Songs like Roll Me Mama, Roll Me by Ray LaMontagne
Based on a tempo of (+/- 10%) and a similar genre
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Ray LaMontagne
Roll Me Mama, Roll Me
93 bpm • F Maj • 04:04 • -13db
39% Popularity • 60% Danceability • 32% Energy • 12% Liveness
13% Instrumentalness • 27% Positiveness
39% Popularity • 60% Danceability • 32% Energy • 12% Liveness
13% Instrumentalness • 27% Positiveness
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Tedeschi Trucks Band
Anyhow
93 bpm • A Maj • 06:35 • -9.29db
49% Popularity • 45% Danceability • 68% Energy • 10% Liveness
38% Instrumentalness • 52% Positiveness
49% Popularity • 45% Danceability • 68% Energy • 10% Liveness
38% Instrumentalness • 52% Positiveness
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Alexi Murdoch
Some Day Soon
93 bpm • E Maj • 04:47 • -12db
42% Popularity • 59% Danceability • 55% Energy • 9% Liveness
89% Instrumentalness • 42% Positiveness
42% Popularity • 59% Danceability • 55% Energy • 9% Liveness
89% Instrumentalness • 42% Positiveness
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Natalie Merchant
Kind & Generous
93 bpm • D# Maj • 04:01 • -7db
56% Popularity • 59% Danceability • 61% Energy • 60% Liveness
53% Instrumentalness • 47% Positiveness
56% Popularity • 59% Danceability • 61% Energy • 60% Liveness
53% Instrumentalness • 47% Positiveness
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Gregory Alan Isakov
Suitcase Full of Sparks
93 bpm • C Maj • 03:56 • -10db
57% Popularity • 52% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
57% Popularity • 52% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Griffin House
The Guy That Says Goodbye To You Is Out ...
93 bpm • D Maj • 03:16 • -13.24db
39% Popularity • 62% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 62% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Caamp
All the Debts I Owe
93 bpm • C Maj • 03:13 • -11.07db
68% Popularity • 46% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
68% Popularity • 46% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Blitzen Trapper
Furr
92 bpm • D Maj • 04:07 • -10.66db
60% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
60% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Van Morrison
Days Like This
94 bpm • C min • 03:17 • -7.85db
71% Popularity • 66% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
71% Popularity • 66% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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George Ezra
Barcelona
94 bpm • F Maj • 03:08 • -9.33db
67% Popularity • 63% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
67% Popularity • 63% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Iron & Wine
Such Great Heights
94 bpm • F# Maj • 04:11 • -10.64db
59% Popularity • 61% Danceability • 28% Energy • 40% Liveness
91% Instrumentalness • 55% Positiveness
59% Popularity • 61% Danceability • 28% Energy • 40% Liveness
91% Instrumentalness • 55% Positiveness
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Griffin House
The Guy That Says Goodbye to You Is Out ...
94 bpm • E min • 03:16 • -11.45db
41% Popularity • 61% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 61% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Counting Crows
Round Here
94 bpm • G Maj • 05:31 • -9.37db
61% Popularity • 31% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
61% Popularity • 31% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Michael Kiwanuka
I'll Get Along
94 bpm • A Maj • 03:26 • -9.88db
53% Popularity • 66% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
53% Popularity • 66% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Great Lake Swimmers
Your Rocky Spine
94 bpm • G min • 03:36 • -15db
30% Popularity • 71% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 71% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Marc Broussard
Love And Happiness
94 bpm • C# min • 04:38 • -10db
51% Popularity • 88% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
51% Popularity • 88% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Donovan Woods
Another Way
94 bpm • F Maj • 04:11 • -12db
42% Popularity • 58% Danceability • 59% Energy • 12% Liveness
2% Instrumentalness • 58% Positiveness
42% Popularity • 58% Danceability • 59% Energy • 12% Liveness
2% Instrumentalness • 58% Positiveness
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Peter Bradley Adams
My Arms Were Always Around You
91 bpm • C# Maj • 03:20 • -12.25db
59% Popularity • 64% Danceability • 44% Energy • 11% Liveness
46% Instrumentalness • 42% Positiveness
59% Popularity • 64% Danceability • 44% Energy • 11% Liveness
46% Instrumentalness • 42% Positiveness
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John Mayer
Dear Marie
95 bpm • A Maj • 03:42 • -10.91db
57% Popularity • 60% Danceability • 36% Energy • 9% Liveness
44% Instrumentalness • 49% Positiveness
57% Popularity • 60% Danceability • 36% Energy • 9% Liveness
44% Instrumentalness • 49% Positiveness
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Watchhouse
Hey Stranger
95 bpm • C Maj • 03:27 • -10.2db
47% Popularity • 61% Danceability • 31% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
47% Popularity • 61% Danceability • 31% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
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Ocie Elliott
Down by the Water
95 bpm • E Maj • 02:58 • -12db
74% Popularity • 61% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
74% Popularity • 61% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Caamp
Misty
95 bpm • A# Maj • 03:44 • -7.96db
58% Popularity • 60% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
58% Popularity • 60% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Dead Horses
Turntable
95 bpm • C Maj • 03:16 • -10.33db
51% Popularity • 60% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
51% Popularity • 60% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Bright Eyes
First Day of My Life
95 bpm • C# min • 03:08 • -14.37db
69% Popularity • 60% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
69% Popularity • 60% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Wild Rivers
Already Gone
95 bpm • A# Maj • 03:42 • -13db
57% Popularity • 59% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 59% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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The Head And The Heart
Lost in My Mind
95 bpm • D Maj • 04:19 • -9db
61% Popularity • 37% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
61% Popularity • 37% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Loudon Wainwright III
Daughter
91 bpm • A Maj • 03:32 • -8.16db
46% Popularity • 43% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
46% Popularity • 43% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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The Milk Carton Kids
Whisper In Her Ear
91 bpm • F Maj • 04:04 • -15.22db
41% Popularity • 59% Danceability • 21% Energy • 13% Liveness
2% Instrumentalness • 45% Positiveness
41% Popularity • 59% Danceability • 21% Energy • 13% Liveness
2% Instrumentalness • 45% Positiveness
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The Avett Brothers
Ain't No Man
91 bpm • B Maj • 03:32 • -5.62db
57% Popularity • 79% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
57% Popularity • 79% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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John Mayer
Who Says
90 bpm • D Maj • 02:55 • -13.11db
64% Popularity • 58% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
64% Popularity • 58% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
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Ray LaMontagne
Misty Morning Rain
90 bpm • G# Maj • 05:39 • -9.88db
37% Popularity • 56% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 56% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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The Paper Kites
Bloom (Online Bonus Track)
96 bpm • C# Maj • 03:29 • -9.79db
69% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
69% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Bahamas
Stronger Than That
96 bpm • C Maj • 02:37 • -4db
60% Popularity • 74% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
60% Popularity • 74% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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The Civil Wars
I've Got This Friend
90 bpm • D Maj • 03:23 • -11.48db
25% Popularity • 60% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 60% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Mipso
Louise
90 bpm • A# Maj • 04:24 • -11db
52% Popularity • 63% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
52% Popularity • 63% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Brett Dennen
See the World
90 bpm • G Maj • 04:17 • -7.98db
45% Popularity • 62% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
45% Popularity • 62% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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Ray LaMontagne
All the Wild Horses
96 bpm • E min • 03:16 • -22db
41% Popularity • 36% Danceability • 7% Energy • 11% Liveness
30% Instrumentalness • 11% Positiveness
41% Popularity • 36% Danceability • 7% Energy • 11% Liveness
30% Instrumentalness • 11% Positiveness
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Nathaniel Rateliff
You Need Me
90 bpm • D Maj • 03:30 • -12db
48% Popularity • 58% Danceability • 52% Energy • 17% Liveness
80% Instrumentalness • 56% Positiveness
48% Popularity • 58% Danceability • 52% Energy • 17% Liveness
80% Instrumentalness • 56% Positiveness
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John Mayer
Stop This Train
90 bpm • G Maj • 04:45 • -11.76db
64% Popularity • 62% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
64% Popularity • 62% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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The Civil Wars
Billie Jean
90 bpm • A min • 04:19 • -8.52db
56% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
56% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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John Smith
Far Too Good
97 bpm • E Maj • 03:39 • -11.4db
62% Popularity • 82% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
62% Popularity • 82% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Gregory Alan Isakov
Virginia May
89 bpm • C Maj • 02:58 • -12.8db
59% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Van Morrison
Warm Love
89 bpm • D Maj • 03:23 • -8.62db
57% Popularity • 74% Danceability • 43% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
57% Popularity • 74% Danceability • 43% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
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Leif Vollebekk
Elegy
89 bpm • G# Maj • 05:24 • -9.75db
48% Popularity • 77% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 77% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Rayland Baxter
Mr. Rodriguez
89 bpm • A# Maj • 03:43 • -8db
43% Popularity • 63% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 63% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Griffin House
"Say I'm the One"
98 bpm • D Maj • 03:07 • -12.87db
38% Popularity • 41% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 41% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Wild Rivers
Wandering Child
98 bpm • D Maj • 03:04 • -12db
65% Popularity • 67% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
65% Popularity • 67% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Jamestown Revival
Bluebird
88 bpm • G Maj • 03:04 • -12.19db
40% Popularity • 56% Danceability • 33% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
40% Popularity • 56% Danceability • 33% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
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Shakey Graves
Tomorrow
98 bpm • G Maj • 04:00 • -10.85db
66% Popularity • 56% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
66% Popularity • 56% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Ray LaMontagne
Forever My Friend
88 bpm • D Maj • 05:47 • -13.56db
36% Popularity • 61% Danceability • 53% Energy • 36% Liveness
1% Instrumentalness • 37% Positiveness
36% Popularity • 61% Danceability • 53% Energy • 36% Liveness
1% Instrumentalness • 37% Positiveness
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Feist
Train Song
99 bpm • G# Maj • 03:02 • -10db
46% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
46% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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John Mayer
Something Like Olivia
99 bpm • G Maj • 03:00 • -12.16db
66% Popularity • 77% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
66% Popularity • 77% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Ocie Elliott
Thinking About You
99 bpm • A Maj • 02:57 • -13.66db
64% Popularity • 64% Danceability • 22% Energy • 11% Liveness
22% Instrumentalness • 15% Positiveness
64% Popularity • 64% Danceability • 22% Energy • 11% Liveness
22% Instrumentalness • 15% Positiveness
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Brett Dennen
There Is So Much More
87 bpm • E Maj • 05:07 • -12.08db
30% Popularity • 57% Danceability • 50% Energy • 12% Liveness
2% Instrumentalness • 45% Positiveness
30% Popularity • 57% Danceability • 50% Energy • 12% Liveness
2% Instrumentalness • 45% Positiveness
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Lukas Nelson and Promise of the Real
Let Go Of Your Plans
87 bpm • B Maj • 03:45 • -9.57db
33% Popularity • 46% Danceability • 49% Energy • 56% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 46% Danceability • 49% Energy • 56% Liveness
0% Instrumentalness • 50% Positiveness
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Ray LaMontagne
Burn
100 bpm • C Maj • 02:51 • -15db
43% Popularity • 52% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 52% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Tom Petty
Wildflowers
87 bpm • F Maj • 03:10 • -13.79db
69% Popularity • 54% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
69% Popularity • 54% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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The Secret Sisters
He's Fine
87 bpm • A# Maj • 03:43 • -8.94db
44% Popularity • 56% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
44% Popularity • 56% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Shakey Graves
Dearly Departed
87 bpm • G Maj • 03:32 • -5.92db
64% Popularity • 58% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
64% Popularity • 58% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Van Morrison
Sweet Thing - 1999 Remaster
87 bpm • E Maj • 04:25 • -14.64db
58% Popularity • 52% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 52% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Ryan Bingham
The Weary Kind
100 bpm • D Maj • 04:18 • -16.36db
52% Popularity • 48% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 27% Positiveness
52% Popularity • 48% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 27% Positiveness
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Tracy Chapman
Give Me One Reason
100 bpm • B Maj • 04:28 • -10.02db
73% Popularity • 61% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
73% Popularity • 61% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Michael Kiwanuka
Home Again
86 bpm • A min • 03:29 • -11.47db
69% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
69% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Joe Purdy
Wash Away (Reprise)
86 bpm • F Maj • 03:00 • -13.94db
44% Popularity • 56% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
44% Popularity • 56% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Lake Street Dive
Rich Girl
86 bpm • F# min • 03:37 • -7db
59% Popularity • 68% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
59% Popularity • 68% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Van Morrison
Into the Mystic - 2013 Remaster
86 bpm • G# Maj • 03:25 • -10.27db
75% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
75% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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The Barr Brothers
Even the Darkness Has Arms
101 bpm • B Maj • 03:50 • -13.1db
61% Popularity • 51% Danceability • 65% Energy • 29% Liveness
15% Instrumentalness • 75% Positiveness
61% Popularity • 51% Danceability • 65% Energy • 29% Liveness
15% Instrumentalness • 75% Positiveness
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Caamp
By and By
101 bpm • A Maj • 04:40 • -7.98db
72% Popularity • 58% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
72% Popularity • 58% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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The Ballroom Thieves
Bees
102 bpm • C Maj • 03:10 • -15.26db
58% Popularity • 52% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
58% Popularity • 52% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Lord Huron
She Lit a Fire
85 bpm • C Maj • 04:30 • -6.67db
59% Popularity • 48% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
59% Popularity • 48% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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The Head And The Heart
Another Story
86 bpm • F Maj • 04:34 • -10db
63% Popularity • 26% Danceability • 44% Energy • 27% Liveness
15% Instrumentalness • 11% Positiveness
63% Popularity • 26% Danceability • 44% Energy • 27% Liveness
15% Instrumentalness • 11% Positiveness
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Nathaniel Rateliff
Time Stands
102 bpm • E Maj • 03:52 • -9.32db
50% Popularity • 35% Danceability • 39% Energy • 13% Liveness
5% Instrumentalness • 27% Positiveness
50% Popularity • 35% Danceability • 39% Energy • 13% Liveness
5% Instrumentalness • 27% Positiveness
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The Barr Brothers
Never Been a Captain
102 bpm • A# Maj • 04:41 • -9.22db
38% Popularity • 68% Danceability • 66% Energy • 12% Liveness
3% Instrumentalness • 80% Positiveness
38% Popularity • 68% Danceability • 66% Energy • 12% Liveness
3% Instrumentalness • 80% Positiveness
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Sarah Jarosz
Take Me Back
102 bpm • B Maj • 02:34 • -13db
49% Popularity • 42% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
49% Popularity • 42% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Brett Dennen
Cassidy
84 bpm • G# Maj • 04:28 • -10db
44% Popularity • 60% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 60% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Dustin Tebbutt
The Breach
103 bpm • C# Maj • 04:13 • -7.48db
46% Popularity • 63% Danceability • 62% Energy • 12% Liveness
10% Instrumentalness • 52% Positiveness
46% Popularity • 63% Danceability • 62% Energy • 12% Liveness
10% Instrumentalness • 52% Positiveness
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The Head And The Heart
All We Ever Knew
102 bpm • C Maj • 03:45 • -5.91db
62% Popularity • 49% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
62% Popularity • 49% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Ray LaMontagne
Three More Days
84 bpm • A# Maj • 03:36 • -8.36db
53% Popularity • 56% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
53% Popularity • 56% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Ondara
Saying Goodbye
103 bpm • A Maj • 03:49 • -8db
44% Popularity • 63% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 63% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Caamp
Square One
103 bpm • E Maj • 03:06 • -15db
55% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
55% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Otis Redding
(Sittin' On) the Dock of the Bay
104 bpm • D Maj • 02:43 • -11.23db
82% Popularity • 77% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
82% Popularity • 77% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Bahamas
Hockey Teeth
104 bpm • A# Maj • 02:34 • -9.24db
42% Popularity • 75% Danceability • 42% Energy • 18% Liveness
1% Instrumentalness • 57% Positiveness
42% Popularity • 75% Danceability • 42% Energy • 18% Liveness
1% Instrumentalness • 57% Positiveness
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The Head And The Heart
Don't Dream It's Over
84 bpm • G# Maj • 03:39 • -4.93db
49% Popularity • 43% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
49% Popularity • 43% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Fleet Foxes
If You Need To, Keep Time on Me
104 bpm • A Maj • 03:30 • -10.2db
58% Popularity • 52% Danceability • 22% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
58% Popularity • 52% Danceability • 22% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
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Tracy Chapman
Fast Car
104 bpm • E min • 04:56 • -15.52db
83% Popularity • 71% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
83% Popularity • 71% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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John Mayer
Queen of California
83 bpm • E Maj • 04:10 • -11.02db
60% Popularity • 54% Danceability • 74% Energy • 7% Liveness
45% Instrumentalness • 71% Positiveness
60% Popularity • 54% Danceability • 74% Energy • 7% Liveness
45% Instrumentalness • 71% Positiveness
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The Brother Brothers
On The Road Again
104 bpm • D# Maj • 02:53 • -11db
37% Popularity • 62% Danceability • 45% Energy • 8% Liveness
2% Instrumentalness • 69% Positiveness
37% Popularity • 62% Danceability • 45% Energy • 8% Liveness
2% Instrumentalness • 69% Positiveness
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Anderson East
Satisfy Me
105 bpm • B Maj • 02:35 • -6.17db
46% Popularity • 66% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
46% Popularity • 66% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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Gregory Alan Isakov
San Luis
82 bpm • G min • 04:32 • -12.76db
72% Popularity • 57% Danceability • 43% Energy • 12% Liveness
26% Instrumentalness • 25% Positiveness
72% Popularity • 57% Danceability • 43% Energy • 12% Liveness
26% Instrumentalness • 25% Positiveness
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Jason Isbell
24 Frames
105 bpm • E min • 03:13 • -10.21db
26% Popularity • 57% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 57% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Peter Bradley Adams
I'll Forget You
105 bpm • A# Maj • 03:41 • -10.66db
32% Popularity • 63% Danceability • 58% Energy • 11% Liveness
24% Instrumentalness • 40% Positiveness
32% Popularity • 63% Danceability • 58% Energy • 11% Liveness
24% Instrumentalness • 40% Positiveness
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Watchhouse
House of Stone
82 bpm • G Maj • 03:16 • -10.95db
54% Popularity • 43% Danceability • 20% Energy • 9% Liveness
2% Instrumentalness • 17% Positiveness
54% Popularity • 43% Danceability • 20% Energy • 9% Liveness
2% Instrumentalness • 17% Positiveness
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Ray LaMontagne
Narrow Escape
105 bpm • G Maj • 04:39 • -16.88db
32% Popularity • 67% Danceability • 19% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 67% Danceability • 19% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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The Head And The Heart
People Need A Melody
82 bpm • C Maj • 04:12 • -5.76db
51% Popularity • 59% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 59% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Oscar Isaac
Fare Thee Well (Dink's Song)
82 bpm • D Maj • 03:00 • -8.08db
35% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Sarah Jarosz
I Still Haven't Found What I'm Looking F...
105 bpm • C# Maj • 03:32 • -9db
55% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
55% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Trampled by Turtles
Wildflowers
105 bpm • F Maj • 02:48 • -8.62db
53% Popularity • 50% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
53% Popularity • 50% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
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Rayland Baxter
Olivia
82 bpm • G Maj • 03:53 • -9.44db
53% Popularity • 63% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 63% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
