Songs like Rumours of War by Billy Bragg
Based on a tempo of (+/- 10%) and a similar genre
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Nick Drake
Northern Sky
90 bpm • F min • 03:44 • -18db
64% Popularity • 53% Danceability • 26% Energy • 13% Liveness
69% Instrumentalness • 49% Positiveness
64% Popularity • 53% Danceability • 26% Energy • 13% Liveness
69% Instrumentalness • 49% Positiveness
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Fairport Convention
Matty Groves
91 bpm • D Maj • 08:09 • -13.64db
13% Popularity • 41% Danceability • 53% Energy • 9% Liveness
11% Instrumentalness • 74% Positiveness
13% Popularity • 41% Danceability • 53% Energy • 9% Liveness
11% Instrumentalness • 74% Positiveness
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Joe Strummer
Tennessee Rain
89 bpm • C Maj • 02:55 • -16db
28% Popularity • 58% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 58% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Billy Bragg
Handyman Blues
89 bpm • G Maj • 03:03 • -13.03db
19% Popularity • 66% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
19% Popularity • 66% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
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Ron Sexsmith
Lebanon, Tennessee
91 bpm • D Maj • 02:57 • -11.08db
32% Popularity • 67% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 67% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Richard Buckner
Blue and Wonder
91 bpm • D Maj • 03:47 • -6.85db
29% Popularity • 41% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 41% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Nick Drake
One Of These Things First
90 bpm • E Maj • 04:50 • -18.45db
57% Popularity • 60% Danceability • 37% Energy • 10% Liveness
35% Instrumentalness • 67% Positiveness
57% Popularity • 60% Danceability • 37% Energy • 10% Liveness
35% Instrumentalness • 67% Positiveness
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Uncle Tupelo
Slate
89 bpm • D Maj • 03:24 • -9.96db
25% Popularity • 29% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 29% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Joe Henry
Trampoline
89 bpm • C Maj • 04:33 • -9.8db
17% Popularity • 73% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 73% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Peter Case
On The Way Downtown
88 bpm • D Maj • 03:36 • -13db
14% Popularity • 51% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 51% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Billy Bragg
Waiting for the Great Leap Forwards
88 bpm • C# min • 04:36 • -6.99db
38% Popularity • 43% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 43% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Old 97's
Valentine
92 bpm • A# Maj • 03:08 • -10.58db
24% Popularity • 60% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
24% Popularity • 60% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
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Calexico
Alone Again Or - Remastered
88 bpm • D Maj • 03:24 • -8.67db
37% Popularity • 49% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 49% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Blitzen Trapper
Furr
92 bpm • D Maj • 04:07 • -10.66db
60% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
60% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Scud Mountain Boys
In A Ditch
92 bpm • D Maj • 02:42 • -10.89db
20% Popularity • 63% Danceability • 41% Energy • 7% Liveness
1% Instrumentalness • 55% Positiveness
20% Popularity • 63% Danceability • 41% Energy • 7% Liveness
1% Instrumentalness • 55% Positiveness
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Hiss Golden Messenger
Biloxi
88 bpm • A Maj • 02:51 • -6.46db
45% Popularity • 62% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
45% Popularity • 62% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Billy Bragg
In the Pines
92 bpm • A# Maj • 03:31 • -9.23db
16% Popularity • 56% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 56% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Badly Drawn Boy
The Shining
93 bpm • E Maj • 05:18 • -14db
45% Popularity • 42% Danceability • 20% Energy • 14% Liveness
3% Instrumentalness • 18% Positiveness
45% Popularity • 42% Danceability • 20% Energy • 14% Liveness
3% Instrumentalness • 18% Positiveness
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Jay Farrar
Hanging On To You
93 bpm • C Maj • 02:51 • -9.01db
29% Popularity • 50% Danceability • 43% Energy • 11% Liveness
19% Instrumentalness • 31% Positiveness
29% Popularity • 50% Danceability • 43% Energy • 11% Liveness
19% Instrumentalness • 31% Positiveness
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Dan Reeder
Nobody Wants to Be You
87 bpm • A# Maj • 02:08 • -10.16db
27% Popularity • 48% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
27% Popularity • 48% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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The Byrds
Wasn't Born to Follow
93 bpm • G Maj • 02:03 • -8.85db
50% Popularity • 48% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 48% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Ron Sexsmith
Cheap Hotel
93 bpm • G# Maj • 02:18 • -10.2db
26% Popularity • 54% Danceability • 47% Energy • 15% Liveness
31% Instrumentalness • 55% Positiveness
26% Popularity • 54% Danceability • 47% Energy • 15% Liveness
31% Instrumentalness • 55% Positiveness
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Hurray For The Riff Raff
Look Out Mama
94 bpm • D Maj • 03:25 • -8.65db
40% Popularity • 57% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 57% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Van Morrison
Sweet Thing - 1999 Remaster
87 bpm • E Maj • 04:25 • -14.64db
58% Popularity • 52% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 52% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Laura Marling
Rambling Man
94 bpm • F Maj • 03:16 • -8.89db
45% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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John Martyn
Over The Hill
94 bpm • A min • 02:52 • -13.01db
51% Popularity • 61% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
51% Popularity • 61% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Warren Zevon
Carmelita
94 bpm • E Maj • 03:34 • -14db
48% Popularity • 74% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 74% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Bonnie Prince Billy
Rubin and Cherise
86 bpm • F Maj • 05:46 • -5.39db
37% Popularity • 31% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
37% Popularity • 31% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Elvis Costello
Brilliant Mistake
95 bpm • C Maj • 03:45 • -6.09db
38% Popularity • 61% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 61% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Ron Sexsmith
Heart With No Companion
95 bpm • C# Maj • 03:09 • -13.21db
25% Popularity • 63% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 63% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Billy Bragg
There Is Power in a Union
95 bpm • G Maj • 02:48 • -5.4db
37% Popularity • 45% Danceability • 54% Energy • 44% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 45% Danceability • 54% Energy • 44% Liveness
0% Instrumentalness • 55% Positiveness
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Golden Smog
Radio King
85 bpm • G Maj • 03:09 • -12.2db
36% Popularity • 64% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 64% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Warren Zevon
Accidentally Like a Martyr
86 bpm • G Maj • 03:06 • -8.53db
30% Popularity • 61% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 61% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
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Okkervil River
John Allyn Smith Sails
95 bpm • E Maj • 04:33 • -8.03db
30% Popularity • 35% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 35% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
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Blaze Foley
If I Could Only Fly
96 bpm • B Maj • 04:04 • -15.67db
42% Popularity • 60% Danceability • 13% Energy • 11% Liveness
4% Instrumentalness • 43% Positiveness
42% Popularity • 60% Danceability • 13% Energy • 11% Liveness
4% Instrumentalness • 43% Positiveness
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Ron Sexsmith
Words We Never Use
95 bpm • D Maj • 03:03 • -12.94db
26% Popularity • 57% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 57% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Billy Bragg
Tomorrow's Going to Be a Better Day
85 bpm • C# min • 03:10 • -14.64db
14% Popularity • 51% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 51% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Kurt Vile
Rollin With The Flow
96 bpm • D Maj • 02:59 • -7db
42% Popularity • 56% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 56% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Neil Young with The Stray Gators
Journey Through the Past
96 bpm • C Maj • 02:21 • -11.93db
44% Popularity • 52% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 52% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Smog
Dress Sexy At My Funeral
96 bpm • G min • 05:30 • -12db
39% Popularity • 46% Danceability • 49% Energy • 11% Liveness
8% Instrumentalness • 70% Positiveness
39% Popularity • 46% Danceability • 49% Energy • 11% Liveness
8% Instrumentalness • 70% Positiveness
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Pete Molinari
Sweet Louise
84 bpm • A# Maj • 04:04 • -7db
23% Popularity • 53% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 53% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Johnny Flynn
Brown Trout Blues
84 bpm • E Maj • 05:02 • -11.12db
35% Popularity • 50% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 50% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Billy Bragg
Between the Wars
96 bpm • D Maj • 02:30 • -8.66db
31% Popularity • 60% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 60% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Kevin Morby
Farewell Transmission
84 bpm • C# Maj • 06:57 • -10db
42% Popularity • 53% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 53% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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The New Pornographers
Challengers
83 bpm • D Maj • 03:31 • -9db
44% Popularity • 60% Danceability • 39% Energy • 11% Liveness
5% Instrumentalness • 30% Positiveness
44% Popularity • 60% Danceability • 39% Energy • 11% Liveness
5% Instrumentalness • 30% Positiveness
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The Handsome Family
Just Like Tom Thumb's Blues
98 bpm • D Maj • 05:39 • -10.08db
31% Popularity • 56% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 56% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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The Replacements
Skyway - 2008 Remaster
83 bpm • F Maj • 02:06 • -12db
38% Popularity • 39% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 39% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Blitzen Trapper
Lady On the Water
98 bpm • D min • 02:26 • -15.71db
51% Popularity • 45% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
51% Popularity • 45% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Billy Bragg
I Keep Faith
83 bpm • D Maj • 04:34 • -7.59db
15% Popularity • 58% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 58% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Nick Drake
Pink Moon
82 bpm • D# Maj • 02:04 • -8.47db
70% Popularity • 64% Danceability • 43% Energy • 12% Liveness
9% Instrumentalness • 40% Positiveness
70% Popularity • 64% Danceability • 43% Energy • 12% Liveness
9% Instrumentalness • 40% Positiveness
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The Decemberists
June Hymn
98 bpm • A Maj • 03:57 • -6.41db
44% Popularity • 59% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
44% Popularity • 59% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Gram Parsons
A Song for You - 2002 Remaster
98 bpm • A Maj • 05:00 • -13.34db
35% Popularity • 44% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 44% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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The Magnetic Fields
The Book of Love
99 bpm • G Maj • 02:42 • -13.29db
60% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Eef Barzelay
The Ballad of Bitter Honey
99 bpm • D Maj • 03:34 • -10.14db
30% Popularity • 60% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 60% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Cat Power
Lived in Bars
99 bpm • G Maj • 03:44 • -10db
42% Popularity • 51% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 51% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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George Harrison
Mama You've Been on My Mind (Demo)
99 bpm • A Maj • 03:05 • -15.51db
43% Popularity • 64% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 64% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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The Be Good Tanyas
Draft Daughter's Blues aka Ootischenia
99 bpm • C Maj • 03:21 • -8.24db
48% Popularity • 56% Danceability • 58% Energy • 11% Liveness
6% Instrumentalness • 76% Positiveness
48% Popularity • 56% Danceability • 58% Energy • 11% Liveness
6% Instrumentalness • 76% Positiveness
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Blaze Foley
Clay Pigeons
81 bpm • F# Maj • 03:00 • -14.62db
51% Popularity • 39% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
51% Popularity • 39% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Levellers
Hope St.
81 bpm • D Maj • 03:37 • -8.76db
13% Popularity • 43% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 43% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Joe Henry
Ohio Air Show Plane Crash
81 bpm • A Maj • 06:29 • -8.53db
11% Popularity • 67% Danceability • 71% Energy • 8% Liveness
39% Instrumentalness • 63% Positiveness
11% Popularity • 67% Danceability • 71% Energy • 8% Liveness
39% Instrumentalness • 63% Positiveness
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Van Morrison
Astral Weeks - 1999 Remaster
81 bpm • A Maj • 07:06 • -14.81db
51% Popularity • 45% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
51% Popularity • 45% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Neko Case
Buckets of Rain - Live
81 bpm • D Maj • 02:48 • -12.24db
33% Popularity • 56% Danceability • 30% Energy • 70% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 56% Danceability • 30% Energy • 70% Liveness
0% Instrumentalness • 48% Positiveness
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Vic Chesnutt
Flirted With You All My Life
100 bpm • F Maj • 04:41 • -12db
36% Popularity • 61% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 61% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Billy Bragg
Help Save the Youth of America
81 bpm • G Maj • 02:48 • -2.96db
26% Popularity • 50% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 50% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Tift Merritt
Traveling Alone
81 bpm • D Maj • 04:44 • -11db
47% Popularity • 51% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 51% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Iris DeMent
Let the Mystery Be
80 bpm • F Maj • 02:46 • -12db
44% Popularity • 66% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
44% Popularity • 66% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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The Felice Brothers
Love Me Tenderly
80 bpm • F# Maj • 03:40 • -7db
38% Popularity • 59% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 59% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Jake Xerxes Fussell
Have You Ever Seen Peaches Growing on a ...
80 bpm • E Maj • 06:09 • -6.45db
35% Popularity • 53% Danceability • 55% Energy • 10% Liveness
9% Instrumentalness • 35% Positiveness
35% Popularity • 53% Danceability • 55% Energy • 10% Liveness
9% Instrumentalness • 35% Positiveness
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Phil Ochs
When I'm Gone
80 bpm • D# Maj • 04:13 • -19.04db
42% Popularity • 40% Danceability • 9% Energy • 72% Liveness
0% Instrumentalness • 24% Positiveness
42% Popularity • 40% Danceability • 9% Energy • 72% Liveness
0% Instrumentalness • 24% Positiveness
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Billy Bragg
St. Swithin's Day
101 bpm • D Maj • 03:54 • -8.56db
24% Popularity • 48% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 48% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 17% Positiveness
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John Prine
Lake Marie
80 bpm • G Maj • 06:00 • -9.68db
41% Popularity • 64% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 64% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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Richard Buckner
Ariel Ramirez
101 bpm • D Maj • 02:17 • -12.63db
31% Popularity • 54% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 54% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Chris Smither
Leave The Light On
101 bpm • D Maj • 03:47 • -9.86db
18% Popularity • 54% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 60% Positiveness
18% Popularity • 54% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 60% Positiveness
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Lambchop
Six O'clock News
80 bpm • G Maj • 04:23 • -13.22db
22% Popularity • 61% Danceability • 46% Energy • 8% Liveness
78% Instrumentalness • 22% Positiveness
22% Popularity • 61% Danceability • 46% Energy • 8% Liveness
78% Instrumentalness • 22% Positiveness
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The Be Good Tanyas
For The Turnstiles
80 bpm • F Maj • 04:26 • -8db
41% Popularity • 55% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 55% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Billy Bragg
Do Unto Others
101 bpm • C Maj • 04:08 • -11.81db
8% Popularity • 69% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 69% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Neko Case
John Saw That Number
80 bpm • D Maj • 04:05 • -5.81db
29% Popularity • 47% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 47% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Kurt Vile
Wakin on a Pretty Day
102 bpm • B Maj • 09:30 • -8.16db
52% Popularity • 38% Danceability • 78% Energy • 26% Liveness
75% Instrumentalness • 55% Positiveness
52% Popularity • 38% Danceability • 78% Energy • 26% Liveness
75% Instrumentalness • 55% Positiveness
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Belle and Sebastian
Get Me Away from Here, I'm Dying
80 bpm • F# Maj • 03:25 • -9.59db
55% Popularity • 54% Danceability • 62% Energy • 74% Liveness
0% Instrumentalness • 70% Positiveness
55% Popularity • 54% Danceability • 62% Energy • 74% Liveness
0% Instrumentalness • 70% Positiveness
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Golden Smog
Glad and Sorry
80 bpm • E Maj • 03:33 • -7.73db
25% Popularity • 58% Danceability • 62% Energy • 7% Liveness
2% Instrumentalness • 60% Positiveness
25% Popularity • 58% Danceability • 62% Energy • 7% Liveness
2% Instrumentalness • 60% Positiveness
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Donovan
Colours
102 bpm • E Maj • 02:44 • -15.61db
49% Popularity • 45% Danceability • 48% Energy • 39% Liveness
62% Instrumentalness • 68% Positiveness
49% Popularity • 45% Danceability • 48% Energy • 39% Liveness
62% Instrumentalness • 68% Positiveness
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Billy Bragg
Goodbye, Goodbye
80 bpm • B Maj • 03:16 • -13.61db
11% Popularity • 61% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 61% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Daniel Romano
Time Forgot (To Change My Heart)
79 bpm • F# min • 04:00 • -9.09db
35% Popularity • 50% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 50% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
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Ron Sexsmith
Just My Heart Talkin'
102 bpm • D# Maj • 02:22 • -10.65db
20% Popularity • 55% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 55% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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The Felice Brothers
Greatest Show on Earth
79 bpm • C min • 05:30 • -8.71db
23% Popularity • 61% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 42% Positiveness
23% Popularity • 61% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 42% Positiveness
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Golden Smog
Pecan Pie
102 bpm • G Maj • 02:53 • -12db
27% Popularity • 50% Danceability • 57% Energy • 50% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 50% Danceability • 57% Energy • 50% Liveness
0% Instrumentalness • 78% Positiveness
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Camera Obscura
Tougher Than the Rest
103 bpm • C# Maj • 03:44 • -6.89db
31% Popularity • 50% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 50% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Billy Bragg
The Man in the Iron Mask
79 bpm • A min • 02:13 • -12.12db
26% Popularity • 61% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 61% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Crooked Fingers
Sleep All Summer
103 bpm • A Maj • 04:42 • -11.08db
28% Popularity • 41% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
28% Popularity • 41% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
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Gord Downie
Chancellor
103 bpm • C Maj • 04:25 • -11db
30% Popularity • 70% Danceability • 40% Energy • 12% Liveness
62% Instrumentalness • 45% Positiveness
30% Popularity • 70% Danceability • 40% Energy • 12% Liveness
62% Instrumentalness • 45% Positiveness
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Jay Farrar
California Zephyr
78 bpm • G Maj • 02:23 • -9.46db
36% Popularity • 39% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 39% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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The Waterboys
Sweet Thing - 2006 Remaster
104 bpm • A Maj • 07:12 • -6db
41% Popularity • 37% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
41% Popularity • 37% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Ron Sexsmith
Tell Me Again
78 bpm • C# min • 02:36 • -14.59db
27% Popularity • 42% Danceability • 43% Energy • 11% Liveness
4% Instrumentalness • 54% Positiveness
27% Popularity • 42% Danceability • 43% Energy • 11% Liveness
4% Instrumentalness • 54% Positiveness
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Golden Smog
Please Tell My Brother
78 bpm • F Maj • 02:10 • -12.73db
33% Popularity • 64% Danceability • 11% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 64% Danceability • 11% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Tim Hardin
Black Sheep Boy
78 bpm • C# Maj • 01:53 • -12db
47% Popularity • 57% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
47% Popularity • 57% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Uncle Tupelo
Whiskey Bottle
104 bpm • A Maj • 04:46 • -12.86db
25% Popularity • 37% Danceability • 25% Energy • 13% Liveness
2% Instrumentalness • 17% Positiveness
25% Popularity • 37% Danceability • 25% Energy • 13% Liveness
2% Instrumentalness • 17% Positiveness
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Joe Henry
Grave Angels
104 bpm • C Maj • 05:31 • -9.33db
23% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Billy Bragg
Rock Island Line
78 bpm • F Maj • 02:55 • -6.94db
28% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
