Songs like Rock & Roll Queen by The Subways
Based on a tempo of (+/- 10%) and a similar genre
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Babyshambles
Delivery
141 bpm • F Maj • 02:41 • -4.2db
46% Popularity • 50% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
46% Popularity • 50% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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The Von Bondies
No Regrets
141 bpm • A Maj • 02:34 • -4db
30% Popularity • 36% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 36% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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The Subways
Automatic
141 bpm • D min • 01:30 • -2.59db
19% Popularity • 42% Danceability • 94% Energy • 16% Liveness
1% Instrumentalness • 59% Positiveness
19% Popularity • 42% Danceability • 94% Energy • 16% Liveness
1% Instrumentalness • 59% Positiveness
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The Automatic
Monster
141 bpm • E min • 03:39 • -7db
51% Popularity • 54% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
51% Popularity • 54% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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The Hives
Bigger Hole To Fill
142 bpm • A Maj • 03:37 • -4db
34% Popularity • 53% Danceability • 86% Energy • 30% Liveness
4% Instrumentalness • 56% Positiveness
34% Popularity • 53% Danceability • 86% Energy • 30% Liveness
4% Instrumentalness • 56% Positiveness
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Interpol
Slow Hands
142 bpm • B min • 03:04 • -2.52db
59% Popularity • 24% Danceability • 97% Energy • 36% Liveness
44% Instrumentalness • 64% Positiveness
59% Popularity • 24% Danceability • 97% Energy • 36% Liveness
44% Instrumentalness • 64% Positiveness
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Wolfmother
The Love That You Give
140 bpm • G Maj • 02:38 • -4.31db
39% Popularity • 45% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
39% Popularity • 45% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Klaxons
Golden Skans
142 bpm • D min • 02:45 • -2.78db
64% Popularity • 46% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
64% Popularity • 46% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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The Subways
Rock & Roll Queen
141 bpm • A# min • 02:49 • -6.26db
60% Popularity • 40% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
60% Popularity • 40% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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The Von Bondies
This Is Our Perfect Crime
142 bpm • C# min • 02:57 • -4db
25% Popularity • 51% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 51% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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Slut
Lost Emotion
142 bpm • E min • 02:43 • -6.16db
10% Popularity • 59% Danceability • 66% Energy • 25% Liveness
8% Instrumentalness • 73% Positiveness
10% Popularity • 59% Danceability • 66% Energy • 25% Liveness
8% Instrumentalness • 73% Positiveness
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Danko Jones
Baby Hates Me
142 bpm • E Maj • 03:27 • -5db
36% Popularity • 62% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 62% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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TV On The Radio
Happy Idiot
140 bpm • B min • 03:03 • -4.24db
63% Popularity • 62% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
63% Popularity • 62% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Placebo
For What It's Worth
142 bpm • A# Maj • 02:47 • -8db
50% Popularity • 57% Danceability • 76% Energy • 58% Liveness
10% Instrumentalness • 55% Positiveness
50% Popularity • 57% Danceability • 76% Energy • 58% Liveness
10% Instrumentalness • 55% Positiveness
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The Subways
Shake! Shake!
142 bpm • C# Maj • 02:45 • -2.22db
25% Popularity • 54% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 54% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Wolfmother
Dimension
142 bpm • B min • 04:25 • -4.16db
42% Popularity • 48% Danceability • 79% Energy • 38% Liveness
2% Instrumentalness • 57% Positiveness
42% Popularity • 48% Danceability • 79% Energy • 38% Liveness
2% Instrumentalness • 57% Positiveness
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White Lies
Bigger Than Us
143 bpm • A Maj • 04:42 • -5.36db
48% Popularity • 31% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
48% Popularity • 31% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Klaxons
Gravity's Rainbow
143 bpm • E min • 02:36 • -3db
45% Popularity • 44% Danceability • 88% Energy • 14% Liveness
1% Instrumentalness • 51% Positiveness
45% Popularity • 44% Danceability • 88% Energy • 14% Liveness
1% Instrumentalness • 51% Positiveness
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The Offspring
(Can't Get My) Head Around You
143 bpm • G Maj • 02:14 • -5db
68% Popularity • 54% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
68% Popularity • 54% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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The Fratellis
My Friend John
143 bpm • D min • 03:02 • -3.36db
40% Popularity • 47% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 47% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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The Subways
Rock & Roll Queen (Radio Edit)
143 bpm • D# min • 02:48 • -3.97db
22% Popularity • 40% Danceability • 81% Energy • 11% Liveness
40% Instrumentalness • 32% Positiveness
22% Popularity • 40% Danceability • 81% Energy • 11% Liveness
40% Instrumentalness • 32% Positiveness
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The Cardigans
My Favourite Game
143 bpm • F min • 03:40 • -6.19db
71% Popularity • 59% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
71% Popularity • 59% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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The Datsuns
Stuck Here for Days
138 bpm • F# Maj • 02:58 • -7.34db
28% Popularity • 41% Danceability • 84% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
28% Popularity • 41% Danceability • 84% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
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The Dead 60s
Riot Radio
144 bpm • G min • 02:25 • -5.88db
45% Popularity • 57% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
45% Popularity • 57% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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The Offspring
Pretty Fly (For A White Guy)
143 bpm • B min • 03:08 • -3.71db
77% Popularity • 72% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
77% Popularity • 72% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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The Killers
Somebody Told Me
138 bpm • A# min • 03:17 • -4.85db
82% Popularity • 50% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
82% Popularity • 50% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Franz Ferdinand
This Fire
138 bpm • G Maj • 04:14 • -9.45db
56% Popularity • 55% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
56% Popularity • 55% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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The Automatic
Steve McQueen
138 bpm • B Maj • 03:42 • -2.02db
31% Popularity • 38% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 38% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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We Are Scientists
Nobody Move, Nobody Get Hurt
144 bpm • F# Maj • 03:12 • -4.74db
49% Popularity • 47% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
49% Popularity • 47% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Bloc Party
Ratchet
138 bpm • C Maj • 03:18 • -5.66db
50% Popularity • 74% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
50% Popularity • 74% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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The Subways
Money
138 bpm • B Maj • 03:36 • -3.2db
10% Popularity • 48% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 48% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Slut
Why Pourquoi (I Think I Like You)
144 bpm • D Maj • 03:08 • -7.19db
24% Popularity • 56% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 56% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Arctic Monkeys
Dancing Shoes
144 bpm • C# Maj • 02:21 • -4.14db
64% Popularity • 52% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
64% Popularity • 52% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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Maximo Park
Going Missing
145 bpm • E min • 03:42 • -5db
41% Popularity • 39% Danceability • 84% Energy • 23% Liveness
47% Instrumentalness • 41% Positiveness
41% Popularity • 39% Danceability • 84% Energy • 23% Liveness
47% Instrumentalness • 41% Positiveness
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Eagles Of Death Metal
Complexity
145 bpm • A Maj • 02:46 • -4.54db
41% Popularity • 57% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
41% Popularity • 57% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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The Automatic
Raoul
145 bpm • B Maj • 03:53 • -4.04db
27% Popularity • 68% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 68% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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The Subways
It's a Party
138 bpm • C# Maj • 03:26 • -2db
23% Popularity • 60% Danceability • 93% Energy • 8% Liveness
1% Instrumentalness • 78% Positiveness
23% Popularity • 60% Danceability • 93% Energy • 8% Liveness
1% Instrumentalness • 78% Positiveness
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Klaxons
Atlantis To Interzone
145 bpm • A min • 03:16 • -3.27db
42% Popularity • 21% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
42% Popularity • 21% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
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Slut
Easy To Love
145 bpm • A Maj • 03:47 • -5.96db
40% Popularity • 48% Danceability • 74% Energy • 44% Liveness
36% Instrumentalness • 47% Positiveness
40% Popularity • 48% Danceability • 74% Energy • 44% Liveness
36% Instrumentalness • 47% Positiveness
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Bloodhound Gang
Foxtrot Uniform Charlie Kilo
137 bpm • A# min • 02:51 • -5.18db
64% Popularity • 77% Danceability • 60% Energy • 7% Liveness
4% Instrumentalness • 79% Positiveness
64% Popularity • 77% Danceability • 60% Energy • 7% Liveness
4% Instrumentalness • 79% Positiveness
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Jamie T
Zombie
145 bpm • E Maj • 04:06 • -4.34db
56% Popularity • 54% Danceability • 91% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 54% Danceability • 91% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
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Interpol
The Heinrich Maneuver
137 bpm • E min • 03:28 • -3.86db
55% Popularity • 51% Danceability • 99% Energy • 66% Liveness
1% Instrumentalness • 48% Positiveness
55% Popularity • 51% Danceability • 99% Energy • 66% Liveness
1% Instrumentalness • 48% Positiveness
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The Subways
With You
144 bpm • G# Maj • 03:02 • -4.17db
35% Popularity • 41% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 41% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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The Hives
B is for Brutus
145 bpm • F# min • 02:36 • -3.37db
40% Popularity • 47% Danceability • 99% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
40% Popularity • 47% Danceability • 99% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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The Von Bondies
Earthquake
146 bpm • B Maj • 03:04 • -3.19db
18% Popularity • 52% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 52% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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OK Go
Here It Goes Again
146 bpm • C Maj • 02:59 • -2.31db
66% Popularity • 54% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
66% Popularity • 54% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Bloc Party
Octopus
146 bpm • A min • 03:05 • -6db
44% Popularity • 52% Danceability • 86% Energy • 37% Liveness
66% Instrumentalness • 61% Positiveness
44% Popularity • 52% Danceability • 86% Energy • 37% Liveness
66% Instrumentalness • 61% Positiveness
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Kilians
Something to Arrive
146 bpm • E min • 02:46 • -6db
9% Popularity • 44% Danceability • 92% Energy • 6% Liveness
38% Instrumentalness • 84% Positiveness
9% Popularity • 44% Danceability • 92% Energy • 6% Liveness
38% Instrumentalness • 84% Positiveness
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The Subways
I Wanna Dance with You
138 bpm • F min • 03:04 • -2.73db
17% Popularity • 56% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 56% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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The Hives
Go Right Ahead
136 bpm • A min • 03:05 • -4.54db
13% Popularity • 48% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 48% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
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The Von Bondies
Shut Your Mouth
146 bpm • B min • 02:22 • -4.33db
31% Popularity • 49% Danceability • 98% Energy • 18% Liveness
3% Instrumentalness • 58% Positiveness
31% Popularity • 49% Danceability • 98% Energy • 18% Liveness
3% Instrumentalness • 58% Positiveness
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Muse
Plug in Baby
136 bpm • D Maj • 03:38 • -4.23db
67% Popularity • 41% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
67% Popularity • 41% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Kasabian
Ill Ray (The King)
136 bpm • F min • 03:39 • -4.69db
50% Popularity • 55% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
50% Popularity • 55% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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The Pigeon Detectives
This Is An Emergency
136 bpm • G Maj • 03:10 • -3.19db
25% Popularity • 25% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 27% Positiveness
25% Popularity • 25% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 27% Positiveness
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The Subways
Rock & Roll Queen 2020 (Swiss-German Ver...
137 bpm • A# min • 02:58 • -6.83db
11% Popularity • 46% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 46% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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The Dandy Warhols
Get Off
146 bpm • E min • 03:10 • -4.88db
49% Popularity • 46% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
49% Popularity • 46% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Wolfmother
New Moon Rising
136 bpm • B min • 03:45 • -3db
41% Popularity • 57% Danceability • 92% Energy • 19% Liveness
1% Instrumentalness • 21% Positiveness
41% Popularity • 57% Danceability • 92% Energy • 19% Liveness
1% Instrumentalness • 21% Positiveness
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The Hives
Walk Idiot Walk
146 bpm • A Maj • 03:31 • -3.93db
56% Popularity • 62% Danceability • 95% Energy • 58% Liveness
1% Instrumentalness • 68% Positiveness
56% Popularity • 62% Danceability • 95% Energy • 58% Liveness
1% Instrumentalness • 68% Positiveness
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Caesars
It's Not The Fall That Hurts
146 bpm • F# min • 02:55 • -3.48db
33% Popularity • 39% Danceability • 94% Energy • 94% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 39% Danceability • 94% Energy • 94% Liveness
0% Instrumentalness • 66% Positiveness
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Black Rebel Motorcycle Club
Whatever Happened To My Rock 'N' Roll (P...
146 bpm • D Maj • 04:38 • -3db
42% Popularity • 17% Danceability • 98% Energy • 68% Liveness
0% Instrumentalness • 10% Positiveness
42% Popularity • 17% Danceability • 98% Energy • 68% Liveness
0% Instrumentalness • 10% Positiveness
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Kings of Leon
Molly's Chambers
146 bpm • B Maj • 02:14 • -3.97db
65% Popularity • 60% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
65% Popularity • 60% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Band Of Skulls
Asleep at the Wheel
147 bpm • A# Maj • 04:06 • -5db
36% Popularity • 34% Danceability • 68% Energy • 12% Liveness
1% Instrumentalness • 63% Positiveness
36% Popularity • 34% Danceability • 68% Energy • 12% Liveness
1% Instrumentalness • 63% Positiveness
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The Subways
Kalifornia
147 bpm • C min • 02:54 • -2.74db
28% Popularity • 40% Danceability • 97% Energy • 6% Liveness
2% Instrumentalness • 43% Positiveness
28% Popularity • 40% Danceability • 97% Energy • 6% Liveness
2% Instrumentalness • 43% Positiveness
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Foals
What Went Down
147 bpm • D min • 05:00 • -6db
53% Popularity • 23% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
53% Popularity • 23% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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We Are Scientists
The Great Escape
147 bpm • A Maj • 03:18 • -5db
43% Popularity • 47% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
43% Popularity • 47% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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The Pigeon Detectives
I Found Out
147 bpm • E Maj • 02:07 • -1.67db
45% Popularity • 47% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 47% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Stereophonics
Dakota
147 bpm • E Maj • 04:57 • -3.5db
71% Popularity • 51% Danceability • 93% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
71% Popularity • 51% Danceability • 93% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
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The Automatic
Recover
147 bpm • D Maj • 02:52 • -3.37db
22% Popularity • 34% Danceability • 96% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 34% Danceability • 96% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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White Lies
Death
135 bpm • G Maj • 05:01 • -5.62db
53% Popularity • 45% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 22% Positiveness
53% Popularity • 45% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 22% Positiveness
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The Subways
No Goodbyes
135 bpm • G Maj • 03:31 • -4.3db
21% Popularity • 40% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 40% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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The Hives
Tick Tick Boom
135 bpm • C Maj • 03:25 • -3.12db
58% Popularity • 56% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
58% Popularity • 56% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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The Pigeon Detectives
I'm Not Sorry
147 bpm • E Maj • 03:42 • -3.53db
33% Popularity • 39% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 39% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
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We Are Scientists
Rules Don't Stop
135 bpm • D Maj • 02:16 • -4.16db
27% Popularity • 53% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 53% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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The Moog
Survive
135 bpm • F# Maj • 02:18 • -4db
38% Popularity • 53% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
38% Popularity • 53% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Band Of Skulls
Death By Diamonds And Pearls
135 bpm • G Maj • 03:12 • -4.5db
47% Popularity • 49% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
47% Popularity • 49% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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The Subways
Lines of Light
135 bpm • E min • 02:12 • -5.77db
22% Popularity • 42% Danceability • 51% Energy • 46% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 42% Danceability • 51% Energy • 46% Liveness
0% Instrumentalness • 27% Positiveness
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Biffy Clyro
Bubbles
147 bpm • D# Maj • 05:01 • -5.89db
40% Popularity • 35% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 35% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Rise Against
Satellite
135 bpm • F min • 03:58 • -4.16db
68% Popularity • 39% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
68% Popularity • 39% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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The View
Same Jeans
135 bpm • C Maj • 03:33 • -2.45db
53% Popularity • 48% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
53% Popularity • 48% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Kaiser Chiefs
Modern Way
148 bpm • C# min • 04:03 • -5.17db
48% Popularity • 54% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
48% Popularity • 54% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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The Von Bondies
C'mon C'mon
148 bpm • F Maj • 02:13 • -4db
53% Popularity • 49% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 49% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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The Subways
City Pavement
135 bpm • A# min • 02:44 • -3.1db
20% Popularity • 30% Danceability • 93% Energy • 33% Liveness
2% Instrumentalness • 42% Positiveness
20% Popularity • 30% Danceability • 93% Energy • 33% Liveness
2% Instrumentalness • 42% Positiveness
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Babyshambles
You Talk
148 bpm • D Maj • 03:28 • -4db
33% Popularity • 41% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 41% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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Iggy Pop
Little Know It All
148 bpm • G# Maj • 03:33 • -3.02db
47% Popularity • 31% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
47% Popularity • 31% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Queens of the Stone Age
In My Head
134 bpm • A Maj • 04:01 • -4.04db
53% Popularity • 47% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
53% Popularity • 47% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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The Killers
Mr. Brightside
148 bpm • C# Maj • 03:42 • -5.23db
87% Popularity • 35% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
87% Popularity • 35% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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The Von Bondies
Pale Bride
148 bpm • A# Maj • 02:55 • -4.59db
30% Popularity • 39% Danceability • 87% Energy • 25% Liveness
6% Instrumentalness • 46% Positiveness
30% Popularity • 39% Danceability • 87% Energy • 25% Liveness
6% Instrumentalness • 46% Positiveness
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The Subways
Friday
148 bpm • C# Maj • 02:42 • -2.2db
11% Popularity • 47% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 47% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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The Rapture
Echoes
134 bpm • G# min • 03:06 • -4.16db
49% Popularity • 60% Danceability • 92% Energy • 10% Liveness
4% Instrumentalness • 29% Positiveness
49% Popularity • 60% Danceability • 92% Energy • 10% Liveness
4% Instrumentalness • 29% Positiveness
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Caesars
Jerk It Out
134 bpm • G# min • 03:15 • -2.6db
69% Popularity • 58% Danceability • 98% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
69% Popularity • 58% Danceability • 98% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
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Kasabian
Where Did All the Love Go?
134 bpm • C# Maj • 04:18 • -5.13db
53% Popularity • 66% Danceability • 83% Energy • 33% Liveness
1% Instrumentalness • 71% Positiveness
53% Popularity • 66% Danceability • 83% Energy • 33% Liveness
1% Instrumentalness • 71% Positiveness
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Bloodhound Gang
The Ballad Of Chasey Lain
134 bpm • A Maj • 02:21 • -5.95db
59% Popularity • 79% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
59% Popularity • 79% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
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Supergrass
Diamond Hoo Ha Man
148 bpm • C Maj • 03:25 • -5.48db
33% Popularity • 48% Danceability • 88% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
33% Popularity • 48% Danceability • 88% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
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The Subways
She Sun
134 bpm • D Maj • 03:21 • -7.33db
20% Popularity • 50% Danceability • 66% Energy • 10% Liveness
37% Instrumentalness • 15% Positiveness
20% Popularity • 50% Danceability • 66% Energy • 10% Liveness
37% Instrumentalness • 15% Positiveness
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Ash
Orpheus (2022 Remaster)
149 bpm • B min • 04:15 • -5.65db
39% Popularity • 45% Danceability • 94% Energy • 16% Liveness
9% Instrumentalness • 23% Positiveness
39% Popularity • 45% Danceability • 94% Energy • 16% Liveness
9% Instrumentalness • 23% Positiveness
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Billy Talent
Surprise Surprise
149 bpm • D Maj • 03:08 • -2.71db
55% Popularity • 57% Danceability • 95% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
55% Popularity • 57% Danceability • 95% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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Black Rebel Motorcycle Club
Weapon Of Choice
149 bpm • F min • 02:49 • -1.93db
40% Popularity • 44% Danceability • 100% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 44% Danceability • 100% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Editors
Munich
149 bpm • G min • 03:46 • -4.4db
36% Popularity • 19% Danceability • 88% Energy • 29% Liveness
5% Instrumentalness • 39% Positiveness
36% Popularity • 19% Danceability • 88% Energy • 29% Liveness
5% Instrumentalness • 39% Positiveness
