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Roll That Barrel Out
Songs like
Roll That Barrel Out
by
Dean Brody
Based on a tempo of (+/- 10%) and a similar genre
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Brad Paisley
River Bank (Remix with Colt Ford)
117 bpm • G Maj • 03:23 • -5.05db
24% Popularity • 61% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Jason Blaine
Good Day to Get Gone
117 bpm • F Maj • 04:00 • -9.1db
8% Popularity • 54% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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The Road Hammers
Eastbound and Down
117 bpm • G Maj • 03:13 • -5db
33% Popularity • 71% Danceability • 95% Energy • 43% Liveness
0% Instrumentalness • 74% Positiveness
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Dean Brody
Sweet Lola
117 bpm • E Maj • 03:47 • -4.96db
23% Popularity • 56% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Bobby Wills
Pretty Good Tonight
117 bpm • G# Maj • 02:41 • -5.68db
11% Popularity • 56% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
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Tim Dugger
Beer On A Boat
117 bpm • G# Maj • 03:14 • -6.68db
19% Popularity • 73% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Josh Turner
Baby, I Go Crazy
116 bpm • C# Maj • 03:22 • -5.37db
26% Popularity • 60% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Dan Davidson
Barn Burner
116 bpm • A Maj • 03:13 • -4db
30% Popularity • 63% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Ronnie Dunn
I Put That There
116 bpm • D Maj • 03:22 • -4.81db
20% Popularity • 54% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Dean Brody
Roll That Barrel Out
117 bpm • E Maj • 03:10 • -4.52db
25% Popularity • 70% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Bobby Wills
Get While The Gettin's Good
117 bpm • D Maj • 03:29 • -5db
11% Popularity • 66% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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JT Hodges
Ray Bans
118 bpm • D Maj • 03:20 • -3.51db
26% Popularity • 62% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Colt Ford
All of My Tomorrows
116 bpm • G Maj • 03:09 • -6.68db
29% Popularity • 66% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Brian McComas
99.9% Sure (I've Never Been Here Before)
116 bpm • G Maj • 03:13 • -3.41db
32% Popularity • 61% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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James Barker Band
It's Working
118 bpm • G Maj • 03:13 • -5db
39% Popularity • 67% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Dean Brody
Black Sheep
117 bpm • C Maj • 03:16 • -5.43db
27% Popularity • 54% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Easton Corbin
This Feels A Lot Like Love
118 bpm • G Maj • 03:43 • -3.6db
29% Popularity • 72% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Brad Paisley
Limes
118 bpm • E Maj • 03:56 • -4.67db
27% Popularity • 59% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Tebey
What Was I Drinking
116 bpm • E min • 02:57 • -3db
34% Popularity • 64% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Brooks & Dunn
That's What It's All About
118 bpm • A Maj • 03:59 • -3.06db
35% Popularity • 52% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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The Road Hammers
Crazy About You
116 bpm • A# min • 03:40 • -6db
23% Popularity • 54% Danceability • 95% Energy • 12% Liveness
6% Instrumentalness • 53% Positiveness
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Dean Brody
The Old Sand Bar
119 bpm • E Maj • 03:19 • -8db
14% Popularity • 46% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Luke Bryan
Doin' My Thing
119 bpm • F Maj • 03:09 • -5.14db
32% Popularity • 66% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Hunter Brothers
Born and Raised
115 bpm • B min • 03:01 • -3db
39% Popularity • 52% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Emerson Drive
Countrified Soul
119 bpm • D Maj • 03:00 • -5.5db
25% Popularity • 69% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Jason Blaine
Hillbilly Girl
115 bpm • G Maj • 03:13 • -4.12db
8% Popularity • 58% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
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The Reklaws
Roots - World Junior Song
115 bpm • C Maj • 03:26 • -4.59db
36% Popularity • 53% Danceability • 76% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
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Kip Moore
Burn The Whole World Down
115 bpm • A Maj • 04:03 • -7.18db
35% Popularity • 61% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Big & Rich
Brand New Buzz
119 bpm • B Maj • 03:22 • -3.84db
25% Popularity • 64% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Hunter Brothers
Long Way to Love You
115 bpm • D Maj • 03:16 • -4.98db
24% Popularity • 59% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Toby Keith
Go With Her - Greatest Hits 2 Version
120 bpm • A Maj • 03:33 • -5.34db
26% Popularity • 67% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Tyler Farr
Wish I Had a Boat
120 bpm • G Maj • 03:08 • -4db
27% Popularity • 69% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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Doc Walker
Heart of the Heartland
120 bpm • B Maj • 03:39 • -7.23db
9% Popularity • 60% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
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Kip Moore
Motorcycle
115 bpm • G Maj • 04:14 • -7.1db
29% Popularity • 68% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Brooks & Dunn
Proud of the House We Built
120 bpm • F# Maj • 03:46 • -4.97db
39% Popularity • 62% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Jojo Mason
Edge Of The Night
120 bpm • E Maj • 02:58 • -3.65db
22% Popularity • 58% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Aaron Lines
The Lights Of My Hometown
120 bpm • C# Maj • 03:31 • -5.48db
13% Popularity • 66% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Dan Davidson
Church
120 bpm • C# Maj • 02:58 • -5.75db
28% Popularity • 58% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Chris Young
We're Gonna Find It Tonight
120 bpm • G Maj • 02:50 • -4.06db
27% Popularity • 62% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Emerson Drive
That Kind of Beautiful
120 bpm • C Maj • 03:08 • -4db
29% Popularity • 73% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Chris Cagle
Little Sundress
120 bpm • C# Maj • 04:01 • -4.99db
21% Popularity • 64% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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The Reklaws
Wish You Were Beer
120 bpm • A Maj • 03:46 • -7.29db
42% Popularity • 70% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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Tebey
Till It's Gone
114 bpm • G# Maj • 03:22 • -5db
21% Popularity • 58% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Dean Brody
Soggy Bottom Summer
114 bpm • A Maj • 02:56 • -4.8db
33% Popularity • 66% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
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Eric Paslay
Never Really Wanted
114 bpm • D Maj • 03:27 • -5.02db
25% Popularity • 60% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Jason Benoit
Slow Hand
114 bpm • G Maj • 03:36 • -5db
15% Popularity • 62% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Jason Blaine
Spotlight
120 bpm • F# min • 04:36 • -6.96db
16% Popularity • 65% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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Jerrod Niemann
Donkey
120 bpm • F min • 03:17 • -6db
36% Popularity • 70% Danceability • 86% Energy • 36% Liveness
1% Instrumentalness • 79% Positiveness
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Kip Moore
I've Been Around
114 bpm • F min • 03:37 • -5db
40% Popularity • 76% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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JT Hodges
Sleepy Little Town
114 bpm • D Maj • 03:34 • -5db
26% Popularity • 61% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Gary Allan
A Feelin' Like That
113 bpm • G# Maj • 03:31 • -4.22db
22% Popularity • 57% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
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BlackHawk
Like There Ain't No Yesterday
114 bpm • E Maj • 03:16 • -8.17db
34% Popularity • 76% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Jason McCoy
Born Again in Dixieland
113 bpm • B Maj • 03:25 • -7.62db
32% Popularity • 67% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Easton Corbin
A Lot To Learn About Livin'
121 bpm • G# Maj • 03:46 • -9db
40% Popularity • 82% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Kip Moore
Drive Me Crazy
114 bpm • A# Maj • 04:04 • -4.08db
39% Popularity • 62% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Jerrod Niemann
We Know How to Rock
113 bpm • G# Maj • 03:25 • -5.7db
12% Popularity • 61% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Eric Church
His Kind Of Money (My Kind Of Love)
121 bpm • D Maj • 03:41 • -3db
31% Popularity • 65% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Dan Davidson
Let's Go There
113 bpm • F# Maj • 02:59 • -6.06db
30% Popularity • 54% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Dean Brody
8th Day
113 bpm • E Maj • 03:02 • -4.61db
30% Popularity • 67% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Craig Campbell
Topless
113 bpm • D Maj • 03:18 • -4.5db
16% Popularity • 67% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Jason Blaine
Cool
122 bpm • A Maj • 03:08 • -3.89db
22% Popularity • 62% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Toby Keith
The Size I Wear
122 bpm • A Maj • 03:01 • -6.36db
31% Popularity • 71% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Brooks & Dunn
Cowboy Town
122 bpm • G Maj • 03:19 • -5.4db
34% Popularity • 56% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
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Luke Bryan
Drinking Again
122 bpm • E Maj • 03:45 • -3.03db
37% Popularity • 68% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Dean Brody
Four Wheel Drive
122 bpm • D Maj • 03:47 • -7db
23% Popularity • 63% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Chase Bryant
Jet Black Pontiac
112 bpm • D Maj • 03:17 • -5.49db
25% Popularity • 77% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Jason Blaine
Ain't Got Growin' Up Down Yet
112 bpm • A Maj • 03:29 • -3db
14% Popularity • 58% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Jake Mathews
If I Had It My Way
112 bpm • F# Maj • 02:57 • -3db
11% Popularity • 64% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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James Barker Band
Slow Down Town
112 bpm • C# Maj • 03:26 • -5db
33% Popularity • 57% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Keith Anderson
Your Town for Now
112 bpm • C Maj • 03:16 • -5.96db
17% Popularity • 68% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Dean Brody
Everything’s Better
122 bpm • A Maj • 03:42 • -3.26db
19% Popularity • 67% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Chris Cagle
Country By The Grace Of God
112 bpm • F Maj • 03:27 • -6.38db
20% Popularity • 57% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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Chris Young
I'm Headed Your Way, Jose
123 bpm • G Maj • 03:29 • -2.85db
26% Popularity • 62% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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The Road Hammers
Haulin' ass
123 bpm • A# Maj • 03:19 • -4.37db
28% Popularity • 56% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Petric
All She Wrote
111 bpm • F min • 02:43 • -3.69db
30% Popularity • 64% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Bobby Wills
Somebody Will
111 bpm • D Maj • 03:10 • -8db
13% Popularity • 62% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Dean Brody
Footprints of a Giant
112 bpm • D Maj • 04:44 • -6.66db
14% Popularity • 68% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Chris Janson
Back in My Drinkin' Days
111 bpm • D Maj • 02:43 • -3.66db
28% Popularity • 68% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Hillside Outlaws
Girls in Trucks
111 bpm • B Maj • 03:19 • -3.14db
12% Popularity • 65% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Hunter Brothers
Lost
110 bpm • C# Maj • 02:43 • -4.47db
42% Popularity • 58% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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The Washboard Union
Shut Er Down
124 bpm • D# min • 02:49 • -4db
31% Popularity • 63% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Chase Rice
I Like Drinking, Cause It's Fun
110 bpm • G# Maj • 03:13 • -4db
29% Popularity • 72% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Dean Brody
Wildflower
124 bpm • F# Maj • 03:55 • -5.72db
19% Popularity • 52% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Chris Janson
Who's Your Farmer
110 bpm • B min • 02:50 • -3.69db
31% Popularity • 62% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Buddy Brown
Red Like Reagan
110 bpm • B Maj • 02:59 • -3.94db
36% Popularity • 67% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Emerson Drive
I Love This Road
110 bpm • G# Maj • 03:47 • -3.05db
19% Popularity • 65% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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Glen Templeton
Anyone Else
110 bpm • G# Maj • 03:45 • -4.31db
17% Popularity • 67% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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The Washboard Union
She Gets Me
110 bpm • A Maj • 03:25 • -6db
30% Popularity • 72% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Dean Brody
Monterey
124 bpm • F# Maj • 03:45 • -4.08db
26% Popularity • 60% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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David Nail
Good At Tonight
110 bpm • E Maj • 03:30 • -5db
34% Popularity • 59% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
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Big & Rich
Six Foot Town
110 bpm • C Maj • 03:47 • -0.29db
30% Popularity • 64% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Jason Blaine
Drink Too Much
125 bpm • G Maj • 03:05 • -4.27db
11% Popularity • 70% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Granger Smith
Cherry Lipstick
125 bpm • G Maj • 03:11 • -7.86db
18% Popularity • 71% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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Chris Cummings
That'll Teach Her
125 bpm • E Maj • 02:32 • -4.12db
17% Popularity • 63% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Dean Brody
Angelina
124 bpm • F# Maj • 04:07 • -4.96db
10% Popularity • 61% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Kira Isabella
Blame It On Your Truck
109 bpm • C min • 03:26 • -4.19db
13% Popularity • 64% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
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Tebey
Now I Do
109 bpm • A Maj • 03:58 • -3.45db
21% Popularity • 62% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Tyler Farr
Chicks, Trucks, and Beer
109 bpm • G Maj • 03:35 • -5.51db
31% Popularity • 64% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Craig Campbell
When I Get It
109 bpm • A Maj • 03:18 • -4.67db
25% Popularity • 68% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Trent Tomlinson
Come Back to Bed
109 bpm • G min • 03:26 • -4.34db
24% Popularity • 78% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Roll That Barrel Out