34% Popularity • 26% Danceability • 96% Energy • 31% Liveness
5% Instrumentalness • 24% Positiveness
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The Dukes Of Stratosphear
What In The World? - 2001 Mix
117 bpm • D Maj • 05:01 • -5.78db
17% Popularity • 42% Danceability • 88% Energy • 72% Liveness
24% Instrumentalness • 57% Positiveness
17% Popularity • 42% Danceability • 88% Energy • 72% Liveness
24% Instrumentalness • 57% Positiveness
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The Raincoats
Adventures Close to Home
117 bpm • F# min • 01:53 • -9.64db
25% Popularity • 88% Danceability • 68% Energy • 32% Liveness
35% Instrumentalness • 96% Positiveness
25% Popularity • 88% Danceability • 68% Energy • 32% Liveness
35% Instrumentalness • 96% Positiveness
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Felt
Crystal Ball
127 bpm • C Maj • 02:56 • -13.07db
22% Popularity • 46% Danceability • 58% Energy • 9% Liveness
39% Instrumentalness • 67% Positiveness
22% Popularity • 46% Danceability • 58% Energy • 9% Liveness
39% Instrumentalness • 67% Positiveness
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The Rain Parade
You Are My Friend
117 bpm • C Maj • 03:05 • -12.51db
12% Popularity • 42% Danceability • 68% Energy • 37% Liveness
65% Instrumentalness • 58% Positiveness
12% Popularity • 42% Danceability • 68% Energy • 37% Liveness
65% Instrumentalness • 58% Positiveness
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Wire
Mercy - 2006 Remastered Version
116 bpm • E Maj • 05:46 • -7.81db
25% Popularity • 46% Danceability • 69% Energy • 10% Liveness
12% Instrumentalness • 44% Positiveness
25% Popularity • 46% Danceability • 69% Energy • 10% Liveness
12% Instrumentalness • 44% Positiveness
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Tom Verlaine
Kingdom Come
117 bpm • B Maj • 03:42 • -9.75db
27% Popularity • 55% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 55% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Brian Eno
The True Wheel - 2004 Digital Remaster
128 bpm • B Maj • 05:11 • -10.21db
27% Popularity • 56% Danceability • 75% Energy • 44% Liveness
2% Instrumentalness • 70% Positiveness
27% Popularity • 56% Danceability • 75% Energy • 44% Liveness
2% Instrumentalness • 70% Positiveness
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The Slits
FM
128 bpm • A Maj • 03:33 • -9.31db
26% Popularity • 61% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 61% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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The Only Ones
It's The Truth - 2008 re-mastered versio...
116 bpm • G Maj • 02:06 • -7.19db
14% Popularity • 44% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 44% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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The Rain Parade
Blue
116 bpm • A Maj • 02:55 • -13.54db
13% Popularity • 55% Danceability • 50% Energy • 13% Liveness
4% Instrumentalness • 50% Positiveness
13% Popularity • 55% Danceability • 50% Energy • 13% Liveness
4% Instrumentalness • 50% Positiveness
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The Chills
Satin Doll
128 bpm • A Maj • 04:27 • -11.72db
23% Popularity • 43% Danceability • 71% Energy • 11% Liveness
57% Instrumentalness • 57% Positiveness
23% Popularity • 43% Danceability • 71% Energy • 11% Liveness
57% Instrumentalness • 57% Positiveness
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Josef K
Sorry for Laughing
128 bpm • C Maj • 03:11 • -7.22db
14% Popularity • 42% Danceability • 96% Energy • 21% Liveness
9% Instrumentalness • 86% Positiveness
14% Popularity • 42% Danceability • 96% Energy • 21% Liveness
9% Instrumentalness • 86% Positiveness
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Gang Of Four
If I Could Keep It for Myself
128 bpm • F# min • 04:09 • -6.91db
17% Popularity • 54% Danceability • 83% Energy • 27% Liveness
16% Instrumentalness • 89% Positiveness
17% Popularity • 54% Danceability • 83% Energy • 27% Liveness
16% Instrumentalness • 89% Positiveness
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Flamin' Groovies
Don't Put Me On
128 bpm • F Maj • 04:12 • -11db
18% Popularity • 63% Danceability • 59% Energy • 37% Liveness
12% Instrumentalness • 58% Positiveness
18% Popularity • 63% Danceability • 59% Energy • 37% Liveness
12% Instrumentalness • 58% Positiveness
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XTC
Roads Girdle The Globe - 2001 Digital Re...
116 bpm • A min • 04:50 • -6.2db
29% Popularity • 64% Danceability • 78% Energy • 12% Liveness
1% Instrumentalness • 74% Positiveness
29% Popularity • 64% Danceability • 78% Energy • 12% Liveness
1% Instrumentalness • 74% Positiveness