Songs like Rue's Farewell by James Newton Howard
Based on a tempo of (+/- 10%) and a similar genre
► Preview
James Newton Howard
Rue's Farewell
66 bpm • A min • 04:59 • -20.54db
43% Popularity • 6% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
43% Popularity • 6% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Alan Silvestri
Porch
66 bpm • G min • 00:58 • -28.8db
49% Popularity • 13% Danceability • 4% Energy • 12% Liveness
59% Instrumentalness • 8% Positiveness
49% Popularity • 13% Danceability • 4% Energy • 12% Liveness
59% Instrumentalness • 8% Positiveness
► Preview
Craig Armstrong
Hotel Sayre
66 bpm • B min • 03:22 • -20.6db
44% Popularity • 20% Danceability • 9% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
44% Popularity • 20% Danceability • 9% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
► Preview
West Dylan Thordson
Kevin & Casey
67 bpm • F min • 02:11 • -20.51db
49% Popularity • 25% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
49% Popularity • 25% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Kevin Kiner
Death of a Master
67 bpm • G min • 01:25 • -15.27db
44% Popularity • 22% Danceability • 24% Energy • 14% Liveness
93% Instrumentalness • 7% Positiveness
44% Popularity • 22% Danceability • 24% Energy • 14% Liveness
93% Instrumentalness • 7% Positiveness
► Preview
BBC Scottish Symphony Orchestra
Scotland
67 bpm • A min • 02:12 • -15db
52% Popularity • 12% Danceability • 40% Energy • 20% Liveness
94% Instrumentalness • 4% Positiveness
52% Popularity • 12% Danceability • 40% Energy • 20% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Roque Baños
Separations
67 bpm • F min • 04:29 • -33.38db
23% Popularity • 14% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
23% Popularity • 14% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
Marc Streitenfeld
The Legend Begins
67 bpm • F Maj • 01:27 • -17.96db
61% Popularity • 24% Danceability • 23% Energy • 24% Liveness
97% Instrumentalness • 3% Positiveness
61% Popularity • 24% Danceability • 23% Energy • 24% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
David Arnold
Who I Want to Be
67 bpm • A min • 02:42 • -20db
39% Popularity • 21% Danceability • 20% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 21% Danceability • 20% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Ilan Eshkeri
Assano Seppuku
67 bpm • A min • 02:41 • -18.91db
48% Popularity • 19% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
48% Popularity • 19% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Kevin Kiner
Burying the Dead
67 bpm • D Maj • 02:16 • -15.72db
51% Popularity • 28% Danceability • 24% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
51% Popularity • 28% Danceability • 24% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Sonya Belousova
Happy Childhoods Make For Dull Company
67 bpm • A# Maj • 03:16 • -16.43db
41% Popularity • 14% Danceability • 26% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 26% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Howard Shore
Many Meetings
65 bpm • C Maj • 03:05 • -20.61db
54% Popularity • 6% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
54% Popularity • 6% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Rohan Stevenson
Farewell to Gwen
67 bpm • A# min • 01:42 • -20db
40% Popularity • 14% Danceability • 7% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
40% Popularity • 14% Danceability • 7% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Max Richter
She Remembers
68 bpm • F# min • 03:49 • -21.52db
51% Popularity • 6% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
51% Popularity • 6% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Ramin Djawadi
Home
68 bpm • C Maj • 02:30 • -16db
48% Popularity • 11% Danceability • 18% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
48% Popularity • 11% Danceability • 18% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Stephen Warbeck
A Nation Died
64 bpm • D min • 01:42 • -17.8db
50% Popularity • 18% Danceability • 13% Energy • 12% Liveness
77% Instrumentalness • 5% Positiveness
50% Popularity • 18% Danceability • 13% Energy • 12% Liveness
77% Instrumentalness • 5% Positiveness
► Preview
Simon Franglen
Happiness Is Simple
68 bpm • E min • 02:22 • -20.07db
46% Popularity • 21% Danceability • 30% Energy • 35% Liveness
84% Instrumentalness • 12% Positiveness
46% Popularity • 21% Danceability • 30% Energy • 35% Liveness
84% Instrumentalness • 12% Positiveness
► Preview
Alexandre Desplat
Severus and Lily
68 bpm • A min • 06:08 • -26db
47% Popularity • 6% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
47% Popularity • 6% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Stephen Rennicks
Together Again
64 bpm • F min • 02:53 • -28.86db
54% Popularity • 20% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
54% Popularity • 20% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
William Ross
Lonely Roscuro
68 bpm • A min • 01:15 • -36db
55% Popularity • 21% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
55% Popularity • 21% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
Nicholas Hooper
In Noctem
64 bpm • C min • 02:00 • -29.88db
51% Popularity • 28% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
51% Popularity • 28% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Ludwig Göransson
Destroyer Of Worlds
64 bpm • C# min • 02:54 • -17.41db
65% Popularity • 27% Danceability • 20% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
65% Popularity • 27% Danceability • 20% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Steven Price
The Importance Of This River
68 bpm • A Maj • 02:40 • -18.19db
29% Popularity • 19% Danceability • 20% Energy • 8% Liveness
74% Instrumentalness • 10% Positiveness
29% Popularity • 19% Danceability • 20% Energy • 8% Liveness
74% Instrumentalness • 10% Positiveness
► Preview
Joseph Trapanese
Hope for the Future
68 bpm • F Maj • 02:10 • -22.42db
31% Popularity • 17% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
31% Popularity • 17% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Simon Franglen
The Spirit Tree
68 bpm • G min • 02:57 • -18.84db
39% Popularity • 13% Danceability • 15% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
39% Popularity • 13% Danceability • 15% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
David Arnold
Vesper
64 bpm • A min • 01:44 • -23.64db
51% Popularity • 24% Danceability • 5% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
51% Popularity • 24% Danceability • 5% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Craig Armstrong
Journey To Dignitas
64 bpm • C min • 01:40 • -22.72db
43% Popularity • 29% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
43% Popularity • 29% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
► Preview
Marc Streitenfeld
Life
69 bpm • E Maj • 02:30 • -20.33db
46% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
46% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Clinton Shorter
Sacrifice
69 bpm • G min • 01:26 • -18.88db
52% Popularity • 22% Danceability • 19% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
52% Popularity • 22% Danceability • 19% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Alexandre Desplat
The Resurrection Stone
69 bpm • C# min • 04:32 • -28.13db
49% Popularity • 16% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
49% Popularity • 16% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Mychael Danna
Tsimtsum
63 bpm • F# min • 02:49 • -20.38db
51% Popularity • 17% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
51% Popularity • 17% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Carlos Rafael Rivera
Playing Mr. Ganz
63 bpm • D# Maj • 01:36 • -31.59db
43% Popularity • 12% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 12% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
James Newton Howard
Central Park
69 bpm • F Maj • 04:36 • -28.24db
35% Popularity • 7% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
The Newton Brothers
The Haunting of Hill House (Main Titles)
63 bpm • F Maj • 01:06 • -15.33db
40% Popularity • 23% Danceability • 29% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
40% Popularity • 23% Danceability • 29% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
► Preview
John Powell
Stoick's Ship
69 bpm • G min • 03:47 • -21.18db
46% Popularity • 14% Danceability • 7% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
46% Popularity • 14% Danceability • 7% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Anthony Willis
Romance Suite
70 bpm • E Maj • 03:32 • -21.26db
44% Popularity • 14% Danceability • 8% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
44% Popularity • 14% Danceability • 8% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Abel Korzeniowski
One Day Soon
70 bpm • C# Maj • 01:10 • -32.84db
38% Popularity • 45% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
38% Popularity • 45% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
► Preview
Carlos Rafael Rivera
The Scholar's Mate
70 bpm • F Maj • 01:18 • -19.62db
58% Popularity • 22% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
58% Popularity • 22% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
James Newton Howard
District 12
70 bpm • A Maj • 03:23 • -35.31db
34% Popularity • 6% Danceability • 0% Energy • 10% Liveness
36% Instrumentalness • 3% Positiveness
34% Popularity • 6% Danceability • 0% Energy • 10% Liveness
36% Instrumentalness • 3% Positiveness
► Preview
Eternal Eclipse
True Love's Last Kiss
70 bpm • F Maj • 03:17 • -14db
47% Popularity • 20% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
47% Popularity • 20% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Harry Gregson-Williams
Crossing Mars
70 bpm • C min • 03:36 • -18.67db
44% Popularity • 6% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
44% Popularity • 6% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Howard Shore
The Journey to the Grey Havens
70 bpm • A Maj • 07:34 • -29.2db
52% Popularity • 9% Danceability • 3% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
52% Popularity • 9% Danceability • 3% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
James Horner
Becoming one of "The People" Becoming on...
71 bpm • C# Maj • 07:43 • -26.31db
56% Popularity • 10% Danceability • 9% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
56% Popularity • 10% Danceability • 9% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Steven Price
You Stop My Heart
71 bpm • E min • 01:17 • -32.96db
42% Popularity • 20% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 20% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
David Arnold
Time to Go Home
61 bpm • G Maj • 02:46 • -16.63db
33% Popularity • 17% Danceability • 12% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 12% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Bear McCreary
People Disappear All the Time
72 bpm • G Maj • 03:32 • -19db
48% Popularity • 22% Danceability • 17% Energy • 15% Liveness
78% Instrumentalness • 4% Positiveness
48% Popularity • 22% Danceability • 17% Energy • 15% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
Ilan Eshkeri
Butterfly
72 bpm • E min • 01:37 • -17db
47% Popularity • 21% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
47% Popularity • 21% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
Michael Giacchino
Jyn Erso & Hope Suite
72 bpm • G Maj • 05:51 • -17.03db
43% Popularity • 13% Danceability • 12% Energy • 33% Liveness
92% Instrumentalness • 4% Positiveness
43% Popularity • 13% Danceability • 12% Energy • 33% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
James Horner
Rooftop Kiss
70 bpm • G Maj • 02:34 • -36.28db
49% Popularity • 8% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
49% Popularity • 8% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Joseph Trapanese
Erase the Past
72 bpm • G# Maj • 02:19 • -20.87db
31% Popularity • 7% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
31% Popularity • 7% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Mychael Danna
Which Story do you Prefer?
72 bpm • D Maj • 02:05 • -22db
35% Popularity • 22% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
35% Popularity • 22% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Marc Streitenfeld
Alpha
73 bpm • C Maj • 02:16 • -22db
43% Popularity • 10% Danceability • 15% Energy • 7% Liveness
95% Instrumentalness • 6% Positiveness
43% Popularity • 10% Danceability • 15% Energy • 7% Liveness
95% Instrumentalness • 6% Positiveness
► Preview
The Newton Brothers
Beginning of the End Movement VI
73 bpm • A min • 03:50 • -21db
29% Popularity • 7% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
29% Popularity • 7% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Alexandre Desplat
Lily's Theme
73 bpm • F# Maj • 02:28 • -28.66db
64% Popularity • 18% Danceability • 5% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
64% Popularity • 18% Danceability • 5% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Craig Armstrong
Me Before You Orchestral
73 bpm • C Maj • 07:13 • -16db
46% Popularity • 26% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
46% Popularity • 26% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Johannes Bornlöf
The Lost Cities
73 bpm • E Maj • 02:20 • -16.63db
35% Popularity • 17% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
35% Popularity • 17% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Mychael Danna
Coaching
73 bpm • C Maj • 01:01 • -27db
44% Popularity • 12% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
44% Popularity • 12% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Michael Giacchino
Forget Me Knots
73 bpm • C min • 06:49 • -19db
38% Popularity • 7% Danceability • 6% Energy • 5% Liveness
91% Instrumentalness • 3% Positiveness
38% Popularity • 7% Danceability • 6% Energy • 5% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Steven Price
Baby Blue
59 bpm • C Maj • 04:51 • -20.86db
28% Popularity • 13% Danceability • 19% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 13% Danceability • 19% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Ludwig Göransson
Oppenheimer
73 bpm • D Maj • 02:16 • -15.95db
59% Popularity • 8% Danceability • 26% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
59% Popularity • 8% Danceability • 26% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Craig Armstrong
Oak Leaves
73 bpm • D min • 01:10 • -19.74db
45% Popularity • 18% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
45% Popularity • 18% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
► Preview
Simon Franglen
From Darkness to Light
74 bpm • F min • 04:14 • -18db
38% Popularity • 10% Danceability • 14% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
38% Popularity • 10% Danceability • 14% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
The Newton Brothers
Beginning of the End Movement I
74 bpm • F Maj • 03:28 • -22.72db
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Nicholas Hooper
The Friends
74 bpm • C Maj • 02:00 • -26.45db
48% Popularity • 21% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
48% Popularity • 21% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Howard Shore
Twilight and Shadow
74 bpm • E min • 03:30 • -22db
50% Popularity • 7% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
50% Popularity • 7% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Jóhann Jóhannsson
A Normal Family
74 bpm • A min • 01:41 • -21.09db
49% Popularity • 10% Danceability • 18% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
49% Popularity • 10% Danceability • 18% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Craig Armstrong
Corn Exchange
74 bpm • G Maj • 01:26 • -18.43db
42% Popularity • 9% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 8% Positiveness
42% Popularity • 9% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 8% Positiveness
► Preview
Alan Silvestri
A Promise
75 bpm • E min • 03:34 • -13.83db
40% Popularity • 10% Danceability • 27% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
40% Popularity • 10% Danceability • 27% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
The Newton Brothers
Beginning of the End Movement V
74 bpm • C Maj • 03:47 • -22db
45% Popularity • 10% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
45% Popularity • 10% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
James Newton Howard
Katniss
75 bpm • D Maj • 01:42 • -25.59db
36% Popularity • 7% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 3% Positiveness
36% Popularity • 7% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 3% Positiveness
► Preview
Howard Shore
Evenstar
74 bpm • E min • 03:15 • -26.19db
59% Popularity • 12% Danceability • 4% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
59% Popularity • 12% Danceability • 4% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
► Preview
Jonas Kvarnström
Cloud Atlas - Sextet - Piano & Orchestr...
75 bpm • C Maj • 04:15 • -18.35db
44% Popularity • 20% Danceability • 7% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
44% Popularity • 20% Danceability • 7% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
► Preview
Jóhann Jóhannsson
The Dreams that Stuff is Made Of
58 bpm • C min • 01:51 • -20.41db
57% Popularity • 36% Danceability • 9% Energy • 12% Liveness
74% Instrumentalness • 8% Positiveness
57% Popularity • 36% Danceability • 9% Energy • 12% Liveness
74% Instrumentalness • 8% Positiveness
► Preview
Joseph Trapanese
Her Name Is Alina Starkov
75 bpm • D Maj • 02:57 • -21db
29% Popularity • 12% Danceability • 9% Energy • 6% Liveness
87% Instrumentalness • 3% Positiveness
29% Popularity • 12% Danceability • 9% Energy • 6% Liveness
87% Instrumentalness • 3% Positiveness
► Preview
The Newton Brothers
Beginning of the End Movement VII
74 bpm • A min • 03:42 • -20.09db
28% Popularity • 31% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
28% Popularity • 31% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
James Newton Howard
Reaping Day
75 bpm • D Maj • 01:35 • -22.6db
28% Popularity • 15% Danceability • 7% Energy • 20% Liveness
96% Instrumentalness • 3% Positiveness
28% Popularity • 15% Danceability • 7% Energy • 20% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Craig Armstrong
Time Moves On
75 bpm • A Maj • 01:08 • -20.72db
41% Popularity • 21% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
41% Popularity • 21% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Mychael Danna
Wish I Could Spend The Day With You
75 bpm • E Maj • 01:46 • -28.43db
49% Popularity • 15% Danceability • 2% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
49% Popularity • 15% Danceability • 2% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Jeremy Soule
The Streets of Whiterun
75 bpm • C# min • 04:04 • -17.68db
61% Popularity • 7% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
61% Popularity • 7% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Howard Shore
The Grey Havens
58 bpm • D Maj • 05:59 • -27.65db
45% Popularity • 6% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
45% Popularity • 6% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
► Preview
The Newton Brothers
The Haunting of Bly Manor (Main Titles)
75 bpm • G# Maj • 01:06 • -12.76db
32% Popularity • 15% Danceability • 49% Energy • 11% Liveness
70% Instrumentalness • 14% Positiveness
32% Popularity • 15% Danceability • 49% Energy • 11% Liveness
70% Instrumentalness • 14% Positiveness
► Preview
James Newton Howard
Remind Her Who The Enemy Is
75 bpm • G Maj • 02:29 • -25.75db
31% Popularity • 13% Danceability • 3% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
31% Popularity • 13% Danceability • 3% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Audiomachine
Leap of Faith
75 bpm • D Maj • 03:24 • -11.95db
42% Popularity • 7% Danceability • 51% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
42% Popularity • 7% Danceability • 51% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
► Preview
Mark Isham
Leaving Storybrooke
76 bpm • E min • 03:33 • -11.83db
25% Popularity • 12% Danceability • 18% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
25% Popularity • 12% Danceability • 18% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Ludwig Göransson
Meeting Kitty
76 bpm • C min • 05:47 • -20.2db
58% Popularity • 10% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
58% Popularity • 10% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Howard Shore
Very Old Friends
76 bpm • G Maj • 03:12 • -34.55db
51% Popularity • 12% Danceability • 0% Energy • 20% Liveness
24% Instrumentalness • 4% Positiveness
51% Popularity • 12% Danceability • 0% Energy • 20% Liveness
24% Instrumentalness • 4% Positiveness
► Preview
Carlos Rafael Rivera
New York
77 bpm • F Maj • 01:09 • -23.96db
50% Popularity • 22% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
50% Popularity • 22% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
The Newton Brothers
Go Tomorrow
77 bpm • D Maj • 02:37 • -32.27db
46% Popularity • 18% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
46% Popularity • 18% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
Thomas Newman
The Night Window
77 bpm • A# Maj • 03:41 • -20.65db
45% Popularity • 18% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
45% Popularity • 18% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
► Preview
Michael Giacchino
Moving On
77 bpm • D Maj • 07:54 • -18.96db
37% Popularity • 19% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
37% Popularity • 19% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Geoff Zanelli
Storybook
77 bpm • A min • 01:22 • -20.87db
50% Popularity • 44% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
50% Popularity • 44% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
► Preview
James Newton Howard
Just Friends
77 bpm • G Maj • 01:29 • -26.61db
30% Popularity • 15% Danceability • 4% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
30% Popularity • 15% Danceability • 4% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Jacob Shea
Northern Lights
77 bpm • C min • 02:00 • -21.55db
44% Popularity • 19% Danceability • 7% Energy • 6% Liveness
97% Instrumentalness • 3% Positiveness
44% Popularity • 19% Danceability • 7% Energy • 6% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Nicholas Hooper
A Journey to Hogwarts
78 bpm • A min • 02:52 • -22db
47% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
47% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Thomas Newman
Any Other Name
78 bpm • G min • 04:06 • -33.19db
57% Popularity • 30% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
57% Popularity • 30% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Joseph Trapanese
Court Demonstration
78 bpm • G# Maj • 03:09 • -21db
32% Popularity • 18% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
32% Popularity • 18% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Marc Streitenfeld
Walter's Burial
78 bpm • G min • 03:04 • -22db
49% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
49% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
