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Rugby
Songs like
Rugby
by
O.S.T.R.
Based on a tempo of (+/- 10%) and a similar genre
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O.S.T.R.
1980
95 bpm • B Maj • 03:58 • -3.88db
20% Popularity • 77% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Łona I Webber
Artysto Drogi II
95 bpm • A# Maj • 02:39 • -9db
22% Popularity • 82% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Paktofonika
A Robi Się To Tak
95 bpm • C# Maj • 05:51 • -7.31db
40% Popularity • 83% Danceability • 72% Energy • 46% Liveness
0% Instrumentalness • 85% Positiveness
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Pięć Dwa Dębiec
Dębiec, dębiec
95 bpm • G# min • 04:58 • -5db
22% Popularity • 86% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Borixon
Fakty
95 bpm • C# Maj • 03:14 • -4db
16% Popularity • 79% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Rahim
Dzisiaj
95 bpm • D Maj • 03:18 • -8.38db
17% Popularity • 77% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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PMM
Podążamy za sobą
95 bpm • A# Maj • 03:37 • -5.64db
22% Popularity • 72% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Łona I Webber
Rozmowa
95 bpm • F# Maj • 03:07 • -5.81db
46% Popularity • 81% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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WWO
Damy radę
95 bpm • A# min • 03:01 • -5.29db
47% Popularity • 73% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Kaliber 44
Konfrontacje
95 bpm • E min • 02:36 • -10db
48% Popularity • 75% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Buka
Super Ziom
95 bpm • C Maj • 04:30 • -5db
25% Popularity • 66% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Sobota
Modlitwa
95 bpm • F min • 04:47 • -4.22db
15% Popularity • 71% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Juras
Bilet w jedną stronę
95 bpm • G Maj • 06:17 • -4.72db
20% Popularity • 83% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Łona I Webber
Ballada o Szlachetnym Czorcie
95 bpm • C# min • 02:16 • -8.89db
43% Popularity • 85% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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O.S.T.R.
Co By Się Nie Działo
95 bpm • G# Maj • 03:22 • -5.17db
24% Popularity • 66% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Fisz
Drewno
95 bpm • F# Maj • 04:53 • -6.48db
18% Popularity • 83% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Wzgórze Ya-Pa 3
Po prostu życie
95 bpm • F Maj • 03:59 • -7db
26% Popularity • 83% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Molesta
Xeroboy
95 bpm • G Maj • 03:01 • -8.9db
28% Popularity • 86% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Bez Cenzury
Nie Idę Sam
95 bpm • C Maj • 03:37 • -4.12db
29% Popularity • 67% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Łona I Webber
Biznesmen
95 bpm • C# Maj • 02:05 • -7db
38% Popularity • 72% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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O.S.T.R.
Karma
95 bpm • C# min • 03:12 • -4.26db
19% Popularity • 55% Danceability • 93% Energy • 48% Liveness
0% Instrumentalness • 80% Positiveness
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Paktofonika
Powierzchnie Tnące
95 bpm • G# min • 03:35 • -8.82db
49% Popularity • 69% Danceability • 61% Energy • 70% Liveness
62% Instrumentalness • 71% Positiveness
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Polska Wersja
Lepiej to zostaw
95 bpm • C# Maj • 04:31 • -5db
47% Popularity • 73% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Molesta
28.09.97
95 bpm • C# Maj • 02:36 • -11.22db
37% Popularity • 93% Danceability • 33% Energy • 11% Liveness
11% Instrumentalness • 43% Positiveness
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Ten Typ Mes
Studio, scena, łóżko
94 bpm • G# Maj • 03:19 • -7.25db
31% Popularity • 68% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Łona I Webber
My Się Znamy???
95 bpm • C Maj • 02:30 • -5.35db
34% Popularity • 80% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Sarius
Przerywamy Program O.S.T.R. & Hades
96 bpm • F# min • 03:51 • -5.85db
25% Popularity • 67% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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Borixon
Trwam W Tym
96 bpm • E min • 03:11 • -5db
27% Popularity • 58% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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Nullo
10 Minut Bragga
94 bpm • C# Maj • 10:02 • -4.37db
19% Popularity • 66% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Bonus RPK
Ucz syna - RMX
96 bpm • A# min • 03:48 • -4.61db
26% Popularity • 82% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Małach
One night in Paris
94 bpm • C Maj • 04:10 • -6.16db
34% Popularity • 72% Danceability • 79% Energy • 81% Liveness
0% Instrumentalness • 78% Positiveness
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Rychu Peja SoLUfka
Hip hop
94 bpm • G# Maj • 03:06 • -6.51db
19% Popularity • 80% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Pięć Dwa Dębiec
Graffiti
96 bpm • F# Maj • 02:26 • -6.61db
30% Popularity • 83% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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O.S.T.R.
Za Drugim Razem
94 bpm • D Maj • 02:33 • -5.28db
16% Popularity • 75% Danceability • 77% Energy • 41% Liveness
0% Instrumentalness • 60% Positiveness
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Mor W.A.
My to My
96 bpm • F# min • 04:21 • -9.11db
17% Popularity • 86% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Fenomen
Fenomenada
94 bpm • C Maj • 03:34 • -7.96db
21% Popularity • 78% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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RakRaczej
Kochano Polsko O.S.T.R.
94 bpm • F# Maj • 03:32 • -8.64db
11% Popularity • 75% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Jano Polska Wersja
PRYM
94 bpm • G# Maj • 03:52 • -5.2db
43% Popularity • 88% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Hinol Polska Wersja
W Drogę
96 bpm • B min • 03:32 • -5.38db
43% Popularity • 63% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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O.S.T.R.
Odzyskamy Hiphop
96 bpm • G min • 03:44 • -8.84db
25% Popularity • 89% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Ten Typ Mes
Trze'a było
96 bpm • B min • 04:03 • -5.9db
31% Popularity • 86% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Kasta
Atom
94 bpm • C# Maj • 03:22 • -3.24db
23% Popularity • 58% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Rychu Peja SoLUfka
Dziś wyjdziesz ze mną
94 bpm • G Maj • 04:43 • -5.57db
26% Popularity • 74% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
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Fenomen
Teksty
94 bpm • A# min • 04:11 • -5.51db
26% Popularity • 73% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Peja
Oddałbym
94 bpm • G# Maj • 04:15 • -5.54db
44% Popularity • 71% Danceability • 67% Energy • 29% Liveness
3% Instrumentalness • 72% Positiveness
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O.S.T.R.
Jestem Tylko Dzieckiem
96 bpm • C# Maj • 03:31 • -4.27db
19% Popularity • 78% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Płomień 81
To Są Nasze Dni
96 bpm • C# Maj • 03:05 • -10.44db
22% Popularity • 84% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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PMM
Tak trzymaj
94 bpm • C Maj • 03:05 • -4.66db
31% Popularity • 75% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Fenomen
Szansa
94 bpm • G min • 04:33 • -5.11db
38% Popularity • 79% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Rychu Peja SoLUfka
SZG Intro
94 bpm • C# Maj • 01:22 • -9.21db
33% Popularity • 79% Danceability • 72% Energy • 10% Liveness
3% Instrumentalness • 58% Positiveness
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Peja
Jest jedna rzecz
96 bpm • E min • 04:17 • -7db
45% Popularity • 75% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
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O.S.T.R.
Bałuty…
94 bpm • G Maj • 04:48 • -5.07db
18% Popularity • 90% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
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Dj Decks
Łoj
96 bpm • C# min • 02:30 • -8.88db
24% Popularity • 81% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Kaliber 44
Baku, Baku to jest skład
94 bpm • C# Maj • 05:36 • -8.69db
41% Popularity • 86% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Wzgórze Ya-Pa 3
Co Ważne a Co Ważne Nie Jest
96 bpm • A# min • 04:10 • -5.02db
24% Popularity • 90% Danceability • 75% Energy • 55% Liveness
0% Instrumentalness • 66% Positiveness
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Paluch
To Co Istotne
94 bpm • D Maj • 04:36 • -4.6db
21% Popularity • 83% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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PMM
Wstawaj
96 bpm • F min • 03:27 • -1.73db
44% Popularity • 60% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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O.S.T.R.
Rap Po Godzinach
94 bpm • F min • 03:54 • -7.08db
24% Popularity • 80% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Łona I Webber
Nic Dziwnego
94 bpm • G# min • 03:05 • -8.03db
35% Popularity • 85% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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THS Klika
Klatka Nr 8
94 bpm • C Maj • 03:26 • -6.07db
23% Popularity • 75% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Warszafski Deszcz
Aluminium
94 bpm • F Maj • 04:28 • -6.99db
35% Popularity • 78% Danceability • 69% Energy • 8% Liveness
47% Instrumentalness • 63% Positiveness
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Bez Cenzury
Po Męczącym Dniu
96 bpm • F Maj • 03:37 • -4.77db
21% Popularity • 80% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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PMM
Sprawa dla dżentelmena
94 bpm • C min • 03:40 • -7.73db
24% Popularity • 64% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 45% Positiveness
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O.S.T.R.
Dla Tych Kilku Rzeczy
96 bpm • C Maj • 04:05 • -5.28db
19% Popularity • 66% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Polska Wersja
Nie przewinę Ci jak żyć
96 bpm • F# min • 03:07 • -8db
29% Popularity • 73% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
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Płomień 81
WWA
96 bpm • G Maj • 04:31 • -9db
25% Popularity • 74% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Warszafski Deszcz
Nie Mów Mi o Umieraniu
94 bpm • B min • 02:48 • -6.15db
19% Popularity • 75% Danceability • 62% Energy • 38% Liveness
13% Instrumentalness • 85% Positiveness
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Quebonafide
Avengers
94 bpm • A# min • 03:25 • -12db
36% Popularity • 51% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Eripe
Jestem rozczarowaniem
94 bpm • G Maj • 03:37 • -5db
29% Popularity • 74% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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O.S.T.R.
Boże Igrzysko
94 bpm • C# min • 03:54 • -7.31db
21% Popularity • 68% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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B.O.K.
Wszystko do nas wraca
96 bpm • F# Maj • 03:29 • -5.22db
27% Popularity • 83% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Molesta
Się żyje
94 bpm • C# Maj • 05:02 • -10.49db
31% Popularity • 89% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Fisz
Bla Bla Bla
93 bpm • G# Maj • 05:10 • -6.59db
24% Popularity • 88% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Waco
Graffiti
93 bpm • C# Maj • 03:56 • -6.69db
29% Popularity • 83% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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Paktofonika
Wielka Gra
93 bpm • B Maj • 03:39 • -6.3db
35% Popularity • 65% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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O.S.T.R.
Tabasko
94 bpm • B Maj • 03:26 • -8.82db
49% Popularity • 67% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
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B.O.K.
Nie poddawaj się
97 bpm • C# min • 03:12 • -5.15db
29% Popularity • 78% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Małolat
W Weekendy Żyjąc
97 bpm • A# min • 04:22 • -6.3db
17% Popularity • 72% Danceability • 89% Energy • 58% Liveness
0% Instrumentalness • 38% Positiveness
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Otsochodzi
Szacunek za Klasyk
93 bpm • C Maj • 03:00 • -6.46db
30% Popularity • 69% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
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Wzgórze Ya-Pa 3
Nie można
97 bpm • G Maj • 03:34 • -6.26db
21% Popularity • 80% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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Molesta
Osiedlowe akcje
93 bpm • C# Maj • 04:15 • -6.66db
29% Popularity • 82% Danceability • 79% Energy • 62% Liveness
0% Instrumentalness • 88% Positiveness
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O.S.T.R.
Brzydki, Zły i Szczery
96 bpm • G Maj • 03:16 • -7.35db
40% Popularity • 73% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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KęKę
Trasa (BraKaKa)
97 bpm • A min • 02:59 • -6.11db
31% Popularity • 72% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Bez Cenzury
Osiedlowa Saga
93 bpm • D Maj • 03:57 • -4.95db
18% Popularity • 71% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Eripe
Punchline - redefinicja
93 bpm • F# Maj • 03:38 • -10.75db
24% Popularity • 71% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Kacper HTA
Obcy
93 bpm • G Maj • 03:43 • -5.2db
25% Popularity • 62% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Molesta
Klima
93 bpm • A# min • 03:59 • -8.18db
33% Popularity • 80% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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O.S.T.R.
Sam To Nazwij
93 bpm • A# Maj • 02:40 • -2.9db
31% Popularity • 52% Danceability • 94% Energy • 72% Liveness
0% Instrumentalness • 58% Positiveness
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Fenomen
Jak Nie Teraz to Kiedy?
93 bpm • G# min • 03:34 • -7.42db
14% Popularity • 74% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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Flexxip
Oszuści
97 bpm • D min • 03:47 • -7.04db
27% Popularity • 80% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Te-Tris
Ilę Mogę?
93 bpm • G min • 03:39 • -4.88db
42% Popularity • 63% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Bez Cenzury
My Lubimy się Najebać
97 bpm • F# Maj • 03:29 • -4db
35% Popularity • 81% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Pezet
Slang
93 bpm • G# min • 03:08 • -8.47db
40% Popularity • 92% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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O.S.T.R.
Po Drodze do Nieba
97 bpm • F# Maj • 02:58 • -1.99db
32% Popularity • 70% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Płomień 81
Powiedz na osiedlu
97 bpm • G# Maj • 03:14 • -8db
37% Popularity • 72% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Molesta
Upadek
93 bpm • C# Maj • 04:03 • -8.14db
26% Popularity • 88% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Rychu Peja SoLUfka
Byłem jestem będę
93 bpm • D Maj • 03:26 • -8.03db
16% Popularity • 69% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Małolat
W Tej Grze
97 bpm • C Maj • 03:35 • -6.19db
22% Popularity • 82% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Małach
Niepewny grunt
93 bpm • B Maj • 03:32 • -5.15db
16% Popularity • 90% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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O.S.T.R.
Nic Pod Publikę
94 bpm • C Maj • 02:55 • -5.65db
13% Popularity • 72% Danceability • 87% Energy • 68% Liveness
0% Instrumentalness • 78% Positiveness
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