Songs like Rubbing Eyes Blind (From "Comedy Queen") by Peter Bjorn and John
Based on a tempo of (+/- 10%) and a similar genre
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Cut Copy
Lights & Music
126 bpm • A# min • 04:39 • -4.39db
52% Popularity • 61% Danceability • 94% Energy • 41% Liveness
15% Instrumentalness • 63% Positiveness
52% Popularity • 61% Danceability • 94% Energy • 41% Liveness
15% Instrumentalness • 63% Positiveness
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Hot Chip
Boy From School
126 bpm • G# min • 05:19 • -3.96db
52% Popularity • 63% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 63% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Peter Bjorn and John
Rubbing Eyes Blind
126 bpm • A Maj • 04:19 • -7.51db
6% Popularity • 58% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
6% Popularity • 58% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Julian Casablancas
11th Dimension
126 bpm • F# min • 04:03 • -2.77db
53% Popularity • 57% Danceability • 92% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
53% Popularity • 57% Danceability • 92% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
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Phoenix
Rome
126 bpm • D Maj • 04:38 • -7.06db
48% Popularity • 63% Danceability • 68% Energy • 10% Liveness
9% Instrumentalness • 39% Positiveness
48% Popularity • 63% Danceability • 68% Energy • 10% Liveness
9% Instrumentalness • 39% Positiveness
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MGMT
Congratulations
125 bpm • G Maj • 03:55 • -8.17db
59% Popularity • 76% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 66% Positiveness
59% Popularity • 76% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 66% Positiveness
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The Smashing Pumpkins
1979 - Remastered 2012
127 bpm • D# Maj • 04:26 • -9.9db
77% Popularity • 77% Danceability • 79% Energy • 5% Liveness
58% Instrumentalness • 96% Positiveness
77% Popularity • 77% Danceability • 79% Energy • 5% Liveness
58% Instrumentalness • 96% Positiveness
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Arcade Fire
Neighborhood #1 (Tunnels)
127 bpm • C Maj • 04:48 • -5.57db
56% Popularity • 28% Danceability • 74% Energy • 29% Liveness
1% Instrumentalness • 21% Positiveness
56% Popularity • 28% Danceability • 74% Energy • 29% Liveness
1% Instrumentalness • 21% Positiveness
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The xx
On Hold
125 bpm • C Maj • 03:44 • -6.78db
58% Popularity • 72% Danceability • 67% Energy • 11% Liveness
18% Instrumentalness • 35% Positiveness
58% Popularity • 72% Danceability • 67% Energy • 11% Liveness
18% Instrumentalness • 35% Positiveness
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Tame Impala
Let It Happen
125 bpm • C# min • 07:47 • -5.88db
80% Popularity • 60% Danceability • 88% Energy • 11% Liveness
3% Instrumentalness • 58% Positiveness
80% Popularity • 60% Danceability • 88% Energy • 11% Liveness
3% Instrumentalness • 58% Positiveness
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Mac Miller
The Spins
127 bpm • A min • 03:15 • -3.89db
83% Popularity • 79% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
83% Popularity • 79% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Metronomy
Heartbreaker
127 bpm • C# Maj • 04:14 • -4.89db
47% Popularity • 90% Danceability • 58% Energy • 8% Liveness
4% Instrumentalness • 72% Positiveness
47% Popularity • 90% Danceability • 58% Energy • 8% Liveness
4% Instrumentalness • 72% Positiveness
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Bag Raiders
Shooting Stars
125 bpm • B Maj • 03:55 • -6.2db
68% Popularity • 64% Danceability • 72% Energy • 9% Liveness
2% Instrumentalness • 42% Positiveness
68% Popularity • 64% Danceability • 72% Energy • 9% Liveness
2% Instrumentalness • 42% Positiveness
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Peter Bjorn and John
Dig a Little Deeper
127 bpm • G Maj • 03:50 • -3.09db
24% Popularity • 59% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 59% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Sufjan Stevens
Chicago
125 bpm • G Maj • 06:04 • -9.66db
62% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
62% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Arcade Fire
Rebellion (Lies)
127 bpm • G# Maj • 05:10 • -5.68db
63% Popularity • 40% Danceability • 93% Energy • 32% Liveness
63% Instrumentalness • 73% Positiveness
63% Popularity • 40% Danceability • 93% Energy • 32% Liveness
63% Instrumentalness • 73% Positiveness
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Pixies
Here Comes Your Man
125 bpm • D Maj • 03:21 • -10.87db
72% Popularity • 67% Danceability • 80% Energy • 40% Liveness
8% Instrumentalness • 88% Positiveness
72% Popularity • 67% Danceability • 80% Energy • 40% Liveness
8% Instrumentalness • 88% Positiveness
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The Black Keys
Fever
128 bpm • A min • 04:06 • -6.51db
68% Popularity • 61% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
68% Popularity • 61% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Foxygen
Shuggie
127 bpm • C# min • 03:21 • -8db
53% Popularity • 47% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 71% Positiveness
53% Popularity • 47% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 71% Positiveness
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Peter Bjorn and John
May Seem Macabre
128 bpm • E Maj • 04:41 • -5db
24% Popularity • 57% Danceability • 87% Energy • 16% Liveness
14% Instrumentalness • 81% Positiveness
24% Popularity • 57% Danceability • 87% Energy • 16% Liveness
14% Instrumentalness • 81% Positiveness
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The Kills
Future Starts Slow
128 bpm • F# Maj • 04:08 • -5.88db
57% Popularity • 68% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
57% Popularity • 68% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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The Neighbourhood
Sweater Weather
124 bpm • A# Maj • 04:00 • -2.81db
89% Popularity • 61% Danceability • 81% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
89% Popularity • 61% Danceability • 81% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
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The xx
Islands
124 bpm • E Maj • 02:40 • -11.08db
66% Popularity • 87% Danceability • 47% Energy • 14% Liveness
27% Instrumentalness • 71% Positiveness
66% Popularity • 87% Danceability • 47% Energy • 14% Liveness
27% Instrumentalness • 71% Positiveness
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Portugal. The Man
Live in the Moment
128 bpm • F# min • 04:06 • -7.32db
62% Popularity • 55% Danceability • 58% Energy • 12% Liveness
17% Instrumentalness • 24% Positiveness
62% Popularity • 55% Danceability • 58% Energy • 12% Liveness
17% Instrumentalness • 24% Positiveness
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Foals
My Number
128 bpm • F# min • 03:58 • -8.95db
68% Popularity • 64% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
68% Popularity • 64% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
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Peter Bjorn and John
Tailormade
128 bpm • G Maj • 05:35 • -7.31db
5% Popularity • 40% Danceability • 46% Energy • 75% Liveness
1% Instrumentalness • 42% Positiveness
5% Popularity • 40% Danceability • 46% Energy • 75% Liveness
1% Instrumentalness • 42% Positiveness
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LCD Soundsystem
Home
124 bpm • A Maj • 07:53 • -8.71db
51% Popularity • 75% Danceability • 84% Energy • 8% Liveness
13% Instrumentalness • 78% Positiveness
51% Popularity • 75% Danceability • 84% Energy • 8% Liveness
13% Instrumentalness • 78% Positiveness
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Miike Snow
Paddling Out
128 bpm • A# min • 03:37 • -3.65db
49% Popularity • 60% Danceability • 82% Energy • 30% Liveness
1% Instrumentalness • 37% Positiveness
49% Popularity • 60% Danceability • 82% Energy • 30% Liveness
1% Instrumentalness • 37% Positiveness
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The Raconteurs
Steady, As She Goes
124 bpm • A Maj • 03:35 • -4.56db
68% Popularity • 52% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
68% Popularity • 52% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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The White Stripes
Seven Nation Army
124 bpm • E min • 03:52 • -7.81db
85% Popularity • 74% Danceability • 45% Energy • 34% Liveness
12% Instrumentalness • 28% Positiveness
85% Popularity • 74% Danceability • 45% Energy • 34% Liveness
12% Instrumentalness • 28% Positiveness
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Unknown Mortal Orchestra
Swim and Sleep (Like a Shark)
124 bpm • G# Maj • 02:45 • -10.01db
56% Popularity • 77% Danceability • 81% Energy • 12% Liveness
17% Instrumentalness • 76% Positiveness
56% Popularity • 77% Danceability • 81% Energy • 12% Liveness
17% Instrumentalness • 76% Positiveness
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Peter Bjorn and John
Goodbye, Again Or
124 bpm • C Maj • 02:01 • -16.7db
5% Popularity • 50% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
5% Popularity • 50% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Franz Ferdinand
Do You Want To
123 bpm • C Maj • 03:35 • -2.9db
62% Popularity • 41% Danceability • 94% Energy • 80% Liveness
0% Instrumentalness • 79% Positiveness
62% Popularity • 41% Danceability • 94% Energy • 80% Liveness
0% Instrumentalness • 79% Positiveness
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Talking Heads
Psycho Killer - 2005 Remaster
123 bpm • D Maj • 04:21 • -8.12db
76% Popularity • 72% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 94% Positiveness
76% Popularity • 72% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 94% Positiveness
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Young the Giant
Cough Syrup
129 bpm • B min • 04:09 • -7.31db
71% Popularity • 53% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
71% Popularity • 53% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Tame Impala
Elephant
123 bpm • A min • 03:31 • -6.74db
73% Popularity • 60% Danceability • 55% Energy • 26% Liveness
16% Instrumentalness • 53% Positiveness
73% Popularity • 60% Danceability • 55% Energy • 26% Liveness
16% Instrumentalness • 53% Positiveness
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Interpol
Evil
129 bpm • F Maj • 03:35 • -3.52db
65% Popularity • 49% Danceability • 77% Energy • 7% Liveness
56% Instrumentalness • 64% Positiveness
65% Popularity • 49% Danceability • 77% Energy • 7% Liveness
56% Instrumentalness • 64% Positiveness
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Peter Bjorn and John
Let's Call It Off
128 bpm • A Maj • 04:05 • -5.67db
37% Popularity • 75% Danceability • 81% Energy • 48% Liveness
1% Instrumentalness • 79% Positiveness
37% Popularity • 75% Danceability • 81% Energy • 48% Liveness
1% Instrumentalness • 79% Positiveness
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Hot Chip
Ready For The Floor
129 bpm • C# min • 03:54 • -5.44db
55% Popularity • 76% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
55% Popularity • 76% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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The Kooks
Bad Habit
123 bpm • C min • 03:41 • -4.2db
61% Popularity • 73% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
61% Popularity • 73% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Arcade Fire
Put Your Money on Me
123 bpm • G Maj • 05:53 • -6.48db
53% Popularity • 60% Danceability • 77% Energy • 75% Liveness
2% Instrumentalness • 64% Positiveness
53% Popularity • 60% Danceability • 77% Energy • 75% Liveness
2% Instrumentalness • 64% Positiveness
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La Roux
Bulletproof
123 bpm • D# min • 03:25 • -2.77db
73% Popularity • 67% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
73% Popularity • 67% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Justice
We Are Your Friends - Justice Vs Simian
123 bpm • A min • 04:22 • 1.33db
60% Popularity • 61% Danceability • 97% Energy • 18% Liveness
39% Instrumentalness • 51% Positiveness
60% Popularity • 61% Danceability • 97% Energy • 18% Liveness
39% Instrumentalness • 51% Positiveness
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Peter Bjorn and John
Songs of Love
123 bpm • C Maj • 03:51 • -10.64db
6% Popularity • 52% Danceability • 73% Energy • 35% Liveness
68% Instrumentalness • 40% Positiveness
6% Popularity • 52% Danceability • 73% Energy • 35% Liveness
68% Instrumentalness • 40% Positiveness
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MGMT
Kids
123 bpm • A Maj • 05:02 • -3.87db
79% Popularity • 45% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
79% Popularity • 45% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
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The xx
Crystalised
123 bpm • B min • 03:21 • -12.37db
69% Popularity • 76% Danceability • 48% Energy • 8% Liveness
39% Instrumentalness • 42% Positiveness
69% Popularity • 76% Danceability • 48% Energy • 8% Liveness
39% Instrumentalness • 42% Positiveness
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The La's
There She Goes
123 bpm • G Maj • 02:42 • -10.63db
75% Popularity • 53% Danceability • 76% Energy • 21% Liveness
83% Instrumentalness • 92% Positiveness
75% Popularity • 53% Danceability • 76% Energy • 21% Liveness
83% Instrumentalness • 92% Positiveness
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The Kooks
Seaside
129 bpm • A# min • 01:39 • -8.54db
66% Popularity • 63% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
66% Popularity • 63% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Band of Horses
The Funeral
122 bpm • C min • 05:22 • -6.12db
72% Popularity • 32% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
72% Popularity • 32% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Peter Bjorn and John
Next Stop Bjursele
129 bpm • G Maj • 04:00 • -11.49db
4% Popularity • 41% Danceability • 81% Energy • 85% Liveness
0% Instrumentalness • 15% Positiveness
4% Popularity • 41% Danceability • 81% Energy • 85% Liveness
0% Instrumentalness • 15% Positiveness
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The Whitest Boy Alive
1517
122 bpm • A Maj • 03:32 • -6.84db
30% Popularity • 78% Danceability • 58% Energy • 9% Liveness
18% Instrumentalness • 96% Positiveness
30% Popularity • 78% Danceability • 58% Energy • 9% Liveness
18% Instrumentalness • 96% Positiveness
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Blur
Song 2 - 2012 Remaster
130 bpm • G# Maj • 02:01 • -6.9db
81% Popularity • 67% Danceability • 79% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
81% Popularity • 67% Danceability • 79% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
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Lykke Li
I Follow Rivers
122 bpm • A min • 03:48 • -14.03db
63% Popularity • 60% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
63% Popularity • 60% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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The Flaming Lips
Do You Realize??
130 bpm • C Maj • 03:33 • -5.24db
63% Popularity • 46% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 55% Positiveness
63% Popularity • 46% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 55% Positiveness
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Dayglow
Can I Call You Tonight?
130 bpm • A Maj • 04:38 • -7.27db
78% Popularity • 64% Danceability • 84% Energy • 42% Liveness
91% Instrumentalness • 50% Positiveness
78% Popularity • 64% Danceability • 84% Energy • 42% Liveness
91% Instrumentalness • 50% Positiveness
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Peter Bjorn and John
From Now On
129 bpm • C Maj • 05:46 • -10.26db
5% Popularity • 36% Danceability • 51% Energy • 16% Liveness
1% Instrumentalness • 27% Positiveness
5% Popularity • 36% Danceability • 51% Energy • 16% Liveness
1% Instrumentalness • 27% Positiveness
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The Shins
New Slang - 2021 Remaster
130 bpm • C Maj • 03:50 • -10.62db
75% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
75% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
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Metronomy
Everything Goes My Way
130 bpm • D min • 03:30 • -8.2db
60% Popularity • 86% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
60% Popularity • 86% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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The Black Keys
Gold on the Ceiling
130 bpm • C Maj • 03:44 • -4.63db
76% Popularity • 50% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
76% Popularity • 50% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Arctic Monkeys
Snap Out Of It
130 bpm • F min • 03:13 • -6.46db
79% Popularity • 73% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
79% Popularity • 73% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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of Montreal
Wraith Pinned to the Mist and Other Game...
122 bpm • F Maj • 04:15 • -10db
57% Popularity • 87% Danceability • 60% Energy • 15% Liveness
10% Instrumentalness • 74% Positiveness
57% Popularity • 87% Danceability • 60% Energy • 15% Liveness
10% Instrumentalness • 74% Positiveness
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Bombay Bicycle Club
Luna
122 bpm • F Maj • 03:10 • -5db
55% Popularity • 58% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
55% Popularity • 58% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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New Order
Blue Monday
130 bpm • C Maj • 07:29 • -13.34db
73% Popularity • 76% Danceability • 65% Energy • 11% Liveness
86% Instrumentalness • 94% Positiveness
73% Popularity • 76% Danceability • 65% Energy • 11% Liveness
86% Instrumentalness • 94% Positiveness
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The Killers
When You Were Young
130 bpm • B Maj • 03:40 • -3.31db
77% Popularity • 47% Danceability • 99% Energy • 28% Liveness
5% Instrumentalness • 32% Positiveness
77% Popularity • 47% Danceability • 99% Energy • 28% Liveness
5% Instrumentalness • 32% Positiveness
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Metronomy
The Bay
121 bpm • F# min • 04:50 • -7.23db
65% Popularity • 80% Danceability • 47% Energy • 7% Liveness
9% Instrumentalness • 89% Positiveness
65% Popularity • 80% Danceability • 47% Energy • 7% Liveness
9% Instrumentalness • 89% Positiveness
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Declan McKenna
Brazil
121 bpm • E Maj • 04:12 • -5.21db
82% Popularity • 69% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
82% Popularity • 69% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Beirut
Nantes
131 bpm • C# Maj • 03:50 • -9.55db
61% Popularity • 43% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
61% Popularity • 43% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
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Bombay Bicycle Club
Always Like This
121 bpm • C# Maj • 04:05 • -6.71db
61% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
61% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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The Dandy Warhols
Bohemian Like You
131 bpm • B min • 03:31 • -6.16db
67% Popularity • 58% Danceability • 93% Energy • 13% Liveness
77% Instrumentalness • 70% Positiveness
67% Popularity • 58% Danceability • 93% Energy • 13% Liveness
77% Instrumentalness • 70% Positiveness
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Jake Bugg
Two Fingers
121 bpm • F Maj • 03:15 • -5.23db
59% Popularity • 49% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
59% Popularity • 49% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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The Strokes
You Only Live Once
121 bpm • B Maj • 03:09 • -2.42db
73% Popularity • 63% Danceability • 91% Energy • 12% Liveness
59% Instrumentalness • 97% Positiveness
73% Popularity • 63% Danceability • 91% Energy • 12% Liveness
59% Instrumentalness • 97% Positiveness
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Interpol
Obstacle 1
121 bpm • F Maj • 04:11 • -4.9db
63% Popularity • 38% Danceability • 94% Energy • 7% Liveness
58% Instrumentalness • 38% Positiveness
63% Popularity • 38% Danceability • 94% Energy • 7% Liveness
58% Instrumentalness • 38% Positiveness
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Beirut
Santa Fe
132 bpm • B Maj • 04:14 • -7db
53% Popularity • 73% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
53% Popularity • 73% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
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Peter Bjorn and John
100 M of Hurdles
120 bpm • B min • 02:58 • -4.99db
7% Popularity • 50% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
7% Popularity • 50% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Gorillaz
On Melancholy Hill
120 bpm • D Maj • 03:53 • -5.81db
78% Popularity • 69% Danceability • 74% Energy • 6% Liveness
51% Instrumentalness • 58% Positiveness
78% Popularity • 69% Danceability • 74% Energy • 6% Liveness
51% Instrumentalness • 58% Positiveness
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Yeah Yeah Yeahs
Heads Will Roll
132 bpm • G# min • 03:41 • -4.46db
69% Popularity • 56% Danceability • 90% Energy • 30% Liveness
9% Instrumentalness • 79% Positiveness
69% Popularity • 56% Danceability • 90% Energy • 30% Liveness
9% Instrumentalness • 79% Positiveness
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Cage The Elephant
Social Cues
132 bpm • A Maj • 03:39 • -3.1db
67% Popularity • 67% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
67% Popularity • 67% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Fleetwood Mac
Dreams - 2004 Remaster
120 bpm • C Maj • 04:17 • -9.74db
86% Popularity • 83% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
86% Popularity • 83% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Unknown Mortal Orchestra
Multi-Love
120 bpm • D# min • 04:10 • -5.24db
58% Popularity • 78% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
58% Popularity • 78% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Peter Bjorn and John
Blue period Picasso
120 bpm • F# min • 04:36 • -6db
12% Popularity • 78% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 78% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Blur
Girls & Boys
120 bpm • G min • 04:19 • -8.35db
71% Popularity • 69% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
71% Popularity • 69% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Gorillaz
DARE
120 bpm • B min • 04:04 • -5.85db
77% Popularity • 76% Danceability • 89% Energy • 30% Liveness
9% Instrumentalness • 97% Positiveness
77% Popularity • 76% Danceability • 89% Energy • 30% Liveness
9% Instrumentalness • 97% Positiveness
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The Killers
Read My Mind
132 bpm • C# Maj • 04:06 • -3.39db
69% Popularity • 54% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
69% Popularity • 54% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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BØRNS
Electric Love
120 bpm • F# min • 03:38 • -7.63db
80% Popularity • 61% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
80% Popularity • 61% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Bombay Bicycle Club
How Can You Swallow So Much Sleep
120 bpm • G Maj • 03:30 • -6.64db
53% Popularity • 52% Danceability • 83% Energy • 10% Liveness
5% Instrumentalness • 20% Positiveness
53% Popularity • 52% Danceability • 83% Energy • 10% Liveness
5% Instrumentalness • 20% Positiveness
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Peter Bjorn and John
Tomorrow Has To Wait
120 bpm • D min • 02:57 • -4db
24% Popularity • 55% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 55% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Coconut Records
Nighttiming
120 bpm • E min • 02:48 • -6.57db
53% Popularity • 69% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
53% Popularity • 69% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Passion Pit
Carried Away
120 bpm • C Maj • 03:41 • -5.14db
56% Popularity • 77% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 87% Positiveness
56% Popularity • 77% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 87% Positiveness
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Hot Chip
Over And Over
120 bpm • F min • 05:47 • -4.45db
57% Popularity • 77% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
57% Popularity • 77% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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of Montreal
Gronlandic Edit
120 bpm • E min • 03:24 • -7db
54% Popularity • 97% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
54% Popularity • 97% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Vampire Weekend
Horchata
120 bpm • C Maj • 03:26 • -7db
45% Popularity • 83% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 83% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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Animal Collective
My Girls
120 bpm • E min • 05:40 • -6.03db
57% Popularity • 51% Danceability • 95% Energy • 93% Liveness
4% Instrumentalness • 56% Positiveness
57% Popularity • 51% Danceability • 95% Energy • 93% Liveness
4% Instrumentalness • 56% Positiveness
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The Shins
Simple Song
120 bpm • G Maj • 04:15 • -5.14db
60% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
60% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Empire Of The Sun
Alive
120 bpm • F Maj • 03:24 • -3.04db
67% Popularity • 52% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
67% Popularity • 52% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Generationals
When They Fight, They Fight
120 bpm • B min • 03:20 • -2db
57% Popularity • 76% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
57% Popularity • 76% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Phoenix
If I Ever Feel Better
120 bpm • F# min • 04:26 • -9.45db
64% Popularity • 76% Danceability • 55% Energy • 6% Liveness
1% Instrumentalness • 84% Positiveness
64% Popularity • 76% Danceability • 55% Energy • 6% Liveness
1% Instrumentalness • 84% Positiveness
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Vampire Weekend
Oxford Comma
120 bpm • C Maj • 03:15 • -4.23db
57% Popularity • 69% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
57% Popularity • 69% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Yeah Yeah Yeahs
Maps
120 bpm • G Maj • 03:39 • -5.19db
70% Popularity • 50% Danceability • 94% Energy • 55% Liveness
32% Instrumentalness • 12% Positiveness
70% Popularity • 50% Danceability • 94% Energy • 55% Liveness
32% Instrumentalness • 12% Positiveness
