Songs like Ruby's Surprise Party by Ruby & The Party Gang
Based on a tempo of (+/- 10%) and a similar genre
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Rex Garvin & The Mighty Cravers
Believe It Or Not
118 bpm • C min • 02:48 • -7.41db
10% Popularity • 64% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 64% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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Archie Bell & The Drells
Tighten Up - Pt. 2
118 bpm • B Maj • 02:47 • -12db
24% Popularity • 64% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
24% Popularity • 64% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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William Bell
Eloise (Hang on in There)
118 bpm • B Maj • 02:47 • -15.49db
8% Popularity • 75% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 75% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Mickey & The Soul Generation
Hey, Brother Man
118 bpm • G Maj • 02:56 • -6.21db
9% Popularity • 72% Danceability • 89% Energy • 12% Liveness
4% Instrumentalness • 93% Positiveness
9% Popularity • 72% Danceability • 89% Energy • 12% Liveness
4% Instrumentalness • 93% Positiveness
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Dyke & The Blazers
Booga Jivin'
118 bpm • G# Maj • 04:33 • -12.21db
10% Popularity • 79% Danceability • 65% Energy • 9% Liveness
4% Instrumentalness • 75% Positiveness
10% Popularity • 79% Danceability • 65% Energy • 9% Liveness
4% Instrumentalness • 75% Positiveness
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Lee Fields
Wanna Dance
118 bpm • G# Maj • 05:21 • -6.13db
10% Popularity • 76% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 76% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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The Pazant Brothers
Skunk Juice
118 bpm • C# Maj • 02:13 • -13db
9% Popularity • 72% Danceability • 73% Energy • 36% Liveness
1% Instrumentalness • 96% Positiveness
9% Popularity • 72% Danceability • 73% Energy • 36% Liveness
1% Instrumentalness • 96% Positiveness
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The Groove Merchants
There's Got to Be Someone for Me
118 bpm • D Maj • 02:13 • -9.73db
10% Popularity • 72% Danceability • 69% Energy • 8% Liveness
2% Instrumentalness • 70% Positiveness
10% Popularity • 72% Danceability • 69% Energy • 8% Liveness
2% Instrumentalness • 70% Positiveness
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Bobby Byrd
You Got To Have A Job (If You Don't Work...
117 bpm • G# Maj • 04:05 • -8.12db
8% Popularity • 88% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 88% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Syl Johnson
Come On Sock It to Me
117 bpm • D Maj • 02:27 • -6db
16% Popularity • 73% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 73% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Dyke & The Blazers
Swamp Walk
117 bpm • F Maj • 05:38 • -8.53db
7% Popularity • 66% Danceability • 63% Energy • 11% Liveness
15% Instrumentalness • 94% Positiveness
7% Popularity • 66% Danceability • 63% Energy • 11% Liveness
15% Instrumentalness • 94% Positiveness
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Jackie Shane
High Heel Sneakers
117 bpm • A# min • 04:03 • -6.46db
8% Popularity • 47% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 47% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Clarence Reid
Funky Party
119 bpm • A min • 03:29 • -5.97db
20% Popularity • 66% Danceability • 83% Energy • 8% Liveness
1% Instrumentalness • 74% Positiveness
20% Popularity • 66% Danceability • 83% Energy • 8% Liveness
1% Instrumentalness • 74% Positiveness
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Judy Clay
Bed Of Roses
117 bpm • D min • 02:40 • -9.76db
7% Popularity • 57% Danceability • 44% Energy • 44% Liveness
0% Instrumentalness • 84% Positiveness
7% Popularity • 57% Danceability • 44% Energy • 44% Liveness
0% Instrumentalness • 84% Positiveness
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Billy Garner
Brand New Girl
117 bpm • A Maj • 03:41 • -6.13db
16% Popularity • 85% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 85% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
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Bobby Williams
Soul Brother Party
119 bpm • A min • 06:32 • -11.93db
16% Popularity • 72% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 72% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
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Dyke & The Blazers
Shotgun Slim
118 bpm • G# Maj • 02:19 • -12.38db
28% Popularity • 85% Danceability • 44% Energy • 11% Liveness
5% Instrumentalness • 88% Positiveness
28% Popularity • 85% Danceability • 44% Energy • 11% Liveness
5% Instrumentalness • 88% Positiveness
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Syl Johnson
Try Me
119 bpm • F# min • 02:34 • -7.45db
7% Popularity • 72% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
7% Popularity • 72% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Rufus Thomas
Itch And Scratch (Part 2)
117 bpm • C Maj • 02:45 • -8.65db
12% Popularity • 92% Danceability • 86% Energy • 3% Liveness
6% Instrumentalness • 96% Positiveness
12% Popularity • 92% Danceability • 86% Energy • 3% Liveness
6% Instrumentalness • 96% Positiveness
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Rasputin's Stash
Your Love Is Certified - 2013 Japan Rema...
116 bpm • C# Maj • 02:02 • -6.82db
12% Popularity • 62% Danceability • 80% Energy • 57% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 62% Danceability • 80% Energy • 57% Liveness
0% Instrumentalness • 50% Positiveness
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Billy Garner
You're Wasting My Time, Pt. 1
117 bpm • D Maj • 02:53 • -7.5db
11% Popularity • 77% Danceability • 72% Energy • 28% Liveness
16% Instrumentalness • 86% Positiveness
11% Popularity • 77% Danceability • 72% Energy • 28% Liveness
16% Instrumentalness • 86% Positiveness
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Billy Stewart
Fat Boy's Boogaloo
117 bpm • G Maj • 02:39 • -7db
13% Popularity • 70% Danceability • 64% Energy • 5% Liveness
2% Instrumentalness • 76% Positiveness
13% Popularity • 70% Danceability • 64% Energy • 5% Liveness
2% Instrumentalness • 76% Positiveness
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Benny Latimore
Girl I Got News For You
116 bpm • A# min • 02:29 • -6.71db
15% Popularity • 48% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 48% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 16% Positiveness
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Bobby Byrd
Keep on Doin' What You're Doin'
116 bpm • C Maj • 02:49 • -11.74db
30% Popularity • 83% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 83% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Betty Wright
Mr. Lucky
120 bpm • A# Maj • 02:43 • -5.44db
13% Popularity • 50% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 50% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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The Bar-Kays
Son Of Shaft
116 bpm • D min • 03:11 • -10.73db
8% Popularity • 66% Danceability • 82% Energy • 19% Liveness
1% Instrumentalness • 67% Positiveness
8% Popularity • 66% Danceability • 82% Energy • 19% Liveness
1% Instrumentalness • 67% Positiveness
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Billy Garner
Brand New Girl - Pt. 1
117 bpm • D min • 02:31 • -6.63db
10% Popularity • 78% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 78% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Mary Jane Hooper
Don't Change Nothin'
116 bpm • D# Maj • 03:21 • -12.61db
14% Popularity • 63% Danceability • 54% Energy • 7% Liveness
15% Instrumentalness • 95% Positiveness
14% Popularity • 63% Danceability • 54% Energy • 7% Liveness
15% Instrumentalness • 95% Positiveness
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Darrell Banks
I've Got That Feelin'
120 bpm • G min • 02:16 • -6.65db
16% Popularity • 60% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 60% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Senõr Soul
Don't Lay Your Funky Trip On Me
120 bpm • A# Maj • 03:32 • -8.59db
12% Popularity • 71% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 71% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Al Green
I'll Be Good To You - Digitally remaster...
116 bpm • G Maj • 02:13 • -7.66db
16% Popularity • 58% Danceability • 70% Energy • 11% Liveness
1% Instrumentalness • 96% Positiveness
16% Popularity • 58% Danceability • 70% Energy • 11% Liveness
1% Instrumentalness • 96% Positiveness
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The Beginning Of The End
Monkey Tamarind
120 bpm • F# min • 03:40 • -6.45db
29% Popularity • 49% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 49% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Clarence Carter
Tell Daddy
120 bpm • C Maj • 02:27 • -14.19db
12% Popularity • 58% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 58% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Fred Wesley & The J.B.'s
If You Don't Get It The First Time, Back...
120 bpm • A# min • 03:32 • -11.71db
27% Popularity • 90% Danceability • 44% Energy • 19% Liveness
12% Instrumentalness • 74% Positiveness
27% Popularity • 90% Danceability • 44% Energy • 19% Liveness
12% Instrumentalness • 74% Positiveness
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Brother Soul
Cookies
120 bpm • A Maj • 02:43 • -6.96db
18% Popularity • 84% Danceability • 81% Energy • 29% Liveness
12% Instrumentalness • 99% Positiveness
18% Popularity • 84% Danceability • 81% Energy • 29% Liveness
12% Instrumentalness • 99% Positiveness
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Skull Snaps
All of a Sudden - Remastered
116 bpm • A# Maj • 03:21 • -7.05db
13% Popularity • 46% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 46% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Bobby Byrd
Sayin' It and Doin It Are Two Different ...
121 bpm • F Maj • 03:12 • -12.61db
23% Popularity • 86% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 86% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Tear Drops
I'm Gonna Get You
115 bpm • C# min • 03:04 • -9.05db
9% Popularity • 43% Danceability • 86% Energy • 35% Liveness
16% Instrumentalness • 86% Positiveness
9% Popularity • 43% Danceability • 86% Energy • 35% Liveness
16% Instrumentalness • 86% Positiveness
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The Third Guitar
Lovin' Lies
121 bpm • A Maj • 01:51 • -10.05db
5% Popularity • 54% Danceability • 78% Energy • 51% Liveness
0% Instrumentalness • 92% Positiveness
5% Popularity • 54% Danceability • 78% Energy • 51% Liveness
0% Instrumentalness • 92% Positiveness
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Don Covay
Sookie, Sookie
121 bpm • E Maj • 02:45 • -11.26db
26% Popularity • 79% Danceability • 38% Energy • 18% Liveness
62% Instrumentalness • 70% Positiveness
26% Popularity • 79% Danceability • 38% Energy • 18% Liveness
62% Instrumentalness • 70% Positiveness
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Billy Stewart
Every Day I Have The Blues
121 bpm • G# Maj • 02:55 • -10.37db
11% Popularity • 68% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 68% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Young Senators
Jungle
115 bpm • G Maj • 03:26 • -3db
11% Popularity • 66% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 66% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 93% Positiveness
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The Pharaohs
Black Enuff
115 bpm • C# min • 02:57 • -6.64db
10% Popularity • 67% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 67% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Mary Jane Hooper
You've Got What I Want
115 bpm • A# Maj • 02:49 • -8.15db
8% Popularity • 69% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 69% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Adam Wade
Brother (Title)
115 bpm • G# Maj • 01:55 • -8.06db
11% Popularity • 69% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 69% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Archie Bell & The Drells
Give Me Time
114 bpm • G min • 02:33 • -13.8db
9% Popularity • 55% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 55% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Tina Britt
Who Was That
122 bpm • B Maj • 02:51 • -9db
11% Popularity • 81% Danceability • 58% Energy • 9% Liveness
4% Instrumentalness • 91% Positiveness
11% Popularity • 81% Danceability • 58% Energy • 9% Liveness
4% Instrumentalness • 91% Positiveness
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Patti Drew
Stop And Listen
122 bpm • C min • 02:41 • -8.56db
11% Popularity • 63% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 63% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
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Sharon Jones & The Dap-Kings
The Dap Dip
122 bpm • C# min • 04:01 • -4.53db
15% Popularity • 75% Danceability • 89% Energy • 38% Liveness
13% Instrumentalness • 94% Positiveness
15% Popularity • 75% Danceability • 89% Energy • 38% Liveness
13% Instrumentalness • 94% Positiveness
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Brown Bombers
Wait For Me
122 bpm • C# Maj • 02:18 • -5.34db
8% Popularity • 55% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 55% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Maceo And The Macks
Parrty - Pt. 1
114 bpm • G# Maj • 03:22 • -12.47db
27% Popularity • 86% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 86% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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The Johnny Otis Show
The Watts Breakaway
114 bpm • G Maj • 02:34 • -10.63db
25% Popularity • 74% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 74% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Dyke & The Blazers
Funky Broadway Part 1
122 bpm • C# Maj • 02:40 • -9.46db
37% Popularity • 71% Danceability • 54% Energy • 14% Liveness
47% Instrumentalness • 95% Positiveness
37% Popularity • 71% Danceability • 54% Energy • 14% Liveness
47% Instrumentalness • 95% Positiveness
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The Organics
Footstumpin' (Alternate Take)
122 bpm • C Maj • 02:22 • -8.57db
21% Popularity • 64% Danceability • 72% Energy • 12% Liveness
83% Instrumentalness • 96% Positiveness
21% Popularity • 64% Danceability • 72% Energy • 12% Liveness
83% Instrumentalness • 96% Positiveness
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Syl Johnson
Soul Drippin'
114 bpm • D# Maj • 02:24 • -10.23db
12% Popularity • 73% Danceability • 50% Energy • 6% Liveness
5% Instrumentalness • 89% Positiveness
12% Popularity • 73% Danceability • 50% Energy • 6% Liveness
5% Instrumentalness • 89% Positiveness
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Clarence Reid
No Way Out
114 bpm • A min • 02:43 • -5.89db
13% Popularity • 58% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 58% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 85% Positiveness
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Rufus Thomas
Let The Good Times Roll
114 bpm • E Maj • 03:36 • -10.11db
6% Popularity • 62% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
6% Popularity • 62% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Ernie and The Top Notes, Inc.
Dap Walk
114 bpm • A# Maj • 03:03 • -5.09db
25% Popularity • 71% Danceability • 84% Energy • 5% Liveness
67% Instrumentalness • 86% Positiveness
25% Popularity • 71% Danceability • 84% Energy • 5% Liveness
67% Instrumentalness • 86% Positiveness
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Archie Bell & The Drells
I Can't Stop Dancing
122 bpm • C Maj • 02:21 • -8db
32% Popularity • 56% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 56% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Clifton Chenier
Just Keep on Scratching
122 bpm • F min • 02:52 • -12.04db
7% Popularity • 50% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
7% Popularity • 50% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Damn Sam The Miracle Man
Give Me Another Joint
113 bpm • G Maj • 04:09 • -6.84db
8% Popularity • 56% Danceability • 99% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 56% Danceability • 99% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Elijah & The Ebonites
Pure Soul
114 bpm • C Maj • 03:19 • -10.13db
9% Popularity • 61% Danceability • 76% Energy • 21% Liveness
10% Instrumentalness • 87% Positiveness
9% Popularity • 61% Danceability • 76% Energy • 21% Liveness
10% Instrumentalness • 87% Positiveness
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Gwen McCrae
I'm Coming at You
113 bpm • C# min • 03:06 • -2.65db
11% Popularity • 68% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 68% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Eugene Blacknell
The Trip
113 bpm • F min • 02:23 • -5.39db
7% Popularity • 48% Danceability • 90% Energy • 7% Liveness
88% Instrumentalness • 97% Positiveness
7% Popularity • 48% Danceability • 90% Energy • 7% Liveness
88% Instrumentalness • 97% Positiveness
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Syl Johnson
Stuck in Chicago
113 bpm • F min • 02:51 • -8.27db
12% Popularity • 73% Danceability • 55% Energy • 6% Liveness
3% Instrumentalness • 73% Positiveness
12% Popularity • 73% Danceability • 55% Energy • 6% Liveness
3% Instrumentalness • 73% Positiveness
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The Fabulous Rhythm Makers
Mini, Mini Afro Twist
123 bpm • C Maj • 01:53 • -9db
15% Popularity • 67% Danceability • 86% Energy • 36% Liveness
83% Instrumentalness • 86% Positiveness
15% Popularity • 67% Danceability • 86% Energy • 36% Liveness
83% Instrumentalness • 86% Positiveness
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Jesse Fisher
You're Not Loving A Beginner
123 bpm • G# min • 02:32 • -6.14db
8% Popularity • 71% Danceability • 74% Energy • 8% Liveness
3% Instrumentalness • 80% Positiveness
8% Popularity • 71% Danceability • 74% Energy • 8% Liveness
3% Instrumentalness • 80% Positiveness
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Bill Moss
Sock It to 'Em Soul Brother
113 bpm • D min • 02:26 • -7.18db
16% Popularity • 70% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 70% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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The Sensations
Demanding Man
123 bpm • G# Maj • 02:24 • -6.87db
11% Popularity • 59% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 59% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Alvin Cash
Keep On Dancing, Pt. 1
123 bpm • D min • 02:42 • -10db
15% Popularity • 78% Danceability • 71% Energy • 12% Liveness
23% Instrumentalness • 96% Positiveness
15% Popularity • 78% Danceability • 71% Energy • 12% Liveness
23% Instrumentalness • 96% Positiveness
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Robert Moore
Everything's Gonna Be Alright
113 bpm • A Maj • 02:38 • -11.19db
14% Popularity • 72% Danceability • 72% Energy • 8% Liveness
72% Instrumentalness • 95% Positiveness
14% Popularity • 72% Danceability • 72% Energy • 8% Liveness
72% Instrumentalness • 95% Positiveness
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Black Heat
The Jungle
113 bpm • E min • 05:11 • -16db
23% Popularity • 52% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 52% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
Spreadin' Honey - Remastered Mono Versio...
113 bpm • A# Maj • 02:28 • -11.45db
14% Popularity • 77% Danceability • 55% Energy • 5% Liveness
17% Instrumentalness • 78% Positiveness
14% Popularity • 77% Danceability • 55% Energy • 5% Liveness
17% Instrumentalness • 78% Positiveness
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Dyke & The Blazers
Funky Walk Part 2 (West)
113 bpm • C# Maj • 02:31 • -10.51db
24% Popularity • 73% Danceability • 71% Energy • 12% Liveness
72% Instrumentalness • 80% Positiveness
24% Popularity • 73% Danceability • 71% Energy • 12% Liveness
72% Instrumentalness • 80% Positiveness
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Clarence Reid
Part Time Lover
113 bpm • C min • 02:01 • -6.84db
12% Popularity • 66% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 66% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Eddie Floyd
Hobo
113 bpm • F# min • 02:56 • -11.1db
7% Popularity • 75% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
7% Popularity • 75% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Betty Wright
Funny How Love Grows Cold
124 bpm • D Maj • 02:53 • -10.67db
11% Popularity • 75% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 75% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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O.V. Wright
The Only Thing That Saved Me
112 bpm • C min • 02:34 • -11.15db
7% Popularity • 81% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
7% Popularity • 81% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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The Stovall Sisters
Hang on in There
124 bpm • G# Maj • 03:36 • -6.99db
16% Popularity • 66% Danceability • 88% Energy • 5% Liveness
53% Instrumentalness • 96% Positiveness
16% Popularity • 66% Danceability • 88% Energy • 5% Liveness
53% Instrumentalness • 96% Positiveness
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Dyke & The Blazers
Funky Broadway Part 2
124 bpm • A# Maj • 02:55 • -9.82db
19% Popularity • 75% Danceability • 53% Energy • 26% Liveness
82% Instrumentalness • 55% Positiveness
19% Popularity • 75% Danceability • 53% Energy • 26% Liveness
82% Instrumentalness • 55% Positiveness
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The Whatnauts
I Dig Your Act
124 bpm • A# Maj • 02:25 • -13.69db
11% Popularity • 72% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 72% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Swamp Dogg
Predicament #2
124 bpm • C Maj • 03:06 • -13.21db
8% Popularity • 72% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 72% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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The Outlaw Gang
Funky Fast Bump
112 bpm • G Maj • 02:45 • -11db
9% Popularity • 66% Danceability • 83% Energy • 10% Liveness
1% Instrumentalness • 94% Positiveness
9% Popularity • 66% Danceability • 83% Energy • 10% Liveness
1% Instrumentalness • 94% Positiveness
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Syl Johnson
Ode to Soul Man
124 bpm • D Maj • 02:33 • -7.05db
11% Popularity • 70% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 70% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
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Co-Real Artists
What About You (in the World Today)
124 bpm • A# min • 02:50 • -6.75db
16% Popularity • 78% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 78% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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Dyke & The Blazers
Funky Walk Part 1 (East)
112 bpm • C# Maj • 03:09 • -10db
28% Popularity • 71% Danceability • 73% Energy • 27% Liveness
67% Instrumentalness • 76% Positiveness
28% Popularity • 71% Danceability • 73% Energy • 27% Liveness
67% Instrumentalness • 76% Positiveness
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Dolly Gilmore
Sweet Sweet Baby
112 bpm • C min • 02:20 • -8db
8% Popularity • 73% Danceability • 78% Energy • 14% Liveness
3% Instrumentalness • 69% Positiveness
8% Popularity • 73% Danceability • 78% Energy • 14% Liveness
3% Instrumentalness • 69% Positiveness
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Bob & Gene
You Don't Need Me
112 bpm • C Maj • 02:44 • -6.48db
18% Popularity • 47% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 47% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Della Reese
It Was A Very Good Year
125 bpm • C# Maj • 03:20 • -8.79db
9% Popularity • 70% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 70% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
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Syl Johnson
Same Kind of Thing
125 bpm • D Maj • 02:24 • -7.96db
21% Popularity • 72% Danceability • 65% Energy • 8% Liveness
1% Instrumentalness • 81% Positiveness
21% Popularity • 72% Danceability • 65% Energy • 8% Liveness
1% Instrumentalness • 81% Positiveness
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Johnny Williams
Breaking Point
125 bpm • F min • 03:00 • -9db
8% Popularity • 73% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 73% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Boscoe
If I Had My Way
112 bpm • C# min • 04:24 • -8.41db
10% Popularity • 64% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 64% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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The Sweet Inspirations
I'm Blue
112 bpm • D Maj • 02:09 • -19db
29% Popularity • 76% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 76% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Sound Experience
Devil With The Bust
112 bpm • D Maj • 05:43 • -11.27db
18% Popularity • 66% Danceability • 80% Energy • 12% Liveness
1% Instrumentalness • 76% Positiveness
18% Popularity • 66% Danceability • 80% Energy • 12% Liveness
1% Instrumentalness • 76% Positiveness
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Reginald Milton & The Soul Jets
Clap Your Hands
112 bpm • C# Maj • 02:37 • -10.23db
13% Popularity • 62% Danceability • 77% Energy • 34% Liveness
11% Instrumentalness • 82% Positiveness
13% Popularity • 62% Danceability • 77% Energy • 34% Liveness
11% Instrumentalness • 82% Positiveness
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Spanky Wilson
You
111 bpm • C# Maj • 02:14 • -5.19db
16% Popularity • 70% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 70% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Charles Bradley
Now That I'm Gone (Look How You're Cryin...
125 bpm • B min • 03:28 • -12db
24% Popularity • 63% Danceability • 72% Energy • 10% Liveness
30% Instrumentalness • 88% Positiveness
24% Popularity • 63% Danceability • 72% Energy • 10% Liveness
30% Instrumentalness • 88% Positiveness
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Vicki Anderson
I Want To Be In The Land Of Milk And Hon...
111 bpm • F Maj • 02:54 • -11db
11% Popularity • 53% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 53% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
