Songs like Roméo et Juliette / Act 4: "Quoi! Ma fille, la nuit à peine est achevée" by Charles Gounod
Based on a tempo of (+/- 10%) and a similar genre
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Giuseppe Verdi
Verdi: Nabucco, Act 3: Chorus of the Heb...
75 bpm • C# Maj • 05:29 • -23db
31% Popularity • 9% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 6% Positiveness
31% Popularity • 9% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 6% Positiveness
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Charles Gounod
Marche funebre d'une marionnette (Funera...
75 bpm • A Maj • 05:49 • -27.8db
20% Popularity • 42% Danceability • 1% Energy • 8% Liveness
70% Instrumentalness • 28% Positiveness
20% Popularity • 42% Danceability • 1% Energy • 8% Liveness
70% Instrumentalness • 28% Positiveness
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Pietro Mascagni
Cavalleria Rusticana: Intermezzo
75 bpm • F Maj • 03:47 • -16.38db
23% Popularity • 8% Danceability • 16% Energy • 25% Liveness
92% Instrumentalness • 4% Positiveness
23% Popularity • 8% Danceability • 16% Energy • 25% Liveness
92% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (Version for Piano)
75 bpm • F# min • 05:59 • -30.68db
56% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
56% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Nikolai Rimsky-Korsakov
Sadko: Song Of India
75 bpm • A Maj • 03:19 • -15.65db
27% Popularity • 24% Danceability • 18% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
27% Popularity • 24% Danceability • 18% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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John Field
Nocturne No. 1 in E Flat Major, H.24
75 bpm • D# Maj • 03:41 • -25.07db
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
75 bpm • A Maj • 02:23 • -22.89db
31% Popularity • 9% Danceability • 10% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
31% Popularity • 9% Danceability • 10% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
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Charles Gounod
Messe solennelle de Sainte Cécile (1988...
75 bpm • F Maj • 05:16 • -15db
8% Popularity • 7% Danceability • 23% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
8% Popularity • 7% Danceability • 23% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Endres Quartet
Quintet in A Major for Clarinet and Stri...
74 bpm • D Maj • 07:01 • -23db
55% Popularity • 10% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
55% Popularity • 10% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Christoph Willibald Gluck
Dance of the Blessed Spirits
74 bpm • F Maj • 07:15 • -22.94db
27% Popularity • 18% Danceability • 7% Energy • 15% Liveness
79% Instrumentalness • 12% Positiveness
27% Popularity • 18% Danceability • 7% Energy • 15% Liveness
79% Instrumentalness • 12% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: 4. Solvei...
75 bpm • A min • 05:12 • -39.75db
22% Popularity • 10% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
22% Popularity • 10% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Umberto Giordano
Andrea Chénier / Act III: "La mamma mor...
76 bpm • D Maj • 04:58 • -17.91db
27% Popularity • 21% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Gounod
Roméo et Juliette: Je veux vivre dans l...
74 bpm • F Maj • 03:45 • -18.81db
25% Popularity • 26% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 26% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Franz Liszt
Consolation No. 3 in D-Flat Major, S. 17...
74 bpm • C# Maj • 04:19 • -35.64db
53% Popularity • 20% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
53% Popularity • 20% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Ludwig van Beethoven
Violin Concerto In D, Op. 61: 2. Larghet...
74 bpm • G Maj • 10:01 • -31.47db
42% Popularity • 11% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
42% Popularity • 11% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Maurice Ravel
Piano Concerto in G Major, M. 83: II. Ad...
74 bpm • E Maj • 09:23 • -34.6db
46% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
46% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet: Carmen Suite No. 1: III. Intermez...
74 bpm • D# Maj • 02:34 • -24.64db
24% Popularity • 9% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
24% Popularity • 9% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 2: Duo. ...
76 bpm • C Maj • 03:41 • -23.95db
4% Popularity • 24% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 5% Positiveness
4% Popularity • 24% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 5% Positiveness
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Franz Liszt
Ständchen in D Minor (After Schubert), ...
76 bpm • D Maj • 05:57 • -28.29db
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48: VIII. In Paradisum
74 bpm • D Maj • 03:18 • -25.56db
40% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
40% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Academy of St. Martin in the Fields
Adagio En Sol Mineur
74 bpm • C min • 08:52 • -12db
21% Popularity • 8% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 8% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626 / Act III: "When...
77 bpm • G min • 03:48 • -23.96db
48% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
48% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Giuseppe Verdi
Nabucco / Act III: Va, pensiero, sull'al...
73 bpm • C# Maj • 03:54 • -24.06db
48% Popularity • 7% Danceability • 2% Energy • 10% Liveness
68% Instrumentalness • 13% Positiveness
48% Popularity • 7% Danceability • 2% Energy • 10% Liveness
68% Instrumentalness • 13% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 3: "Dieu...
74 bpm • C Maj • 03:08 • -24.4db
3% Popularity • 17% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
3% Popularity • 17% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Antonín Dvořák
Ciganské melodie, Op. 55, B. 104 - Arr....
73 bpm • C# Maj • 03:05 • -19.56db
18% Popularity • 18% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Cantique de Jean Racine, Op. 11
73 bpm • C# Maj • 05:18 • -17.16db
40% Popularity • 7% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
40% Popularity • 7% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Waltz in C-sharp minor, Op. 64 No. 2
73 bpm • C# min • 03:19 • -36.25db
54% Popularity • 19% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
54% Popularity • 19% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
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Léo Delibes
Lakmé, Act 1: Dôme épais le jasmin "F...
77 bpm • B Maj • 01:30 • -15.81db
45% Popularity • 30% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
45% Popularity • 30% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 2: "Una furtiva l...
78 bpm • F min • 04:38 • -18db
29% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 1: "Ah, j...
77 bpm • C Maj • 03:52 • -12.17db
31% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Sergei Rachmaninoff
Rachmaninoff: Rachmaninov: 12 Songs, Op....
78 bpm • A Maj • 02:27 • -21db
31% Popularity • 11% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
31% Popularity • 11% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
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Alexander Borodin
Borodin: Prince Igor, Act II: Polovtsian...
72 bpm • D Maj • 03:52 • -19.46db
30% Popularity • 9% Danceability • 10% Energy • 7% Liveness
37% Instrumentalness • 6% Positiveness
30% Popularity • 9% Danceability • 10% Energy • 7% Liveness
37% Instrumentalness • 6% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Nora Mercz
Carmen (arr. N. Mercz): Intermezzo from ...
72 bpm • D# Maj • 02:38 • -25db
49% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
49% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Dame Joan Sutherland
Waltz Song: Je veux vivre
72 bpm • G Maj • 03:26 • -18.28db
30% Popularity • 39% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 22% Positiveness
30% Popularity • 39% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 22% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 1: Valse...
77 bpm • F Maj • 03:35 • -22db
11% Popularity • 40% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 40% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Antonín Dvořák
8 Humoresques, Op. 101, B. 187: No. 7, P...
72 bpm • F# Maj • 03:30 • -25.08db
47% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
47% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
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Georges Bizet
Les Pecheurs des Perles / Act 1: "Au fon...
78 bpm • D# Maj • 05:25 • -16.03db
32% Popularity • 14% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 7% Positiveness
32% Popularity • 14% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 7% Positiveness
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Léo Delibes
Lakmé / Act 1: "Sous le dôme épais" (...
71 bpm • B Maj • 04:57 • -16.97db
40% Popularity • 9% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
40% Popularity • 9% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Giovanni Sgambati
Orfeo ed Euridice: Melody (arr. G. Sgamb...
71 bpm • D min • 03:49 • -34.2db
41% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
41% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
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Dmitri Shostakovich
The Gadfly, Op. 97: 3. Youth (Romance)
79 bpm • C# Maj • 02:38 • -19.45db
17% Popularity • 16% Danceability • 9% Energy • 17% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 9% Energy • 17% Liveness
92% Instrumentalness • 4% Positiveness
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Charles Gounod
Messe solennelle de Sainte Cécile: Glor...
78 bpm • D Maj • 08:50 • -24.19db
12% Popularity • 11% Danceability • 6% Energy • 12% Liveness
40% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 6% Energy • 12% Liveness
40% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
Ma rendi pur contento
79 bpm • G# Maj • 02:23 • -21.97db
26% Popularity • 28% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 28% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: "Act III, Scene 1, Or...
71 bpm • G Maj • 04:28 • -22.23db
36% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
36% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
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Anton Bruckner
Pange lingua, WAB 33
79 bpm • A min • 04:46 • -31db
27% Popularity • 15% Danceability • 2% Energy • 7% Liveness
1% Instrumentalness • 3% Positiveness
27% Popularity • 15% Danceability • 2% Energy • 7% Liveness
1% Instrumentalness • 3% Positiveness
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Peter Warlock
Capriol Suite: 2. Pavane
80 bpm • G min • 02:10 • -26.42db
36% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
36% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
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Amilcare Ponchielli
La Gioconda / Act II: "Cielo e mar"
80 bpm • D# Maj • 05:14 • -18db
21% Popularity • 16% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
21% Popularity • 16% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, CG 9, Act 1:...
78 bpm • F Maj • 03:55 • -18.15db
16% Popularity • 30% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 30% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
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Pyotr Ilyich Tchaikovsky
The Sleeping Beauty, Op. 66: Panorama
80 bpm • G Maj • 02:59 • -26.41db
40% Popularity • 10% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
40% Popularity • 10% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
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Edward Elgar
Elgar: Chanson de matin, Op. 15 No. 2
80 bpm • G Maj • 03:43 • -26db
21% Popularity • 10% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
21% Popularity • 10% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Tim Hugh
Cello Concerto No. 1 In C Major, G. 477:...
70 bpm • F Maj • 06:29 • -36.54db
40% Popularity • 10% Danceability • 1% Energy • 11% Liveness
3% Instrumentalness • 5% Positiveness
40% Popularity • 10% Danceability • 1% Energy • 11% Liveness
3% Instrumentalness • 5% Positiveness
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Joaquín Rodrigo
Cançoneta for Violin and Orchestra
70 bpm • A Maj • 02:52 • -34.94db
46% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
46% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Georges Bizet
Carmen Suite No. 1: Intermezzo
80 bpm • D# Maj • 02:35 • -31.16db
45% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
45% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Charles Gounod
Roméo et Juliette, Act I: Ah! Je veux v...
78 bpm • G Maj • 03:35 • -15.09db
29% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Léo Delibes
Flower Duet
70 bpm • B Maj • 01:15 • -17db
47% Popularity • 27% Danceability • 14% Energy • 19% Liveness
68% Instrumentalness • 4% Positiveness
47% Popularity • 27% Danceability • 14% Energy • 19% Liveness
68% Instrumentalness • 4% Positiveness
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Edward Elgar
Chanson de nuit, Op.15 No.1
80 bpm • G Maj • 04:32 • -28db
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
Hector Berlioz
La damnation de Faust, Op. 24, Part II: ...
80 bpm • D Maj • 02:22 • -36.64db
41% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
41% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
► Preview
John Barry
Mozart: Clarinet Concerto In A major, K6...
80 bpm • D Maj • 07:42 • -25.13db
41% Popularity • 12% Danceability • 2% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
41% Popularity • 12% Danceability • 2% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
► Preview
Jean-Philippe Rameau
Deuxieme livre, Suite en Mi: X. Tambouri...
70 bpm • E min • 01:30 • -27db
46% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
46% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
► Preview
Charles Gounod
Roméo et Juliette, CG 9 / Act 2: "L'amo...
79 bpm • G min • 01:00 • -18.56db
35% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
35% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Gabriel Fauré
Fauré: Pavane, Op. 50 (Instrumental Ver...
70 bpm • F# min • 06:19 • -24.45db
34% Popularity • 10% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 10% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Georges Bizet
Bizet / Arr. Guiraud: Carmen Suite No. 1...
70 bpm • D# Maj • 02:31 • -30.26db
47% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
47% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
► Preview
Wilhelm Kempff
Orfeo ed Euridice, Act II Scene 2: Balle...
81 bpm • F Maj • 04:45 • -33.57db
37% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninov: Rhapsody on a Theme of Paga...
70 bpm • C# Maj • 03:06 • -19db
34% Popularity • 27% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
34% Popularity • 27% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Robert Schumann
No. 1, Von fremden Ländern und Menschen
70 bpm • G Maj • 01:33 • -35.55db
60% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
60% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
► Preview
Charles Gounod
Gounod: Roméo et Juliette, Act 5: "Cons...
79 bpm • G# Maj • 05:16 • -20.83db
10% Popularity • 16% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Alexander Glazunov
Glazunov: The Seasons, Op. 67, Pt. 4 "Au...
70 bpm • A Maj • 04:17 • -23.01db
13% Popularity • 14% Danceability • 10% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
13% Popularity • 14% Danceability • 10% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: Intermezzo
81 bpm • F Maj • 03:10 • -19.56db
50% Popularity • 10% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 4% Positiveness
50% Popularity • 10% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Giacomo Puccini
Tosca, SC 69 / Act 3: "E lucevan le stel...
70 bpm • B min • 03:21 • -12.48db
39% Popularity • 10% Danceability • 16% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
39% Popularity • 10% Danceability • 16% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 1: Ah, je...
71 bpm • F Maj • 03:55 • -19.65db
17% Popularity • 30% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
17% Popularity • 30% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: Scheherazade, Op. 35: I...
81 bpm • B min • 03:53 • -24.98db
38% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
38% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
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Max Bruch
Kol Nidrei - Adagio For Cello, Opus 47
81 bpm • D Maj • 10:49 • -21.28db
39% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
39% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
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Mikhail Glinka
Nocturne in E-Flat Major
81 bpm • D# Maj • 04:21 • -27.67db
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
69 bpm • A Maj • 07:04 • -30.05db
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
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César Franck
Panis Angelicus
81 bpm • A Maj • 03:31 • -13.05db
32% Popularity • 12% Danceability • 22% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
32% Popularity • 12% Danceability • 22% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Charles Gounod
Messe solennelle de Sainte Cécile: Offe...
80 bpm • G# Maj • 03:33 • -39.81db
10% Popularity • 7% Danceability • 0% Energy • 11% Liveness
66% Instrumentalness • 3% Positiveness
10% Popularity • 7% Danceability • 0% Energy • 11% Liveness
66% Instrumentalness • 3% Positiveness
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Victoria de los Ángeles
Als die alte Mutter
81 bpm • D Maj • 02:36 • -14db
27% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
27% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
81 bpm • D# Maj • 09:23 • -23db
30% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
30% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Gianni Schicchi: "O mio Babbino caro"
82 bpm • G# Maj • 04:03 • -15.4db
39% Popularity • 15% Danceability • 19% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
39% Popularity • 15% Danceability • 19% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Clarinet Concerto in B-Flat Major: Andan...
69 bpm • A# min • 04:10 • -25.67db
40% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
40% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
40% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
40% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 3: "Ah !...
80 bpm • C min • 04:00 • -16.44db
3% Popularity • 18% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
3% Popularity • 18% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Peter Dvorsky
Faust: Salut! Demeure Chaste Et Pure
82 bpm • G# Maj • 05:40 • -17.3db
3% Popularity • 13% Danceability • 21% Energy • 68% Liveness
14% Instrumentalness • 10% Positiveness
3% Popularity • 13% Danceability • 21% Energy • 68% Liveness
14% Instrumentalness • 10% Positiveness
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César Franck
Franck / Arr. Kenner: Mass, Op. 12, FWV ...
82 bpm • G Maj • 04:22 • -26.84db
17% Popularity • 19% Danceability • 4% Energy • 9% Liveness
50% Instrumentalness • 10% Positiveness
17% Popularity • 19% Danceability • 4% Energy • 9% Liveness
50% Instrumentalness • 10% Positiveness
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Léo Delibes
Le roi s'amuse: Madrigal
82 bpm • A Maj • 01:41 • -31db
43% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
43% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
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Franz Liszt
Ave Maria, S. 558 (after Schubert, D. 83...
69 bpm • A# Maj • 05:28 • -27.59db
28% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Gustav Mahler
Mahler: Symphony No. 5 in C-Sharp Minor:...
82 bpm • F Maj • 09:43 • -23.25db
59% Popularity • 8% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
59% Popularity • 8% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Charles Gounod
Faust, CG 4 / Act 3: "Quel trouble incon...
80 bpm • G# Maj • 06:14 • -17.77db
9% Popularity • 16% Danceability • 17% Energy • 8% Liveness
53% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 17% Energy • 8% Liveness
53% Instrumentalness • 4% Positiveness
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Francesco Cilea
Adriana Lecouvreur / Act I: "Ecco: respi...
82 bpm • G# Maj • 03:42 • -18.62db
33% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
33% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Largo from Xerxes
82 bpm • G Maj • 05:50 • -19.08db
44% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
44% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Johann Pachelbel
Pachelbel: Canon and Gigue for Three Vio...
82 bpm • D Maj • 07:24 • -16.13db
24% Popularity • 20% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 13% Positiveness
24% Popularity • 20% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 13% Positiveness
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Franz Liszt
3 Concert Études, S. 144: No. 3 in D-Fl...
69 bpm • C# Maj • 05:41 • -25db
39% Popularity • 24% Danceability • 6% Energy • 19% Liveness
94% Instrumentalness • 3% Positiveness
39% Popularity • 24% Danceability • 6% Energy • 19% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Morning (All...
68 bpm • E Maj • 04:19 • -23.72db
38% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
