Songs like Rose's Are Red by Freddie Hart
Based on a tempo of (+/- 10%) and a similar genre
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Freddie Hart
Roses Are Red
82 bpm • C# Maj • 03:30 • -13.45db
2% Popularity • 51% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
2% Popularity • 51% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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Nat Stuckey
Cut Across Shorty
82 bpm • C Maj • 02:26 • -9.94db
9% Popularity • 58% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 58% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Eddie Noack
Have Blues - Will Travel
82 bpm • E Maj • 02:36 • -10.75db
12% Popularity • 56% Danceability • 41% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 56% Danceability • 41% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
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Marvin Rainwater
(There's Always) a Need for Love
82 bpm • A# Maj • 02:16 • -5.23db
11% Popularity • 56% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 56% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Eddy Arnold
A Heart Full of Love (For a Handful of K...
83 bpm • C Maj • 02:35 • -11.47db
9% Popularity • 70% Danceability • 25% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 70% Danceability • 25% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
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Del Reeves
Lay A Little Lovin' On Me
82 bpm • E Maj • 02:22 • -11.15db
11% Popularity • 35% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 35% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Freddie Hart
Rose's Are Red
82 bpm • C# Maj • 03:31 • -13.15db
8% Popularity • 52% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 52% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Wynn Stewart
Open up My Heart - Remastered
83 bpm • E Maj • 02:17 • -7db
15% Popularity • 62% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 62% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Frankie Miller
Truck Driving Buddy
81 bpm • E min • 01:43 • -7.11db
20% Popularity • 70% Danceability • 58% Energy • 7% Liveness
26% Instrumentalness • 85% Positiveness
20% Popularity • 70% Danceability • 58% Energy • 7% Liveness
26% Instrumentalness • 85% Positiveness
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Marvin Rainwater
I Dig You Baby
83 bpm • C Maj • 01:44 • -8db
20% Popularity • 65% Danceability • 60% Energy • 3% Liveness
17% Instrumentalness • 96% Positiveness
20% Popularity • 65% Danceability • 60% Energy • 3% Liveness
17% Instrumentalness • 96% Positiveness
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Eddy Arnold
How's the World Treating You
83 bpm • D Maj • 02:56 • -12db
26% Popularity • 53% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 53% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Moon Mullican
I'll Sail My Ship Alone
83 bpm • D Maj • 02:58 • -12db
8% Popularity • 61% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 61% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Dave Dudley
Mad - Single Version
81 bpm • D Maj • 02:43 • -13.13db
8% Popularity • 64% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 64% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Wynn Stewart
Big, Big Love
81 bpm • D Maj • 02:25 • -11db
17% Popularity • 63% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 63% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
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Norma Jean
It's a Little More Like Heaven
83 bpm • C Maj • 02:05 • -11.08db
9% Popularity • 54% Danceability • 40% Energy • 39% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 54% Danceability • 40% Energy • 39% Liveness
0% Instrumentalness • 80% Positiveness
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Cowboy Copas
In The Jailhouse Now
83 bpm • B min • 02:27 • -9.48db
11% Popularity • 69% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 69% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Ray Pillow
Thank You Ma'Am
80 bpm • B min • 02:21 • -6db
10% Popularity • 70% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 70% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Kevin Griffin
Hello Darlin`
84 bpm • G Maj • 02:25 • -7.26db
5% Popularity • 53% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
5% Popularity • 53% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Jack Greene
Statue Of A Fool
80 bpm • A# Maj • 02:52 • -13db
33% Popularity • 44% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 44% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Roy Drusky
Jody and the Kid
80 bpm • D Maj • 02:56 • -13.61db
35% Popularity • 53% Danceability • 40% Energy • 15% Liveness
1% Instrumentalness • 59% Positiveness
35% Popularity • 53% Danceability • 40% Energy • 15% Liveness
1% Instrumentalness • 59% Positiveness
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Skeets McDonald
This Old Heart
85 bpm • F Maj • 02:12 • -11db
15% Popularity • 67% Danceability • 50% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
15% Popularity • 67% Danceability • 50% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
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George Hamilton IV
The Everglades
79 bpm • E Maj • 02:10 • -13db
20% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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George Morgan
I'll Call You Charlie (You Call Me Joan)
79 bpm • G Maj • 02:12 • -14db
19% Popularity • 36% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 36% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Claude King
I'm Just Here to Get My Baby Out of Jail
84 bpm • D Maj • 03:12 • -14.49db
20% Popularity • 63% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 63% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Don Rich And The Buckaroos
I'm Layin' It on the Line
79 bpm • G# Maj • 02:26 • -7.37db
25% Popularity • 65% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 65% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Hawkshaw Hawkins
I Can't Seem To Say Goodbye
86 bpm • D Maj • 02:18 • -16.58db
25% Popularity • 59% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 59% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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The Browns
You Can Have Her
85 bpm • C Maj • 02:50 • -9.57db
20% Popularity • 45% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 45% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Freddie Hart
Somebody Loves You
86 bpm • D# Maj • 02:53 • -13.58db
1% Popularity • 42% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
1% Popularity • 42% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Jean Shepard
Crying Steel Guitar Waltz
86 bpm • E Maj • 02:28 • -11.31db
9% Popularity • 35% Danceability • 11% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 35% Danceability • 11% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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Tommy Collins
If You Ain't Lovin' (You Ain't Livin')
78 bpm • G# Maj • 02:17 • -8.45db
8% Popularity • 66% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 66% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Don Rich And The Buckaroos
Round Hole Guitar
86 bpm • F# Maj • 02:21 • -8.94db
9% Popularity • 81% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 81% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Claude King
The Comancheros
78 bpm • D# Maj • 02:13 • -12db
35% Popularity • 62% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 62% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Roy Drusky
White Lightning Express
78 bpm • C# min • 02:02 • -9.97db
28% Popularity • 71% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 71% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Freddie Hart
Heart Attack
78 bpm • G Maj • 02:34 • -7.35db
1% Popularity • 63% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
1% Popularity • 63% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Warren Smith
Tell Me Who
87 bpm • E Maj • 02:09 • -14.27db
11% Popularity • 56% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 56% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Johnny Russell
Red Necks, White Socks and Blue Ribbon B...
87 bpm • E Maj • 02:33 • -5.87db
17% Popularity • 67% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 67% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Carl Belew
You're Driving You out of My Mind
87 bpm • D Maj • 02:08 • -15.06db
17% Popularity • 51% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 51% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
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Claude King
Beer Drops & Tear Drops
87 bpm • E Maj • 03:30 • -8.76db
21% Popularity • 55% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 55% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Dick Curless
Easy Woman
87 bpm • C Maj • 02:25 • -14.17db
13% Popularity • 61% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 61% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Freddie Hart
Secret Kisses
87 bpm • E Maj • 02:53 • -11.53db
1% Popularity • 36% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
1% Popularity • 36% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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MEL STREET
The Town Where You Live
87 bpm • D# Maj • 02:47 • -8.25db
15% Popularity • 39% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 39% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Glen Glenn
Kathaleen
88 bpm • C# min • 02:27 • -6db
13% Popularity • 67% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 67% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
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Hawkshaw Hawkins
I'm Waiting Just For You
88 bpm • G Maj • 02:48 • -11.67db
15% Popularity • 61% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 61% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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Skeets McDonald
This Old Broken Heart
76 bpm • G# Maj • 02:08 • -12db
16% Popularity • 49% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 49% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Tennessee Ernie Ford
No One Will Ever Know
88 bpm • D Maj • 02:56 • -15.7db
28% Popularity • 51% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 51% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Moon Mullican
Ragged But Right
89 bpm • C Maj • 02:20 • -8.45db
9% Popularity • 60% Danceability • 64% Energy • 8% Liveness
16% Instrumentalness • 90% Positiveness
9% Popularity • 60% Danceability • 64% Energy • 8% Liveness
16% Instrumentalness • 90% Positiveness
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Carl Butler
I Know You Don't Love Me
76 bpm • G Maj • 02:33 • -10.38db
7% Popularity • 64% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
7% Popularity • 64% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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Ernie Chaffin
My Love for You
75 bpm • C Maj • 02:24 • -12.21db
5% Popularity • 56% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
5% Popularity • 56% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Jim Ed Brown
Bottle, Bottle
75 bpm • A# Maj • 02:42 • -18db
26% Popularity • 38% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 38% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Dave Dudley
Cowboy Boots
89 bpm • C# Maj • 02:10 • -5.79db
22% Popularity • 57% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 57% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
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Mac Wiseman
Corina Corina
89 bpm • A Maj • 01:32 • -9.18db
21% Popularity • 58% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 58% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Freddie Hart
The Fools' Part
89 bpm • E Maj • 02:27 • -12.86db
1% Popularity • 50% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
1% Popularity • 50% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Buddy Meredith
Lonely in Person
75 bpm • E min • 02:26 • -11.05db
12% Popularity • 56% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 56% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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George Morgan
Room Full of Roses
90 bpm • A# Maj • 02:33 • -15.5db
25% Popularity • 56% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 56% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Jean Shepard
Two Whoops And A Holler
90 bpm • A Maj • 02:21 • -9.05db
27% Popularity • 80% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 80% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Vernon Oxford
Leave Me Alone With the Blues
90 bpm • E Maj • 02:33 • -10.03db
9% Popularity • 58% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 58% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Johnny Paycheck aka Donny Young
Shakin' the Blues
75 bpm • A Maj • 02:21 • -7.57db
8% Popularity • 70% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 70% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Freddie Hart
Farther Than My Eyes Can See
90 bpm • C Maj • 01:57 • -7.75db
3% Popularity • 70% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
3% Popularity • 70% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Skeets McDonald
You Oughta See Grandma Roch
90 bpm • A Maj • 02:03 • -6.29db
12% Popularity • 51% Danceability • 90% Energy • 80% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 51% Danceability • 90% Energy • 80% Liveness
0% Instrumentalness • 84% Positiveness
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Warner Mack
Sittin' In An All Night Café
90 bpm • F Maj • 02:19 • -11.94db
17% Popularity • 61% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
17% Popularity • 61% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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Red Foley
Hearts Of Stone
90 bpm • A Maj • 02:21 • -19.39db
13% Popularity • 80% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 80% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Hawkshaw Hawkins
Twenty Miles From Shore
91 bpm • E Maj • 01:56 • -13.98db
25% Popularity • 47% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
25% Popularity • 47% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Norma Jean
Don't Let the Doorknob Hit You
91 bpm • A Maj • 02:09 • -10.94db
8% Popularity • 63% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 63% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Freddie Hart
Chain Gang
74 bpm • E Maj • 02:47 • -8.21db
2% Popularity • 85% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
2% Popularity • 85% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Rusty & Doug Kershaw
Diggy Liggy Lo
91 bpm • A Maj • 02:06 • -10db
20% Popularity • 45% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 45% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Dave Dudley
Last Day In The Mines - Single Version
91 bpm • C# Maj • 02:12 • -12.95db
8% Popularity • 69% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 69% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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George Morgan
I'm Thinking Tonight of My Blue Eyes
74 bpm • C Maj • 02:38 • -11db
13% Popularity • 67% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 67% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Bob Luman
I Love You Because
91 bpm • A# Maj • 02:03 • -7.63db
11% Popularity • 52% Danceability • 90% Energy • 16% Liveness
2% Instrumentalness • 96% Positiveness
11% Popularity • 52% Danceability • 90% Energy • 16% Liveness
2% Instrumentalness • 96% Positiveness
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Werly Fairburn
Everybody's Rockin'
91 bpm • C# Maj • 01:56 • -7.93db
15% Popularity • 79% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 79% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Hank Snow & His Rainbow Ranch Boys
These Hands
91 bpm • G# Maj • 02:48 • -10.04db
10% Popularity • 52% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 52% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Dick Curless
'Tater Raisin' Man
92 bpm • G# Maj • 02:01 • -9.37db
24% Popularity • 53% Danceability • 68% Energy • 30% Liveness
5% Instrumentalness • 85% Positiveness
24% Popularity • 53% Danceability • 68% Energy • 30% Liveness
5% Instrumentalness • 85% Positiveness
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Country's Family Reunion
Easy Loving - Live
92 bpm • G# Maj • 02:38 • -13.37db
11% Popularity • 52% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 52% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
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Rusty & Doug Kershaw
Louisiana Man
73 bpm • D Maj • 02:32 • -9.3db
9% Popularity • 61% Danceability • 72% Energy • 43% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 61% Danceability • 72% Energy • 43% Liveness
0% Instrumentalness • 92% Positiveness
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Willis Brothers
When I Come Driving Through
92 bpm • A Maj • 02:02 • -10.34db
15% Popularity • 65% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 65% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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George Hamilton IV
Come on Home Boy
92 bpm • G Maj • 02:43 • -12.59db
9% Popularity • 62% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 62% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Leroy Van Dyke
The Hobo's Last Ride
92 bpm • A Maj • 02:42 • -13.17db
32% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Cal Smith
Drinking Champagne
93 bpm • C Maj • 03:29 • -14.42db
22% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Wynn Stewart
Rain, Rain
93 bpm • A Maj • 01:51 • -10.73db
7% Popularity • 59% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
7% Popularity • 59% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Freddie Hart
Snatch It and Grab It
93 bpm • F Maj • 01:50 • -6.98db
23% Popularity • 76% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 76% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Willis Brothers
It's The Miles
94 bpm • D Maj • 02:42 • -12.02db
9% Popularity • 55% Danceability • 42% Energy • 30% Liveness
1% Instrumentalness • 78% Positiveness
9% Popularity • 55% Danceability • 42% Energy • 30% Liveness
1% Instrumentalness • 78% Positiveness
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Hawkshaw Hawkins
Pan American
94 bpm • E Maj • 02:54 • -12.64db
9% Popularity • 65% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 65% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
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Leroy Van Dyke
Heartaches by the Numbers
73 bpm • E Maj • 02:14 • -9db
30% Popularity • 71% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 71% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Cowboy Copas
Filipino Baby
94 bpm • A Maj • 02:46 • -8.52db
25% Popularity • 73% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 73% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Tommy Collins
Big Dummy
94 bpm • G Maj • 02:10 • -14.09db
8% Popularity • 76% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 76% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Gene Autry
Tweedle-O-Twill
94 bpm • C# Maj • 01:49 • -12.23db
12% Popularity • 59% Danceability • 48% Energy • 54% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 59% Danceability • 48% Energy • 54% Liveness
0% Instrumentalness • 96% Positiveness
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Sons of the Pioneers
I'll Sail My Ship Alone
94 bpm • D Maj • 02:13 • -10db
30% Popularity • 66% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
30% Popularity • 66% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
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Hawkshaw Hawkins
Sunny Side Of The Mountain
94 bpm • D Maj • 02:55 • -7.79db
15% Popularity • 75% Danceability • 32% Energy • 12% Liveness
6% Instrumentalness • 72% Positiveness
15% Popularity • 75% Danceability • 32% Energy • 12% Liveness
6% Instrumentalness • 72% Positiveness
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Warner Mack
Is It Wrong (For Loving You)
94 bpm • G# Maj • 02:36 • -10.84db
20% Popularity • 66% Danceability • 41% Energy • 10% Liveness
24% Instrumentalness • 85% Positiveness
20% Popularity • 66% Danceability • 41% Energy • 10% Liveness
24% Instrumentalness • 85% Positiveness
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Hank Snow & His Rainbow Ranch Boys
The Rhumba Boogie
94 bpm • D Maj • 02:47 • -7.49db
15% Popularity • 65% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 65% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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Skeets McDonald
Dear John (I've Sent Your Saddle Home)
94 bpm • B Maj • 01:49 • -12db
12% Popularity • 71% Danceability • 50% Energy • 68% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 71% Danceability • 50% Energy • 68% Liveness
0% Instrumentalness • 89% Positiveness
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Carl Belew
Drink up and Go Home
95 bpm • G Maj • 02:31 • -13db
11% Popularity • 62% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 62% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Freddie Hart
Dig Boy Dig
95 bpm • G Maj • 02:06 • -6.42db
16% Popularity • 66% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 66% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Willis Brothers
Truck Stop Cutie
95 bpm • C Maj • 02:04 • -11.08db
21% Popularity • 73% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 73% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Red Foley
As Far As I'm Concerned
95 bpm • A Maj • 02:37 • -14.06db
9% Popularity • 71% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 71% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Jimmy C. Newman
A Fallen Star
95 bpm • B Maj • 02:21 • -10db
23% Popularity • 34% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 34% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Johnny Duncan
Jackson Ain't a Very Big Town
95 bpm • C Maj • 02:35 • -10db
18% Popularity • 45% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 45% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Skeets McDonald
The Tattooed Lady
95 bpm • F Maj • 02:49 • -9db
9% Popularity • 74% Danceability • 37% Energy • 18% Liveness
2% Instrumentalness • 84% Positiveness
9% Popularity • 74% Danceability • 37% Energy • 18% Liveness
2% Instrumentalness • 84% Positiveness
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George Morgan
Too Busy Saying Goodbye
96 bpm • A# Maj • 02:10 • -11.72db
24% Popularity • 53% Danceability • 21% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 53% Danceability • 21% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
