Songs like Ruggero Leoncavallo: Vesti la giubba by Elisabetta Maschio
Based on a tempo of (+/- 10%) and a similar genre
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AntonÃn Dvořák
Stabat Mater, Op. 58, B. 71: VIII. Fac, ...
86 bpm • D Maj • 05:26 • -21.68db
7% Popularity • 16% Danceability • 12% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 12% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
I puritani / Act I: A te, o cara
86 bpm • D Maj • 05:46 • -16.27db
39% Popularity • 16% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
39% Popularity • 16% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
86 bpm • G Maj • 04:35 • -22db
14% Popularity • 24% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Antônio Carlos Gomes
Mia piccirella
86 bpm • C# Maj • 03:43 • -13db
11% Popularity • 35% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 35% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Arthur Sullivan
The Gondoliers / Act 1: 1. List and Lear...
86 bpm • D Maj • 03:00 • -16.61db
8% Popularity • 45% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
8% Popularity • 45% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 1: "...
86 bpm • G Maj • 03:56 • -11.13db
8% Popularity • 38% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
8% Popularity • 38% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
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Ruperto ChapÃ
La Tempestad, Acto I: La Lluvia Ha Cesad...
86 bpm • A# Maj • 08:33 • -9.47db
8% Popularity • 20% Danceability • 34% Energy • 10% Liveness
17% Instrumentalness • 5% Positiveness
8% Popularity • 20% Danceability • 34% Energy • 10% Liveness
17% Instrumentalness • 5% Positiveness
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Vincenzo Bellini
I puritani / Act III: Credeasi, misera!
86 bpm • C# Maj • 05:42 • -17db
9% Popularity • 20% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
9% Popularity • 20% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Elisabetta Maschio
Ma e tempo d'assottigliar l'ingegno
86 bpm • A Maj • 03:45 • -15.69db
0% Popularity • 38% Danceability • 32% Energy • 67% Liveness
1% Instrumentalness • 25% Positiveness
0% Popularity • 38% Danceability • 32% Energy • 67% Liveness
1% Instrumentalness • 25% Positiveness
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Gloria Scalchi
Messa da Requiem: I Requiem and Kyrie
87 bpm • A Maj • 09:12 • -22.48db
8% Popularity • 11% Danceability • 9% Energy • 7% Liveness
34% Instrumentalness • 4% Positiveness
8% Popularity • 11% Danceability • 9% Energy • 7% Liveness
34% Instrumentalness • 4% Positiveness
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Pedro Miguel Marqués
El Anillo de Hierro: Pasión Del Alma M�...
85 bpm • C min • 05:30 • -21.57db
7% Popularity • 25% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 25% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Michael William Balfe
The Bohemian Girl - Arr. by Karel Mark C...
87 bpm • D Maj • 04:54 • -28.82db
13% Popularity • 22% Danceability • 6% Energy • 10% Liveness
45% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 6% Energy • 10% Liveness
45% Instrumentalness • 4% Positiveness
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Leonardo Leo
Flute Concerto No. 2 in G Major: I. Spaz...
87 bpm • G Maj • 04:47 • -21.43db
0% Popularity • 25% Danceability • 5% Energy • 20% Liveness
33% Instrumentalness • 30% Positiveness
0% Popularity • 25% Danceability • 5% Energy • 20% Liveness
33% Instrumentalness • 30% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: IX. Sancta mater
87 bpm • A# min • 02:55 • -16.37db
8% Popularity • 19% Danceability • 17% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
8% Popularity • 19% Danceability • 17% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
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Elisabetta Maschio
Giovanni Paisielo: Sinfonia: Il fanatico...
85 bpm • A Maj • 06:29 • -12.84db
0% Popularity • 30% Danceability • 22% Energy • 66% Liveness
84% Instrumentalness • 16% Positiveness
0% Popularity • 30% Danceability • 22% Energy • 66% Liveness
84% Instrumentalness • 16% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527, Act II: Act II Sce...
87 bpm • A# Maj • 06:46 • -13.96db
0% Popularity • 25% Danceability • 29% Energy • 37% Liveness
17% Instrumentalness • 11% Positiveness
0% Popularity • 25% Danceability • 29% Energy • 37% Liveness
17% Instrumentalness • 11% Positiveness
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Vincenzo Bellini
Norma / Act 2: Guerra, guerra!
85 bpm • A Maj • 02:40 • -15.41db
9% Popularity • 30% Danceability • 19% Energy • 38% Liveness
61% Instrumentalness • 7% Positiveness
9% Popularity • 30% Danceability • 19% Energy • 38% Liveness
61% Instrumentalness • 7% Positiveness
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Mirella Freni
Turandot: Tu, che di gel sei cinta
87 bpm • B Maj • 02:31 • -13.82db
23% Popularity • 28% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 28% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Turandot / Act III: "Nessun dorma"
85 bpm • D Maj • 03:15 • -16.07db
28% Popularity • 12% Danceability • 18% Energy • 38% Liveness
5% Instrumentalness • 5% Positiveness
28% Popularity • 12% Danceability • 18% Energy • 38% Liveness
5% Instrumentalness • 5% Positiveness
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Lars-Erik Larsson
Forkladd gud, Op. 24: Tror du, att faren...
85 bpm • A Maj • 02:50 • -15.08db
13% Popularity • 18% Danceability • 26% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 26% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Elisabetta Maschio
Giuseppe Verdi: Udiste come albeggi...
87 bpm • G# Maj • 07:19 • -10.91db
0% Popularity • 45% Danceability • 33% Energy • 69% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 45% Danceability • 33% Energy • 69% Liveness
0% Instrumentalness • 33% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
85 bpm • A Maj • 03:15 • -22.35db
32% Popularity • 24% Danceability • 6% Energy • 73% Liveness
2% Instrumentalness • 29% Positiveness
32% Popularity • 24% Danceability • 6% Energy • 73% Liveness
2% Instrumentalness • 29% Positiveness
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Richard Wagner
Magic Fire Music (Orchestra)
85 bpm • B Maj • 03:26 • -15.3db
8% Popularity • 13% Danceability • 21% Energy • 23% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 21% Energy • 23% Liveness
94% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Anna Bolena: Sinfonia (Overture)
87 bpm • A Maj • 07:23 • -17db
9% Popularity • 29% Danceability • 24% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
9% Popularity • 29% Danceability • 24% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
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Giacomo Puccini
Tosca / Act III: "Presto, su! Mario!"
85 bpm • D# min • 01:26 • -12.59db
20% Popularity • 31% Danceability • 43% Energy • 8% Liveness
26% Instrumentalness • 11% Positiveness
20% Popularity • 31% Danceability • 43% Energy • 8% Liveness
26% Instrumentalness • 11% Positiveness
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Edward Elgar
The Dream of Gerontius, Op. 38, Pt. 2: L...
85 bpm • D Maj • 07:51 • -30.61db
20% Popularity • 10% Danceability • 3% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
20% Popularity • 10% Danceability • 3% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
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Elisabetta Maschio
L'ammalato immaginario : Recititativo - ...
87 bpm • G# Maj • 01:14 • -18.76db
0% Popularity • 42% Danceability • 24% Energy • 52% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 42% Danceability • 24% Energy • 52% Liveness
0% Instrumentalness • 28% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K. 620: Overture
85 bpm • D# Maj • 06:05 • -20.46db
29% Popularity • 32% Danceability • 9% Energy • 31% Liveness
88% Instrumentalness • 26% Positiveness
29% Popularity • 32% Danceability • 9% Energy • 31% Liveness
88% Instrumentalness • 26% Positiveness
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Nicola Porpora
Or che d'orrido verno: Recitative: Or ch...
85 bpm • E min • 02:13 • -21.31db
0% Popularity • 38% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 38% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Preludio
88 bpm • F Maj • 02:05 • -19db
37% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
37% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Gianni Schicchi: O mio babbino caro
85 bpm • G# Maj • 02:08 • -17.1db
3% Popularity • 19% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
3% Popularity • 19% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Luigi Arditi
Recitative & Chorus
84 bpm • D Maj • 01:18 • -13db
7% Popularity • 33% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
7% Popularity • 33% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Giovacchino Forzano
Gianni Schicchi: Oh! Mio Babbino Caro
88 bpm • G# Maj • 02:08 • -11.68db
24% Popularity • 22% Danceability • 28% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
24% Popularity • 22% Danceability • 28% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Lohengrin, Act 3: "Treulich gef�...
88 bpm • A# Maj • 04:11 • -28.05db
2% Popularity • 15% Danceability • 4% Energy • 9% Liveness
25% Instrumentalness • 7% Positiveness
2% Popularity • 15% Danceability • 4% Energy • 9% Liveness
25% Instrumentalness • 7% Positiveness
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Elisabetta Maschio
Gaie comari di Windsor!
88 bpm • C Maj • 01:44 • -15.01db
0% Popularity • 43% Danceability • 38% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 43% Danceability • 38% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Act I: Regina coel...
84 bpm • G Maj • 06:15 • -16db
8% Popularity • 13% Danceability • 24% Energy • 30% Liveness
19% Instrumentalness • 9% Positiveness
8% Popularity • 13% Danceability • 24% Energy • 30% Liveness
19% Instrumentalness • 9% Positiveness
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Carl Orff
Carmina Burana: Ecce gratum
84 bpm • F Maj • 02:29 • -17db
20% Popularity • 29% Danceability • 22% Energy • 42% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 29% Danceability • 22% Energy • 42% Liveness
0% Instrumentalness • 31% Positiveness
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Jacques Offenbach
Orpheus in der Unterwelt · Operette in ...
83 bpm • D Maj • 08:53 • -16.15db
10% Popularity • 18% Danceability • 23% Energy • 36% Liveness
57% Instrumentalness • 17% Positiveness
10% Popularity • 18% Danceability • 23% Energy • 36% Liveness
57% Instrumentalness • 17% Positiveness
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Giacomo Puccini
Turandot / Act III: Padre augusto (Turan...
84 bpm • D Maj • 02:02 • -12.94db
10% Popularity • 19% Danceability • 49% Energy • 16% Liveness
12% Instrumentalness • 6% Positiveness
10% Popularity • 19% Danceability • 49% Energy • 16% Liveness
12% Instrumentalness • 6% Positiveness
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Leonardo Leo
Flute Concerto No. 2 in G Major: IV. All...
83 bpm • D Maj • 04:56 • -19.59db
0% Popularity • 62% Danceability • 14% Energy • 20% Liveness
26% Instrumentalness • 86% Positiveness
0% Popularity • 62% Danceability • 14% Energy • 20% Liveness
26% Instrumentalness • 86% Positiveness
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Elisabetta Maschio
Ninfe! Elfi! Silfi!
84 bpm • A Maj • 06:39 • -13.54db
0% Popularity • 22% Danceability • 32% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 22% Danceability • 32% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Siciliana - Tempo ...
88 bpm • F Maj • 03:45 • -18db
14% Popularity • 11% Danceability • 10% Energy • 12% Liveness
80% Instrumentalness • 7% Positiveness
14% Popularity • 11% Danceability • 10% Energy • 12% Liveness
80% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527 / Act 1: "Madamina,...
83 bpm • D Maj • 05:49 • -16.14db
7% Popularity • 30% Danceability • 19% Energy • 14% Liveness
2% Instrumentalness • 24% Positiveness
7% Popularity • 30% Danceability • 19% Energy • 14% Liveness
2% Instrumentalness • 24% Positiveness
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Jean Sibelius
Sibelius: Pelléas et Mélisande Suite, ...
89 bpm • C# Maj • 05:04 • -35.16db
7% Popularity • 10% Danceability • 1% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
7% Popularity • 10% Danceability • 1% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act III: Prelude
83 bpm • G Maj • 03:26 • -17.9db
13% Popularity • 14% Danceability • 30% Energy • 38% Liveness
94% Instrumentalness • 11% Positiveness
13% Popularity • 14% Danceability • 30% Energy • 38% Liveness
94% Instrumentalness • 11% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act I: "Recitar!" - "Vesti l...
83 bpm • E min • 04:03 • -15db
13% Popularity • 17% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 17% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Elisabetta Maschio
Signore, v'assista il cielo!
83 bpm • G Maj • 02:45 • -18.21db
0% Popularity • 38% Danceability • 30% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 38% Danceability • 30% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
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Georges Bizet
Les Pêcheurs de perles: Prelude
83 bpm • G Maj • 02:07 • -26.46db
17% Popularity • 8% Danceability • 4% Energy • 13% Liveness
97% Instrumentalness • 11% Positiveness
17% Popularity • 8% Danceability • 4% Energy • 13% Liveness
97% Instrumentalness • 11% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Regina coeli, lae...
88 bpm • G Maj • 02:35 • -30db
25% Popularity • 15% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Lucia of Lammermoor, Part II. Act I Scen...
83 bpm • C Maj • 01:11 • -32.3db
17% Popularity • 30% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness
17% Popularity • 30% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K.527 / Act 1: "LÃ ci dar...
89 bpm • A Maj • 03:12 • -21.6db
39% Popularity • 35% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 35% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Chor der Deutschen Oper Berlin
Tannhäuser: Beglückt darf nun dich, o ...
83 bpm • D# Maj • 03:35 • -18.28db
12% Popularity • 18% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
12% Popularity • 18% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Richard Wagner
Die Walküre, WWV 86B / Act 3: "Hojotoho...
89 bpm • G Maj • 06:19 • -14.35db
12% Popularity • 26% Danceability • 33% Energy • 18% Liveness
2% Instrumentalness • 14% Positiveness
12% Popularity • 26% Danceability • 33% Energy • 18% Liveness
2% Instrumentalness • 14% Positiveness
► Preview
Giacomo Puccini
Puccini: Tosca, Act I: "Tre sbirri, una ...
83 bpm • D# Maj • 03:58 • -12db
4% Popularity • 19% Danceability • 32% Energy • 15% Liveness
8% Instrumentalness • 16% Positiveness
4% Popularity • 19% Danceability • 32% Energy • 15% Liveness
8% Instrumentalness • 16% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Viva il vino spum...
88 bpm • C Maj • 03:03 • -13db
11% Popularity • 34% Danceability • 33% Energy • 41% Liveness
1% Instrumentalness • 41% Positiveness
11% Popularity • 34% Danceability • 33% Energy • 41% Liveness
1% Instrumentalness • 41% Positiveness
► Preview
Ruggero Leoncavallo
Leoncavallo: La bohème: "Musette svaria...
82 bpm • G Maj • 02:01 • -25.33db
10% Popularity • 35% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 35% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
90 bpm • D Maj • 03:49 • -28.46db
37% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
37% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Ludwig van Beethoven
Symphony No. 9 in D Minor, Op. 125 "Chor...
83 bpm • D Maj • 01:40 • -13.43db
17% Popularity • 36% Danceability • 67% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
17% Popularity • 36% Danceability • 67% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
► Preview
Jacinto Guerrero
La Rosa del Azafrán: Nocturno: "Ronda. ...
82 bpm • F# min • 01:43 • -20.33db
11% Popularity • 21% Danceability • 12% Energy • 31% Liveness
25% Instrumentalness • 7% Positiveness
11% Popularity • 21% Danceability • 12% Energy • 31% Liveness
25% Instrumentalness • 7% Positiveness
► Preview
Arrigo Boito
Son lo spirito che nega - from Mefistofe...
90 bpm • C Maj • 03:28 • -14db
9% Popularity • 33% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 33% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Leonardo Leo
Flute Concerto No. 2 in G Major: II. All...
90 bpm • D Maj • 06:04 • -19.64db
0% Popularity • 55% Danceability • 14% Energy • 39% Liveness
15% Instrumentalness • 69% Positiveness
0% Popularity • 55% Danceability • 14% Energy • 39% Liveness
15% Instrumentalness • 69% Positiveness
► Preview
Amilcare Ponchielli
La Gioconda: Act III Scene 5: O madre mi...
82 bpm • C Maj • 01:46 • -24.87db
16% Popularity • 25% Danceability • 9% Energy • 8% Liveness
38% Instrumentalness • 5% Positiveness
16% Popularity • 25% Danceability • 9% Energy • 8% Liveness
38% Instrumentalness • 5% Positiveness
► Preview
Elisabetta Maschio
L'ultima bambola
90 bpm • D# Maj • 02:04 • -20.43db
0% Popularity • 16% Danceability • 16% Energy • 67% Liveness
96% Instrumentalness • 10% Positiveness
0% Popularity • 16% Danceability • 16% Energy • 67% Liveness
96% Instrumentalness • 10% Positiveness
► Preview
Théodore Dubois
Les 7 paroles du Christ: 4e Parole - "De...
90 bpm • E Maj • 06:19 • -29db
10% Popularity • 10% Danceability • 5% Energy • 17% Liveness
82% Instrumentalness • 4% Positiveness
10% Popularity • 10% Danceability • 5% Energy • 17% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Jacques Offenbach
Orpheus In The Underworld (Orphée aux e...
82 bpm • G Maj • 09:40 • -23.55db
13% Popularity • 19% Danceability • 6% Energy • 12% Liveness
40% Instrumentalness • 17% Positiveness
13% Popularity • 19% Danceability • 6% Energy • 12% Liveness
40% Instrumentalness • 17% Positiveness
► Preview
Carl Orff
Carmina Burana: Omnia sol temperat
91 bpm • A# Maj • 02:14 • -30.4db
19% Popularity • 26% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
19% Popularity • 26% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: Part I: Regina coe...
82 bpm • C Maj • 06:49 • -17db
3% Popularity • 11% Danceability • 24% Energy • 11% Liveness
3% Instrumentalness • 11% Positiveness
3% Popularity • 11% Danceability • 24% Energy • 11% Liveness
3% Instrumentalness • 11% Positiveness
► Preview
Francesco Paolo Tosti
Sogno
91 bpm • G# Maj • 03:12 • -19db
10% Popularity • 29% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 29% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Jules Massenet
Cendrillon: Ah! Douce enfant
91 bpm • B Maj • 04:38 • -29db
8% Popularity • 22% Danceability • 4% Energy • 17% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 4% Energy • 17% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Gaetano Donizetti
La fille du régiment / Act 1: Ah! mes a...
82 bpm • D# Maj • 01:43 • -14.88db
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Elisabetta Maschio
Reverenza. La bella Alice
91 bpm • G Maj • 05:52 • -20.77db
0% Popularity • 27% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 27% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Theresa Berganza
Las Hijas del Zebedeo
91 bpm • A min • 04:38 • -17.36db
3% Popularity • 36% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
3% Popularity • 36% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Richard Wagner
Die Walkure: Act III Scene 1: Walkurenri...
91 bpm • E min • 08:39 • -18db
20% Popularity • 27% Danceability • 30% Energy • 65% Liveness
10% Instrumentalness • 16% Positiveness
20% Popularity • 27% Danceability • 30% Energy • 65% Liveness
10% Instrumentalness • 16% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Così fan tutte, K. 588, Act 1: ...
91 bpm • C Maj • 01:14 • -12.16db
10% Popularity • 51% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 51% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Giacomo Puccini
Tosca: Act III: O dolci mani mansuete e ...
81 bpm • C Maj • 01:33 • -26.69db
35% Popularity • 21% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
35% Popularity • 21% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Arrigo Boito
Mefistofele, Act I, Scene 2: Dai campi, ...
81 bpm • F Maj • 02:06 • -18.06db
11% Popularity • 23% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 23% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Elisabetta Maschio
L'ammalato immaginario : Recititativo - ...
81 bpm • D Maj • 05:55 • -21.75db
0% Popularity • 43% Danceability • 12% Energy • 54% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 43% Danceability • 12% Energy • 54% Liveness
0% Instrumentalness • 27% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act 1: "Recitar!...Vesti la ...
81 bpm • E min • 03:41 • -13db
33% Popularity • 20% Danceability • 36% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
33% Popularity • 20% Danceability • 36% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor: Preludio
91 bpm • A# min • 02:10 • -27.32db
4% Popularity • 22% Danceability • 1% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
4% Popularity • 22% Danceability • 1% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Viva il vino spum...
91 bpm • G Maj • 02:23 • -11.46db
25% Popularity • 36% Danceability • 35% Energy • 63% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 36% Danceability • 35% Energy • 63% Liveness
0% Instrumentalness • 62% Positiveness
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Giacomo Puccini
Turandot / Act 3: "Diecimile anni al nos...
81 bpm • D Maj • 02:24 • -10.01db
16% Popularity • 20% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 20% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
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Charles Gounod
Gounod: Faust, Act 2: "Vin ou bière, bi...
92 bpm • F Maj • 05:02 • -17db
10% Popularity • 54% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
10% Popularity • 54% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
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Elisabetta Maschio
Ave Maria - Base musicale
81 bpm • A Maj • 03:24 • -11.07db
0% Popularity • 18% Danceability • 33% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 33% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Offenbach: La Vie parisienne: Overture
81 bpm • G Maj • 04:53 • -16.41db
8% Popularity • 34% Danceability • 30% Energy • 12% Liveness
84% Instrumentalness • 26% Positiveness
8% Popularity • 34% Danceability • 30% Energy • 12% Liveness
84% Instrumentalness • 26% Positiveness
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Mauro Buda
Ruggero Leoncavallo: Si puo. Signore... ...
81 bpm • C# Maj • 05:00 • -22db
0% Popularity • 17% Danceability • 8% Energy • 80% Liveness
2% Instrumentalness • 5% Positiveness
0% Popularity • 17% Danceability • 8% Energy • 80% Liveness
2% Instrumentalness • 5% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Mamma, quel vino ...
92 bpm • G# Maj • 06:03 • -13.74db
10% Popularity • 21% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 21% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
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Ernest Guiraud
L'Arlésienne Suite No. 2: IV. Farandole...
92 bpm • D Maj • 03:04 • -17.62db
11% Popularity • 64% Danceability • 42% Energy • 9% Liveness
91% Instrumentalness • 83% Positiveness
11% Popularity • 64% Danceability • 42% Energy • 9% Liveness
91% Instrumentalness • 83% Positiveness
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Giacomo Puccini
Tosca / Act II: "Vissi d'arte, vissi d'a...
92 bpm • D# Maj • 03:51 • -24.03db
21% Popularity • 19% Danceability • 4% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 4% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Elisabetta Maschio
L'ammalato immaginario : Recitativo - Sp...
92 bpm • G# Maj • 01:33 • -24.27db
0% Popularity • 48% Danceability • 13% Energy • 46% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 48% Danceability • 13% Energy • 46% Liveness
0% Instrumentalness • 15% Positiveness
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Jacques Offenbach
Vert-vert "Kakadu": Overture (Arr. F. Ho...
92 bpm • D Maj • 08:50 • -19.36db
11% Popularity • 30% Danceability • 25% Energy • 9% Liveness
90% Instrumentalness • 19% Positiveness
11% Popularity • 30% Danceability • 25% Energy • 9% Liveness
90% Instrumentalness • 19% Positiveness
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Richard Wagner
Wagner: Lohengrin: Prelude to Act 3
92 bpm • G Maj • 02:58 • -16db
5% Popularity • 20% Danceability • 27% Energy • 35% Liveness
97% Instrumentalness • 12% Positiveness
5% Popularity • 20% Danceability • 27% Energy • 35% Liveness
97% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni / Act 1: "Notte e giorno fa...
92 bpm • F Maj • 05:51 • -16db
7% Popularity • 42% Danceability • 24% Energy • 45% Liveness
0% Instrumentalness • 29% Positiveness
7% Popularity • 42% Danceability • 24% Energy • 45% Liveness
0% Instrumentalness • 29% Positiveness
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Josef Bayer
Die Puppenfee (The Fairy Doll): No. 14 A...
80 bpm • F# min • 00:57 • -22.08db
17% Popularity • 23% Danceability • 6% Energy • 17% Liveness
87% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 6% Energy • 17% Liveness
87% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Oedipus Rex / Actus primus: Caedit nos p...
80 bpm • G# min • 03:29 • -19.46db
7% Popularity • 24% Danceability • 10% Energy • 18% Liveness
77% Instrumentalness • 7% Positiveness
7% Popularity • 24% Danceability • 10% Energy • 18% Liveness
77% Instrumentalness • 7% Positiveness
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Elisabetta Maschio
Francesco Paolo Tosti: A vucchella
92 bpm • B Maj • 02:28 • -14.86db
0% Popularity • 20% Danceability • 19% Energy • 81% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 20% Danceability • 19% Energy • 81% Liveness
0% Instrumentalness • 10% Positiveness
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Chor der Deutschen Oper Berlin
Der Fliegende Holländer: Summ und Brumm...
80 bpm • A Maj • 03:52 • -16db
10% Popularity • 35% Danceability • 19% Energy • 9% Liveness
63% Instrumentalness • 15% Positiveness
10% Popularity • 35% Danceability • 19% Energy • 9% Liveness
63% Instrumentalness • 15% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
80 bpm • D# Maj • 04:56 • -17.52db
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
