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Rolex® On A Redneck
Songs like
Rolex® On A Redneck
by
Brantley Gilbert
Based on a tempo of (+/- 10%) and a similar genre
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Koe Wetzel
Something to Talk About
130 bpm • A min • 03:24 • -5.13db
68% Popularity • 61% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Luke Bryan
I See You
130 bpm • F# Maj • 03:05 • -3db
56% Popularity • 66% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Colt Ford
Dirt Road Anthem
130 bpm • D Maj • 03:42 • -6.44db
46% Popularity • 79% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Brantley Gilbert
Outlaw In Me
130 bpm • G# Maj • 03:27 • -5.54db
37% Popularity • 47% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Jawga Boyz
Chillin in the Backwoods
130 bpm • G Maj • 06:12 • -8.11db
52% Popularity • 69% Danceability • 61% Energy • 13% Liveness
65% Instrumentalness • 74% Positiveness
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Blake Shelton
Came Here to Forget
130 bpm • C# min • 03:40 • -6.87db
62% Popularity • 61% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Koe Wetzel
Forever
130 bpm • C Maj • 02:57 • -6.7db
64% Popularity • 56% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Luke Bryan
Light It Up
130 bpm • F# min • 02:57 • -2.72db
61% Popularity • 61% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Seckond Chaynce
My World
130 bpm • G Maj • 03:36 • -5db
47% Popularity • 71% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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Brantley Gilbert
Rolex® On A Redneck
130 bpm • A min • 03:00 • -4.46db
60% Popularity • 65% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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Bryan Martin
Goin For Broke
130 bpm • G# min • 03:22 • -4.58db
63% Popularity • 50% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Lee Brice
That Don't Sound Like You
130 bpm • E Maj • 03:30 • -9.5db
53% Popularity • 54% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Jamey Johnson
In Color
130 bpm • D# Maj • 04:50 • -8.75db
69% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Luke Bryan
Knockin' Boots
132 bpm • D Maj • 03:20 • -3.75db
69% Popularity • 73% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Matt Mason
Feather in Her Halo
132 bpm • G min • 03:36 • -5.85db
53% Popularity • 56% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Brantley Gilbert
Rockin' Chairs
130 bpm • B min • 04:08 • -5.52db
35% Popularity • 56% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Chris Young
I'm Comin' Over
128 bpm • A# Maj • 03:17 • -3.84db
65% Popularity • 57% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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HARDY
SIGNED, SOBER YOU
132 bpm • C Maj • 03:28 • -7.97db
59% Popularity • 54% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Sean Stemaly
Z71
132 bpm • G Maj • 02:51 • -5db
62% Popularity • 50% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Riley Green
There Was This Girl
128 bpm • C# Maj • 03:14 • -4.22db
68% Popularity • 62% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Chase Matthew
Love You Again
132 bpm • A# min • 02:53 • -5.32db
72% Popularity • 56% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 47% Positiveness
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Brantley Gilbert
How To Talk To Girls
132 bpm • F# Maj • 03:21 • -4.02db
39% Popularity • 53% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Travis Denning
Call It Country
127 bpm • C# Maj • 02:31 • -3.55db
48% Popularity • 61% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Brooks & Dunn
Brand New Man - with Luke Combs
127 bpm • G Maj • 03:11 • -4.87db
67% Popularity • 57% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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HIXTAPE
Goin’ Nowhere
127 bpm • F Maj • 03:09 • -4.06db
55% Popularity • 64% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Montgomery Gentry
Lucky Man
133 bpm • E Maj • 03:16 • -7db
54% Popularity • 58% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Randy Houser
What Whiskey Does
127 bpm • D Maj • 03:45 • -5.03db
44% Popularity • 69% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Brantley Gilbert
Tried To Tell Ya
128 bpm • A min • 03:41 • -5.13db
44% Popularity • 55% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Demun Jones
Backyard Lullaby
134 bpm • C Maj • 03:27 • -4.49db
55% Popularity • 60% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Rodney Atkins
Farmer's Daughter
134 bpm • F# Maj • 03:27 • -3.52db
66% Popularity • 61% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Aaron Lewis
Someone
134 bpm • A Maj • 03:59 • -7db
54% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Chase Matthew
County Line
134 bpm • D# min • 03:28 • -6.03db
71% Popularity • 54% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Riley Green
Get That Man A Beer
134 bpm • E Maj • 03:22 • -4.67db
59% Popularity • 56% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Brantley Gilbert
She’s The One
128 bpm • G# Maj • 03:31 • -4.2db
43% Popularity • 47% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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HARDY
GIVE HEAVEN SOME HELL
126 bpm • B Maj • 03:37 • -4.98db
71% Popularity • 64% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Kip Moore
Beer Money
126 bpm • D Maj • 03:38 • -5.55db
54% Popularity • 74% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Bryan Martin
Memory to Drown
126 bpm • F# Maj • 03:35 • -3.29db
72% Popularity • 66% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Aaron Lewis
That Ain’t Country
126 bpm • F# Maj • 04:02 • -4db
53% Popularity • 73% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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Kane Brown
What Ifs
126 bpm • A# Maj • 03:08 • -4.6db
75% Popularity • 61% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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The Lacs
Willie Nelson
126 bpm • F# Maj • 03:49 • -4.35db
44% Popularity • 72% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Brantley Gilbert
We're Gonna Ride Again
126 bpm • F Maj • 04:39 • -6.61db
35% Popularity • 61% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Muscadine Bloodline
Damn I Need a Dirt Road
126 bpm • B Maj • 03:28 • -7db
49% Popularity • 53% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Rvshvd
Never Change
134 bpm • B Maj • 03:10 • -4.33db
43% Popularity • 52% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Kolby Cooper
Fall
135 bpm • G# Maj • 03:26 • -5.35db
52% Popularity • 32% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Lenny Cooper
Rodeo
125 bpm • G# Maj • 02:55 • -7db
45% Popularity • 75% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
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Jon Pardi
Can't Turn You Down
136 bpm • G# Maj • 03:23 • -3.72db
54% Popularity • 63% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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HARDY
AIN'T A BAD DAY
136 bpm • D Maj • 03:22 • -4.14db
58% Popularity • 58% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Sean Stemaly
Come Back To Bed
136 bpm • C# min • 03:03 • -4.21db
51% Popularity • 53% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Dustin Lynch
Huntin' Land
136 bpm • E Maj • 03:01 • -3.64db
50% Popularity • 62% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Charlie Farley
Backroads Life
136 bpm • C Maj • 04:42 • -5.72db
45% Popularity • 73% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Rodney Atkins
Caught Up In The Country
124 bpm • G Maj • 02:40 • -7db
72% Popularity • 60% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
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Moonshine Bandits
Dead Man's Hand
124 bpm • G Maj • 03:19 • -5.06db
52% Popularity • 76% Danceability • 76% Energy • 21% Liveness
2% Instrumentalness • 57% Positiveness
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Chase Rice
Gonna Wanna Tonight
124 bpm • D Maj • 03:34 • -7db
28% Popularity • 58% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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HARDY
UNAPOLOGETICALLY COUNTRY AS HELL
124 bpm • C# Maj • 03:55 • -4.96db
63% Popularity • 54% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Granger Smith
Don’t Tread on Me
124 bpm • E min • 03:34 • -5.08db
51% Popularity • 71% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Blake Shelton
Sure Be Cool If You Did
137 bpm • B Maj • 03:35 • -4.63db
55% Popularity • 58% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Brothers Osborne
It Ain't My Fault
123 bpm • A Maj • 03:36 • -5.9db
65% Popularity • 74% Danceability • 83% Energy • 29% Liveness
22% Instrumentalness • 76% Positiveness
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Eric Church
Hell On The Heart
123 bpm • C Maj • 02:44 • -3.88db
57% Popularity • 64% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Billy Currington
Good Directions
123 bpm • F Maj • 03:35 • -2.18db
72% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Morgan Wallen
The Way I Talk
138 bpm • E Maj • 03:28 • -3.39db
74% Popularity • 60% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Luke Bryan
Do I
138 bpm • A Maj • 03:59 • -5.33db
61% Popularity • 58% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jon Langston
Prob'ly At A Bar
138 bpm • F# Maj • 03:22 • -4.48db
42% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Rodney Atkins
Watching You
138 bpm • D Maj • 03:55 • -4.01db
66% Popularity • 62% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Justin Moore
The Ones That Didn’t Make It Back Home
138 bpm • D# Maj • 03:11 • -4.87db
61% Popularity • 54% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Brantley Gilbert
What Happens In A Small Town
138 bpm • B Maj • 03:23 • -5.36db
41% Popularity • 50% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Travis Denning
David Ashley Parker From Powder Springs
138 bpm • F Maj • 03:30 • -5db
48% Popularity • 56% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Austin Snell
Excuse The Mess
122 bpm • A# min • 02:51 • -5.2db
57% Popularity • 59% Danceability • 85% Energy • 46% Liveness
0% Instrumentalness • 40% Positiveness
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Trey Lewis
Dicked Down in Dallas - Remix
122 bpm • C# Maj • 03:42 • -5.51db
51% Popularity • 55% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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HIXTAPE
Redneck Tendencies (HARDY Trace Adkins, ...
122 bpm • E Maj • 02:52 • -5db
52% Popularity • 64% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Craig Morgan
That's What I Love About Sunday
139 bpm • G# Maj • 03:21 • -6.31db
61% Popularity • 60% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Brantley Gilbert
Son Of The Dirty South
139 bpm • B Maj • 02:59 • -3.51db
66% Popularity • 58% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
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Aaron Lewis
Country Boy
122 bpm • F# Maj • 04:43 • -6.44db
63% Popularity • 60% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Tyler Hubbard
35’s
140 bpm • A# Maj • 02:54 • -6db
53% Popularity • 53% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
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Trey Lewis
Dicked Down in Dallas
122 bpm • F# Maj • 03:21 • -4.69db
69% Popularity • 51% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The Lacs
Outlaw In Me
140 bpm • G min • 03:33 • -6.09db
48% Popularity • 61% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Cypress Spring
Way of Life
140 bpm • B min • 03:45 • -5.77db
56% Popularity • 69% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Tyler Farr
I Should Go to Church Sometime
140 bpm • D Maj • 03:08 • -5.06db
40% Popularity • 55% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Eric Church
Homeboy
140 bpm • F# Maj • 03:47 • -4.91db
58% Popularity • 56% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Randy Houser
Like a Cowboy
140 bpm • C# Maj • 04:22 • -4.33db
50% Popularity • 51% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Jameson Rodgers
Good Dogs
140 bpm • E Maj • 03:18 • -6.93db
46% Popularity • 56% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Blake Shelton
God's Country
140 bpm • A# Maj • 03:24 • -5.1db
67% Popularity • 54% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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HARDY
red
140 bpm • B Maj • 03:25 • -4.56db
72% Popularity • 58% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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The Lacs
Party in the Boondocks
140 bpm • G Maj • 03:56 • -8.28db
46% Popularity • 66% Danceability • 68% Energy • 71% Liveness
0% Instrumentalness • 65% Positiveness
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Austin Tolliver
Little Bit Of Me
140 bpm • E Maj • 02:21 • -4.78db
57% Popularity • 72% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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Brantley Gilbert
Man Of Steel
140 bpm • A min • 03:05 • -7db
52% Popularity • 58% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Warren Zeiders
West Texas Weather
121 bpm • B Maj • 03:09 • -4.3db
53% Popularity • 47% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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HIXTAPE
He Went To Jared (HARDY Morgan Wallen)
140 bpm • A min • 03:33 • -5.11db
68% Popularity • 56% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Jon Langston
Forever Girl
140 bpm • B Maj • 03:59 • -5.82db
52% Popularity • 58% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Granger Smith
Holler
120 bpm • F min • 03:02 • -6.19db
49% Popularity • 60% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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Joe Nichols
Sunny and 75
120 bpm • C Maj • 03:26 • -4.42db
57% Popularity • 53% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jameson Rodgers
Midnight Daydream
120 bpm • E Maj • 03:09 • -5.76db
56% Popularity • 62% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Warren Zeiders
Dark Night - 717 Tapes
120 bpm • A# min • 02:37 • -5.87db
62% Popularity • 78% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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HARDY
TRUCK
120 bpm • D Maj • 03:38 • -3.7db
61% Popularity • 58% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Dierks Bentley
Free And Easy (Down The Road I Go)
120 bpm • F# Maj • 03:19 • -5db
59% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Chase Matthew
We Had It Good
120 bpm • E min • 03:32 • -7.42db
60% Popularity • 58% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Granger Smith
That’s Why I Love Dirt Roads
120 bpm • F Maj • 03:39 • -5.74db
45% Popularity • 55% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Dustin Lynch
Momma’s House
120 bpm • B min • 03:40 • -3.51db
54% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Easton Corbin
Roll With It
120 bpm • F Maj • 03:27 • -8db
57% Popularity • 71% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Blake Shelton
Austin
120 bpm • G Maj • 03:50 • -7db
64% Popularity • 60% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Dierks Bentley
Black
120 bpm • C# Maj • 03:31 • -6.69db
61% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Rolex® On A Redneck