Songs like Rockin' Around The Christmas Tree by Ingrid Michaelson
Based on a tempo of (+/- 10%) and a similar genre
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The National Parks
As We Ran
144 bpm • A Maj • 03:20 • -7db
52% Popularity • 41% Danceability • 57% Energy • 37% Liveness
1% Instrumentalness • 18% Positiveness
52% Popularity • 41% Danceability • 57% Energy • 37% Liveness
1% Instrumentalness • 18% Positiveness
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Andrew Belle
Static Waves
144 bpm • F Maj • 03:40 • -9db
36% Popularity • 62% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 62% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Ingrid Michaelson
Breakable
144 bpm • C Maj • 03:09 • -7.62db
30% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Hayley Sales
One Day At A Time
144 bpm • B Maj • 03:49 • -6.78db
8% Popularity • 67% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 67% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
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Jason Mraz
Out of My Hands
144 bpm • A# Maj • 03:25 • -5.64db
34% Popularity • 66% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
34% Popularity • 66% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Inara George
Fools in Love
145 bpm • A min • 04:42 • -13db
36% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Vanessa Carlton
I Don’t Want To Be A Bride
145 bpm • C Maj • 04:01 • -5.85db
24% Popularity • 44% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 44% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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![Seven Hours [feat. Aqualung] (Bonus Track) cover art](https://i.scdn.co/image/ab67616d00001e024bb3d7b9df806cebc44e078a)
Lucy Schwartz
Seven Hours (Bonus Track)
145 bpm • C Maj • 03:09 • -8.18db
27% Popularity • 62% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 62% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Ian Britt
The Shape Of Us
143 bpm • A Maj • 04:16 • -12db
30% Popularity • 47% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 47% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Anna Nalick
Wreck of the Day
145 bpm • G Maj • 04:06 • -10.33db
36% Popularity • 46% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 46% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Jason Mraz
If It Kills Me
144 bpm • E min • 04:33 • -6.78db
35% Popularity • 63% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
35% Popularity • 63% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Us The Duo
Make You Mine
143 bpm • F Maj • 03:36 • -6db
35% Popularity • 60% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 60% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Chelsea Williams
I Stole Your Boots
143 bpm • C Maj • 03:58 • -8db
12% Popularity • 46% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 46% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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fun.
Carry On
145 bpm • F Maj • 04:38 • -5.77db
57% Popularity • 39% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
57% Popularity • 39% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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KT Tunstall
Under The Weather
142 bpm • C Maj • 03:36 • -10db
38% Popularity • 42% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 42% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Nickel Creek
Destination
146 bpm • C min • 03:51 • -8.85db
48% Popularity • 52% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
48% Popularity • 52% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Jason Mraz
Who Needs Shelter
143 bpm • F# min • 03:12 • -7.87db
29% Popularity • 51% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 51% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Chantal Kreviazuk
These Days
146 bpm • C Maj • 03:55 • -6.07db
16% Popularity • 54% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 54% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Amos Lee
Arms Of A Woman
142 bpm • A Maj • 04:11 • -13.78db
58% Popularity • 54% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
58% Popularity • 54% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Erin McCarley
Love, Save The Empty
142 bpm • E Maj • 03:16 • -4.86db
33% Popularity • 49% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 49% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Jack Johnson
Imagine
142 bpm • F# Maj • 03:39 • -18.25db
62% Popularity • 55% Danceability • 18% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
62% Popularity • 55% Danceability • 18% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
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Zee Avi
Swell Window
142 bpm • A# Maj • 03:52 • -9.92db
23% Popularity • 69% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 69% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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A Great Big World
Say Something
141 bpm • D Maj • 03:49 • -8.82db
72% Popularity • 41% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
72% Popularity • 41% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Augustana
Boston
147 bpm • C Maj • 04:05 • -5.07db
60% Popularity • 40% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
60% Popularity • 40% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Ingrid Michaelson
Still The One
147 bpm • C Maj • 02:32 • -6.83db
34% Popularity • 75% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 75% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Grace Potter & The Nocturnals
Stars
140 bpm • C Maj • 03:35 • -6.92db
46% Popularity • 43% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 43% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Good Old War
Amazing Eyes
148 bpm • C Maj • 03:46 • -10.82db
32% Popularity • 44% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 44% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Mat Kearney
Nothing Left to Lose
148 bpm • E Maj • 04:23 • -7db
48% Popularity • 44% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
48% Popularity • 44% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Jason Mraz
Long Drive
148 bpm • G Maj • 03:50 • -8.65db
43% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The Avett Brothers
I And Love And You
140 bpm • D Maj • 05:00 • -9.98db
60% Popularity • 42% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
60% Popularity • 42% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Ingrid Michaelson
Starting Now
148 bpm • D Maj • 04:52 • -7.29db
20% Popularity • 55% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 55% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Rosi Golan
Everything Is Brilliant
139 bpm • G Maj • 02:46 • -9.88db
30% Popularity • 69% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 69% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Jack Johnson
Home
150 bpm • D Maj • 03:02 • -8.71db
62% Popularity • 62% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
62% Popularity • 62% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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Bleachers
Let's Get Married
150 bpm • C Maj • 03:06 • -5.99db
52% Popularity • 61% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 61% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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The Hunts
Make This Leap
138 bpm • G Maj • 03:46 • -7.67db
40% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Tim Myers
A Beautiful World
138 bpm • B min • 03:25 • -10db
28% Popularity • 53% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 53% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Us The Duo
I'm Me
138 bpm • A Maj • 03:36 • -5.82db
36% Popularity • 70% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 70% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Haley Reinhart
Can't Help Falling in Love
138 bpm • C Maj • 02:53 • -13.92db
73% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
73% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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A Great Big World
Rockstar
138 bpm • G# Maj • 03:56 • -7.77db
32% Popularity • 66% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 66% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Joy Williams
If You Wanna Go
138 bpm • C# Maj • 03:58 • -8.1db
24% Popularity • 50% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 50% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Tegan and Sara
Call It Off
150 bpm • D# Maj • 02:21 • -9db
43% Popularity • 61% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 61% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Odessa
I Will Be There
138 bpm • F Maj • 04:35 • -9.82db
40% Popularity • 60% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 60% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Blind Pilot
Half Moon
151 bpm • G min • 03:28 • -9db
55% Popularity • 54% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
55% Popularity • 54% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Mat Kearney
Where We Gonna Go from Here
138 bpm • D Maj • 04:05 • -12db
38% Popularity • 58% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 58% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Jason Mraz
I'm Yours
151 bpm • B Maj • 04:02 • -9.33db
81% Popularity • 70% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
81% Popularity • 70% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Joy Williams
Speaking a Dead Language
151 bpm • C Maj • 03:58 • -10db
36% Popularity • 32% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
36% Popularity • 32% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Glen Hansard
Falling Slowly
137 bpm • C Maj • 04:04 • -11.87db
62% Popularity • 34% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
62% Popularity • 34% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Plain White T's
The Giving Tree
151 bpm • G# Maj • 03:06 • -10.81db
51% Popularity • 57% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 87% Positiveness
51% Popularity • 57% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 87% Positiveness
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Sophie Madeleine
You Are My Favourite
137 bpm • A# Maj • 03:19 • -7db
21% Popularity • 75% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 75% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Ira Wolf
Sunscreen
137 bpm • G min • 02:58 • -14db
54% Popularity • 58% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 58% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Peter Bradley Adams
The Longer I Run
152 bpm • D# Maj • 04:11 • -10.83db
44% Popularity • 60% Danceability • 52% Energy • 10% Liveness
22% Instrumentalness • 52% Positiveness
44% Popularity • 60% Danceability • 52% Energy • 10% Liveness
22% Instrumentalness • 52% Positiveness
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Joy Williams
Till Forever (Acoustic)
152 bpm • A Maj • 03:55 • -11db
36% Popularity • 49% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 49% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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The Head And The Heart
Rivers and Roads
136 bpm • C Maj • 04:44 • -10db
69% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
69% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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A Great Big World
Shorty Don't Wait
136 bpm • F Maj • 04:11 • -8.28db
23% Popularity • 68% Danceability • 37% Energy • 73% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 68% Danceability • 37% Energy • 73% Liveness
0% Instrumentalness • 62% Positiveness
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Vanessa Carlton
White Houses
135 bpm • C Maj • 03:44 • -7.42db
46% Popularity • 60% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 60% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Dave Barnes
On a Night Like This
135 bpm • F# Maj • 01:59 • -15.19db
28% Popularity • 36% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 36% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Ingrid Michaelson
You And I
135 bpm • C Maj • 02:28 • -7.63db
65% Popularity • 70% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
65% Popularity • 70% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Us The Duo
Dear Mom & Dad
154 bpm • A Maj • 02:35 • -5.1db
25% Popularity • 59% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 59% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The Head And The Heart
Honeybee
136 bpm • A Maj • 03:16 • -7.89db
64% Popularity • 64% Danceability • 52% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 64% Danceability • 52% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
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The Rescues
Break Me Out
135 bpm • C# Maj • 03:54 • -6.07db
34% Popularity • 60% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 60% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Grace Potter & The Nocturnals
Apologies
135 bpm • F Maj • 05:12 • -9.1db
35% Popularity • 38% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 38% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Sara Bareilles
I Choose You
154 bpm • F# min • 03:38 • -7.89db
60% Popularity • 73% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
60% Popularity • 73% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Ingrid Michaelson
Oh What a Day
134 bpm • C# Maj • 02:28 • -11.67db
28% Popularity • 50% Danceability • 9% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 50% Danceability • 9% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Parachute
She Is Love
134 bpm • F# Maj • 02:26 • -9.7db
54% Popularity • 63% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
54% Popularity • 63% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Joy Williams
I'm Gonna Break Your Heart
155 bpm • G Maj • 03:23 • -11.73db
19% Popularity • 38% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 38% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Alexi Murdoch
Song For You
155 bpm • E Maj • 04:17 • -25.11db
52% Popularity • 50% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 50% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Iron & Wine
Flightless Bird, American Mouth
155 bpm • D# Maj • 04:01 • -8db
70% Popularity • 37% Danceability • 40% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
70% Popularity • 37% Danceability • 40% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
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Ellie Goulding
Your Song - Bonus Track
134 bpm • A# Maj • 03:11 • -12db
66% Popularity • 55% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
66% Popularity • 55% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Ingrid Michaelson
Lady In Spain
134 bpm • D# min • 03:11 • -10.81db
31% Popularity • 72% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 72% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Oh Honey
Sugar, You
133 bpm • A Maj • 03:32 • -7db
47% Popularity • 52% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 52% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Slumberkins
Feelings
133 bpm • C Maj • 03:25 • -12.82db
19% Popularity • 51% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 51% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Norah Jones
Sunrise
157 bpm • G# Maj • 03:20 • -13.8db
77% Popularity • 53% Danceability • 30% Energy • 11% Liveness
10% Instrumentalness • 68% Positiveness
77% Popularity • 53% Danceability • 30% Energy • 11% Liveness
10% Instrumentalness • 68% Positiveness
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Us The Duo
No Matter Where You Are
132 bpm • E Maj • 02:58 • -5.85db
54% Popularity • 69% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
54% Popularity • 69% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Rachel Platten
1,000 Ships
132 bpm • C Maj • 03:23 • -5db
43% Popularity • 64% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
43% Popularity • 64% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Ingrid Michaelson
Over The Rainbow
155 bpm • B Maj • 02:56 • -11.08db
31% Popularity • 51% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 51% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Jon McLaughlin
Beautiful Disaster
156 bpm • G Maj • 04:11 • -4.66db
41% Popularity • 43% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
41% Popularity • 43% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Schuyler Fisk
From Where I'm Standing
132 bpm • D Maj • 03:32 • -5.59db
29% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Lucy Schwartz
Turn Back Around
132 bpm • C# Maj • 03:15 • -12.26db
20% Popularity • 54% Danceability • 22% Energy • 14% Liveness
4% Instrumentalness • 45% Positiveness
20% Popularity • 54% Danceability • 22% Energy • 14% Liveness
4% Instrumentalness • 45% Positiveness
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A Great Big World
Where Does the Time Go
158 bpm • F# Maj • 03:48 • -12.07db
34% Popularity • 57% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
34% Popularity • 57% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Amos Lee
Keep It Loose, Keep It Tight
132 bpm • E Maj • 03:08 • -11.69db
57% Popularity • 58% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
57% Popularity • 58% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Ingrid Michaelson
Be OK
133 bpm • E Maj • 02:28 • -7db
57% Popularity • 82% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
57% Popularity • 82% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Joy Williams
Don't Let Me Down
131 bpm • B Maj • 03:00 • -14.9db
49% Popularity • 71% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
49% Popularity • 71% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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The Head And The Heart
Let's Be Still
131 bpm • A Maj • 04:28 • -10.72db
59% Popularity • 64% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
59% Popularity • 64% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Kacey Musgraves
Rainbow
130 bpm • D# Maj • 03:34 • -7.7db
69% Popularity • 58% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
69% Popularity • 58% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Amy Stroup
Hold onto Hope Love
131 bpm • C# Maj • 04:57 • -10db
27% Popularity • 48% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
27% Popularity • 48% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
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KT Tunstall
Universe & U
130 bpm • D Maj • 04:01 • -6db
37% Popularity • 66% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 66% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Greg Laswell
Girls Just Want To Have Fun
130 bpm • B Maj • 02:36 • -19db
42% Popularity • 40% Danceability • 9% Energy • 12% Liveness
7% Instrumentalness • 18% Positiveness
42% Popularity • 40% Danceability • 9% Energy • 12% Liveness
7% Instrumentalness • 18% Positiveness
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Rogue Wave
Eyes
130 bpm • C# Maj • 02:28 • -8.03db
60% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
60% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Joy Williams
Sunny Day
130 bpm • C Maj • 02:38 • -4.01db
31% Popularity • 69% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 69% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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Ingrid Michaelson
Blood Brothers
130 bpm • F Maj • 03:12 • -4.4db
20% Popularity • 63% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 63% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Amy Stroup
Love You Strongly
130 bpm • C# Maj • 03:39 • -10db
19% Popularity • 64% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 64% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Lewis Watson
into the wild
130 bpm • D Maj • 03:49 • -7db
37% Popularity • 63% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 63% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Greg Laswell
Off I Go - 2010 Mix
130 bpm • B Maj • 04:18 • -7.6db
44% Popularity • 53% Danceability • 75% Energy • 11% Liveness
62% Instrumentalness • 11% Positiveness
44% Popularity • 53% Danceability • 75% Energy • 11% Liveness
62% Instrumentalness • 11% Positiveness
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Jamieboy
Lost in Love
160 bpm • F# Maj • 04:55 • -9.13db
2% Popularity • 60% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
2% Popularity • 60% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
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Joy Williams
We Mapped the World
160 bpm • B Maj • 02:55 • -7.84db
21% Popularity • 52% Danceability • 65% Energy • 17% Liveness
1% Instrumentalness • 38% Positiveness
21% Popularity • 52% Danceability • 65% Energy • 17% Liveness
1% Instrumentalness • 38% Positiveness
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Ben Folds
The Luckiest
129 bpm • D Maj • 04:04 • -11.88db
38% Popularity • 46% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 46% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Little May
Boardwalks - Remastered 2015/ Bonus Trac...
129 bpm • F# Maj • 03:19 • -13db
52% Popularity • 66% Danceability • 38% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
52% Popularity • 66% Danceability • 38% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
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Amos Lee
Colors
129 bpm • G Maj • 02:40 • -13.4db
63% Popularity • 68% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 68% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
