Songs like Roll With It by Group 3
Based on a tempo of (+/- 10%) and a similar genre
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Group 3
Roll With It
117 bpm • C Maj • 04:26 • -9.58db
20% Popularity • 76% Danceability • 65% Energy • 5% Liveness
76% Instrumentalness • 96% Positiveness
20% Popularity • 76% Danceability • 65% Energy • 5% Liveness
76% Instrumentalness • 96% Positiveness
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Paula Atherton
Shake It
117 bpm • D# min • 04:37 • -6db
19% Popularity • 74% Danceability • 91% Energy • 10% Liveness
73% Instrumentalness • 49% Positiveness
19% Popularity • 74% Danceability • 91% Energy • 10% Liveness
73% Instrumentalness • 49% Positiveness
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David Benoit
Drive Time
117 bpm • F Maj • 04:38 • -10.02db
29% Popularity • 72% Danceability • 72% Energy • 5% Liveness
83% Instrumentalness • 79% Positiveness
29% Popularity • 72% Danceability • 72% Energy • 5% Liveness
83% Instrumentalness • 79% Positiveness
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Rocco Ventrella
She's Ready
117 bpm • C# Maj • 04:33 • -6db
23% Popularity • 73% Danceability • 67% Energy • 21% Liveness
24% Instrumentalness • 74% Positiveness
23% Popularity • 73% Danceability • 67% Energy • 21% Liveness
24% Instrumentalness • 74% Positiveness
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Warren Bernhardt
Felinicity
116 bpm • E min • 04:16 • -10.74db
29% Popularity • 81% Danceability • 43% Energy • 11% Liveness
64% Instrumentalness • 57% Positiveness
29% Popularity • 81% Danceability • 43% Energy • 11% Liveness
64% Instrumentalness • 57% Positiveness
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Greg Manning
Twinkle
118 bpm • C Maj • 03:39 • -7.66db
25% Popularity • 84% Danceability • 80% Energy • 6% Liveness
80% Instrumentalness • 87% Positiveness
25% Popularity • 84% Danceability • 80% Energy • 6% Liveness
80% Instrumentalness • 87% Positiveness
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Chris Geith
Restless Heart
116 bpm • F min • 04:09 • -6db
40% Popularity • 64% Danceability • 86% Energy • 7% Liveness
86% Instrumentalness • 89% Positiveness
40% Popularity • 64% Danceability • 86% Energy • 7% Liveness
86% Instrumentalness • 89% Positiveness
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Steve Oliver
Chips and Salsa
116 bpm • E min • 03:55 • -6db
16% Popularity • 83% Danceability • 68% Energy • 3% Liveness
75% Instrumentalness • 91% Positiveness
16% Popularity • 83% Danceability • 68% Energy • 3% Liveness
75% Instrumentalness • 91% Positiveness
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David Benoit
Urban Daydreams
118 bpm • C Maj • 05:50 • -15.35db
12% Popularity • 67% Danceability • 35% Energy • 43% Liveness
70% Instrumentalness • 34% Positiveness
12% Popularity • 67% Danceability • 35% Energy • 43% Liveness
70% Instrumentalness • 34% Positiveness
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Paul Jackson, Jr.
The Workout
118 bpm • E min • 04:01 • -7.25db
27% Popularity • 70% Danceability • 86% Energy • 29% Liveness
90% Instrumentalness • 91% Positiveness
27% Popularity • 70% Danceability • 86% Energy • 29% Liveness
90% Instrumentalness • 91% Positiveness
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Steve Cole
Undun
116 bpm • D# min • 04:53 • -8db
47% Popularity • 68% Danceability • 42% Energy • 8% Liveness
86% Instrumentalness • 48% Positiveness
47% Popularity • 68% Danceability • 42% Energy • 8% Liveness
86% Instrumentalness • 48% Positiveness
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Vincent Ingala
Can't Stop Now
116 bpm • G# Maj • 04:15 • -8db
49% Popularity • 78% Danceability • 68% Energy • 6% Liveness
90% Instrumentalness • 93% Positiveness
49% Popularity • 78% Danceability • 68% Energy • 6% Liveness
90% Instrumentalness • 93% Positiveness
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Joe McBride
Lakewood
118 bpm • D min • 05:16 • -9.03db
34% Popularity • 68% Danceability • 66% Energy • 7% Liveness
74% Instrumentalness • 82% Positiveness
34% Popularity • 68% Danceability • 66% Energy • 7% Liveness
74% Instrumentalness • 82% Positiveness
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Steve Oliver
Fun in the Sun
116 bpm • G# Maj • 03:50 • -6db
28% Popularity • 69% Danceability • 79% Energy • 10% Liveness
80% Instrumentalness • 59% Positiveness
28% Popularity • 69% Danceability • 79% Energy • 10% Liveness
80% Instrumentalness • 59% Positiveness
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Jazz Funk Soul
Silent Partner
116 bpm • C Maj • 06:24 • -10.27db
18% Popularity • 65% Danceability • 40% Energy • 5% Liveness
50% Instrumentalness • 35% Positiveness
18% Popularity • 65% Danceability • 40% Energy • 5% Liveness
50% Instrumentalness • 35% Positiveness
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David Benoit
Drive Time
116 bpm • C Maj • 04:56 • -6.43db
25% Popularity • 80% Danceability • 63% Energy • 7% Liveness
79% Instrumentalness • 63% Positiveness
25% Popularity • 80% Danceability • 63% Energy • 7% Liveness
79% Instrumentalness • 63% Positiveness
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Chris Botti
Streets Ahead
116 bpm • A# min • 03:43 • -7.31db
29% Popularity • 74% Danceability • 86% Energy • 16% Liveness
90% Instrumentalness • 79% Positiveness
29% Popularity • 74% Danceability • 86% Energy • 16% Liveness
90% Instrumentalness • 79% Positiveness
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Craig Sharmat
So Cal Drivin
115 bpm • A min • 03:47 • -7db
21% Popularity • 75% Danceability • 75% Energy • 31% Liveness
85% Instrumentalness • 78% Positiveness
21% Popularity • 75% Danceability • 75% Energy • 31% Liveness
85% Instrumentalness • 78% Positiveness
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Jay Soto
Fascination
115 bpm • F min • 03:51 • -7db
23% Popularity • 76% Danceability • 86% Energy • 7% Liveness
84% Instrumentalness • 77% Positiveness
23% Popularity • 76% Danceability • 86% Energy • 7% Liveness
84% Instrumentalness • 77% Positiveness
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The Sax Pack
Fallin' For You
115 bpm • G# Maj • 03:33 • -6db
44% Popularity • 74% Danceability • 76% Energy • 32% Liveness
88% Instrumentalness • 61% Positiveness
44% Popularity • 74% Danceability • 76% Energy • 32% Liveness
88% Instrumentalness • 61% Positiveness
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Michael J Thomas
City Beat
115 bpm • A# Maj • 04:02 • -8db
20% Popularity • 74% Danceability • 64% Energy • 34% Liveness
64% Instrumentalness • 83% Positiveness
20% Popularity • 74% Danceability • 64% Energy • 34% Liveness
64% Instrumentalness • 83% Positiveness
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David Benoit
Freedom At Midnight
118 bpm • F# min • 04:14 • -14db
37% Popularity • 78% Danceability • 58% Energy • 2% Liveness
94% Instrumentalness • 74% Positiveness
37% Popularity • 78% Danceability • 58% Energy • 2% Liveness
94% Instrumentalness • 74% Positiveness
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Special EFX
Get On Up
115 bpm • B min • 04:55 • -7.51db
15% Popularity • 74% Danceability • 80% Energy • 11% Liveness
78% Instrumentalness • 94% Positiveness
15% Popularity • 74% Danceability • 80% Energy • 11% Liveness
78% Instrumentalness • 94% Positiveness
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Jazz Holdouts
Ya Never Know
115 bpm • B min • 04:16 • -8.71db
26% Popularity • 74% Danceability • 59% Energy • 29% Liveness
20% Instrumentalness • 74% Positiveness
26% Popularity • 74% Danceability • 59% Energy • 29% Liveness
20% Instrumentalness • 74% Positiveness
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Dan Siegel
From The Heart
120 bpm • F# Maj • 03:44 • -8.97db
34% Popularity • 76% Danceability • 69% Energy • 6% Liveness
89% Instrumentalness • 79% Positiveness
34% Popularity • 76% Danceability • 69% Energy • 6% Liveness
89% Instrumentalness • 79% Positiveness
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Shilts
Outside the Box
120 bpm • F min • 04:45 • -2.74db
21% Popularity • 90% Danceability • 81% Energy • 34% Liveness
89% Instrumentalness • 91% Positiveness
21% Popularity • 90% Danceability • 81% Energy • 34% Liveness
89% Instrumentalness • 91% Positiveness
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Braxton Brothers
When Love Comes Around
114 bpm • F min • 03:56 • -10.16db
31% Popularity • 80% Danceability • 29% Energy • 8% Liveness
86% Instrumentalness • 64% Positiveness
31% Popularity • 80% Danceability • 29% Energy • 8% Liveness
86% Instrumentalness • 64% Positiveness
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David Benoit
Watermelon Man
118 bpm • A# min • 05:22 • -7.36db
27% Popularity • 82% Danceability • 74% Energy • 5% Liveness
85% Instrumentalness • 95% Positiveness
27% Popularity • 82% Danceability • 74% Energy • 5% Liveness
85% Instrumentalness • 95% Positiveness
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Greg Manning
Dance With You
120 bpm • C# min • 03:58 • -7.06db
17% Popularity • 77% Danceability • 78% Energy • 28% Liveness
20% Instrumentalness • 79% Positiveness
17% Popularity • 77% Danceability • 78% Energy • 28% Liveness
20% Instrumentalness • 79% Positiveness
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The Sax Pack
Sooner Or Later
120 bpm • F min • 03:48 • -7db
36% Popularity • 70% Danceability • 81% Energy • 27% Liveness
88% Instrumentalness • 79% Positiveness
36% Popularity • 70% Danceability • 81% Energy • 27% Liveness
88% Instrumentalness • 79% Positiveness
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Dan Siegel
What Gives
115 bpm • C# Maj • 03:57 • -8.46db
20% Popularity • 72% Danceability • 85% Energy • 6% Liveness
74% Instrumentalness • 81% Positiveness
20% Popularity • 72% Danceability • 85% Energy • 6% Liveness
74% Instrumentalness • 81% Positiveness
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Jeff Golub
Have You Heard?
120 bpm • F Maj • 03:45 • -8.61db
18% Popularity • 82% Danceability • 62% Energy • 9% Liveness
87% Instrumentalness • 97% Positiveness
18% Popularity • 82% Danceability • 62% Energy • 9% Liveness
87% Instrumentalness • 97% Positiveness
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Brian Hughes
Pamela
120 bpm • G# min • 05:16 • -10db
37% Popularity • 68% Danceability • 69% Energy • 9% Liveness
84% Instrumentalness • 79% Positiveness
37% Popularity • 68% Danceability • 69% Energy • 9% Liveness
84% Instrumentalness • 79% Positiveness
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David Benoit
Wailea
115 bpm • C Maj • 04:29 • -16.1db
11% Popularity • 46% Danceability • 43% Energy • 7% Liveness
88% Instrumentalness • 15% Positiveness
11% Popularity • 46% Danceability • 43% Energy • 7% Liveness
88% Instrumentalness • 15% Positiveness
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Jay Soto
Stay Awhile
114 bpm • D Maj • 03:35 • -4db
30% Popularity • 77% Danceability • 88% Energy • 5% Liveness
4% Instrumentalness • 76% Positiveness
30% Popularity • 77% Danceability • 88% Energy • 5% Liveness
4% Instrumentalness • 76% Positiveness
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Pamela Williams
Afterglow
114 bpm • F min • 03:57 • -8.36db
37% Popularity • 77% Danceability • 63% Energy • 15% Liveness
81% Instrumentalness • 68% Positiveness
37% Popularity • 77% Danceability • 63% Energy • 15% Liveness
81% Instrumentalness • 68% Positiveness
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Tim Bowman
City Lights
114 bpm • C# Maj • 04:13 • -9.13db
30% Popularity • 66% Danceability • 73% Energy • 11% Liveness
78% Instrumentalness • 76% Positiveness
30% Popularity • 66% Danceability • 73% Energy • 11% Liveness
78% Instrumentalness • 76% Positiveness
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Oli Silk
All We Need
114 bpm • F min • 03:31 • -8db
42% Popularity • 87% Danceability • 73% Energy • 9% Liveness
89% Instrumentalness • 55% Positiveness
42% Popularity • 87% Danceability • 73% Energy • 9% Liveness
89% Instrumentalness • 55% Positiveness
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Jonathan Fritzén
Turn Back Time
121 bpm • F min • 04:23 • -9.72db
42% Popularity • 78% Danceability • 61% Energy • 5% Liveness
92% Instrumentalness • 81% Positiveness
42% Popularity • 78% Danceability • 61% Energy • 5% Liveness
92% Instrumentalness • 81% Positiveness
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David Benoit
Snap!
120 bpm • C# Maj • 04:25 • -8.81db
26% Popularity • 70% Danceability • 77% Energy • 5% Liveness
94% Instrumentalness • 94% Positiveness
26% Popularity • 70% Danceability • 77% Energy • 5% Liveness
94% Instrumentalness • 94% Positiveness
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Jazz Funk Soul
Telephone
120 bpm • G min • 04:25 • -11.02db
28% Popularity • 76% Danceability • 62% Energy • 11% Liveness
80% Instrumentalness • 85% Positiveness
28% Popularity • 76% Danceability • 62% Energy • 11% Liveness
80% Instrumentalness • 85% Positiveness
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Freddie Ravel
Sol to Soul
121 bpm • G min • 04:22 • -11.07db
19% Popularity • 82% Danceability • 66% Energy • 22% Liveness
74% Instrumentalness • 97% Positiveness
19% Popularity • 82% Danceability • 66% Energy • 22% Liveness
74% Instrumentalness • 97% Positiveness
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Tim Bowman
Seaside Drive
114 bpm • D Maj • 03:56 • -8.8db
31% Popularity • 68% Danceability • 74% Energy • 38% Liveness
85% Instrumentalness • 66% Positiveness
31% Popularity • 68% Danceability • 74% Energy • 38% Liveness
85% Instrumentalness • 66% Positiveness
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Avenue Blue (Featuring Jeff Golub)
Thank You May I Have Another
113 bpm • D Maj • 04:36 • -10.01db
10% Popularity • 78% Danceability • 54% Energy • 7% Liveness
51% Instrumentalness • 51% Positiveness
10% Popularity • 78% Danceability • 54% Energy • 7% Liveness
51% Instrumentalness • 51% Positiveness
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Kim Waters
Waterfall
121 bpm • G min • 05:12 • -8db
23% Popularity • 80% Danceability • 74% Energy • 7% Liveness
91% Instrumentalness • 69% Positiveness
23% Popularity • 80% Danceability • 74% Energy • 7% Liveness
91% Instrumentalness • 69% Positiveness
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The Sax Pack
Can't Help Myself
113 bpm • F min • 04:12 • -8.03db
41% Popularity • 76% Danceability • 75% Energy • 6% Liveness
85% Instrumentalness • 76% Positiveness
41% Popularity • 76% Danceability • 75% Energy • 6% Liveness
85% Instrumentalness • 76% Positiveness
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Wayman Tisdale
Ain't No Stoppin' Us Now
113 bpm • G# Maj • 04:06 • -5.92db
39% Popularity • 76% Danceability • 74% Energy • 8% Liveness
9% Instrumentalness • 78% Positiveness
39% Popularity • 76% Danceability • 74% Energy • 8% Liveness
9% Instrumentalness • 78% Positiveness
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David Benoit
Fuzzy Logic
113 bpm • A# Maj • 05:09 • -8.58db
11% Popularity • 55% Danceability • 85% Energy • 9% Liveness
90% Instrumentalness • 54% Positiveness
11% Popularity • 55% Danceability • 85% Energy • 9% Liveness
90% Instrumentalness • 54% Positiveness
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Urban Knights
Got To Give It Up
121 bpm • B min • 03:53 • -5.71db
15% Popularity • 95% Danceability • 82% Energy • 8% Liveness
74% Instrumentalness • 96% Positiveness
15% Popularity • 95% Danceability • 82% Energy • 8% Liveness
74% Instrumentalness • 96% Positiveness
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Walter Beasley
Hard Work
122 bpm • A# Maj • 04:12 • -7.34db
26% Popularity • 90% Danceability • 62% Energy • 10% Liveness
11% Instrumentalness • 53% Positiveness
26% Popularity • 90% Danceability • 62% Energy • 10% Liveness
11% Instrumentalness • 53% Positiveness
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Jazz Holdouts
Summer Nights
122 bpm • G Maj • 04:06 • -10db
42% Popularity • 74% Danceability • 66% Energy • 10% Liveness
78% Instrumentalness • 56% Positiveness
42% Popularity • 74% Danceability • 66% Energy • 10% Liveness
78% Instrumentalness • 56% Positiveness
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Paul Jackson, Jr.
The East from the West
122 bpm • B min • 05:38 • -11.67db
36% Popularity • 74% Danceability • 50% Energy • 4% Liveness
61% Instrumentalness • 40% Positiveness
36% Popularity • 74% Danceability • 50% Energy • 4% Liveness
61% Instrumentalness • 40% Positiveness
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Jeff Golub
Vibrolux
122 bpm • A min • 05:17 • -9.12db
16% Popularity • 78% Danceability • 71% Energy • 25% Liveness
75% Instrumentalness • 92% Positiveness
16% Popularity • 78% Danceability • 71% Energy • 25% Liveness
75% Instrumentalness • 92% Positiveness
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David Benoit
When The Winter's Gone (Song For A Stran...
122 bpm • D# min • 04:11 • -19.78db
20% Popularity • 51% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 51% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Candy Dulfer
On & On
112 bpm • C min • 04:35 • -6.57db
22% Popularity • 64% Danceability • 82% Energy • 7% Liveness
38% Instrumentalness • 77% Positiveness
22% Popularity • 64% Danceability • 82% Energy • 7% Liveness
38% Instrumentalness • 77% Positiveness
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Larry Coryell
Evil
112 bpm • G Maj • 04:19 • -9db
18% Popularity • 71% Danceability • 62% Energy • 12% Liveness
76% Instrumentalness • 83% Positiveness
18% Popularity • 71% Danceability • 62% Energy • 12% Liveness
76% Instrumentalness • 83% Positiveness
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Shilts
Back on the Hudson
112 bpm • A# min • 04:32 • -6db
9% Popularity • 77% Danceability • 84% Energy • 32% Liveness
80% Instrumentalness • 60% Positiveness
9% Popularity • 77% Danceability • 84% Energy • 32% Liveness
80% Instrumentalness • 60% Positiveness
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Kim Scott
Off The Top - radio single
112 bpm • G# Maj • 04:19 • -7db
34% Popularity • 73% Danceability • 60% Energy • 31% Liveness
90% Instrumentalness • 70% Positiveness
34% Popularity • 73% Danceability • 60% Energy • 31% Liveness
90% Instrumentalness • 70% Positiveness
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Jazz Funk Soul
Serious Business
112 bpm • D Maj • 04:33 • -8.74db
27% Popularity • 82% Danceability • 76% Energy • 9% Liveness
72% Instrumentalness • 82% Positiveness
27% Popularity • 82% Danceability • 76% Energy • 9% Liveness
72% Instrumentalness • 82% Positiveness
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David Benoit
Cast Your Fate To The Wind
122 bpm • G# Maj • 03:13 • -19.72db
37% Popularity • 57% Danceability • 39% Energy • 6% Liveness
92% Instrumentalness • 53% Positiveness
37% Popularity • 57% Danceability • 39% Energy • 6% Liveness
92% Instrumentalness • 53% Positiveness
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Steve Oliver
Wings of Spring
112 bpm • E Maj • 04:25 • -5.76db
10% Popularity • 65% Danceability • 76% Energy • 12% Liveness
41% Instrumentalness • 53% Positiveness
10% Popularity • 65% Danceability • 76% Energy • 12% Liveness
41% Instrumentalness • 53% Positiveness
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Steve Cole
NY-LA
112 bpm • G min • 03:38 • -6.89db
14% Popularity • 77% Danceability • 56% Energy • 4% Liveness
75% Instrumentalness • 96% Positiveness
14% Popularity • 77% Danceability • 56% Energy • 4% Liveness
75% Instrumentalness • 96% Positiveness
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Greg Adams
Smooth Operator
111 bpm • F min • 03:48 • -13.66db
38% Popularity • 76% Danceability • 48% Energy • 7% Liveness
89% Instrumentalness • 73% Positiveness
38% Popularity • 76% Danceability • 48% Energy • 7% Liveness
89% Instrumentalness • 73% Positiveness
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Kim Waters
Steppin' Out
111 bpm • G min • 04:05 • -5.37db
47% Popularity • 70% Danceability • 79% Energy • 30% Liveness
27% Instrumentalness • 77% Positiveness
47% Popularity • 70% Danceability • 79% Energy • 30% Liveness
27% Instrumentalness • 77% Positiveness
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Paul Jackson, Jr.
Don't You Worry 'Bout A Thing
111 bpm • B Maj • 04:54 • -6.06db
27% Popularity • 72% Danceability • 77% Energy • 8% Liveness
60% Instrumentalness • 79% Positiveness
27% Popularity • 72% Danceability • 77% Energy • 8% Liveness
60% Instrumentalness • 79% Positiveness
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Dan Siegel
Street Talk
111 bpm • G min • 03:44 • -9.48db
40% Popularity • 79% Danceability • 52% Energy • 9% Liveness
85% Instrumentalness • 94% Positiveness
40% Popularity • 79% Danceability • 52% Energy • 9% Liveness
85% Instrumentalness • 94% Positiveness
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The Sax Pack
All I Really Want
111 bpm • C Maj • 04:24 • -8db
34% Popularity • 68% Danceability • 54% Energy • 6% Liveness
80% Instrumentalness • 26% Positiveness
34% Popularity • 68% Danceability • 54% Energy • 6% Liveness
80% Instrumentalness • 26% Positiveness
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Freddie Ravel
Blissin
124 bpm • B min • 03:55 • -7db
42% Popularity • 61% Danceability • 83% Energy • 6% Liveness
70% Instrumentalness • 92% Positiveness
42% Popularity • 61% Danceability • 83% Energy • 6% Liveness
70% Instrumentalness • 92% Positiveness
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Greg Adams
'Sup With That
111 bpm • C# Maj • 03:16 • -7.72db
14% Popularity • 69% Danceability • 71% Energy • 6% Liveness
93% Instrumentalness • 76% Positiveness
14% Popularity • 69% Danceability • 71% Energy • 6% Liveness
93% Instrumentalness • 76% Positiveness
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Jessy J
Hot Sauce
124 bpm • G min • 03:17 • -3.86db
39% Popularity • 66% Danceability • 79% Energy • 15% Liveness
73% Instrumentalness • 58% Positiveness
39% Popularity • 66% Danceability • 79% Energy • 15% Liveness
73% Instrumentalness • 58% Positiveness
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The JT Project
Backyard Brew
110 bpm • F min • 04:14 • -6db
29% Popularity • 67% Danceability • 86% Energy • 19% Liveness
24% Instrumentalness • 73% Positiveness
29% Popularity • 67% Danceability • 86% Energy • 19% Liveness
24% Instrumentalness • 73% Positiveness
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BWB
Ruby Baby
110 bpm • A# Maj • 05:46 • -9.24db
14% Popularity • 53% Danceability • 53% Energy • 4% Liveness
84% Instrumentalness • 75% Positiveness
14% Popularity • 53% Danceability • 53% Energy • 4% Liveness
84% Instrumentalness • 75% Positiveness
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Les Sabler
In the Light
110 bpm • E min • 03:56 • -6.04db
32% Popularity • 65% Danceability • 84% Energy • 11% Liveness
84% Instrumentalness • 82% Positiveness
32% Popularity • 65% Danceability • 84% Energy • 11% Liveness
84% Instrumentalness • 82% Positiveness
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Ragan Whiteside
Early Arrival
110 bpm • C Maj • 04:15 • -8.41db
21% Popularity • 72% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 72% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Steve Oliver
High Noon
110 bpm • F Maj • 03:50 • -7db
30% Popularity • 66% Danceability • 86% Energy • 14% Liveness
11% Instrumentalness • 77% Positiveness
30% Popularity • 66% Danceability • 86% Energy • 14% Liveness
11% Instrumentalness • 77% Positiveness
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Chris Geith
Vision of Truth
110 bpm • C Maj • 04:18 • -7.72db
42% Popularity • 73% Danceability • 88% Energy • 7% Liveness
87% Instrumentalness • 78% Positiveness
42% Popularity • 73% Danceability • 88% Energy • 7% Liveness
87% Instrumentalness • 78% Positiveness
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Bob Baldwin
The Way She Looked (At Me) - Radio Edit
110 bpm • D Maj • 03:22 • -9.1db
32% Popularity • 70% Danceability • 75% Energy • 5% Liveness
76% Instrumentalness • 64% Positiveness
32% Popularity • 70% Danceability • 75% Energy • 5% Liveness
76% Instrumentalness • 64% Positiveness
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Wayman Tisdale
Get Down On It
110 bpm • E min • 04:18 • -4.93db
33% Popularity • 77% Danceability • 89% Energy • 6% Liveness
33% Instrumentalness • 94% Positiveness
33% Popularity • 77% Danceability • 89% Energy • 6% Liveness
33% Instrumentalness • 94% Positiveness
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David Benoit
Still Standing
110 bpm • C# Maj • 05:11 • -13.73db
12% Popularity • 70% Danceability • 72% Energy • 21% Liveness
80% Instrumentalness • 72% Positiveness
12% Popularity • 70% Danceability • 72% Energy • 21% Liveness
80% Instrumentalness • 72% Positiveness
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The JT Project
Give Me the Heat
110 bpm • G# Maj • 04:23 • -7db
6% Popularity • 66% Danceability • 79% Energy • 6% Liveness
94% Instrumentalness • 72% Positiveness
6% Popularity • 66% Danceability • 79% Energy • 6% Liveness
94% Instrumentalness • 72% Positiveness
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Steve Oliver
Feeling Good
110 bpm • F# Maj • 04:59 • -6.54db
39% Popularity • 76% Danceability • 81% Energy • 9% Liveness
93% Instrumentalness • 81% Positiveness
39% Popularity • 76% Danceability • 81% Energy • 9% Liveness
93% Instrumentalness • 81% Positiveness
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Richard Elliot
Shotgun
125 bpm • D# min • 03:27 • -5.87db
7% Popularity • 80% Danceability • 68% Energy • 10% Liveness
64% Instrumentalness • 70% Positiveness
7% Popularity • 80% Danceability • 68% Energy • 10% Liveness
64% Instrumentalness • 70% Positiveness
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The Sax Pack
Back In Style
110 bpm • C# Maj • 04:05 • -7.8db
24% Popularity • 71% Danceability • 62% Energy • 13% Liveness
83% Instrumentalness • 46% Positiveness
24% Popularity • 71% Danceability • 62% Energy • 13% Liveness
83% Instrumentalness • 46% Positiveness
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Chris Botti
Regroovable
110 bpm • G# Maj • 04:49 • -9.77db
21% Popularity • 72% Danceability • 60% Energy • 7% Liveness
91% Instrumentalness • 82% Positiveness
21% Popularity • 72% Danceability • 60% Energy • 7% Liveness
91% Instrumentalness • 82% Positiveness
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Cal Harris Jr.
Endless Summer
109 bpm • F min • 03:40 • -10db
42% Popularity • 75% Danceability • 57% Energy • 8% Liveness
66% Instrumentalness • 15% Positiveness
42% Popularity • 75% Danceability • 57% Energy • 8% Liveness
66% Instrumentalness • 15% Positiveness
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Jazz Holdouts
Hi Ya Bye Ya
125 bpm • F min • 04:16 • -10.85db
36% Popularity • 74% Danceability • 55% Energy • 11% Liveness
84% Instrumentalness • 73% Positiveness
36% Popularity • 74% Danceability • 55% Energy • 11% Liveness
84% Instrumentalness • 73% Positiveness
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Jeff Golub
Droptop
109 bpm • C Maj • 05:48 • -7.96db
37% Popularity • 84% Danceability • 59% Energy • 3% Liveness
76% Instrumentalness • 77% Positiveness
37% Popularity • 84% Danceability • 59% Energy • 3% Liveness
76% Instrumentalness • 77% Positiveness
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Pamela Williams
Emerald Eyes
109 bpm • D min • 04:08 • -4.55db
17% Popularity • 74% Danceability • 83% Energy • 7% Liveness
18% Instrumentalness • 61% Positiveness
17% Popularity • 74% Danceability • 83% Energy • 7% Liveness
18% Instrumentalness • 61% Positiveness
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Greg Adams
Midnight Morning
109 bpm • G# Maj • 03:35 • -9.88db
31% Popularity • 79% Danceability • 61% Energy • 11% Liveness
90% Instrumentalness • 81% Positiveness
31% Popularity • 79% Danceability • 61% Energy • 11% Liveness
90% Instrumentalness • 81% Positiveness
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Philippe Saisse
Monday Afternoon
109 bpm • G min • 05:31 • -10.59db
21% Popularity • 64% Danceability • 69% Energy • 14% Liveness
86% Instrumentalness • 24% Positiveness
21% Popularity • 64% Danceability • 69% Energy • 14% Liveness
86% Instrumentalness • 24% Positiveness
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David Benoit
Jellybeans And Chocolate
109 bpm • C# Maj • 05:12 • -9.07db
23% Popularity • 79% Danceability • 81% Energy • 7% Liveness
89% Instrumentalness • 82% Positiveness
23% Popularity • 79% Danceability • 81% Energy • 7% Liveness
89% Instrumentalness • 82% Positiveness
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The Sax Pack
The Pack Is Back
109 bpm • D min • 03:50 • -7.74db
12% Popularity • 75% Danceability • 65% Energy • 14% Liveness
70% Instrumentalness • 35% Positiveness
12% Popularity • 75% Danceability • 65% Energy • 14% Liveness
70% Instrumentalness • 35% Positiveness
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Vincent Ingala
Maybe You Think
109 bpm • C min • 03:42 • -8.55db
32% Popularity • 83% Danceability • 57% Energy • 4% Liveness
84% Instrumentalness • 80% Positiveness
32% Popularity • 83% Danceability • 57% Energy • 4% Liveness
84% Instrumentalness • 80% Positiveness
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Brian Tarquin
Darlin Darlin Baby
109 bpm • B min • 03:27 • -7db
34% Popularity • 63% Danceability • 88% Energy • 35% Liveness
53% Instrumentalness • 72% Positiveness
34% Popularity • 63% Danceability • 88% Energy • 35% Liveness
53% Instrumentalness • 72% Positiveness
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Mark Winkler
The Shadow of Your Smile
108 bpm • D min • 04:01 • -14.51db
7% Popularity • 57% Danceability • 30% Energy • 13% Liveness
1% Instrumentalness • 28% Positiveness
7% Popularity • 57% Danceability • 30% Energy • 13% Liveness
1% Instrumentalness • 28% Positiveness
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Steve Cole
Say It Again
108 bpm • A# Maj • 03:57 • -8.48db
28% Popularity • 71% Danceability • 70% Energy • 29% Liveness
84% Instrumentalness • 71% Positiveness
28% Popularity • 71% Danceability • 70% Energy • 29% Liveness
84% Instrumentalness • 71% Positiveness
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Pamela Williams
Positive Vibe
108 bpm • D# Maj • 03:25 • -5.16db
29% Popularity • 80% Danceability • 75% Energy • 10% Liveness
26% Instrumentalness • 70% Positiveness
29% Popularity • 80% Danceability • 75% Energy • 10% Liveness
26% Instrumentalness • 70% Positiveness
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The Sax Pack
Wanna Get Closer
109 bpm • C Maj • 03:46 • -7.73db
37% Popularity • 74% Danceability • 70% Energy • 6% Liveness
86% Instrumentalness • 60% Positiveness
37% Popularity • 74% Danceability • 70% Energy • 6% Liveness
86% Instrumentalness • 60% Positiveness
