Songs like Run Through Walls by The Script
Based on a tempo of (+/- 10%) and a similar genre
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The Script
Run Through Walls
159 bpm • D Maj • 03:26 • -3.64db
52% Popularity • 34% Danceability • 66% Energy • 74% Liveness
0% Instrumentalness • 49% Positiveness
52% Popularity • 34% Danceability • 66% Energy • 74% Liveness
0% Instrumentalness • 49% Positiveness
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Rhys Lewis
No Right To Love You
159 bpm • C# Maj • 03:58 • -8.15db
46% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Fly By Midnight
Lovely
160 bpm • C Maj • 02:56 • -6.8db
49% Popularity • 55% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
49% Popularity • 55% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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5 Seconds of Summer
Lie To Me
160 bpm • C Maj • 02:29 • -5.45db
62% Popularity • 61% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
62% Popularity • 61% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Julia Michaels
Into You
158 bpm • A Maj • 03:12 • -7.12db
42% Popularity • 69% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
42% Popularity • 69% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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Richard Marx
Another One Down
158 bpm • D# Maj • 03:13 • -6.52db
29% Popularity • 54% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 54% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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The Script
Never Seen Anything "Quite Like You"
160 bpm • F# Maj • 03:22 • -7.37db
53% Popularity • 32% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 32% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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The Fray
Never Say Never
160 bpm • G# Maj • 04:16 • -5.77db
68% Popularity • 23% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
68% Popularity • 23% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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High Dive Heart
Pull the Cord
158 bpm • C# Maj • 04:46 • -8db
22% Popularity • 56% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 56% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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5 Seconds of Summer
Lie To Me
160 bpm • C Maj • 02:30 • -5.57db
63% Popularity • 63% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
63% Popularity • 63% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Zedd
Happy Now - Acoustic
161 bpm • E Maj • 02:32 • -6.91db
41% Popularity • 62% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 62% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Sandro Cavazza
Lean On Me
156 bpm • F# Maj • 03:02 • -7.99db
58% Popularity • 80% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
58% Popularity • 80% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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The Script
I Want It All
160 bpm • F min • 03:07 • -6.23db
52% Popularity • 44% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 44% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Isaiah Firebrace
What Happened to Us
162 bpm • C Maj • 03:07 • -5.72db
43% Popularity • 60% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
43% Popularity • 60% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Birds Of Tokyo
Good Lord
156 bpm • C Maj • 03:25 • -4.82db
45% Popularity • 53% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 53% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Forest Blakk
If You Love Her - Meghan Trainor
156 bpm • C# Maj • 03:35 • -7.16db
58% Popularity • 34% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 34% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Andreas Moe
Out of Your Body
155 bpm • G Maj • 04:28 • -9.67db
19% Popularity • 49% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 49% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Why Don't We
What Am I
164 bpm • C min • 03:04 • -4.68db
59% Popularity • 61% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
59% Popularity • 61% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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The Script
Glowing
158 bpm • A# Maj • 04:46 • -4db
44% Popularity • 44% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 44% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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James TW
My Somebody
155 bpm • G min • 03:23 • -5db
38% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Train
Mai Tais
164 bpm • B Maj • 03:44 • -6.04db
45% Popularity • 60% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
45% Popularity • 60% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
65% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
65% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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A Great Big World
i will always be there
164 bpm • E Maj • 03:26 • -5.86db
21% Popularity • 46% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 46% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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David Hodges
I Have Always Been in Love
164 bpm • C# Maj • 05:09 • -5.46db
27% Popularity • 51% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 51% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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The Script
Dare You To Doubt Me
160 bpm • A Maj • 03:11 • -3.44db
48% Popularity • 66% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 66% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Billy Lockett
Fading Into Grey
154 bpm • B Maj • 03:38 • -6db
36% Popularity • 53% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 53% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Shawn Mendes
Like To Be You
154 bpm • D Maj • 02:39 • -9.41db
56% Popularity • 74% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
56% Popularity • 74% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Rhys Lewis
No Right To Love You - Acoustic
166 bpm • C# Maj • 03:49 • -10.59db
58% Popularity • 47% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
58% Popularity • 47% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Louis Tomlinson
Don't Let It Break Your Heart - Single E...
166 bpm • A# Maj • 03:16 • -4.05db
43% Popularity • 36% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
43% Popularity • 36% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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The Fray
You Found Me
152 bpm • G# min • 04:01 • -5.41db
76% Popularity • 34% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
76% Popularity • 34% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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The Script
Nothing
157 bpm • D Maj • 04:31 • -4.96db
60% Popularity • 47% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
60% Popularity • 47% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Bebe Rexha
You Can't Stop The Girl
152 bpm • G Maj • 02:38 • -6.34db
55% Popularity • 39% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
55% Popularity • 39% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Sody
Maybe It Was Me
166 bpm • F Maj • 02:59 • -9.76db
46% Popularity • 46% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 46% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Calum Scott
If Our Love Is Wrong
152 bpm • G min • 03:23 • -5.57db
55% Popularity • 41% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
55% Popularity • 41% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Walking On Cars
Nothing's Impossible
151 bpm • A# Maj • 04:37 • -8.24db
38% Popularity • 28% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 28% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Guy Sebastian
Who I Love
168 bpm • G Maj • 04:04 • -4.96db
33% Popularity • 31% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 31% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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The Script
Nothing - Acoustic
157 bpm • D Maj • 04:20 • -6.67db
29% Popularity • 42% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 42% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Cian Ducrot
hurt so bad
168 bpm • D Maj • 04:02 • -6.53db
47% Popularity • 46% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
47% Popularity • 46% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
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Five For Fighting
What If
150 bpm • C Maj • 03:27 • -5.35db
44% Popularity • 56% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 56% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Calum Scott
Won’t Let You Down
150 bpm • E min • 03:14 • -4.78db
41% Popularity • 50% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
41% Popularity • 50% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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5 Seconds of Summer
Ghost Of You
150 bpm • A# Maj • 03:17 • -4.82db
71% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
71% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Walking On Cars
Flying High Falling Low
168 bpm • C# Maj • 04:21 • -7db
39% Popularity • 24% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 24% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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The Script
The Hurt Game
150 bpm • G# Maj • 03:48 • -5.98db
34% Popularity • 50% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 50% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Connie Talbot
I Would
150 bpm • F Maj • 03:44 • -6.19db
40% Popularity • 58% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 58% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Jasmine Thompson
Love for the Lonely
150 bpm • E min • 03:16 • -5.35db
25% Popularity • 59% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
25% Popularity • 59% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Bo Baskoro
The Color Blue
149 bpm • A Maj • 03:47 • -8.4db
22% Popularity • 49% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 49% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Rhys Lewis
Be Your Man
170 bpm • A min • 04:00 • -8.24db
37% Popularity • 52% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 52% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Walking On Cars
Try Again
170 bpm • F min • 03:46 • -6.19db
41% Popularity • 50% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 50% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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The Script
No Good in Goodbye
156 bpm • E Maj • 05:07 • -4.65db
52% Popularity • 37% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
52% Popularity • 37% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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AJ Mitchell
Down In Flames
170 bpm • D# min • 03:20 • -6.78db
38% Popularity • 54% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 54% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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P!nk
A Million Dreams
148 bpm • G Maj • 04:33 • -6.28db
66% Popularity • 31% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
66% Popularity • 31% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Hot Chelle Rae
Why Don't You Love Me
148 bpm • D Maj • 03:31 • -6.49db
50% Popularity • 53% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 53% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Niall Horan
Arms Of A Stranger
148 bpm • G# min • 02:40 • -4.87db
55% Popularity • 49% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
55% Popularity • 49% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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LANY
if this is the last time
148 bpm • B Maj • 03:23 • -7.73db
62% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
62% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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The Script
Flares
164 bpm • C min • 03:49 • -9.88db
55% Popularity • 35% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
55% Popularity • 35% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Ingrid Michaelson
Light Me Up
148 bpm • F# Maj • 04:07 • -7.84db
53% Popularity • 42% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
53% Popularity • 42% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Chord Overstreet
Love You To Death
148 bpm • E Maj • 03:19 • -9db
44% Popularity • 57% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
44% Popularity • 57% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Calum Scott
You Are The Reason
171 bpm • A# Maj • 03:24 • -7.7db
80% Popularity • 33% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
80% Popularity • 33% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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James TW
Soldier
148 bpm • F# Maj • 03:44 • -6.16db
51% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Snow Patrol
What If This Is All The Love You Ever Ge...
148 bpm • C Maj • 03:49 • -10.13db
46% Popularity • 70% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 70% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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The Script
Written in the Scars
166 bpm • A# min • 03:47 • -9.02db
42% Popularity • 60% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
42% Popularity • 60% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Julia Michaels
If You Need Me
148 bpm • C min • 03:36 • -6.89db
48% Popularity • 48% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 48% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Niall Horan
Black And White
148 bpm • D Maj • 03:13 • -6.02db
68% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
68% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Sam Smith
To Die For
172 bpm • C Maj • 03:13 • -7.87db
59% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
59% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Why Don't We
Grey
171 bpm • D Maj • 04:37 • -8.79db
56% Popularity • 30% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
56% Popularity • 30% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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AUSTN
In Betweenin'
147 bpm • D Maj • 03:12 • -4.83db
51% Popularity • 70% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
51% Popularity • 70% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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The Script
Superheroes
167 bpm • D# Maj • 04:05 • -4.12db
74% Popularity • 49% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
74% Popularity • 49% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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JP Saxe
If the World Was Ending
147 bpm • C# Maj • 03:29 • -9.97db
74% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
74% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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MAX
Where Am I At
173 bpm • G min • 03:29 • -5.82db
36% Popularity • 42% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 42% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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James Smith
Call Me When It's Over
173 bpm • F# Maj • 03:47 • -9.78db
41% Popularity • 48% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 48% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Brendan Murray
If I'm Honest
146 bpm • F# Maj • 03:07 • -7.29db
17% Popularity • 64% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 64% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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The Devil Music Co.
Sailboat Bed
146 bpm • B Maj • 04:00 • -8.19db
34% Popularity • 69% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 69% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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The Script
Six Degrees of Separation
148 bpm • E Maj • 03:52 • -4.22db
57% Popularity • 52% Danceability • 83% Energy • 90% Liveness
0% Instrumentalness • 52% Positiveness
57% Popularity • 52% Danceability • 83% Energy • 90% Liveness
0% Instrumentalness • 52% Positiveness
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Loving Caliber
She Will Never Know
174 bpm • C Maj • 03:17 • -9.73db
34% Popularity • 50% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 50% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Christina Perri
arms
145 bpm • E Maj • 04:21 • -7.24db
59% Popularity • 46% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
59% Popularity • 46% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Etham
Opposite Of Loving Me - Stripped
145 bpm • G min • 03:31 • -10.83db
44% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Jamie Grey
What Matters Most
145 bpm • F# Maj • 03:35 • -11db
31% Popularity • 63% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 63% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Daughtry
As You Are
145 bpm • B Maj • 03:40 • -6db
44% Popularity • 53% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 53% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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The Script
It's Not Right for You
172 bpm • B Maj • 04:24 • -5.49db
40% Popularity • 39% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
40% Popularity • 39% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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John Adams
Flames - 2022 Remaster
145 bpm • D Maj • 03:42 • -7.38db
17% Popularity • 52% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 52% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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The Fray
Heartbeat
144 bpm • A Maj • 03:40 • -5.08db
52% Popularity • 46% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
52% Popularity • 46% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Five For Fighting
She's My Girl
144 bpm • G# Maj • 03:26 • -6db
33% Popularity • 54% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
33% Popularity • 54% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Griff
Good Stuff
144 bpm • G Maj • 03:13 • -7.48db
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Guy Sebastian
If He Won't
144 bpm • B min • 03:20 • -4db
33% Popularity • 59% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 59% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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The Script
For the First Time
174 bpm • A Maj • 04:12 • -4.77db
68% Popularity • 39% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
68% Popularity • 39% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Alesso
Midnight
144 bpm • B min • 03:40 • -6.93db
57% Popularity • 59% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
57% Popularity • 59% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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James Smith
Tell Me That You Love Me
144 bpm • F# Maj • 03:14 • -8.75db
64% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
64% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Alex & Sierra
You Will Find Me
144 bpm • C Maj • 03:26 • -7.58db
39% Popularity • 58% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 58% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Rachel Platten
Fight Song
176 bpm • G Maj • 03:24 • -4.99db
77% Popularity • 56% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
77% Popularity • 56% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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James TW
Please Keep Loving Me
176 bpm • F Maj • 03:15 • -8.49db
63% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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The Script
No Man is an Island
145 bpm • E min • 03:50 • -6.83db
43% Popularity • 65% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
43% Popularity • 65% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Luke Friend
Hole in My Heart
176 bpm • F# Maj • 03:08 • -4.98db
36% Popularity • 40% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 40% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Jamie Lawson
The Answer
177 bpm • A# Maj • 02:51 • -5.25db
20% Popularity • 54% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 54% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Tom Grennan
This is the Place
142 bpm • C Maj • 03:05 • -4.94db
46% Popularity • 65% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 65% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Guy Sebastian
Believer
178 bpm • A Maj • 03:45 • -5.53db
47% Popularity • 38% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
47% Popularity • 38% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Derek Hough
The Ones
142 bpm • D Maj • 03:12 • -6.85db
17% Popularity • 43% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 43% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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The Script
No Man is an Island - Acoustic
145 bpm • E min • 03:59 • -5.64db
23% Popularity • 68% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 68% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Gavin DeGraw
Not Over You
142 bpm • A# Maj • 03:38 • -4.59db
65% Popularity • 63% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
65% Popularity • 63% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
