Songs like Royer: Pièces de clavecin, Book 1 (1746): No. 3 Les Matelots by Joseph-Nicolas-Pancrace Royer
Based on a tempo of (+/- 10%) and a similar genre
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Joseph-Nicolas-Pancrace Royer
Le Pouvoir de l'Amour, Première entrée...
118 bpm • D min • 02:37 • -22.71db
3% Popularity • 29% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
3% Popularity • 29% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Alessandro Marcello
Concerto Per Oboe, Archi E Continuo In R...
118 bpm • C# min • 03:26 • -24db
23% Popularity • 53% Danceability • 16% Energy • 8% Liveness
71% Instrumentalness • 75% Positiveness
23% Popularity • 53% Danceability • 16% Energy • 8% Liveness
71% Instrumentalness • 75% Positiveness
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Franz Schubert
Fantasie in F Minor, D. 940: I. Allegro ...
118 bpm • C Maj • 04:56 • -25.2db
20% Popularity • 47% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 21% Positiveness
20% Popularity • 47% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 21% Positiveness
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George Frideric Handel
Suite in G minor: VII. Rigaudon (Arr. A....
118 bpm • C min • 01:36 • -22db
47% Popularity • 60% Danceability • 9% Energy • 22% Liveness
90% Instrumentalness • 60% Positiveness
47% Popularity • 60% Danceability • 9% Energy • 22% Liveness
90% Instrumentalness • 60% Positiveness
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Jean-Philippe Rameau
Les sauvages
118 bpm • G min • 01:23 • -20.31db
42% Popularity • 46% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 86% Positiveness
42% Popularity • 46% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 86% Positiveness
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Georg Philipp Telemann
Concerto pour violon "Les Rainettes", en...
117 bpm • G# Maj • 05:29 • -22db
21% Popularity • 50% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 41% Positiveness
21% Popularity • 50% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 41% Positiveness
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Joseph-Nicolas-Pancrace Royer
Zaïde, reine de Grenade: Ouverture
118 bpm • C Maj • 02:35 • -15.75db
3% Popularity • 38% Danceability • 36% Energy • 13% Liveness
69% Instrumentalness • 24% Positiveness
3% Popularity • 38% Danceability • 36% Energy • 13% Liveness
69% Instrumentalness • 24% Positiveness
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Claudio Monteverdi
Chiome d'oro, SV 143
119 bpm • C Maj • 01:25 • -23db
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
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Benedetto Marcello
Concerto in E Minor: II. Vivace
117 bpm • D# min • 01:41 • -18.41db
43% Popularity • 60% Danceability • 26% Energy • 8% Liveness
63% Instrumentalness • 86% Positiveness
43% Popularity • 60% Danceability • 26% Energy • 8% Liveness
63% Instrumentalness • 86% Positiveness
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Henry Purcell
King Arthur, Z. 628, Act I: No. 1, Overt...
119 bpm • C# min • 02:05 • -17.65db
12% Popularity • 41% Danceability • 18% Energy • 23% Liveness
18% Instrumentalness • 34% Positiveness
12% Popularity • 41% Danceability • 18% Energy • 23% Liveness
18% Instrumentalness • 34% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre,...
117 bpm • E min • 03:54 • -27db
20% Popularity • 32% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
20% Popularity • 32% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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Jean-Baptiste Lully
Armide Opera In 5 Acts With Prologue: Pa...
119 bpm • F# min • 03:58 • -17db
23% Popularity • 39% Danceability • 13% Energy • 31% Liveness
2% Instrumentalness • 33% Positiveness
23% Popularity • 39% Danceability • 13% Energy • 31% Liveness
2% Instrumentalness • 33% Positiveness
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Joseph-Nicolas-Pancrace Royer
Royer: Pièces de clavecin, Book 1 (1746...
118 bpm • C Maj • 03:02 • -16.85db
6% Popularity • 27% Danceability • 36% Energy • 10% Liveness
3% Instrumentalness • 55% Positiveness
6% Popularity • 27% Danceability • 36% Energy • 10% Liveness
3% Instrumentalness • 55% Positiveness
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Cologne Chamber Orchestra
Overture (Suite) In C Major, TWV 55: C6:...
119 bpm • C Maj • 01:40 • -15db
48% Popularity • 57% Danceability • 36% Energy • 13% Liveness
96% Instrumentalness • 75% Positiveness
48% Popularity • 57% Danceability • 36% Energy • 13% Liveness
96% Instrumentalness • 75% Positiveness
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Marin Marais
Pièces de viole, Livre II No. 40: La po...
119 bpm • C# min • 01:34 • -16.77db
21% Popularity • 39% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 62% Positiveness
21% Popularity • 39% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 62% Positiveness
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Matthew Locke
The Tempest: Galliard
117 bpm • F# min • 01:18 • -15.35db
28% Popularity • 48% Danceability • 20% Energy • 18% Liveness
43% Instrumentalness • 63% Positiveness
28% Popularity • 48% Danceability • 20% Energy • 18% Liveness
43% Instrumentalness • 63% Positiveness
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Pietro Locatelli
Concerto Grosso in D Major, Op. 1, No. 5...
119 bpm • D Maj • 01:17 • -15db
52% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
52% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
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Jean-Baptiste Lully
Le Bourgeois Gentilhomme, LWV 43: Ouvert...
117 bpm • F min • 02:59 • -16db
17% Popularity • 40% Danceability • 25% Energy • 9% Liveness
53% Instrumentalness • 40% Positiveness
17% Popularity • 40% Danceability • 25% Energy • 9% Liveness
53% Instrumentalness • 40% Positiveness
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Jean-Philippe Rameau
Rameau: Nouvelles Suites de Pièces de C...
117 bpm • F Maj • 03:49 • -16.6db
14% Popularity • 32% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 32% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Jacques Duphly
Quatrième livre: La de Drummond
117 bpm • G# min • 03:04 • -15.92db
12% Popularity • 32% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 32% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Marin Marais
La Sonnerie de Sainte-Geneviève du mont...
119 bpm • G# min • 07:48 • -17.22db
13% Popularity • 43% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 43% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Antonio Vivaldi
Concerto for Strings in G Minor, RV 156:...
119 bpm • F# min • 02:42 • -19.99db
22% Popularity • 57% Danceability • 17% Energy • 30% Liveness
60% Instrumentalness • 66% Positiveness
22% Popularity • 57% Danceability • 17% Energy • 30% Liveness
60% Instrumentalness • 66% Positiveness
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Joseph-Nicolas-Pancrace Royer
Pyrrhus, Act I, Scene 3: "Et quoi, vous ...
119 bpm • C Maj • 01:12 • -22.81db
0% Popularity • 48% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 48% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Michel Blavet
Concerto in A Minor for Flute and String...
116 bpm • G# min • 05:38 • -19db
28% Popularity • 44% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
28% Popularity • 44% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
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Gioachino Rossini
Petite messe solennelle: Kyrie
120 bpm • C Maj • 06:17 • -29db
28% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
28% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
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Georg Philipp Telemann
Sonata for Violin and Basso Continuo in ...
116 bpm • F# Maj • 02:32 • -12db
35% Popularity • 49% Danceability • 35% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
35% Popularity • 49% Danceability • 35% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
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William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
120 bpm • A Maj • 02:06 • -24db
44% Popularity • 49% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 82% Positiveness
44% Popularity • 49% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 82% Positiveness
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Arcangelo Corelli
Violin Sonata in A Major, Op. 5 No. 6: I...
116 bpm • G Maj • 01:06 • -19db
48% Popularity • 58% Danceability • 34% Energy • 10% Liveness
19% Instrumentalness • 67% Positiveness
48% Popularity • 58% Danceability • 34% Energy • 10% Liveness
19% Instrumentalness • 67% Positiveness
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Christoph Graupner
Bassoon Concerto in C Minor: II. Vivace
116 bpm • B min • 06:44 • -20db
21% Popularity • 49% Danceability • 14% Energy • 11% Liveness
55% Instrumentalness • 49% Positiveness
21% Popularity • 49% Danceability • 14% Energy • 11% Liveness
55% Instrumentalness • 49% Positiveness
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Domenico Scarlatti
Keyboard Sonata in C Major, Kk. 159
120 bpm • C Maj • 02:23 • -27db
51% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
51% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
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Johann Gottlieb Graun
Concerto a violono e viola da gamba in C...
120 bpm • B min • 07:53 • -18.2db
20% Popularity • 50% Danceability • 23% Energy • 7% Liveness
89% Instrumentalness • 55% Positiveness
20% Popularity • 50% Danceability • 23% Energy • 7% Liveness
89% Instrumentalness • 55% Positiveness
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Jean-Philippe Rameau
Rameau: Pièces de clavecin (1724), Suit...
120 bpm • C Maj • 05:35 • -15.48db
9% Popularity • 28% Danceability • 53% Energy • 28% Liveness
42% Instrumentalness • 69% Positiveness
9% Popularity • 28% Danceability • 53% Energy • 28% Liveness
42% Instrumentalness • 69% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre,...
121 bpm • C min • 04:10 • -32.4db
16% Popularity • 38% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
16% Popularity • 38% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Joseph-Nicolas
Suite No.2: No. 2, L'aimable
116 bpm • F# min • 04:51 • -22.17db
0% Popularity • 30% Danceability • 28% Energy • 10% Liveness
29% Instrumentalness • 62% Positiveness
0% Popularity • 30% Danceability • 28% Energy • 10% Liveness
29% Instrumentalness • 62% Positiveness
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Joseph-Nicolas-Pancrace Royer
Royer: Premier livre de pièces de clave...
121 bpm • G min • 04:51 • -24db
28% Popularity • 29% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
28% Popularity • 29% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
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Giovanni Girolamo Kapsberger
Toccata arpeggiata
115 bpm • F Maj • 02:39 • -39.9db
16% Popularity • 20% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 9% Positiveness
16% Popularity • 20% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 9% Positiveness
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Carl Friedrich Abel
Adagio and Allegro in D minor
115 bpm • C# min • 06:55 • -26.24db
21% Popularity • 31% Danceability • 2% Energy • 11% Liveness
73% Instrumentalness • 24% Positiveness
21% Popularity • 31% Danceability • 2% Energy • 11% Liveness
73% Instrumentalness • 24% Positiveness
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Jean-Philippe Rameau
Pieces de clavecin: Suite in A Minor - m...
120 bpm • F# Maj • 01:42 • -19.44db
16% Popularity • 41% Danceability • 24% Energy • 32% Liveness
2% Instrumentalness • 70% Positiveness
16% Popularity • 41% Danceability • 24% Energy • 32% Liveness
2% Instrumentalness • 70% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Judicabit - After...
121 bpm • F# min • 01:00 • -15.36db
28% Popularity • 35% Danceability • 34% Energy • 12% Liveness
61% Instrumentalness • 49% Positiveness
28% Popularity • 35% Danceability • 34% Energy • 12% Liveness
61% Instrumentalness • 49% Positiveness
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Louis-Nicolas Clérambault
Simphonia V: Chaconne in D Major
121 bpm • C# Maj • 05:39 • -23db
16% Popularity • 31% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 31% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Georg Matthias Monn
Concerto pour Violoncelle, Cordes et Cla...
121 bpm • D Maj • 04:44 • -20db
13% Popularity • 50% Danceability • 20% Energy • 13% Liveness
56% Instrumentalness • 50% Positiveness
13% Popularity • 50% Danceability • 20% Energy • 13% Liveness
56% Instrumentalness • 50% Positiveness
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William Boyce
Symphony No. 3 in C Major, Op. 2, "The C...
121 bpm • G# min • 01:49 • -27db
44% Popularity • 44% Danceability • 3% Energy • 15% Liveness
34% Instrumentalness • 52% Positiveness
44% Popularity • 44% Danceability • 3% Energy • 15% Liveness
34% Instrumentalness • 52% Positiveness
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Joseph-Nicolas-Pancrace Royer
Zaïde, reine de Grenade, Acte I Scène ...
121 bpm • F min • 00:51 • -15.26db
1% Popularity • 58% Danceability • 38% Energy • 27% Liveness
19% Instrumentalness • 59% Positiveness
1% Popularity • 58% Danceability • 38% Energy • 27% Liveness
19% Instrumentalness • 59% Positiveness
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François Couperin
Couperin, F: Troisième Livre de pièces...
121 bpm • G# Maj • 06:09 • -31db
12% Popularity • 32% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 23% Positiveness
12% Popularity • 32% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 23% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Dixit Dominus - A...
115 bpm • F# Maj • 02:02 • -17db
31% Popularity • 38% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 51% Positiveness
31% Popularity • 38% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 51% Positiveness
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George Frideric Handel
Concerto grosso No. 1 in B-Flat Major, O...
115 bpm • F# min • 03:53 • -20.05db
28% Popularity • 21% Danceability • 6% Energy • 11% Liveness
36% Instrumentalness • 5% Positiveness
28% Popularity • 21% Danceability • 6% Energy • 11% Liveness
36% Instrumentalness • 5% Positiveness
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Jean-Baptiste Lully
Roland, Opera, LWV 65: Acte I, scene 6: ...
122 bpm • C Maj • 04:44 • -19.01db
24% Popularity • 34% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 34% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Francesco Cavalli
Musiche sacre: No. 23, Canzon à 3
122 bpm • G# min • 05:31 • -18.68db
38% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Henry Purcell
King Arthur, Z. 628, "The British Worthy...
114 bpm • C# min • 01:25 • -24.82db
47% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
47% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
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François Couperin
Couperin, F: Second Livre de pièces de ...
114 bpm • C# Maj • 03:34 • -29.58db
13% Popularity • 29% Danceability • 10% Energy • 16% Liveness
94% Instrumentalness • 37% Positiveness
13% Popularity • 29% Danceability • 10% Energy • 16% Liveness
94% Instrumentalness • 37% Positiveness
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Jean-Marie Leclair
Leclair: Sonata for 2 Violins in E Minor...
114 bpm • E min • 03:01 • -18.06db
14% Popularity • 40% Danceability • 9% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 40% Danceability • 9% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
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George Frideric Handel
Scipione, HWV 20: Scoglio d’immota fro...
122 bpm • C# Maj • 05:59 • -18.8db
7% Popularity • 55% Danceability • 17% Energy • 5% Liveness
5% Instrumentalness • 42% Positiveness
7% Popularity • 55% Danceability • 17% Energy • 5% Liveness
5% Instrumentalness • 42% Positiveness
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Antonio Vivaldi
Concerto in G Minor, RV 157: I. Allegro
123 bpm • F# min • 01:45 • -16.89db
43% Popularity • 38% Danceability • 22% Energy • 39% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 38% Danceability • 22% Energy • 39% Liveness
0% Instrumentalness • 50% Positiveness
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Jean-Baptiste Lully
Atys, LWV 53, Prologue: Ouverture
122 bpm • F# min • 01:49 • -20db
18% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
18% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
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Joseph-Nicolas-Pancrace Royer
Pièces de Clavecin, Premier Livre 1746:...
113 bpm • F# min • 05:02 • -20db
14% Popularity • 25% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 25% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Violins in B Minor, Op. 3...
123 bpm • B min • 03:17 • -18db
47% Popularity • 46% Danceability • 26% Energy • 10% Liveness
35% Instrumentalness • 56% Positiveness
47% Popularity • 46% Danceability • 26% Energy • 10% Liveness
35% Instrumentalness • 56% Positiveness
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Wilhelm Friedemann Bach
Keyboard Sonata in E-Flat Major, F. 5: I...
113 bpm • C min • 02:53 • -30db
38% Popularity • 42% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 34% Positiveness
38% Popularity • 42% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 34% Positiveness
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George Frideric Handel
Suite in G minor: IV. Bourree II (Arr. A...
114 bpm • C min • 01:27 • -25.2db
45% Popularity • 50% Danceability • 14% Energy • 22% Liveness
96% Instrumentalness • 79% Positiveness
45% Popularity • 50% Danceability • 14% Energy • 22% Liveness
96% Instrumentalness • 79% Positiveness
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Henry Purcell
The Fairy Queen, Z. 629: Prelude
113 bpm • F# min • 01:42 • -13db
36% Popularity • 35% Danceability • 39% Energy • 19% Liveness
34% Instrumentalness • 76% Positiveness
36% Popularity • 35% Danceability • 39% Energy • 19% Liveness
34% Instrumentalness • 76% Positiveness
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Charles Avison
Concerto Grosso No. 5 in D Minor (after ...
123 bpm • C# min • 02:47 • -20db
21% Popularity • 33% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
21% Popularity • 33% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Élisabeth Jacquet de La Guerre
Les Pièces de clavecin, Premier livre, ...
123 bpm • G# Maj • 02:07 • -32.25db
9% Popularity • 27% Danceability • 9% Energy • 6% Liveness
91% Instrumentalness • 46% Positiveness
9% Popularity • 27% Danceability • 9% Energy • 6% Liveness
91% Instrumentalness • 46% Positiveness
► Preview
Joseph-Nicolas-Pancrace Royer
Le Pouvoir de l'Amour, Deuxième entrée...
124 bpm • C Maj • 08:08 • -16.91db
3% Popularity • 29% Danceability • 18% Energy • 9% Liveness
74% Instrumentalness • 11% Positiveness
3% Popularity • 29% Danceability • 18% Energy • 9% Liveness
74% Instrumentalness • 11% Positiveness
► Preview
Jean-Marie Leclair
Concerto 2 in D Major, Op. 7: III. Adagi...
112 bpm • A# min • 03:32 • -21db
9% Popularity • 29% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
9% Popularity • 29% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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George Frideric Handel
Water Music Suite No. 1 in F Major, HWV ...
123 bpm • E Maj • 03:21 • -18db
26% Popularity • 41% Danceability • 28% Energy • 31% Liveness
92% Instrumentalness • 51% Positiveness
26% Popularity • 41% Danceability • 28% Energy • 31% Liveness
92% Instrumentalness • 51% Positiveness
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Henry Purcell
Circe, Z. 575: Magicians' Dance
113 bpm • A Maj • 01:34 • -35.82db
38% Popularity • 52% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 52% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Barbara Strozzi
Che si può fare?
112 bpm • E min • 04:23 • -19.16db
23% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Johann David Heinichen
Concerto in G Minor - Oboe, Strings & B....
124 bpm • F# min • 04:32 • -18.62db
22% Popularity • 57% Danceability • 26% Energy • 18% Liveness
95% Instrumentalness • 75% Positiveness
22% Popularity • 57% Danceability • 26% Energy • 18% Liveness
95% Instrumentalness • 75% Positiveness
► Preview
Antonio Vivaldi
Chamber Concerto in G Minor, RV 107: II....
112 bpm • F# min • 02:53 • -18.81db
12% Popularity • 28% Danceability • 32% Energy • 7% Liveness
92% Instrumentalness • 35% Positiveness
12% Popularity • 28% Danceability • 32% Energy • 7% Liveness
92% Instrumentalness • 35% Positiveness
► Preview
Jean-Marie Leclair
Concerto 5 in A Minor, Op. 7: I. Vivace
124 bpm • C# min • 05:31 • -17db
32% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
32% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
► Preview
Joseph-Nicolas-Pancrace Royer
Almasis, Scène 5: Air, mouvement de cha...
125 bpm • F Maj • 01:58 • -20.75db
1% Popularity • 30% Danceability • 10% Energy • 13% Liveness
31% Instrumentalness • 40% Positiveness
1% Popularity • 30% Danceability • 10% Energy • 13% Liveness
31% Instrumentalness • 40% Positiveness
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Henry Purcell
A New Ground in E Minor, Z.T682
113 bpm • A# min • 02:25 • -36.97db
23% Popularity • 37% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
23% Popularity • 37% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Luc Beauséjour
The Well-Tempered Clavier, Book 1, BWV 8...
125 bpm • C# min • 01:30 • -21.24db
33% Popularity • 19% Danceability • 50% Energy • 7% Liveness
18% Instrumentalness • 96% Positiveness
33% Popularity • 19% Danceability • 50% Energy • 7% Liveness
18% Instrumentalness • 96% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: II. Andante
112 bpm • C min • 01:52 • -24db
57% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
57% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Arcangelo Corelli
Sonata in C Major, No. 3: IV. Allegro
125 bpm • B Maj • 01:02 • -15.61db
55% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
55% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
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George Frideric Handel
Acis and Galatea, HWV 49b: Sinfonia
125 bpm • A Maj • 03:15 • -32db
39% Popularity • 42% Danceability • 7% Energy • 31% Liveness
85% Instrumentalness • 61% Positiveness
39% Popularity • 42% Danceability • 7% Energy • 31% Liveness
85% Instrumentalness • 61% Positiveness
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Joseph-Nicolas-Pancrace Royer
Almasis: Ouverture
112 bpm • C# Maj • 02:02 • -15.92db
3% Popularity • 39% Danceability • 35% Energy • 29% Liveness
48% Instrumentalness • 43% Positiveness
3% Popularity • 39% Danceability • 35% Energy • 29% Liveness
48% Instrumentalness • 43% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
111 bpm • A# Maj • 01:40 • -25.59db
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Giovanni Battista Sammartini
Symphony in F Major, J-C 36: III. Allegr...
126 bpm • E Maj • 01:37 • -18.06db
47% Popularity • 60% Danceability • 27% Energy • 15% Liveness
36% Instrumentalness • 76% Positiveness
47% Popularity • 60% Danceability • 27% Energy • 15% Liveness
36% Instrumentalness • 76% Positiveness
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Henri Vieuxtemps
Capriccio for Solo Viola, Op. 55
126 bpm • C min • 03:25 • -24db
15% Popularity • 28% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
15% Popularity • 28% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: III. O quam tri...
111 bpm • F# min • 01:58 • -17.75db
30% Popularity • 23% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
30% Popularity • 23% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Georg Philipp Telemann
Tafelmusik - Banquet Music In 3 Parts / ...
126 bpm • G# Maj • 08:18 • -18.97db
36% Popularity • 50% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 50% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Joseph-Nicolas-Pancrace Royer
Zaïde, reine de Grenade, Prologue: Prem...
125 bpm • F# Maj • 02:10 • -17.97db
2% Popularity • 59% Danceability • 48% Energy • 35% Liveness
8% Instrumentalness • 64% Positiveness
2% Popularity • 59% Danceability • 48% Energy • 35% Liveness
8% Instrumentalness • 64% Positiveness
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Antoine Forqueray
Forqueray, A: Pièces de viole, Suite No...
126 bpm • C# min • 03:46 • -25db
10% Popularity • 31% Danceability • 20% Energy • 23% Liveness
92% Instrumentalness • 40% Positiveness
10% Popularity • 31% Danceability • 20% Energy • 23% Liveness
92% Instrumentalness • 40% Positiveness
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Emanuele Barbella
Mandolin Concerto in D Major: II. Andant...
110 bpm • G Maj • 03:53 • -20.29db
36% Popularity • 48% Danceability • 11% Energy • 13% Liveness
27% Instrumentalness • 32% Positiveness
36% Popularity • 48% Danceability • 11% Energy • 13% Liveness
27% Instrumentalness • 32% Positiveness
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Jean-Philippe Rameau
Les tendres plaintes
110 bpm • D min • 02:36 • -30.11db
27% Popularity • 38% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 27% Positiveness
27% Popularity • 38% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 27% Positiveness
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Domenico Cimarosa
Concerto in C Minor: I. Introduzione - L...
126 bpm • C min • 03:10 • -19db
22% Popularity • 24% Danceability • 8% Energy • 24% Liveness
90% Instrumentalness • 16% Positiveness
22% Popularity • 24% Danceability • 8% Energy • 24% Liveness
90% Instrumentalness • 16% Positiveness
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Antonio Vivaldi
Vivaldi - Concerto in D Major "Grosso Mo...
126 bpm • C# Maj • 05:40 • -18db
42% Popularity • 42% Danceability • 18% Energy • 34% Liveness
18% Instrumentalness • 48% Positiveness
42% Popularity • 42% Danceability • 18% Energy • 34% Liveness
18% Instrumentalness • 48% Positiveness
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Joseph-Nicolas-Pancrace Royer
Le Pouvoir de l'Amour, Prologue: Ouvertu...
126 bpm • G# Maj • 03:42 • -17.82db
3% Popularity • 35% Danceability • 20% Energy • 16% Liveness
67% Instrumentalness • 17% Positiveness
3% Popularity • 35% Danceability • 20% Energy • 16% Liveness
67% Instrumentalness • 17% Positiveness
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Antonio Caldara
Stabat Mater: I. Stabat Mater dolorosa
126 bpm • C# Maj • 01:38 • -21.97db
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Johann Joachim Quantz
Flute Concerto in A Minor, QV 5:238: III...
110 bpm • G min • 06:08 • -20db
22% Popularity • 54% Danceability • 14% Energy • 9% Liveness
34% Instrumentalness • 77% Positiveness
22% Popularity • 54% Danceability • 14% Energy • 9% Liveness
34% Instrumentalness • 77% Positiveness
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Ottorino Respighi
Bach - Violin Sonata in E Minor, P. 85 (...
126 bpm • D Maj • 00:58 • -32.14db
36% Popularity • 49% Danceability • 16% Energy • 57% Liveness
16% Instrumentalness • 5% Positiveness
36% Popularity • 49% Danceability • 16% Energy • 57% Liveness
16% Instrumentalness • 5% Positiveness
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Luc Beauséjour
The Well-Tempered Clavier, Book 1, BWV 8...
110 bpm • B min • 01:38 • -18db
37% Popularity • 28% Danceability • 55% Energy • 20% Liveness
98% Instrumentalness • 96% Positiveness
37% Popularity • 28% Danceability • 55% Energy • 20% Liveness
98% Instrumentalness • 96% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 206
110 bpm • B Maj • 08:59 • -24.13db
13% Popularity • 49% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 23% Positiveness
13% Popularity • 49% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 23% Positiveness
► Preview
Joseph-Nicolas-Pancrace Royer
Le pouvoir de l'amour: Divin Bacchus, te...
126 bpm • C# Maj • 09:35 • -18.26db
3% Popularity • 29% Danceability • 20% Energy • 12% Liveness
21% Instrumentalness • 28% Positiveness
3% Popularity • 29% Danceability • 20% Energy • 12% Liveness
21% Instrumentalness • 28% Positiveness
► Preview
Henry Purcell
Abdelazer, Z, 570: Rondeau
110 bpm • C# min • 01:41 • -26.07db
12% Popularity • 42% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 42% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Georg Philipp Telemann
Concerto In G Major TWV 40:201, For 4 Vi...
110 bpm • F# Maj • 02:11 • -24.41db
42% Popularity • 31% Danceability • 1% Energy • 7% Liveness
7% Instrumentalness • 33% Positiveness
42% Popularity • 31% Danceability • 1% Energy • 7% Liveness
7% Instrumentalness • 33% Positiveness
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Franz Schubert
Quartettsatz in C Minor, D. 703
110 bpm • G# Maj • 08:57 • -23.61db
19% Popularity • 28% Danceability • 10% Energy • 8% Liveness
76% Instrumentalness • 8% Positiveness
19% Popularity • 28% Danceability • 10% Energy • 8% Liveness
76% Instrumentalness • 8% Positiveness
► Preview
Johann Nepomuk Hummel
Adagio, Variations and Rondo on Schone M...
110 bpm • A Maj • 01:41 • -19db
33% Popularity • 38% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
33% Popularity • 38% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
