Songs like Rough Music: I. Toberac by H.K. Gruber
Based on a tempo of (+/- 10%) and a similar genre
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Hanns Eisler
Rückkehr zur Natur (Live)
115 bpm • E Maj • 02:12 • -24.41db
1% Popularity • 52% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
1% Popularity • 52% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Igor Stravinsky
Histoire du Soldat, Pt. 1: Marche du sol...
115 bpm • G Maj • 01:46 • -16.86db
8% Popularity • 80% Danceability • 26% Energy • 10% Liveness
66% Instrumentalness • 76% Positiveness
8% Popularity • 80% Danceability • 26% Energy • 10% Liveness
66% Instrumentalness • 76% Positiveness
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Friedrich Hollaender
Eine Kleine Sehnsucht
115 bpm • G Maj • 04:03 • -19.24db
8% Popularity • 35% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 35% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Erik Satie
Mercure: I. Ouverture
115 bpm • C Maj • 01:13 • -22.18db
7% Popularity • 59% Danceability • 9% Energy • 28% Liveness
87% Instrumentalness • 78% Positiveness
7% Popularity • 59% Danceability • 9% Energy • 28% Liveness
87% Instrumentalness • 78% Positiveness
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H.K. Gruber
Rough Music: I. Toberac
115 bpm • A# Maj • 06:32 • -24.15db
3% Popularity • 42% Danceability • 10% Energy • 11% Liveness
56% Instrumentalness • 21% Positiveness
3% Popularity • 42% Danceability • 10% Energy • 11% Liveness
56% Instrumentalness • 21% Positiveness
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Kurt Weill
L’opéra de quat'sous, Act II: Duo de ...
115 bpm • E Maj • 02:36 • -13.97db
8% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Emmerich Kálmán
The Gypsy Princess (Die Csárdásfürsti...
115 bpm • C Maj • 01:21 • -14db
16% Popularity • 66% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 66% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Rudi Godden
Ich brauche keine Millionen
115 bpm • A Maj • 02:04 • -11db
11% Popularity • 72% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 72% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Lars-Erik Larsson
Forkladd gud, Op. 24: Kring hostlig vakt...
115 bpm • D# Maj • 02:44 • -15.71db
10% Popularity • 23% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 27% Positiveness
10% Popularity • 23% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 27% Positiveness
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Walter Kollo
Das ist der Fruhling von Berlin
115 bpm • A min • 02:15 • -16db
20% Popularity • 54% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 54% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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H.K. Gruber
Frankenstein!! A pan-demonium for chanso...
115 bpm • G Maj • 04:05 • -21.82db
0% Popularity • 46% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 46% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Mischa Spoliansky
Ich bin ein Vamp!
115 bpm • A# min • 03:51 • -16.2db
7% Popularity • 51% Danceability • 25% Energy • 43% Liveness
0% Instrumentalness • 45% Positiveness
7% Popularity • 51% Danceability • 25% Energy • 43% Liveness
0% Instrumentalness • 45% Positiveness
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Ralph Vaughan Williams
Songs of Travel: I. The Vagabond
115 bpm • C# Maj • 03:17 • -20.87db
5% Popularity • 42% Danceability • 15% Energy • 11% Liveness
8% Instrumentalness • 26% Positiveness
5% Popularity • 42% Danceability • 15% Energy • 11% Liveness
8% Instrumentalness • 26% Positiveness
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Georg Kreisler
Frühlingslied (Tauben vergiften)
114 bpm • F Maj • 02:09 • -10db
19% Popularity • 87% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 87% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Paul Lincke
Frau Luna: Glühwürmchen-Idyll
114 bpm • D# Maj • 02:32 • -13.3db
9% Popularity • 47% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 47% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Kurt Weill
Die Dreigroschenoper: Eifersuchtsduett
116 bpm • E Maj • 02:50 • -20db
3% Popularity • 65% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
3% Popularity • 65% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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H.K. Gruber
Aerial: II. Gone Dancing
114 bpm • C# Maj • 12:28 • -15.19db
0% Popularity • 43% Danceability • 35% Energy • 70% Liveness
73% Instrumentalness • 38% Positiveness
0% Popularity • 43% Danceability • 35% Energy • 70% Liveness
73% Instrumentalness • 38% Positiveness
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Josef Stelibsky
Ostrov milování: "Kosí fox"
116 bpm • G Maj • 03:01 • -17.38db
13% Popularity • 58% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 58% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Kurt Schwertsik
Divertimento Macchiato, Op. 99: III. Cap...
116 bpm • E min • 05:31 • -24.59db
0% Popularity • 32% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
0% Popularity • 32% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Nico Dostal
Dostal: Clivia - Ich bin verliebt
114 bpm • G min • 03:07 • -14.47db
7% Popularity • 29% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 29% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Linda Eder
Plank Round
114 bpm • F min • 02:16 • -11.76db
16% Popularity • 65% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 65% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Jacques Offenbach
Hoffmanns Erzählungen: Prologue: Aus de...
114 bpm • F Maj • 01:27 • -17.02db
13% Popularity • 42% Danceability • 5% Energy • 11% Liveness
44% Instrumentalness • 18% Positiveness
13% Popularity • 42% Danceability • 5% Energy • 11% Liveness
44% Instrumentalness • 18% Positiveness
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Jean Gilbert
Durch Berlin fliesst immer noch die Spre...
116 bpm • C Maj • 03:00 • -16.92db
12% Popularity • 51% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 51% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Athesinus Consort Berlin
Glück oder Unglück
116 bpm • D min • 03:21 • -14.09db
15% Popularity • 48% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 48% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
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H.K. Gruber
3 MOB Stücke, Op. 20: No. 2, After Hein...
114 bpm • G min • 03:24 • -25.87db
0% Popularity • 29% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 9% Positiveness
0% Popularity • 29% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 9% Positiveness
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Kita Kurzgeschichten
Der Traumfänger des kleinen Timmy
114 bpm • D# min • 01:31 • -44.2db
15% Popularity • 58% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 58% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Jean Sibelius
Belshazzar's Feast, JS 48: Act I: Alla m...
113 bpm • F min • 02:00 • -23.68db
9% Popularity • 39% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 39% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Johann Strauss II
Strauss II, J: Das Spitzentuch der Köni...
114 bpm • A# Maj • 03:27 • -21.11db
9% Popularity • 29% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 29% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
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Sylvia Anders
Gestern - Heute, Heute - Morgen (Anatevk...
113 bpm • F min • 03:33 • -15.74db
9% Popularity • 32% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 32% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Franz Grothe
Die Geigen, ja, die Geigen
117 bpm • E Maj • 02:58 • -11.92db
4% Popularity • 47% Danceability • 38% Energy • 13% Liveness
61% Instrumentalness • 39% Positiveness
4% Popularity • 47% Danceability • 38% Energy • 13% Liveness
61% Instrumentalness • 39% Positiveness
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H.K. Gruber
Rough Music: II. Shivaree
113 bpm • G# min • 10:25 • -19.42db
0% Popularity • 30% Danceability • 39% Energy • 36% Liveness
81% Instrumentalness • 4% Positiveness
0% Popularity • 30% Danceability • 39% Energy • 36% Liveness
81% Instrumentalness • 4% Positiveness
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Wolfgang Neuss
Ach, das könnte schön sein
113 bpm • C Maj • 02:23 • -8db
23% Popularity • 58% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 58% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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Professor van Dusen
Teil 9 - Folge 38: Professor van Dusen u...
113 bpm • D# Maj • 03:01 • -16.44db
14% Popularity • 71% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 71% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Johann Strauss II
Die Fledermaus: Act II: Finale: Bruderle...
113 bpm • F Maj • 04:03 • -20db
11% Popularity • 27% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 27% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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Alfred Schieske
My Fair Lady: Ascot Gavotte (Orchester)
117 bpm • G Maj • 03:14 • -16.76db
12% Popularity • 54% Danceability • 16% Energy • 48% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 54% Danceability • 16% Energy • 48% Liveness
0% Instrumentalness • 48% Positiveness
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David Bernbach
Ich Liebe Dich
113 bpm • C Maj • 02:10 • -18.5db
11% Popularity • 23% Danceability • 10% Energy • 10% Liveness
18% Instrumentalness • 7% Positiveness
11% Popularity • 23% Danceability • 10% Energy • 10% Liveness
18% Instrumentalness • 7% Positiveness
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H.K. Gruber
Demilitarized Zones
113 bpm • F Maj • 06:48 • -17.2db
0% Popularity • 42% Danceability • 22% Energy • 17% Liveness
84% Instrumentalness • 11% Positiveness
0% Popularity • 42% Danceability • 22% Energy • 17% Liveness
84% Instrumentalness • 11% Positiveness
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Wynton Marsalis
4 Bassoons Talking, 7. Four Talkin’ �...
113 bpm • D Maj • 02:24 • -22.09db
14% Popularity • 61% Danceability • 32% Energy • 14% Liveness
88% Instrumentalness • 44% Positiveness
14% Popularity • 61% Danceability • 32% Energy • 14% Liveness
88% Instrumentalness • 44% Positiveness
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Ilse Weber
Wiegala
112 bpm • E min • 02:35 • -37db
16% Popularity • 29% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 29% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Natalie Dessay
Un profond sommeil
112 bpm • G Maj • 05:02 • -13.56db
8% Popularity • 50% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 50% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Irving Berlin
I Love a Piano
112 bpm • D Maj • 04:23 • -13.53db
14% Popularity • 48% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 48% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Kurt Weill
Die Dreigroschenoper: Eifersuchtsduett
118 bpm • E Maj • 02:55 • -11.39db
5% Popularity • 63% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
5% Popularity • 63% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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H.K. Gruber
Rough Music: I. Toberac
117 bpm • A# Maj • 06:24 • -21db
0% Popularity • 46% Danceability • 17% Energy • 15% Liveness
84% Instrumentalness • 27% Positiveness
0% Popularity • 46% Danceability • 17% Energy • 15% Liveness
84% Instrumentalness • 27% Positiveness
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Werner R. Heymann
Das gibt’s nur einmal
112 bpm • D# Maj • 03:03 • -14.35db
10% Popularity • 34% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 34% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Gottfried Huppertz
Metropolis: I. Auftakt: Der Schmale - Au...
118 bpm • B Maj • 02:27 • -20.41db
9% Popularity • 33% Danceability • 19% Energy • 12% Liveness
78% Instrumentalness • 26% Positiveness
9% Popularity • 33% Danceability • 19% Energy • 12% Liveness
78% Instrumentalness • 26% Positiveness
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Robert Schumann
Dichterliebe, Op. 48: VII. Ich grolle ni...
118 bpm • C Maj • 01:20 • -14.42db
10% Popularity • 38% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 38% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Carl Maria von Weber
Weber: Der Freischütz, Op. 77, J. 277, ...
118 bpm • D Maj • 02:37 • -15.08db
7% Popularity • 50% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
7% Popularity • 50% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Richard Tauber
Adieu, mein kleiner Gardeoffizier
118 bpm • D# Maj • 03:02 • -11db
22% Popularity • 69% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 69% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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H.K. Gruber
Aerial. Concerto for Trumpet and Orchest...
117 bpm • C# Maj • 12:12 • -13.17db
0% Popularity • 35% Danceability • 44% Energy • 11% Liveness
85% Instrumentalness • 14% Positiveness
0% Popularity • 35% Danceability • 44% Energy • 11% Liveness
85% Instrumentalness • 14% Positiveness
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Arthur Sullivan
Trial by Jury: When I good friends was c...
112 bpm • G Maj • 02:53 • -13.19db
9% Popularity • 60% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 60% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 61% Positiveness
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Kurt Weill
Die Dreigroschenoper: Zuhälterballade f...
118 bpm • C Maj • 01:46 • -24.89db
3% Popularity • 46% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 37% Positiveness
3% Popularity • 46% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 37% Positiveness
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Karel Komzák, Jr.
Erzherzog Albrecht-Marsch, Op. 136
111 bpm • D Maj • 02:49 • -16.52db
28% Popularity • 55% Danceability • 24% Energy • 32% Liveness
93% Instrumentalness • 72% Positiveness
28% Popularity • 55% Danceability • 24% Energy • 32% Liveness
93% Instrumentalness • 72% Positiveness
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Paul Lincke
Frau Luna: Das macht die Berliner Luft
119 bpm • F min • 02:10 • -11db
11% Popularity • 59% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 59% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Julius Fučík
Florentiner Marsch, Op. 214
119 bpm • F Maj • 05:43 • -15.9db
22% Popularity • 35% Danceability • 36% Energy • 67% Liveness
78% Instrumentalness • 39% Positiveness
22% Popularity • 35% Danceability • 36% Energy • 67% Liveness
78% Instrumentalness • 39% Positiveness
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H.K. Gruber
Manhattan Broadcasts: II. Radio City
118 bpm • D min • 06:03 • -17.35db
0% Popularity • 42% Danceability • 17% Energy • 8% Liveness
40% Instrumentalness • 20% Positiveness
0% Popularity • 42% Danceability • 17% Energy • 8% Liveness
40% Instrumentalness • 20% Positiveness
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Végh Quartet
String Quartet In D Major, Op. 18 No. 3 ...
119 bpm • C Maj • 02:34 • -15db
9% Popularity • 50% Danceability • 11% Energy • 39% Liveness
61% Instrumentalness • 47% Positiveness
9% Popularity • 50% Danceability • 11% Energy • 39% Liveness
61% Instrumentalness • 47% Positiveness
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Kurt Weill
Die Dreigroschenoper: Akt II, Das Eifers...
119 bpm • C Maj • 02:30 • -20.32db
10% Popularity • 59% Danceability • 22% Energy • 70% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 59% Danceability • 22% Energy • 70% Liveness
0% Instrumentalness • 39% Positiveness
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Karel Komzak II
Erherzog-Albrect-Ma, Op. 136
111 bpm • A Maj • 02:48 • -15.64db
13% Popularity • 62% Danceability • 32% Energy • 14% Liveness
87% Instrumentalness • 73% Positiveness
13% Popularity • 62% Danceability • 32% Energy • 14% Liveness
87% Instrumentalness • 73% Positiveness
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Oliver Knussen
The Sword in the Stone Suite (Arr. O. Kn...
111 bpm • F Maj • 01:46 • -23.37db
14% Popularity • 27% Danceability • 9% Energy • 9% Liveness
78% Instrumentalness • 12% Positiveness
14% Popularity • 27% Danceability • 9% Energy • 9% Liveness
78% Instrumentalness • 12% Positiveness
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Gottfried von Einem
Der Prozeß, Act I: Josef K, Sie sind du...
111 bpm • C min • 04:16 • -23.04db
0% Popularity • 50% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 50% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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H.K. Gruber
Frankenstein!! A pan-demonium for chanso...
111 bpm • C# Maj • 04:59 • -17.67db
0% Popularity • 43% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 43% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Siegfried Arno
Wenn Die Elisabeth Nicht So Schöne Bein...
119 bpm • G Maj • 02:40 • -9.57db
11% Popularity • 83% Danceability • 60% Energy • 24% Liveness
22% Instrumentalness • 96% Positiveness
11% Popularity • 83% Danceability • 60% Energy • 24% Liveness
22% Instrumentalness • 96% Positiveness
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Kurt Weill
Mahagonny. Ein Songspiel - Alabama-Song:...
119 bpm • G Maj • 04:49 • -19.22db
3% Popularity • 40% Danceability • 16% Energy • 31% Liveness
0% Instrumentalness • 36% Positiveness
3% Popularity • 40% Danceability • 16% Energy • 31% Liveness
0% Instrumentalness • 36% Positiveness
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Sergei Prokofiev
Peter and the Wolf, Op. 67: XII. The Bir...
111 bpm • C Maj • 01:32 • -25.85db
12% Popularity • 50% Danceability • 6% Energy • 30% Liveness
2% Instrumentalness • 26% Positiveness
12% Popularity • 50% Danceability • 6% Energy • 30% Liveness
2% Instrumentalness • 26% Positiveness
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Paul Abraham
Viktoria und ihr Husar: Reich' mir zum A...
110 bpm • A# Maj • 02:48 • -14db
16% Popularity • 35% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 35% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Papa Pasquale
Guten Abend, Gute Nacht
110 bpm • C Maj • 02:21 • -24.2db
7% Popularity • 40% Danceability • 6% Energy • 10% Liveness
80% Instrumentalness • 56% Positiveness
7% Popularity • 40% Danceability • 6% Energy • 10% Liveness
80% Instrumentalness • 56% Positiveness
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H.K. Gruber
Four Pieces For Solo Violin, Op. 11: Ele...
120 bpm • G# Maj • 01:40 • -26.82db
0% Popularity • 24% Danceability • 2% Energy • 3% Liveness
80% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 2% Energy • 3% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Claire Waldoff
Es gibt nur ein Berlin
120 bpm • C# Maj • 03:02 • -9db
19% Popularity • 65% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 65% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Kurt Weill
Die Dreigroschenoper: Morgenchoral des P...
120 bpm • G min • 01:01 • -28.7db
5% Popularity • 41% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
5% Popularity • 41% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Zarah Leander
Merci, mon ami
110 bpm • D# Maj • 03:11 • -12.44db
21% Popularity • 62% Danceability • 20% Energy • 16% Liveness
3% Instrumentalness • 46% Positiveness
21% Popularity • 62% Danceability • 20% Energy • 16% Liveness
3% Instrumentalness • 46% Positiveness
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John Bradford
Sons of Our Empire
110 bpm • G Maj • 03:38 • -19.2db
7% Popularity • 48% Danceability • 11% Energy • 12% Liveness
1% Instrumentalness • 29% Positiveness
7% Popularity • 48% Danceability • 11% Energy • 12% Liveness
1% Instrumentalness • 29% Positiveness
► Preview
Chris Gruber
Frankenstein!!: Ia. Dedication
110 bpm • D Maj • 01:10 • -37.91db
1% Popularity • 54% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
1% Popularity • 54% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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H.K. Gruber
Tango-Fragment
110 bpm • F# Maj • 01:39 • -11.73db
0% Popularity • 40% Danceability • 19% Energy • 12% Liveness
75% Instrumentalness • 21% Positiveness
0% Popularity • 40% Danceability • 19% Energy • 12% Liveness
75% Instrumentalness • 21% Positiveness
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The Philip Jones Brass Ensemble
Blues March
121 bpm • A# Maj • 02:19 • -14db
10% Popularity • 60% Danceability • 35% Energy • 9% Liveness
90% Instrumentalness • 86% Positiveness
10% Popularity • 60% Danceability • 35% Energy • 9% Liveness
90% Instrumentalness • 86% Positiveness
► Preview
Kurt Weill
Die Dreigroschenoper: Kanonensong für O...
110 bpm • F# min • 01:25 • -14.74db
4% Popularity • 81% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 63% Positiveness
4% Popularity • 81% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 63% Positiveness
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Robert Stolz
Im weißen Rössl: Im weißen Rössl
121 bpm • G# Maj • 01:30 • -13.02db
21% Popularity • 41% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 41% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Carl Zeller
Der Vogelhändler · Operette in 3 Akten...
109 bpm • G Maj • 01:39 • -21.64db
15% Popularity • 32% Danceability • 24% Energy • 15% Liveness
87% Instrumentalness • 22% Positiveness
15% Popularity • 32% Danceability • 24% Energy • 15% Liveness
87% Instrumentalness • 22% Positiveness
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Chris Gruber
Frankenstein!!: VIIIc. Monsters in the P...
110 bpm • D# min • 01:29 • -29.14db
0% Popularity • 55% Danceability • 5% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 55% Danceability • 5% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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H.K. Gruber
Frankenstein!!: VIIIc. Monsters in the P...
109 bpm • F min • 01:29 • -30.4db
0% Popularity • 56% Danceability • 5% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 56% Danceability • 5% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
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Die Hornisten der Berliner Philharmoniker
Der Freischütz : Jäger-Chor
109 bpm • D Maj • 01:51 • -16db
12% Popularity • 55% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 37% Positiveness
12% Popularity • 55% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 37% Positiveness
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Erik Satie
Mercure: V. Entrée et danse de Mercure
121 bpm • C Maj • 01:07 • -20.41db
8% Popularity • 50% Danceability • 11% Energy • 16% Liveness
89% Instrumentalness • 69% Positiveness
8% Popularity • 50% Danceability • 11% Energy • 16% Liveness
89% Instrumentalness • 69% Positiveness
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Daniel Schnyder
Bassoon Quartet, 1. 1822: Rossini’s Vi...
121 bpm • D min • 04:28 • -21.43db
10% Popularity • 45% Danceability • 18% Energy • 12% Liveness
96% Instrumentalness • 36% Positiveness
10% Popularity • 45% Danceability • 18% Energy • 12% Liveness
96% Instrumentalness • 36% Positiveness
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George Gershwin
Porgy and Bess: Summertime
121 bpm • F# min • 02:52 • -20.35db
20% Popularity • 25% Danceability • 11% Energy • 37% Liveness
2% Instrumentalness • 6% Positiveness
20% Popularity • 25% Danceability • 11% Energy • 37% Liveness
2% Instrumentalness • 6% Positiveness
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Chris Gruber
Frankenstein!!: Ib. Miss Dracula
110 bpm • G Maj • 01:58 • -29.33db
1% Popularity • 52% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
1% Popularity • 52% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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H.K. Gruber
3 MOB Stücke, Op. 20: No. 3, Verse: Sof...
121 bpm • F Maj • 03:19 • -20.57db
0% Popularity • 50% Danceability • 21% Energy • 17% Liveness
91% Instrumentalness • 30% Positiveness
0% Popularity • 50% Danceability • 21% Energy • 17% Liveness
91% Instrumentalness • 30% Positiveness
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Zarah Leander
Der Wind hat mir ein Lied erzählt
109 bpm • D min • 02:52 • -11db
23% Popularity • 47% Danceability • 29% Energy • 16% Liveness
1% Instrumentalness • 35% Positiveness
23% Popularity • 47% Danceability • 29% Energy • 16% Liveness
1% Instrumentalness • 35% Positiveness
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Kurt Weill
Die Dreigroschenoper: Barbarasong
121 bpm • C# Maj • 05:14 • -16.92db
5% Popularity • 52% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
5% Popularity • 52% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Mischa Spoliansky
Das Lila Lied
122 bpm • F Maj • 02:59 • -15db
17% Popularity • 58% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 58% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Henri Dutilleux
Dutilleux: The Shadows of Time: II. Arie...
109 bpm • E min • 02:33 • -26.68db
4% Popularity • 22% Danceability • 9% Energy • 18% Liveness
38% Instrumentalness • 4% Positiveness
4% Popularity • 22% Danceability • 9% Energy • 18% Liveness
38% Instrumentalness • 4% Positiveness
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Isidore Godfrey
The Mikado: Act I: Three little maids fr...
122 bpm • C Maj • 01:27 • -20.2db
19% Popularity • 61% Danceability • 17% Energy • 53% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 61% Danceability • 17% Energy • 53% Liveness
0% Instrumentalness • 58% Positiveness
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H.K. Gruber
Violin Concerto No. 1, "… aus schatten...
108 bpm • A# min • 06:41 • -26.34db
0% Popularity • 33% Danceability • 6% Energy • 58% Liveness
12% Instrumentalness • 12% Positiveness
0% Popularity • 33% Danceability • 6% Energy • 58% Liveness
12% Instrumentalness • 12% Positiveness
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Richard Strauss
Horn Concerto No. 1 in E-Flat Major, Op....
122 bpm • D# Maj • 05:33 • -17.39db
7% Popularity • 35% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 23% Positiveness
7% Popularity • 35% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 23% Positiveness
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Robert Stolz
UNO - Marsch
122 bpm • E min • 03:28 • -9db
17% Popularity • 44% Danceability • 74% Energy • 72% Liveness
92% Instrumentalness • 40% Positiveness
17% Popularity • 44% Danceability • 74% Energy • 72% Liveness
92% Instrumentalness • 40% Positiveness
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Emmerich Kálmán
The Gypsy Princess (Die Csárdásfürsti...
122 bpm • C Maj • 01:25 • -15db
9% Popularity • 46% Danceability • 29% Energy • 58% Liveness
0% Instrumentalness • 66% Positiveness
9% Popularity • 46% Danceability • 29% Energy • 58% Liveness
0% Instrumentalness • 66% Positiveness
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Paul Lincke
Berliner Luft
122 bpm • D# Maj • 03:29 • -21.16db
17% Popularity • 68% Danceability • 24% Energy • 14% Liveness
98% Instrumentalness • 93% Positiveness
17% Popularity • 68% Danceability • 24% Energy • 14% Liveness
98% Instrumentalness • 93% Positiveness
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Bertolt Brecht
Anstatt-Dass-Song (1.Akt) (Polly Peachum...
108 bpm • A# Maj • 01:51 • -17.22db
8% Popularity • 71% Danceability • 20% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 71% Danceability • 20% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Hanns Eisler
Orchestersuite No. 2, Op. 24 "Niemandsla...
108 bpm • A min • 02:42 • -21.54db
0% Popularity • 60% Danceability • 27% Energy • 8% Liveness
80% Instrumentalness • 36% Positiveness
0% Popularity • 60% Danceability • 27% Energy • 8% Liveness
80% Instrumentalness • 36% Positiveness
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Leo Fall
Die Dollarprinzessin: Einleitung - O For...
123 bpm • C# min • 01:16 • -12.55db
10% Popularity • 48% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 48% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
