Songs like Rot sind die Rosen by Ricky King
Based on a tempo of (+/- 10%) and a similar genre
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Ricky King
Spanish Waltz
174 bpm • E Maj • 03:13 • -3.26db
0% Popularity • 61% Danceability • 76% Energy • 11% Liveness
82% Instrumentalness • 68% Positiveness
0% Popularity • 61% Danceability • 76% Energy • 11% Liveness
82% Instrumentalness • 68% Positiveness
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Sebastian Lightfoot
Sea of Love
174 bpm • A Maj • 03:06 • -16.45db
10% Popularity • 32% Danceability • 25% Energy • 8% Liveness
98% Instrumentalness • 17% Positiveness
10% Popularity • 32% Danceability • 25% Energy • 8% Liveness
98% Instrumentalness • 17% Positiveness
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Graziano
Rot sind die Rosen (Deutsch-spanisch Ver...
174 bpm • G Maj • 03:45 • -4db
14% Popularity • 37% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 37% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Willy Schobben
Viva La Pappa Col Pomodoro
173 bpm • D# Maj • 02:04 • -10db
25% Popularity • 50% Danceability • 64% Energy • 14% Liveness
90% Instrumentalness • 96% Positiveness
25% Popularity • 50% Danceability • 64% Energy • 14% Liveness
90% Instrumentalness • 96% Positiveness
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Anny Schilder
Le Soleil
173 bpm • D# Maj • 03:24 • -12db
22% Popularity • 38% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 38% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Rosy & Andres
My Love
173 bpm • A# Maj • 04:24 • -13db
36% Popularity • 23% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 23% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Ricky King
Rot sind die Rosen
174 bpm • C Maj • 03:44 • -2.4db
23% Popularity • 40% Danceability • 67% Energy • 45% Liveness
95% Instrumentalness • 58% Positiveness
23% Popularity • 40% Danceability • 67% Energy • 45% Liveness
95% Instrumentalness • 58% Positiveness
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Blue Heaven
Que Sera Sera
175 bpm • C Maj • 02:29 • -10db
43% Popularity • 35% Danceability • 48% Energy • 28% Liveness
48% Instrumentalness • 69% Positiveness
43% Popularity • 35% Danceability • 48% Energy • 28% Liveness
48% Instrumentalness • 69% Positiveness
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Ken Griffin
Cuckoo Waltz
173 bpm • C Maj • 03:08 • -11.92db
15% Popularity • 34% Danceability • 26% Energy • 5% Liveness
90% Instrumentalness • 35% Positiveness
15% Popularity • 34% Danceability • 26% Energy • 5% Liveness
90% Instrumentalness • 35% Positiveness
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Jan Keizer & Anny Schilder
C'est La Vie
176 bpm • B min • 04:03 • -5db
24% Popularity • 48% Danceability • 80% Energy • 48% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 48% Danceability • 80% Energy • 48% Liveness
0% Instrumentalness • 65% Positiveness
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Die Amigos
Weiße Rosen blühen in Athen (Instument...
172 bpm • F# Maj • 03:50 • -5.11db
34% Popularity • 61% Danceability • 81% Energy • 8% Liveness
97% Instrumentalness • 89% Positiveness
34% Popularity • 61% Danceability • 81% Energy • 8% Liveness
97% Instrumentalness • 89% Positiveness
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Jan Smit
Und Diese Rosen Sind Für Dich, Liebe Ma...
172 bpm • C Maj • 03:35 • -5.19db
10% Popularity • 49% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 49% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Captain Freddy
Weiße Rosen blühen in Athen
172 bpm • F# Maj • 03:49 • -7.62db
14% Popularity • 52% Danceability • 69% Energy • 6% Liveness
92% Instrumentalness • 86% Positiveness
14% Popularity • 52% Danceability • 69% Energy • 6% Liveness
92% Instrumentalness • 86% Positiveness
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Francis Dupont
Dolannes Melodie
172 bpm • D# Maj • 03:23 • -12db
27% Popularity • 46% Danceability • 34% Energy • 29% Liveness
92% Instrumentalness • 46% Positiveness
27% Popularity • 46% Danceability • 34% Energy • 29% Liveness
92% Instrumentalness • 46% Positiveness
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Pascale Andrews
Viens Me Rejoindre
172 bpm • C Maj • 03:00 • -3.84db
20% Popularity • 20% Danceability • 56% Energy • 7% Liveness
5% Instrumentalness • 53% Positiveness
20% Popularity • 20% Danceability • 56% Energy • 7% Liveness
5% Instrumentalness • 53% Positiveness
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Gary Freeman
Dolannes Melodie
171 bpm • C Maj • 03:22 • -11db
36% Popularity • 26% Danceability • 44% Energy • 9% Liveness
81% Instrumentalness • 39% Positiveness
36% Popularity • 26% Danceability • 44% Energy • 9% Liveness
81% Instrumentalness • 39% Positiveness
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Hans Hollestelle
Dance On
177 bpm • A Maj • 02:26 • -11db
24% Popularity • 44% Danceability • 65% Energy • 18% Liveness
87% Instrumentalness • 97% Positiveness
24% Popularity • 44% Danceability • 65% Energy • 18% Liveness
87% Instrumentalness • 97% Positiveness
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Freddy Breck
Überall auf der Welt
177 bpm • F Maj • 03:11 • -7.03db
31% Popularity • 29% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 29% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
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Sweet People
Barcarolle - Instrumental
178 bpm • D# Maj • 04:50 • -17.37db
25% Popularity • 13% Danceability • 21% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
25% Popularity • 13% Danceability • 21% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
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Rudy Giovannini
Ill Silenzio (Abschiesmelodie)
178 bpm • G# Maj • 03:44 • -5.13db
19% Popularity • 16% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 16% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Pascale Andrews
Toutes Les Femmes Sont Belles
171 bpm • C Maj • 03:43 • -5db
32% Popularity • 44% Danceability • 62% Energy • 11% Liveness
82% Instrumentalness • 67% Positiveness
32% Popularity • 44% Danceability • 62% Energy • 11% Liveness
82% Instrumentalness • 67% Positiveness
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Ricky King
Lebensglück
170 bpm • G Maj • 03:47 • -3.43db
1% Popularity • 48% Danceability • 59% Energy • 16% Liveness
87% Instrumentalness • 24% Positiveness
1% Popularity • 48% Danceability • 59% Energy • 16% Liveness
87% Instrumentalness • 24% Positiveness
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Hans Hollestelle
Scarlett O'Hara
177 bpm • E Maj • 02:19 • -11.65db
15% Popularity • 43% Danceability • 75% Energy • 28% Liveness
74% Instrumentalness • 88% Positiveness
15% Popularity • 43% Danceability • 75% Energy • 28% Liveness
74% Instrumentalness • 88% Positiveness
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Kurt Edelhagen
Wiener Walzer: 60 Takte Pro Minute - Wie...
179 bpm • C Maj • 03:07 • -11db
37% Popularity • 53% Danceability • 41% Energy • 35% Liveness
97% Instrumentalness • 61% Positiveness
37% Popularity • 53% Danceability • 41% Energy • 35% Liveness
97% Instrumentalness • 61% Positiveness
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Mr. Blue
Sierra Madre
179 bpm • C Maj • 03:19 • -10.1db
18% Popularity • 37% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 37% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Ballroom Dance Orchestra
Rote Rosen - Vienna Waltz
180 bpm • F Maj • 02:53 • -12db
36% Popularity • 36% Danceability • 38% Energy • 13% Liveness
40% Instrumentalness • 64% Positiveness
36% Popularity • 36% Danceability • 38% Energy • 13% Liveness
40% Instrumentalness • 64% Positiveness
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Dirk Schiefen
Santa Lucia
169 bpm • D# Maj • 03:05 • -7.28db
11% Popularity • 9% Danceability • 44% Energy • 18% Liveness
92% Instrumentalness • 21% Positiveness
11% Popularity • 9% Danceability • 44% Energy • 18% Liveness
92% Instrumentalness • 21% Positiveness
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Ricky King
What a Wonderful World
180 bpm • F Maj • 03:48 • -6.03db
2% Popularity • 41% Danceability • 62% Energy • 49% Liveness
59% Instrumentalness • 19% Positiveness
2% Popularity • 41% Danceability • 62% Energy • 49% Liveness
59% Instrumentalness • 19% Positiveness
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Combo Alfredo
Zeit für Romantik (time for romantics) ...
180 bpm • C Maj • 03:02 • -11db
17% Popularity • 39% Danceability • 51% Energy • 11% Liveness
49% Instrumentalness • 51% Positiveness
17% Popularity • 39% Danceability • 51% Energy • 11% Liveness
49% Instrumentalness • 51% Positiveness
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Dana Winner
Let the Children Have a World
180 bpm • C Maj • 03:54 • -6.92db
31% Popularity • 40% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 40% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Tol & Tol
Song For Soprano
168 bpm • G Maj • 03:00 • -13.54db
32% Popularity • 37% Danceability • 40% Energy • 13% Liveness
37% Instrumentalness • 44% Positiveness
32% Popularity • 37% Danceability • 40% Energy • 13% Liveness
37% Instrumentalness • 44% Positiveness
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Gentlemen Of Trumpets
Ganz Paris Träumt Von Der Liebe
168 bpm • D# Maj • 03:33 • -5.76db
19% Popularity • 34% Danceability • 68% Energy • 6% Liveness
93% Instrumentalness • 46% Positiveness
19% Popularity • 34% Danceability • 68% Energy • 6% Liveness
93% Instrumentalness • 46% Positiveness
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Dirk Schiefen
Sierra Madre
180 bpm • C Maj • 03:30 • -8.72db
17% Popularity • 21% Danceability • 36% Energy • 32% Liveness
96% Instrumentalness • 12% Positiveness
17% Popularity • 21% Danceability • 36% Energy • 32% Liveness
96% Instrumentalness • 12% Positiveness
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Gebroeders Brouwer
Happy Mexico
180 bpm • C Maj • 03:14 • -7.39db
14% Popularity • 36% Danceability • 85% Energy • 27% Liveness
92% Instrumentalness • 96% Positiveness
14% Popularity • 36% Danceability • 85% Energy • 27% Liveness
92% Instrumentalness • 96% Positiveness
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Ricky King
Indian Summer
168 bpm • C Maj • 03:29 • -2.9db
2% Popularity • 30% Danceability • 65% Energy • 17% Liveness
4% Instrumentalness • 48% Positiveness
2% Popularity • 30% Danceability • 65% Energy • 17% Liveness
4% Instrumentalness • 48% Positiveness
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Pascale Andrews
Un Homme N'Avoue Pas
167 bpm • G# Maj • 03:34 • -3db
16% Popularity • 55% Danceability • 80% Energy • 20% Liveness
37% Instrumentalness • 86% Positiveness
16% Popularity • 55% Danceability • 80% Energy • 20% Liveness
37% Instrumentalness • 86% Positiveness
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Tol & Tol
Vienna (Two Worlds Meet)
180 bpm • G Maj • 02:55 • -12.54db
30% Popularity • 42% Danceability • 50% Energy • 12% Liveness
89% Instrumentalness • 70% Positiveness
30% Popularity • 42% Danceability • 50% Energy • 12% Liveness
89% Instrumentalness • 70% Positiveness
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Captain Freddy
Wo de Nordseewellen
181 bpm • F# Maj • 02:43 • -6.43db
11% Popularity • 9% Danceability • 53% Energy • 21% Liveness
6% Instrumentalness • 49% Positiveness
11% Popularity • 9% Danceability • 53% Energy • 21% Liveness
6% Instrumentalness • 49% Positiveness
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Dirk Schiefen
Dolannes Melodie
182 bpm • G Maj • 03:08 • -7.82db
31% Popularity • 9% Danceability • 46% Energy • 28% Liveness
94% Instrumentalness • 25% Positiveness
31% Popularity • 9% Danceability • 46% Energy • 28% Liveness
94% Instrumentalness • 25% Positiveness
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Andre Moss
Ella
166 bpm • G Maj • 03:11 • -8db
21% Popularity • 51% Danceability • 67% Energy • 7% Liveness
81% Instrumentalness • 96% Positiveness
21% Popularity • 51% Danceability • 67% Energy • 7% Liveness
81% Instrumentalness • 96% Positiveness
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Hans Hollestelle
Dakota
182 bpm • A Maj • 02:22 • -11.49db
18% Popularity • 34% Danceability • 62% Energy • 31% Liveness
82% Instrumentalness • 90% Positiveness
18% Popularity • 34% Danceability • 62% Energy • 31% Liveness
82% Instrumentalness • 90% Positiveness
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Hector Delfosse
Ciao Ciao Bambina
166 bpm • D Maj • 02:29 • -11db
38% Popularity • 59% Danceability • 37% Energy • 4% Liveness
94% Instrumentalness • 79% Positiveness
38% Popularity • 59% Danceability • 37% Energy • 4% Liveness
94% Instrumentalness • 79% Positiveness
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Guy Denys
Help Yourself
183 bpm • D# Maj • 03:00 • -1.77db
14% Popularity • 44% Danceability • 88% Energy • 30% Liveness
93% Instrumentalness • 88% Positiveness
14% Popularity • 44% Danceability • 88% Energy • 30% Liveness
93% Instrumentalness • 88% Positiveness
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Willy Schobben
In Manuel's Taveerne
183 bpm • B Maj • 02:40 • -15.56db
16% Popularity • 38% Danceability • 56% Energy • 19% Liveness
58% Instrumentalness • 90% Positiveness
16% Popularity • 38% Danceability • 56% Energy • 19% Liveness
58% Instrumentalness • 90% Positiveness
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Dirk Schiefen
Love Story
166 bpm • A min • 03:30 • -8.66db
22% Popularity • 22% Danceability • 48% Energy • 14% Liveness
74% Instrumentalness • 19% Positiveness
22% Popularity • 22% Danceability • 48% Energy • 14% Liveness
74% Instrumentalness • 19% Positiveness
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Francis Dupont
Wonderland by Night
164 bpm • D# Maj • 02:51 • -13db
27% Popularity • 38% Danceability • 47% Energy • 22% Liveness
89% Instrumentalness • 31% Positiveness
27% Popularity • 38% Danceability • 47% Energy • 22% Liveness
89% Instrumentalness • 31% Positiveness
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Pascale Andrews
Il Est Toujours Question D'Amour
184 bpm • G Maj • 03:27 • -3.22db
26% Popularity • 42% Danceability • 58% Energy • 8% Liveness
16% Instrumentalness • 20% Positiveness
26% Popularity • 42% Danceability • 58% Energy • 8% Liveness
16% Instrumentalness • 20% Positiveness
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Vincent & Fernando
Buona Fortuna - Single Version
186 bpm • D Maj • 02:32 • -7db
28% Popularity • 36% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 36% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Guy Denys
Le Café Des 3 Colombes
186 bpm • E Maj • 02:57 • -5db
14% Popularity • 17% Danceability • 73% Energy • 7% Liveness
11% Instrumentalness • 41% Positiveness
14% Popularity • 17% Danceability • 73% Energy • 7% Liveness
11% Instrumentalness • 41% Positiveness
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Anny Schilder
I Love You So (Duet Next One)
186 bpm • D Maj • 03:26 • -13.22db
27% Popularity • 39% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 39% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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Freddy Breck
Überall auf der Welt
186 bpm • C Maj • 03:00 • -5.29db
24% Popularity • 25% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 25% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Günter Noris
Rock'n'Roll Medley
188 bpm • A# Maj • 03:12 • -10db
21% Popularity • 39% Danceability • 74% Energy • 78% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 39% Danceability • 74% Energy • 78% Liveness
0% Instrumentalness • 86% Positiveness
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Daniela de Santos
Rain Over Kilimantscharo
188 bpm • G min • 04:32 • -5.75db
13% Popularity • 30% Danceability • 79% Energy • 20% Liveness
79% Instrumentalness • 48% Positiveness
13% Popularity • 30% Danceability • 79% Energy • 20% Liveness
79% Instrumentalness • 48% Positiveness
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The Romantic Sound Orchestra
Elisabeth-Serenade
160 bpm • C Maj • 03:15 • -11.68db
29% Popularity • 29% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 45% Positiveness
29% Popularity • 29% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 45% Positiveness
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Francis Dupont
La Montana
160 bpm • D# Maj • 03:49 • -11.76db
20% Popularity • 36% Danceability • 37% Energy • 10% Liveness
82% Instrumentalness • 40% Positiveness
20% Popularity • 36% Danceability • 37% Energy • 10% Liveness
82% Instrumentalness • 40% Positiveness
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Romeos Erben
Wo sind die Sterne - Radio Edit
160 bpm • A# Maj • 03:33 • -5.43db
23% Popularity • 58% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 58% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Hartmut Kamper
Blue berry hills - Saxophon
160 bpm • A# Maj • 03:54 • -7.19db
14% Popularity • 37% Danceability • 64% Energy • 7% Liveness
8% Instrumentalness • 65% Positiveness
14% Popularity • 37% Danceability • 64% Energy • 7% Liveness
8% Instrumentalness • 65% Positiveness
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Willy Schobben
Op Rode Rozen Vallen Tranen
160 bpm • E Maj • 04:05 • -8db
15% Popularity • 40% Danceability • 67% Energy • 65% Liveness
90% Instrumentalness • 76% Positiveness
15% Popularity • 40% Danceability • 67% Energy • 65% Liveness
90% Instrumentalness • 76% Positiveness
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Gary Freeman
Il Silencio
190 bpm • A# Maj • 02:54 • -11.09db
41% Popularity • 9% Danceability • 43% Energy • 21% Liveness
88% Instrumentalness • 19% Positiveness
41% Popularity • 9% Danceability • 43% Energy • 21% Liveness
88% Instrumentalness • 19% Positiveness
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Ricky King
Dreamland
160 bpm • C Maj • 03:19 • -2.76db
2% Popularity • 36% Danceability • 57% Energy • 17% Liveness
91% Instrumentalness • 18% Positiveness
2% Popularity • 36% Danceability • 57% Energy • 17% Liveness
91% Instrumentalness • 18% Positiveness
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Dirk Schiefen
Trompeten-Medley 1 - Il Silenzio/Wunderl...
196 bpm • A# Maj • 05:16 • -10.89db
16% Popularity • 19% Danceability • 30% Energy • 33% Liveness
87% Instrumentalness • 58% Positiveness
16% Popularity • 19% Danceability • 30% Energy • 33% Liveness
87% Instrumentalness • 58% Positiveness
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Pepe Solera
Heut' Schenk' Ich Dir Den Schönsten Blu...
154 bpm • C Maj • 03:12 • -3.62db
20% Popularity • 36% Danceability • 61% Energy • 14% Liveness
96% Instrumentalness • 71% Positiveness
20% Popularity • 36% Danceability • 61% Energy • 14% Liveness
96% Instrumentalness • 71% Positiveness
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Bernie Saxophone Entertainer
Sail Along Silvery Moon
154 bpm • C Maj • 02:20 • -4.84db
24% Popularity • 38% Danceability • 69% Energy • 33% Liveness
76% Instrumentalness • 60% Positiveness
24% Popularity • 38% Danceability • 69% Energy • 33% Liveness
76% Instrumentalness • 60% Positiveness
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Willy Schobben
Java
190 bpm • D Maj • 01:53 • -10.81db
24% Popularity • 55% Danceability • 73% Energy • 7% Liveness
95% Instrumentalness • 98% Positiveness
24% Popularity • 55% Danceability • 73% Energy • 7% Liveness
95% Instrumentalness • 98% Positiveness
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Ricky King
Tränen lügen nicht
154 bpm • D Maj • 02:58 • -5.74db
23% Popularity • 44% Danceability • 60% Energy • 9% Liveness
40% Instrumentalness • 48% Positiveness
23% Popularity • 44% Danceability • 60% Energy • 9% Liveness
40% Instrumentalness • 48% Positiveness
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Ricky King
Romance
155 bpm • E min • 02:43 • -14.81db
0% Popularity • 34% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
0% Popularity • 34% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
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Gentlemen Of Trumpets
Let's Dance
154 bpm • A# Maj • 03:02 • -7.41db
31% Popularity • 68% Danceability • 83% Energy • 9% Liveness
93% Instrumentalness • 96% Positiveness
31% Popularity • 68% Danceability • 83% Energy • 9% Liveness
93% Instrumentalness • 96% Positiveness
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Hans Hollestelle
Walk, Don't Run
153 bpm • C Maj • 02:08 • -12.83db
30% Popularity • 52% Danceability • 66% Energy • 9% Liveness
82% Instrumentalness • 97% Positiveness
30% Popularity • 52% Danceability • 66% Energy • 9% Liveness
82% Instrumentalness • 97% Positiveness
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Andrea Jürgens
Eleni hieß das Mädchen
199 bpm • A Maj • 03:45 • -9db
34% Popularity • 24% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 24% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Willy Schobben
Lapland
201 bpm • F# Maj • 01:51 • -6.61db
27% Popularity • 43% Danceability • 77% Energy • 7% Liveness
89% Instrumentalness • 96% Positiveness
27% Popularity • 43% Danceability • 77% Energy • 7% Liveness
89% Instrumentalness • 96% Positiveness
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Ricky King
Silbermeer
200 bpm • A Maj • 03:04 • -5.79db
19% Popularity • 38% Danceability • 64% Energy • 14% Liveness
48% Instrumentalness • 87% Positiveness
19% Popularity • 38% Danceability • 64% Energy • 14% Liveness
48% Instrumentalness • 87% Positiveness
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Guy Denys
Monia
201 bpm • A Maj • 03:06 • -6.91db
13% Popularity • 16% Danceability • 56% Energy • 29% Liveness
5% Instrumentalness • 18% Positiveness
13% Popularity • 16% Danceability • 56% Energy • 29% Liveness
5% Instrumentalness • 18% Positiveness
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Admiral Hook & His Magic Sax
Blue Ocean
150 bpm • A# Maj • 03:25 • -6.51db
12% Popularity • 27% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 27% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Gebroeders Brouwer
Middernacht
202 bpm • G Maj • 03:17 • -13.67db
23% Popularity • 17% Danceability • 21% Energy • 30% Liveness
97% Instrumentalness • 46% Positiveness
23% Popularity • 17% Danceability • 21% Energy • 30% Liveness
97% Instrumentalness • 46% Positiveness
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Gentlemen Of Trumpets
Melodia Romantica
202 bpm • F Maj • 02:53 • -7.71db
29% Popularity • 16% Danceability • 50% Energy • 12% Liveness
86% Instrumentalness • 31% Positiveness
29% Popularity • 16% Danceability • 50% Energy • 12% Liveness
86% Instrumentalness • 31% Positiveness
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Pepe Solera
Deine Augen Sind Wie Perlen
150 bpm • G# Maj • 03:08 • -3.85db
32% Popularity • 36% Danceability • 68% Energy • 9% Liveness
69% Instrumentalness • 64% Positiveness
32% Popularity • 36% Danceability • 68% Energy • 9% Liveness
69% Instrumentalness • 64% Positiveness
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Ricky King
Sail Along Silver Moon
150 bpm • G Maj • 02:56 • -5.12db
23% Popularity • 49% Danceability • 71% Energy • 17% Liveness
92% Instrumentalness • 71% Positiveness
23% Popularity • 49% Danceability • 71% Energy • 17% Liveness
92% Instrumentalness • 71% Positiveness
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Ricky King
A Better World
150 bpm • G Maj • 04:31 • -2.63db
0% Popularity • 61% Danceability • 65% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
0% Popularity • 61% Danceability • 65% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
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Mireille Mathieu
Akropolis Adieu
149 bpm • C Maj • 03:27 • -10.47db
34% Popularity • 49% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 49% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Willy Schobben
Lapland
203 bpm • C min • 01:50 • -10.17db
22% Popularity • 19% Danceability • 49% Energy • 10% Liveness
82% Instrumentalness • 67% Positiveness
22% Popularity • 19% Danceability • 49% Energy • 10% Liveness
82% Instrumentalness • 67% Positiveness
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Captain Freddy
Ciao, ciao auf Wiederseh’n
148 bpm • G# Maj • 03:48 • -7.73db
11% Popularity • 58% Danceability • 59% Energy • 27% Liveness
95% Instrumentalness • 76% Positiveness
11% Popularity • 58% Danceability • 59% Energy • 27% Liveness
95% Instrumentalness • 76% Positiveness
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Pepe Solera
Ich will immer nur bei Dir sein
150 bpm • F Maj • 03:16 • -7.54db
20% Popularity • 40% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 40% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Dirk Schiefen
My Way
148 bpm • D# Maj • 04:37 • -8.5db
17% Popularity • 29% Danceability • 48% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
17% Popularity • 29% Danceability • 48% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
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The Black Devils
Summer Melody (Instr.)
204 bpm • A Maj • 02:21 • -9.86db
20% Popularity • 58% Danceability • 49% Energy • 35% Liveness
18% Instrumentalness • 45% Positiveness
20% Popularity • 58% Danceability • 49% Energy • 35% Liveness
18% Instrumentalness • 45% Positiveness
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Claudius Alzner
Cant help falling in love - Forever and ...
206 bpm • F Maj • 02:49 • -12.21db
36% Popularity • 17% Danceability • 27% Energy • 7% Liveness
14% Instrumentalness • 58% Positiveness
36% Popularity • 17% Danceability • 27% Energy • 7% Liveness
14% Instrumentalness • 58% Positiveness