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Rosalie: In the Still of the Night
Songs like
Rosalie: In the Still of the Night
by
William Southgate
Based on a tempo of (+/- 10%) and a similar genre
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The Mary Wallopers
Rothsea-O
135 bpm • G Maj • 02:24 • -10.29db
34% Popularity • 60% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Greg Russell
The Silent Majority
136 bpm • D min • 04:07 • -6.4db
10% Popularity • 57% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Cisco Houston
The Tramp
135 bpm • C Maj • 03:17 • -18.47db
4% Popularity • 70% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Nelson's Shantymen
Roll the Old Chariot
136 bpm • B min • 03:43 • -14.65db
19% Popularity • 67% Danceability • 17% Energy • 56% Liveness
0% Instrumentalness • 82% Positiveness
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The Full English
Awake Awake
136 bpm • C Maj • 03:11 • -15db
26% Popularity • 77% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Fast Rattler
Solidarity Forever
136 bpm • C Maj • 04:11 • -6.83db
10% Popularity • 47% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Jeff Warner
Paddy Lay Back
134 bpm • C Maj • 03:33 • -16.63db
14% Popularity • 80% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Monty Python
Medical Love Song
137 bpm • D Maj • 03:34 • -12.99db
21% Popularity • 49% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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John Spillane
An MaidrÃn Rua
133 bpm • D Maj • 03:05 • -8.48db
17% Popularity • 59% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Peter Bellamy
Anchor Song
133 bpm • A Maj • 02:27 • -13.15db
19% Popularity • 67% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Seth Staton Watkins
Some Say the Devil is Dead
137 bpm • A Maj • 02:38 • -8.11db
37% Popularity • 89% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Daniel Kahn
The Butcher's Sher
137 bpm • A Maj • 04:59 • -5.62db
22% Popularity • 58% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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The Kingston Trio
Blow Ye Winds
137 bpm • G Maj • 02:00 • -9.36db
25% Popularity • 60% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Brenda Wootton
Lamorna
138 bpm • D# Maj • 03:08 • -11.6db
22% Popularity • 73% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Gruppo Folk Internazionale '75-'79
Daloy Politzei
132 bpm • C min • 02:35 • -11.17db
11% Popularity • 63% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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Spiers & Boden
Haul Away
132 bpm • E min • 04:46 • -7db
12% Popularity • 41% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Anne Feeney
Emma Goldman
132 bpm • E Maj • 02:25 • -7.88db
10% Popularity • 59% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Dolores Keane
Will Ye Go To Flanders
132 bpm • C Maj • 03:39 • -16db
22% Popularity • 41% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Daniel Kahn
Sunday After the War
138 bpm • D min • 05:47 • -7.01db
12% Popularity • 33% Danceability • 29% Energy • 26% Liveness
0% Instrumentalness • 12% Positiveness
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David Rovics
Behind the Barricades
138 bpm • D Maj • 01:50 • -15.99db
7% Popularity • 69% Danceability • 9% Energy • 71% Liveness
0% Instrumentalness • 40% Positiveness
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Waxies Dargle
Paddle Me Own Canoe
138 bpm • G Maj • 02:45 • -6.59db
42% Popularity • 59% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Silly Wizard
My Love's in Germany
132 bpm • E Maj • 06:49 • -10.17db
8% Popularity • 41% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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William Southgate
Me Muther’s Warnin!
139 bpm • D min • 02:39 • -14.95db
0% Popularity • 38% Danceability • 72% Energy • 72% Liveness
0% Instrumentalness • 11% Positiveness
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Salty Dick
The Crabfish
139 bpm • F Maj • 01:41 • -8db
20% Popularity • 80% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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The Mitchell Trio
I Was Not A Nazi Polka
139 bpm • G Maj • 04:37 • -12.16db
9% Popularity • 58% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Black Irish Band
Spanish Ladies
139 bpm • D min • 02:31 • -12.03db
17% Popularity • 67% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Phil Ochs
I'll Be There
131 bpm • A Maj • 02:11 • -14.11db
16% Popularity • 56% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Matt McGinn
The Footba' Referee
131 bpm • G Maj • 02:56 • -8.26db
13% Popularity • 72% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Zalmen Mlotek
In Ale Gasn (In Every Street)
131 bpm • D min • 02:38 • -15.11db
14% Popularity • 64% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Daniel Kahn
Moskve
139 bpm • D min • 03:59 • -9.76db
13% Popularity • 58% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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The Mary Wallopers
Lots Of Little Soldiers
139 bpm • D Maj • 02:38 • -11.56db
39% Popularity • 60% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Woody Guthrie
Tear The Facists Down
139 bpm • C Maj • 02:09 • -11.85db
42% Popularity • 69% Danceability • 31% Energy • 22% Liveness
5% Instrumentalness • 87% Positiveness
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Phil Ochs
I Ain't Marching Anymore
131 bpm • F# Maj • 02:34 • -6.52db
36% Popularity • 50% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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John McCormack
Believe Me, If All Those Endearing Young...
131 bpm • E Maj • 03:00 • -14db
10% Popularity • 44% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Archie Fisher
Dreg Song
140 bpm • F# min • 01:38 • -22.1db
33% Popularity • 39% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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The Fighting Men From Crossmaglen
Sniper's Promise
130 bpm • D Maj • 04:17 • -18.97db
33% Popularity • 44% Danceability • 18% Energy • 11% Liveness
4% Instrumentalness • 38% Positiveness
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The Irish Rovers
Finnegan's Wake
130 bpm • C Maj • 03:32 • -11.62db
43% Popularity • 69% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Bellowhead
Prickle-eye Bush
140 bpm • G Maj • 05:07 • -12.6db
12% Popularity • 60% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Bob Fox
Celebrated Working Man / Oakey's Strike ...
130 bpm • B min • 04:39 • -16db
17% Popularity • 67% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Blarney Folk
The British Army
130 bpm • B Maj • 01:58 • -9.25db
26% Popularity • 61% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Alastair McDonald and Leo Maguire
Silver Darlings
140 bpm • D Maj • 03:07 • -18.69db
15% Popularity • 59% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Shamróg
Black and Tans
130 bpm • B min • 02:25 • -13db
31% Popularity • 52% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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David Gibb & Elly Lucas
Jerusalem Cuckoo
141 bpm • G Maj • 03:29 • -7.91db
19% Popularity • 63% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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The Roaring Trowmen
Itches in Me Britches
130 bpm • A Maj • 02:08 • -8db
15% Popularity • 84% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Gerry Carmichael
The Army of the People - The Official IR...
129 bpm • G# Maj • 02:18 • -5.85db
19% Popularity • 61% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Silly Wizard
Donald MacGillavry / O'Neill's Cavalry M...
141 bpm • B min • 03:56 • -4.85db
23% Popularity • 41% Danceability • 91% Energy • 93% Liveness
0% Instrumentalness • 95% Positiveness
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Alastair McDonald and Leo Maguire
Over the Sea
141 bpm • E min • 04:23 • -17.64db
20% Popularity • 51% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Sods' Opera
We Are the Boys
141 bpm • F Maj • 02:17 • -10.94db
21% Popularity • 65% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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The Bothy Band
Do You Love an Apple
141 bpm • G Maj • 02:53 • -12.61db
24% Popularity • 54% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Jake Thackray
Leopold Alcocks
141 bpm • A Maj • 03:39 • -11.46db
7% Popularity • 69% Danceability • 24% Energy • 69% Liveness
0% Instrumentalness • 59% Positiveness
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Alfi
The Drink Song
129 bpm • C# min • 04:41 • -7.84db
27% Popularity • 84% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Stan Rogers
Finch's Complaint/Giant Reprise
129 bpm • F Maj • 03:07 • -27.71db
11% Popularity • 57% Danceability • 2% Energy • 41% Liveness
0% Instrumentalness • 10% Positiveness
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Theodore Bikel
Springhill Mine Diaster
141 bpm • D Maj • 03:54 • -13.82db
8% Popularity • 59% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Phil Ochs
Ballad of the Carpenter
141 bpm • A Maj • 03:54 • -18.72db
16% Popularity • 56% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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The Town Pants
Home Boys Home
129 bpm • E Maj • 03:57 • -8db
45% Popularity • 45% Danceability • 65% Energy • 97% Liveness
0% Instrumentalness • 82% Positiveness
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Matt McGinn
Coorie Doon
129 bpm • C Maj • 03:38 • -19.62db
12% Popularity • 40% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 33% Positiveness
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Planxty
Follow Me Up To Carlow
142 bpm • E min • 02:24 • -9.38db
40% Popularity • 57% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Scocha
Scots Wha Hae
142 bpm • F# Maj • 02:47 • -7.97db
29% Popularity • 44% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Bellowhead
Lillibulero
128 bpm • G Maj • 03:07 • -5.91db
20% Popularity • 70% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Magpie
It’s a Long Way Down to the Soup Line
128 bpm • A Maj • 03:35 • -12.45db
10% Popularity • 66% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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John Thompson
Marching Song of the 3rd Light Horse
128 bpm • D Maj • 01:49 • -9.15db
10% Popularity • 77% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Flying Column
Johnston's Motor Car
128 bpm • D Maj • 01:41 • -8db
34% Popularity • 67% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
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Stan Rogers
Fisherman's Wharf
143 bpm • G Maj • 04:01 • -24.57db
21% Popularity • 54% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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Cast of Oh What A Lovely War
Are We Downhearted / Hold Your Hand Out ...
128 bpm • C Maj • 01:12 • -13.18db
12% Popularity • 83% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Brendan Behan
Who Fears To Speak Of Easter Week
143 bpm • B min • 02:14 • -14.66db
12% Popularity • 68% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Wallace House
The British Light Infantry
143 bpm • A# Maj • 01:26 • -12.98db
9% Popularity • 63% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Spencer Coverdale
Farm Auction
143 bpm • D Maj • 03:16 • -16.76db
10% Popularity • 42% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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The Men of No Property
The Freedom Fighter
127 bpm • G# Maj • 02:42 • -23db
9% Popularity • 78% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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John Benson
Strike The Bell
127 bpm • C Maj • 02:57 • -16db
8% Popularity • 77% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Schooner Fare
Twa Recruiting Sergeants
127 bpm • G# Maj • 03:10 • -14db
29% Popularity • 71% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Kurt Weill
Die Dreigroschenoper (The Threepenny Ope...
144 bpm • D# Maj • 04:03 • -12.77db
3% Popularity • 67% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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David Rovics
The Commons
126 bpm • E Maj • 02:58 • -8.97db
11% Popularity • 63% Danceability • 56% Energy • 70% Liveness
0% Instrumentalness • 77% Positiveness
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Marc Gunn
A-Working in the Garden
126 bpm • F Maj • 01:45 • -7.75db
19% Popularity • 60% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Adam Kay
National Brotherhood Week
126 bpm • D# Maj • 01:22 • -10.32db
21% Popularity • 68% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Tom Morello: the Nightwatchman
Solidarity Forever
126 bpm • G Maj • 02:38 • -5.28db
28% Popularity • 64% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Monty Python
Eric The Half A Bee
126 bpm • G Maj • 02:09 • -17.12db
26% Popularity • 68% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Friends Of The Shipyard and Fisherman's Fayre
When The Boat Comes In
126 bpm • A Maj • 02:44 • -8db
17% Popularity • 70% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Stan Rogers
Leave Her, Johnny, Leave Her
126 bpm • D Maj • 02:58 • -11.79db
33% Popularity • 56% Danceability • 30% Energy • 82% Liveness
0% Instrumentalness • 67% Positiveness
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Carl Peterson
The Elfin Knight
145 bpm • B min • 04:29 • -19.94db
12% Popularity • 56% Danceability • 7% Energy • 13% Liveness
2% Instrumentalness • 41% Positiveness
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Flanders & Swann
A Transport of Delight (London Omnibus)
126 bpm • F Maj • 04:35 • -12.47db
9% Popularity • 66% Danceability • 57% Energy • 69% Liveness
0% Instrumentalness • 91% Positiveness
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Jez Lowe
The Golden Vanity
125 bpm • G Maj • 03:51 • -8.55db
17% Popularity • 57% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Mick Moloney
My Uncle Dan McCann
146 bpm • F Maj • 03:40 • -9.88db
26% Popularity • 55% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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John O'Connor
Carpal Tunnel
145 bpm • G Maj • 02:41 • -13.08db
11% Popularity • 72% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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William Southgate
Keep Yor feet still!
125 bpm • C Maj • 04:11 • -14.44db
0% Popularity • 52% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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Planxty
The Blacksmith
125 bpm • A Maj • 04:13 • -11.62db
26% Popularity • 48% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Anne Feeney
War on the Workers
125 bpm • E min • 03:37 • -8db
20% Popularity • 80% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Silly Wizard
Donald McGillavry / O'Neill's Cavalry Ma...
125 bpm • D Maj • 04:08 • -14db
28% Popularity • 47% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
► Preview
Kilmaine Saints
Tiocfaidh Ar La
125 bpm • C Maj • 03:41 • -8.33db
22% Popularity • 46% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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The Irish Rovers
New York Girls
124 bpm • G Maj • 02:45 • -5.43db
24% Popularity • 68% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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Daniel Kahn
Mayn Rue Plats / Where I Rest
147 bpm • A min • 04:07 • -10.73db
11% Popularity • 44% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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The Almanac Singers
Hold The Fort
124 bpm • A Maj • 02:23 • -21db
8% Popularity • 68% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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The Wild Rover
Poor Paddy Works On The Railway
124 bpm • B Maj • 02:54 • -6.96db
32% Popularity • 66% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
Phil Ochs
Ballad of William Worthy
124 bpm • D Maj • 02:11 • -14.72db
23% Popularity • 68% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
► Preview
Alastair McDonald and Leo Maguire
Loch Lomond
147 bpm • D# Maj • 03:36 • -18.39db
37% Popularity • 51% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Cisco Houston
Mysteries of a Hobo's Life
124 bpm • F# Maj • 01:13 • -16db
18% Popularity • 71% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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William Southgate
Wor Neybor Nell!
124 bpm • C Maj • 04:42 • -15.69db
0% Popularity • 60% Danceability • 29% Energy • 42% Liveness
0% Instrumentalness • 40% Positiveness
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Tim Hart & Maddy Prior
Adieu Sweet Lovely Nancy
123 bpm • G# Maj • 02:36 • -11.46db
10% Popularity • 64% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Woody Guthrie
You Gotta Go Down And Join The Union
124 bpm • G Maj • 02:42 • -12.04db
12% Popularity • 70% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Silly Wizard
The Isla Waters
123 bpm • G min • 03:48 • -16.99db
15% Popularity • 41% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Alastair McDonald and Leo Maguire
The Wee Cooper of Fife
123 bpm • A# Maj • 02:19 • -14.64db
22% Popularity • 80% Danceability • 35% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Rosalie: In the Still of the Night