Songs like Run for Your Life by Jack Peñate
Based on a tempo of (+/- 10%) and a similar genre
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Jack Peñate
Run for Your Life
176 bpm • C# Maj • 03:35 • -4.76db
15% Popularity • 43% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 43% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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The Libertines
Don't Look Back into the Sun
176 bpm • C min • 03:00 • -3.99db
63% Popularity • 21% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
63% Popularity • 21% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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The Futureheads
Man Ray
175 bpm • A# Maj • 02:18 • -4.11db
19% Popularity • 42% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 42% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Cajun Dance Party
Colourful Life
177 bpm • E Maj • 03:30 • -3.05db
25% Popularity • 21% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 21% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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The Hoosiers
Worried About Ray
174 bpm • A min • 02:46 • -4db
47% Popularity • 49% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
47% Popularity • 49% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Young Knives
Counters
178 bpm • B min • 04:10 • -2.73db
9% Popularity • 53% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 53% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Air Traffic
Just Abuse Me
174 bpm • F Maj • 02:32 • -3.82db
18% Popularity • 31% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 31% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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The Enemy
No Time for Tears
177 bpm • B min • 05:13 • -6.4db
25% Popularity • 43% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 43% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
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Jack Peñate
Let's All Die
173 bpm • A Maj • 03:27 • -4.69db
12% Popularity • 41% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 41% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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The Holloways
F**k Ups
179 bpm • A Maj • 03:09 • -2db
9% Popularity • 26% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 26% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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The Fratellis
Cuntry Boys & City Girls
179 bpm • F# Maj • 03:31 • -3.7db
34% Popularity • 43% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
34% Popularity • 43% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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The Ordinary Boys
Life Will Be the Death of Me
172 bpm • D Maj • 02:21 • -5.21db
16% Popularity • 46% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 46% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Jamie T
Man Not A Monster
173 bpm • F min • 02:58 • -4.06db
12% Popularity • 44% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 44% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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The Rakes
We Danced Together
180 bpm • C# min • 03:53 • -6db
31% Popularity • 51% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 51% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Air Traffic
Get in Line
172 bpm • G Maj • 02:06 • -2.8db
13% Popularity • 29% Danceability • 96% Energy • 3% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 29% Danceability • 96% Energy • 3% Liveness
0% Instrumentalness • 49% Positiveness
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Reverend And The Makers
What the Milkman Saw
180 bpm • G Maj • 02:56 • -2.94db
25% Popularity • 51% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
25% Popularity • 51% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Jack Peñate
GMT
172 bpm • A min • 04:14 • -9.03db
5% Popularity • 62% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
5% Popularity • 62% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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The Futureheads
Carnival Kids
180 bpm • A Maj • 02:45 • -3db
17% Popularity • 34% Danceability • 97% Energy • 46% Liveness
2% Instrumentalness • 44% Positiveness
17% Popularity • 34% Danceability • 97% Energy • 46% Liveness
2% Instrumentalness • 44% Positiveness
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Get Cape. Wear Cape. Fly
An Oak Tree
172 bpm • E min • 02:29 • -6.07db
15% Popularity • 58% Danceability • 93% Energy • 52% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 58% Danceability • 93% Energy • 52% Liveness
0% Instrumentalness • 68% Positiveness
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Doves
Black And White Town
172 bpm • C# Maj • 04:15 • -6.23db
43% Popularity • 31% Danceability • 85% Energy • 11% Liveness
36% Instrumentalness • 23% Positiveness
43% Popularity • 31% Danceability • 85% Energy • 11% Liveness
36% Instrumentalness • 23% Positiveness
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Guillemots
Trains To Brazil
172 bpm • C# Maj • 04:02 • -5.72db
35% Popularity • 26% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 26% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Golden Silvers
Magic Touch
171 bpm • C Maj • 04:05 • -6.37db
14% Popularity • 36% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 36% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Jack Peñate
Let Me Believe
172 bpm • C# min • 04:17 • -8.05db
5% Popularity • 57% Danceability • 62% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
5% Popularity • 57% Danceability • 62% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
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The Futureheads
Decent Days and Nights
172 bpm • E Maj • 02:32 • -2.96db
36% Popularity • 53% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 53% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Get Cape. Wear Cape. Fly
Call Me Ishmael
170 bpm • B Maj • 03:52 • -7.04db
20% Popularity • 62% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 62% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Little Man Tate
This Girl Isn't My Girlfriend
170 bpm • C Maj • 03:03 • -4.53db
16% Popularity • 39% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 39% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Cajun Dance Party
Buttercups
170 bpm • E Maj • 05:23 • -5.75db
9% Popularity • 27% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 27% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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The Libertines
What Katie Did
169 bpm • A Maj • 03:49 • -6.4db
50% Popularity • 45% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
50% Popularity • 45% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Jack Peñate
Cipralex - The Church Studio Session
180 bpm • B min • 04:09 • -13.03db
2% Popularity • 35% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
2% Popularity • 35% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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The Futureheads
A to B
170 bpm • E Maj • 02:27 • -4.48db
20% Popularity • 53% Danceability • 95% Energy • 16% Liveness
1% Instrumentalness • 89% Positiveness
20% Popularity • 53% Danceability • 95% Energy • 16% Liveness
1% Instrumentalness • 89% Positiveness
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Get Cape. Wear Cape. Fly
The Chronicles of a Bohemian Teenager (P...
172 bpm • B Maj • 04:06 • -6.76db
18% Popularity • 55% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 55% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Little Man Tate
What Your Boyfriend Said
170 bpm • A Maj • 03:55 • -5.55db
12% Popularity • 40% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 40% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Cajun Dance Party
The Next Untouchable
169 bpm • G Maj • 05:04 • -3db
19% Popularity • 31% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 31% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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The Paddingtons
First Comes First
168 bpm • C# min • 02:55 • -0.64db
14% Popularity • 21% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 21% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Reverend And The Makers
Miss Brown
168 bpm • E Maj • 03:26 • -4.13db
22% Popularity • 46% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 46% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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The Futureheads
Hounds of Love
168 bpm • A Maj • 03:02 • -3.8db
50% Popularity • 36% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
50% Popularity • 36% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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The Libertines
What Became of the Likely Lads
168 bpm • A Maj • 03:23 • -3.97db
25% Popularity • 31% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 31% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Little Man Tate
Shot At Politics
170 bpm • A Maj • 03:32 • -5.26db
10% Popularity • 44% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 44% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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The Holloways
Dancefloor
168 bpm • E Maj • 03:57 • -2.65db
18% Popularity • 26% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 26% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The Crookes
Backstreet Lovers
185 bpm • A Maj • 02:54 • -10.72db
22% Popularity • 54% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 54% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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One Night Only
You and Me
185 bpm • C Maj • 03:24 • -5.53db
20% Popularity • 47% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 47% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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The Hoosiers
Goodbye Mr A
186 bpm • E Maj • 04:26 • -3.26db
54% Popularity • 47% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
54% Popularity • 47% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Tribes
Corner Of An English Field
186 bpm • A Maj • 03:41 • -4.68db
23% Popularity • 26% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 26% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Babyshambles
A'rebours
166 bpm • A Maj • 03:23 • -5.74db
28% Popularity • 36% Danceability • 79% Energy • 43% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 36% Danceability • 79% Energy • 43% Liveness
0% Instrumentalness • 81% Positiveness
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The Holloways
Re-Invent Myself?
168 bpm • D Maj • 03:27 • -2.14db
8% Popularity • 25% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 25% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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The Libertines
Can't Stand Me Now
164 bpm • E Maj • 03:23 • -3.21db
61% Popularity • 37% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
61% Popularity • 37% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Young Knives
She's Attracted To
164 bpm • D Maj • 03:06 • -5db
19% Popularity • 54% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 54% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Kasabian
Happiness
164 bpm • G Maj • 05:17 • -9.82db
31% Popularity • 44% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 44% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Tribes
We Were Children
166 bpm • E Maj • 03:00 • -3.72db
31% Popularity • 21% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 21% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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The Magic Numbers
This Is a Song
164 bpm • A Maj • 05:20 • -6.54db
28% Popularity • 40% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 40% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Reverend And The Makers
Bandits
164 bpm • F# min • 02:37 • -4.42db
26% Popularity • 57% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 57% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
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The Futureheads
Le Garage
190 bpm • A Maj • 01:45 • -3db
23% Popularity • 30% Danceability • 97% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 30% Danceability • 97% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
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The Holloways
Happiness And Penniless
164 bpm • B Maj • 02:50 • -2.93db
11% Popularity • 41% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 41% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Little Man Tate
Sexy In Latin
190 bpm • C Maj • 03:22 • -4db
36% Popularity • 24% Danceability • 89% Energy • 65% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 24% Danceability • 89% Energy • 65% Liveness
0% Instrumentalness • 54% Positiveness
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The Rakes
22 Grand Job
163 bpm • B min • 01:46 • -3.03db
35% Popularity • 49% Danceability • 95% Energy • 53% Liveness
0% Instrumentalness • 86% Positiveness
35% Popularity • 49% Danceability • 95% Energy • 53% Liveness
0% Instrumentalness • 86% Positiveness
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Young Knives
Up All Night
162 bpm • A Maj • 02:57 • -3.65db
15% Popularity • 46% Danceability • 94% Energy • 45% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 46% Danceability • 94% Energy • 45% Liveness
0% Instrumentalness • 70% Positiveness
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Delorentos
Basis of Everything
162 bpm • D Maj • 02:41 • -3.46db
15% Popularity • 34% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 34% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Larrikin Love
Downing Street Kindling - New Version
162 bpm • G Maj • 02:38 • -4db
9% Popularity • 37% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 37% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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General Fiasco
Please Take Your Time
162 bpm • G# Maj • 03:13 • -5.72db
10% Popularity • 48% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 48% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Little Man Tate
Little Big Man
162 bpm • A Maj • 03:10 • -3.47db
13% Popularity • 32% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 32% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Jack Peñate
Silence in Speech
162 bpm • D Maj • 03:57 • -7.71db
3% Popularity • 54% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
3% Popularity • 54% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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The Enemy
Gimme the Sign
162 bpm • C# Maj • 03:09 • -3.01db
17% Popularity • 29% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 29% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Cajun Dance Party
The Firework
161 bpm • G Maj • 03:36 • -4db
11% Popularity • 35% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 35% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
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The Futureheads
Robot
162 bpm • A Maj • 02:00 • -3db
18% Popularity • 44% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 44% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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The Ordinary Boys
Brassbound
161 bpm • B Maj • 03:02 • -6.59db
14% Popularity • 50% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 50% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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The Rumble Strips
Alarm Clock
161 bpm • A Maj • 03:13 • -3db
16% Popularity • 48% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 48% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Little Man Tate
Audrey Hepburn
160 bpm • C Maj • 03:54 • -5.93db
17% Popularity • 44% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 44% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Athlete
Beautiful
160 bpm • D Maj • 03:47 • -5.72db
26% Popularity • 40% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 40% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Cajun Dance Party
Amylase
161 bpm • F Maj • 03:41 • -2db
30% Popularity • 10% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 10% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Get Cape. Wear Cape. Fly
Let the Journey Begin
160 bpm • F Maj • 03:45 • -6.57db
10% Popularity • 73% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 73% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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The Ordinary Boys
Weekend Revolution
161 bpm • B min • 03:05 • -4.05db
12% Popularity • 40% Danceability • 98% Energy • 4% Liveness
1% Instrumentalness • 51% Positiveness
12% Popularity • 40% Danceability • 98% Energy • 4% Liveness
1% Instrumentalness • 51% Positiveness
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Jack Peñate
Scars
160 bpm • A# min • 03:22 • -6.03db
4% Popularity • 34% Danceability • 86% Energy • 58% Liveness
52% Instrumentalness • 63% Positiveness
4% Popularity • 34% Danceability • 86% Energy • 58% Liveness
52% Instrumentalness • 63% Positiveness
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Little Comets
Isles
159 bpm • B Maj • 02:43 • -5db
26% Popularity • 52% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 52% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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The Holloways
Diamonds And Pearls
158 bpm • G Maj • 03:34 • -4db
8% Popularity • 36% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 36% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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The Enemy
Away from Here - US Version
158 bpm • C# Maj • 03:00 • -5db
43% Popularity • 50% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 50% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Pull Tiger Tail
Let's Lightning
158 bpm • A Maj • 03:35 • -4db
14% Popularity • 43% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 43% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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The Ordinary Boys
Maybe Someday
196 bpm • D Maj • 02:19 • -3.18db
14% Popularity • 25% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 25% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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Jack Peñate
Murder - The Church Studio Session
158 bpm • G min • 04:43 • -12.15db
2% Popularity • 47% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
2% Popularity • 47% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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The Wombats
Jump into the Fog - Radio Edit
158 bpm • C# min • 03:37 • -4db
16% Popularity • 44% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 44% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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The Crookes
Maybe in the Dark
158 bpm • B Maj • 02:28 • -3.7db
14% Popularity • 48% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 48% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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The Holloways
So This Is Great Britain?
158 bpm • B Maj • 03:01 • -2.61db
13% Popularity • 38% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 38% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Babyshambles
Babyshambles
197 bpm • E min • 02:22 • -4.36db
16% Popularity • 19% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 19% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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The Ordinary Boys
Talk Talk Talk
158 bpm • C Maj • 03:12 • -4.31db
24% Popularity • 55% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 55% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Air Traffic
I Like That
156 bpm • F Maj • 02:26 • -3.41db
15% Popularity • 25% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 25% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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The Cribs
Our Bovine Public
156 bpm • B Maj • 02:17 • -1.88db
24% Popularity • 31% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 31% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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The Thrills
The Irish Keep Gate-Crashing
199 bpm • F Maj • 03:09 • -3.4db
16% Popularity • 15% Danceability • 89% Energy • 19% Liveness
1% Instrumentalness • 38% Positiveness
16% Popularity • 15% Danceability • 89% Energy • 19% Liveness
1% Instrumentalness • 38% Positiveness
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Mystery Jets
Flakes
199 bpm • B Maj • 04:23 • -5.43db
26% Popularity • 18% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 18% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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The Enemy
Be Somebody
155 bpm • C# Maj • 03:04 • -4db
34% Popularity • 44% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 44% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Jack Peñate
Remember in New York
154 bpm • C min • 02:57 • -7.86db
7% Popularity • 72% Danceability • 67% Energy • 22% Liveness
2% Instrumentalness • 81% Positiveness
7% Popularity • 72% Danceability • 67% Energy • 22% Liveness
2% Instrumentalness • 81% Positiveness
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Stornoway
I Saw You Blink
154 bpm • E Maj • 03:50 • -8.13db
31% Popularity • 44% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 44% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
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The Holloways
AAA
154 bpm • A Maj • 03:21 • -4.4db
9% Popularity • 45% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 45% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Cherry Ghost
Alfred the Great
153 bpm • A Maj • 03:33 • -3.8db
12% Popularity • 30% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 30% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Mumm-ra
What Would Steve Do?
153 bpm • C Maj • 02:55 • -3.59db
24% Popularity • 38% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 38% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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The Cribs
I'm Alright Me
153 bpm • C Maj • 02:42 • -3.88db
24% Popularity • 30% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 30% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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General Fiasco
Ever so Shy
153 bpm • D# Maj • 03:24 • -5.12db
35% Popularity • 53% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 53% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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Twisted Wheel
Lucy the Castle
153 bpm • D Maj • 02:56 • -3.99db
20% Popularity • 53% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 53% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
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The Libertines
Time for Heroes
152 bpm • D Maj • 02:40 • -4db
54% Popularity • 34% Danceability • 92% Energy • 1% Liveness
0% Instrumentalness • 71% Positiveness
54% Popularity • 34% Danceability • 92% Energy • 1% Liveness
0% Instrumentalness • 71% Positiveness
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Klaxons
It's Not Over Yet
152 bpm • A Maj • 03:35 • -4db
54% Popularity • 27% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
54% Popularity • 27% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness