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Rumor
Songs like
Rumor
by
Lee Brice
Based on a tempo of (+/- 10%) and a similar genre
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Bailey Zimmerman
Religiously
141 bpm • C# Maj • 02:58 • -6.52db
80% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Lee Brice
Rumor
141 bpm • A Maj • 03:18 • -6.86db
71% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Brad Paisley
Remind Me
141 bpm • F Maj • 04:31 • -4.2db
57% Popularity • 48% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Dylan Scott
Boys Back Home
140 bpm • A# Maj • 02:45 • -2.01db
57% Popularity • 48% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Chris Young
Tomorrow
142 bpm • B Maj • 03:40 • -5.77db
62% Popularity • 44% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Ian Munsick
Long Haul
142 bpm • F# Maj • 03:51 • -7.85db
59% Popularity • 50% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Riley Green
Different 'Round Here
142 bpm • C# Maj • 02:56 • -6db
68% Popularity • 45% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Billy Currington
People Are Crazy
142 bpm • F Maj • 03:51 • -5db
67% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Morgan Wallen
Thought You Should Know
140 bpm • F# Maj • 03:35 • -6.16db
78% Popularity • 53% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Cole Swindell
Never Say Never
140 bpm • C min • 02:56 • -4.03db
59% Popularity • 47% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Michael Ray
Think a Little Less
142 bpm • A Maj • 02:56 • -4db
51% Popularity • 52% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Lee Brice
I Drive Your Truck
142 bpm • B Maj • 03:54 • -6.22db
59% Popularity • 51% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Matt Stell
Prayed For You
140 bpm • A Maj • 03:30 • -5.86db
60% Popularity • 60% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Darius Rucker
For The First Time
142 bpm • F# Maj • 03:17 • -5db
56% Popularity • 55% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 67% Positiveness
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HARDY
wait in the truck
140 bpm • F# Maj • 04:37 • -6.98db
69% Popularity • 53% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Blake Shelton
God's Country
140 bpm • A# Maj • 03:24 • -5.1db
67% Popularity • 54% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Cody Johnson
Ain't Nothin' to It
140 bpm • A# Maj • 03:22 • -5.67db
62% Popularity • 51% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Lainey Wilson
Heart Like A Truck
140 bpm • A Maj • 03:19 • -5.42db
74% Popularity • 59% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Old Dominion
I Was On a Boat That Day
140 bpm • B Maj • 02:58 • -5db
58% Popularity • 54% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Riley Green
Different 'Round Here
142 bpm • C# Maj • 03:03 • -6.47db
61% Popularity • 50% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Lee Brice
Save The Roses
142 bpm • C Maj • 03:21 • -8.13db
61% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Dustin Lynch
Ridin’ Roads
142 bpm • A Maj • 03:25 • -4.26db
62% Popularity • 55% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Carly Pearce
Every Little Thing
140 bpm • C Maj • 03:00 • -6.51db
59% Popularity • 64% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Lainey Wilson
Things A Man Oughta Know
140 bpm • D# Maj • 03:23 • -5.62db
73% Popularity • 66% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Luke Combs
Love You Anyway
140 bpm • E Maj • 03:49 • -7.42db
73% Popularity • 53% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Cole Swindell
Middle of a Memory
140 bpm • B Maj • 03:46 • -4.23db
60% Popularity • 53% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Chris Stapleton
Millionaire
143 bpm • A# Maj • 03:30 • -10db
73% Popularity • 62% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
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Michael Ray
Her World or Mine
144 bpm • E Maj • 03:28 • -7db
52% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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George Strait
Carrying Your Love With Me
138 bpm • A# Maj • 03:52 • -10.61db
70% Popularity • 63% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Lainey Wilson
Dirty Looks
140 bpm • D Maj • 03:14 • -5.05db
70% Popularity • 56% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Craig Morgan
That's What I Love About Sunday
139 bpm • G# Maj • 03:21 • -6.31db
61% Popularity • 60% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Blake Shelton
Nobody But You (Duet with Gwen Stefani)
144 bpm • C Maj • 03:14 • -5.52db
66% Popularity • 46% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Little Big Town
Better Man
144 bpm • F Maj • 04:23 • -3.66db
62% Popularity • 51% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Luke Bryan
Play It Again
144 bpm • B Maj • 03:46 • -3.23db
76% Popularity • 51% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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HARDY
REDNECKER
144 bpm • G Maj • 03:21 • -5.47db
66% Popularity • 54% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Lainey Wilson
Watermelon Moonshine
140 bpm • C# Maj • 03:28 • -6.71db
76% Popularity • 74% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Dylan Scott
Can't Have Mine (Find You A Girl)
144 bpm • F Maj • 03:03 • -7db
69% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Bailey Zimmerman
Never Comin' Home
144 bpm • A# Maj • 03:14 • -6.85db
67% Popularity • 56% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Niko Moon
GOOD TIME
138 bpm • F Maj • 03:34 • -7.19db
65% Popularity • 80% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Luke Bryan
Drunk On You
144 bpm • A Maj • 03:33 • -4.4db
65% Popularity • 56% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Kameron Marlowe
Giving You Up
144 bpm • G# Maj • 03:52 • -4db
59% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Chris Lane
I Don't Know About You
144 bpm • C# Maj • 03:27 • -5.73db
62% Popularity • 59% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Scotty McCreery
Damn Strait
144 bpm • E Maj • 03:50 • -6.15db
56% Popularity • 52% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Kelsea Ballerini
half of my hometown
138 bpm • A# Maj • 03:51 • -4.97db
65% Popularity • 57% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Dierks Bentley
Somewhere On A Beach
144 bpm • G Maj • 03:17 • -6.56db
67% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Luke Bryan
Crash My Party
144 bpm • G Maj • 03:54 • -4db
61% Popularity • 53% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Luke Combs
Better Together
138 bpm • C Maj • 03:39 • -11.5db
77% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Kameron Marlowe
Steady Heart
144 bpm • F# Maj • 03:34 • -7db
56% Popularity • 52% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Brett Eldredge
Wanna Be That Song
144 bpm • A Maj • 03:56 • -4.91db
58% Popularity • 52% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Justin Moore
The Ones That Didn’t Make It Back Home
138 bpm • D# Maj • 03:11 • -4.87db
61% Popularity • 54% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Rodney Atkins
Watching You
138 bpm • D Maj • 03:55 • -4.01db
66% Popularity • 62% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Luke Bryan
Do I
138 bpm • A Maj • 03:59 • -5.33db
61% Popularity • 58% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Luke Combs
One Number Away
144 bpm • F# min • 03:41 • -6.16db
78% Popularity • 54% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Morgan Wallen
The Way I Talk
138 bpm • E Maj • 03:28 • -3.39db
74% Popularity • 60% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Cole Swindell
Chillin' It
138 bpm • A Maj • 03:16 • -3.06db
64% Popularity • 58% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Justin Moore
You, Me, And Whiskey
144 bpm • C min • 03:07 • -4.35db
65% Popularity • 56% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Larry Fleet
Where I Find God
138 bpm • B Maj • 04:09 • -6.2db
64% Popularity • 59% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Carly Pearce
What He Didn't Do
138 bpm • A Maj • 03:11 • -5.93db
70% Popularity • 63% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Riley Green
When She Comes Home Tonight
145 bpm • F# Maj • 04:10 • -7.32db
62% Popularity • 61% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Morgan Wallen
Somebody’s Problem
137 bpm • F Maj • 02:41 • -8db
72% Popularity • 66% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Chris Stapleton
White Horse
145 bpm • C# min • 04:27 • -11.07db
74% Popularity • 35% Danceability • 77% Energy • 11% Liveness
60% Instrumentalness • 22% Positiveness
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Blake Shelton
Sure Be Cool If You Did
137 bpm • B Maj • 03:35 • -4.63db
55% Popularity • 58% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Sam Hunt
Breaking Up Was Easy In The 90's
146 bpm • A Maj • 03:35 • -5.4db
60% Popularity • 56% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Canaan Smith
Love You Like That
145 bpm • B Maj • 03:23 • -5db
57% Popularity • 56% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Parker McCollum
To Be Loved By You
146 bpm • A# Maj • 03:19 • -4.46db
62% Popularity • 48% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Elvie Shane
My Boy
146 bpm • A Maj • 03:23 • -5.33db
59% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Jake Owen
Homemade
146 bpm • F# Maj • 03:12 • -2.7db
60% Popularity • 51% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Muscadine Bloodline
Porch Swing Angel
136 bpm • D Maj • 03:50 • -7.9db
67% Popularity • 52% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Sam Hunt
Make You Miss Me
146 bpm • G Maj • 03:45 • -6.63db
62% Popularity • 61% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Dierks Bentley
Beers On Me
146 bpm • E Maj • 02:54 • -4.25db
69% Popularity • 59% Danceability • 85% Energy • 53% Liveness
0% Instrumentalness • 73% Positiveness
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Brooks & Dunn
Red Dirt Road
136 bpm • F Maj • 04:20 • -3.8db
66% Popularity • 56% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Cole Swindell
You Should Be Here
136 bpm • G Maj • 03:10 • -4.46db
63% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Rascal Flatts
What Hurts The Most
136 bpm • F min • 03:34 • -5.13db
69% Popularity • 54% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Cody Johnson
Dear Rodeo
146 bpm • A# Maj • 04:14 • -5.27db
61% Popularity • 48% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Sam Hunt
Break Up In A Small Town
136 bpm • G# Maj • 03:49 • -5.37db
66% Popularity • 58% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Zac Brown Band
Colder Weather
136 bpm • D# Maj • 04:33 • -7.49db
70% Popularity • 67% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Bailey Zimmerman
Fall In Love
136 bpm • A Maj • 03:52 • -6.06db
76% Popularity • 52% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Dan + Shay
Speechless
136 bpm • C# Maj • 03:33 • -5.97db
69% Popularity • 62% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Cole Swindell
She Had Me At Heads Carolina
135 bpm • G# Maj • 03:26 • -3.45db
74% Popularity • 61% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Rascal Flatts
Bless The Broken Road
136 bpm • C Maj • 03:46 • -6.37db
72% Popularity • 59% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Cody Johnson
Nothin' on You
135 bpm • F# Maj • 04:20 • -7.18db
62% Popularity • 36% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Jameson Rodgers
Cold Beer Calling My Name
148 bpm • G Maj • 03:30 • -4db
64% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Brett Young
In Case You Didn't Know
148 bpm • A# Maj • 03:44 • -7.31db
75% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Corey Kent
Wild as Her
148 bpm • C Maj • 03:21 • -5.93db
72% Popularity • 50% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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LANCO
Greatest Love Story
148 bpm • A# Maj • 03:42 • -8.72db
68% Popularity • 67% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Riley Green
I Wish Grandpas Never Died
148 bpm • F# Maj • 04:10 • -5.72db
70% Popularity • 44% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Chris Young
Raised on Country
148 bpm • D Maj • 02:57 • -3.28db
47% Popularity • 58% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Kip Moore
Last Shot
148 bpm • E Maj • 03:48 • -4.4db
52% Popularity • 49% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Darius Rucker
Wagon Wheel
148 bpm • A Maj • 04:58 • -7.17db
79% Popularity • 54% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Russell Dickerson
Yours
134 bpm • B Maj • 03:36 • -6db
64% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Chase Matthew
County Line
134 bpm • D# min • 03:28 • -6.03db
71% Popularity • 54% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Rodney Atkins
Farmer's Daughter
134 bpm • F# Maj • 03:27 • -3.52db
66% Popularity • 61% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Luke Combs
1, 2 Many
149 bpm • F# Maj • 03:00 • -3.79db
71% Popularity • 54% Danceability • 82% Energy • 42% Liveness
0% Instrumentalness • 68% Positiveness
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Toby Keith
Should've Been A Cowboy
133 bpm • G Maj • 03:31 • -8db
76% Popularity • 62% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Chris Stapleton
Joy Of My Life
149 bpm • D# Maj • 04:34 • -8.96db
73% Popularity • 63% Danceability • 48% Energy • 10% Liveness
5% Instrumentalness • 40% Positiveness
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Cody Johnson
Wild as You
150 bpm • B Maj • 03:06 • -5db
71% Popularity • 46% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Morgan Wallen
Whiskey Glasses
150 bpm • F# Maj • 03:54 • -4.58db
80% Popularity • 61% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Matt Stell
Everywhere But On
150 bpm • F# Maj • 03:12 • -3.97db
51% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Chris Lane
Big, Big Plans
150 bpm • G Maj • 03:07 • -6.09db
63% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Dierks Bentley
Gone
150 bpm • F# Maj • 03:25 • -6db
57% Popularity • 52% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Rumor